Abstract – Page 11 – The Discerning Palette

Showing 301–330 of 455 results

Memory of a Place

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A subdued and nostalgic mid-century modernist style architectural landscape composition, painted in oil onto canvas.

The painting presents a townscape with a group of buildings. Executed in a modernist, semi-abstract style, the artist has skilfully simplified the architecture into geometric shapes, deconstructing the buildings into angular planes and overlapping forms.

A restrained and muted colour palette that includes shades of greys, beige, and cream have been used. These colours enhance the tranquil yet structured atmosphere. There are hints of deep green at the lower portion, possibly representing foliage. Darker outlines subtly emphasise structure, while the layering of forms creates depth.

The brushstrokes are expressive yet controlled, with visible texture that add a light tactile quality and a sense of rawness.

This oil on canvas is housed in a complementary wood frame. The painting has light craquelure present but this is commensurate with age and the paint layer is very stable overall. The frame has some minor scuffing.

Size: 57 x 81 cm (including frame)

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Muted Horizons

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A dreamy mid-century modernist style landscape that evokes a serene yet abstract depiction of nature, executed in in oil onto canvas.

The subject matter appears to be a natural scene, potentially a field or a gentle hillside with trees in the background. The vertical shapes of the trees contrast subtly with the horizontal expanses of land and sky, adding structure to the composition.

Modernist in its ethos and with abstract qualities, there is a focus on the interaction between colour and form as opposed to realistic details.

The brushstrokes are loose and expressive, with short and broad strokes used to overlap layers of colours, which contribute to creating depth to the scene.

The palette leans towards soft muted tones, including greens and beige, complemented by hints of pinks pastel blue. These colours create a soothing and naturalistic atmosphere, evoking a sense of calm.

This oil on canvas is housed in a complementary distressed style frame with an inner gilt window. The painting is in excellent vintage condition, and the frame has some scuffs.

Size: 45 x 72 cm (including frame)

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Pastel Pastures

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A large 20th century abstract landscape painting that captures a serene natural setting with a dynamic interplay of colours and expressive brushstrokes, executed in oil onto canvas and dated ’86 on the reverse.

The composition features rolling hills, trees, and open sky, evoking a peaceful yet energetic atmosphere. The scene is loosely defined, and there is an emphasis on colour, form, and movement, over precise details, allowing the viewer to interpret the landscape through a lens of abstraction.

The artist has used a vibrant and pastel-based palette, with shades of soft greens, yellows, blues, and pinks blending harmoniously. The sky is rendered in airy blues and whites, while the trees and hills incorporate warm yellow, purples, and fresh greens, adding depth and movement to the piece.

Bold, gestural brushstrokes define the texture of the landscape, with thick impasto applications adding a sense of three-dimensionality. The expressive, sweeping strokes create a rhythmic flow, guiding the eye across the painting and enhancing its dynamic yet tranquil mood.

This oil on canvas is housed in a complementary silver frame. The painting is in excellent vintage condition. The frame has some very minor scuffing, but is is in good condition overall.

Size: 57.5 x 72.5 cm (including frame)

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Relief with Blue

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A serene and abstract contemporary Cornish still life painting, executed in oil onto board and dated 1995 on reverse.

The composition presents an assortment of domestic objects, including a jug and cups, subtly arranged within a fragmented, geometric space.

The artist has thoughtfully used an understated colour palette dominated by soft blues, muted greens, and earthy beige tones, creating a sense of calm and balance

Rendered in an abstracted, cubist-inspired style, the composition is deconstructed into overlapping and interlocking planes, giving the impression of a relief-like surface.

The artist’s brushstrokes are delicate and layered, with light visible texture that enhance the tactile quality of the piece. Thin, precise lines define the edges of the objects, while areas of soft, blended colour add depth and movement. The overall effect is both structured and fluid, evoking a quiet, meditative atmosphere.

This oil on board is housed in a complementary white frame and is framed behind glass. The painting is in good vintage condition. There are two pin holes to the left edge of the board as shown in the close up, and there are some marks to the white border. The frame has some slight wear, commensurate with age.

Size: 29 x 71 cm (including frame)

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River Pasture

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A uplifting mid-century modernist painting that captures a serene riverside landscape through a bold and semi-abstracted lens, executed in oil onto board.

A winding river flows through rolling hills with lush greenery. In the foreground, a black ox pulls a yellow cart, accompanied by a small human figure. A tall yellow structure and a ladder-like form in the foreground creates a strong vertical element, adding a sense of depth and intrigue to the composition.

The painting is executed in a modernist, semi-abstract style – as the forms are simplified and fragmented, emphasising shape and structure over detailed realism.

A harmonious palette of muted greens and blues dominate the composition, punctuated by the yellow of the structure and cart, as well as the warm red of the barn. The colour blocking technique creates a rhythmic and balanced visual experience.

The artist has used bold, deliberate strokes. And the brushwork is expressive yet controlled, with visible texture and layering adding depth to the flat planes of colour.

This oil on board is housed in a complementary champagne painted wood frame. The painting is in excellent vintage condition, and the frame has minor scuffing.

Size: 54 x 63 cm (including frame)

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Rolling Hills

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A soothing yet dynamic mid-century modernist style landscape composition with a strong focus on colour and brushwork, executed in oil onto board.

The painting depicts a countryside scene, featuring rolling hills, patches of vegetation, and open fields.

Leaning towards modernist abstraction, the artist has skilfully deconstructed and simplified the landscape into blocks of contrasting colour and expressive brushstrokes. All realistic details have been omitted, and the focus is on the mood and essence of the environment.

The colour palette is dominated by muted earthy tones such as browns, greens, and yellows, which effectively convey the natural landscape. These hues are balanced with muted whites and soft greys in the sky . The overall tonality is harmonious and subdued, reflecting the tranquillity of the scene.

The brushstrokes are loose and dynamic, with visible textures that bring movement and depth to the painting. The layered technique adds complexity and character to the visual narrative, and emphasises the lushness of the nature landscape.

This oil on board is housed in a complementary slim silver frame. Both the painting and frame are in excellent condition.

Size: 37 x 64 cm (including frame)

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Study XXXV

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A fun and playful contemporary modernist style painting on wood, dated 2023.

With a focus on bold colours and shapes, this graphic composition features a variety of circles and semi circles arranged on a mustard yellow surface. Over these painted shapes, the artist has created further lines that cross and intersect over the shapes, adding to the textural effect. Further to this, the wooden panels are a combination of 2 separate two pieces that have been fitted together, adding a constructed sculptural element to the artwork.

Painted with emulsion and varnished, the panels are presented in a tray frame, appearing to ‘float’ within, giving the painting its modern feel. The painted panels and frame are in excellent condition.

Size: 36 x 26.5 cm (including frame)

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Terracotta & Blue

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A large and very well executed mid century modernist abstract composition in oil, dated ’63.

This expressionist composition features broad, expressive, and gestural brushstrokes, giving us the sense that the artist was painting quite spontaneously. The palette is minimal, with a focus mostly on browns and blues. A myriad of shapes and planes of colour seems to combine effortlessly, including areas that have been marked out with the back of the paint brush, creating a sgraffito effect. A round shape sits just below the centre of the composition, creating a focal point for the viewers, with the expressive brushstrokes radiating out from it.

This large oil on canvas is framed in a very well suited simple wood frame. Both the painting and frame are in very good vintage condition.

Size: 74 x 93.5 cm (including frame)

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Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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The Stall

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A small but very impactful mid century modernist composition, painted in oil onto board, by the established Swedish artist Ivar Morsing (1919-2009), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Kalmar Museum, and Jönköping Museum.

This painting depicts a vegetable stand scene with two figures engaging with their produce at the stand. The style is expressionistic, characterized by loose brushstrokes and an emphasis on light, movement, and mood rather than precise details.

The central figure, dressed in dark clothing, appears to be sorting or arranging vegetables, with their face softly blurred, adding a sense of anonymity and universality to the scene. The second figure in the background is similarly painted with loose, gestural strokes, suggesting movement and activity in the market setting.

The colour palette consists of earthy tones, with yellows, greens, and browns, representing the fresh vegetables, possibly cabbages or lettuce, laid out on the stand. The contrast between the lighter background and the darker foreground elements helps create a sense of depth and focus on the workers.

The painting conveys a sense of daily life and labour, celebrating the simple, honest work of market vendors. The expressive brushwork and soft blending of forms give the piece an almost dreamlike quality, evoking both the bustling atmosphere of a marketplace and the quiet dedication of its workers.

The painting is very elegantly presented in a slim gilt frame. The painting is in excellent vintage condition. The frame has some slight scuffing, and a small bump to its lower right corner, as shown.

Size: 28 x 27 cm (including frame)

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This Ground I’ve Walked, I’ve Walked Before (Very Large)

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A very large abstract painting by contemporary British artist Frances Daws, executed in acrylic onto canvas and dated 2024.

This Ground I’ve Walked, I’ve Walked Before is a reflection of a known landscape for Frances – the distinct yellow fields and green hills of England in summer. The painting has a beautifully composed complimentary poem (see below), which talks about how places stick within your very being. You may walk through places you never have before and yet find and feel a very real connection to the place and it’s steeped history.

‘This ground I’ve walked, I’ve walked before. I know it’s oddities, it’s dangling limbs, It’s buried roots, it’s ancient trees. Oak, elder, pine, we are all friends. I breathe it’s forests, eyes closed, hands open. I soak in it’s seas and run down it’s hills. It’s rooted within me, a lived history within every new step. I know this ground, I’ve walked it before.’

Painted on stretched canvas and with its edges painted in soft yellow, it is beautifully presented in a white tray frame. The painting and the frame are in excellent condition. It comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ – a form of mapping the landscape through the emotive language of colour.

Size: 105 x 105 cm

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Under the Paris Sky

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A tranquil and ethereal mid-century cityscape that beautifully captures the quiet movement of daily life in Montmartre in France, executed in oil onto canvas.

The composition captures a Parisian scene with the iconic domes of the Sacré-Cœur Basilica enveloped in a misty, dreamlike atmosphere. In the foreground, abstracted figures are strolling on a reflective path surrounded by lush greenery, their dark silhouettes providing a striking contrast to the luminous backdrop. A thin black tree branch frames the left side of the foreground, adding depth and structure to the scene.

There is a striking interplay of colours – as the background glows with a warm golden yellow, fading into soft pastel hues of peach, pink, and lavender, lending the impression of dawn or dusk light. In contrast, the deep greens in the lower half of the painting anchor the composition, representing the grass and walkways with expressive, painterly strokes.

The brushwork is fluid yet intentional, blending soft gradients with bold strokes to create movement and light. Using thin, precise outlines, the subtle contouring around the silhouette of the basilica enhances its architectural shape while maintaining an ethereal, dreamlike quality.

Furthermore, by deliberately leaving areas of the canvas unoccupied, the artist has skilfully utilised negative space to draw attention to the boundaries between each element.

This oil on canvas is housed in complementary wood frame with an inner linen lining. Both the painting and frame are in excellent vintage condition.

Size: 57 x 31.5 cm (including frame)

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Under the Trees

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A large mid century modernist abstract figurative composition, painted in oil onto canvas by the established Swedish female artist Brita Hansson (1918-1979).

This painting is a bold and expressive abstract figurative composition depicting a lively outdoor scene. The artwork uses a cubist and abstract expressionist style with vibrant colours and geometric shapes to represent figures, trees, and architectural elements.

The central focus is on a group of people, dressed in reds, blues, and purples, interacting under tall, stylized trees with dark, angular trunks and patches of green foliage. The background consists of soft blues and yellows, possibly indicating sky and sunlight filtering through the trees.

The thick, textured brushstrokes and layered paint create depth and movement, while the fragmented shapes give the impression of a dynamic, bustling environment—perhaps a marketplace or a street scene.

The painting is housed in a very well made deep profile gilt frame, which enhances its elegance and warmth. The painting has scattered areas of craquelure, as well as areas of paint loss to the upper section, as shown in the close ups.

Size: 80.5 x 51 cm (including frame)

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Abstract Pair

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A striking pair of mid-century modernist abstract compositions, executed in oil onto canvas and sold as a set.

The artworks showcase a dynamic interplay of geometric forms in a vibrant, structured arrangement. The works are set against a bold yellow background, with carefully placed circles, squares, triangles, and rectangles in vivid primary and secondary colours. The compositions create a sense of balance and movement, reflecting the influence of Bauhaus and Constructivist principles.

The colour palette is rich and vivid, adding a lively and energetic quality to the works.

The brushstrokes appear smooth and deliberate, indicative of a precise and clean application of paint, with a focus on sharp edges and defined shapes rather than gestural or expressive marks.

These oil on canvas paintings are housed in complementary gilt frames. The painting on the left has a small loss at the top edge of the canvas as shown in close up. The painting on the right has a very small loss along the top edge of canvas as shown, but this is only noticeable upon closer inspection. Otherwise, both paintings are in very good vintage condition.

Size of each artwork: 74 x 64 cm (including frame)

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Blue Chairs

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A minimalist and inviting composition that presents a tranquil seaside setting, painted in oil onto board and dated 1982.

Two empty blue chairs punctuate the composition, and are subtly placed on a sandy shore. The horizon line delicately separates the soft pink sky from the muted blue ocean, evoking a dreamlike stillness. Executed in a minimalist and semi-abstract style, the composition emphasises simplicity, and conveys a sense of quiet anticipation and nostalgia, as if capturing the remnants of a conversation or an intimate moment left behind.

The artist has used a restrained palette dominated by pastel tones—muted pinks, warm beige, and soft blues. The gentle contrast between these hues enhances the overall sense of calm and harmony, with the blue chairs standing out as focal points against the subdued background.

The brushwork is delicate and layered, blending colours to create an impressionistic haze that blurs the boundaries between sky, sea, and sand, and reinforcing the ethereal mood of the scene.

This oil on board is housed in a complementary gilt frame. The painting is in excellent vintage condition. The frame has a small area of paint loss at its lower edge as shown.

Size: 56 x 66.5 cm (including frame)

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Fading Tide

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A soothing and evocative mid-century abstract coastal landscape that captures the quiet beauty of a shoreline, painted in oil onto canvas and dated 1960.

The composition is divided into layered horizontal bands, suggesting the sea, sky, and land. The horizon line is subtly softened, creating a sense of depth and atmospheric perspective.

The artist has used a muted palette, comprising of cool blues and greys dominating the upper section to represent the sky and distant sea, while the middle ground features off-whites and sandy beiges, suggesting a shoreline. The foreground contrasts with deep browns and blacks, adding depth and grounding the composition.

The painting embraces an abstract, impressionistic approach with expressive and gestural brushwork. The emphasis is on texture and layering rather than fine details, allowing the viewer to interpret the landscape with a sense of emotion and mood rather than realistic details.

This oil on canvas is housed in a complementary silver frame with an inner linen lining. The painting is in excellent vintage condition. The frame has some scuffing at its top left corner.

Size: 38 x 66 cm (including frame)

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Forest Path

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An expressive and emotive contemporary landscape painting, executed in oil onto canvas and dated 2010.

The composition captures a lush, sunlit forest scene with a winding path leading into the distance. It is filled with dynamic trees, foliage, and dappled light filtering through the canopy, creating an immersive and energetic natural landscape.

Containing element of fauvism, the painting emphasises bold colour and expressive brushwork rather than strict realism. The scene conveys emotion and movement rather than precise detail.

The colour palette is rich and vibrant, imbuing the scene with a lively quality.

The brushwork is loose, gestural, and dynamic, with painterly strokes that add texture and energy to the canvas. The artist applies paint in a raw, expressive manner, layering colours and allowing them to blend in some areas while maintaining stark contrasts in others. The bold, unblended strokes contribute to the painting’s overall sense of spontaneity and intensity.

This oil on canvas is housed in a complementary slim wood frame. Both painting and frame are in excellent vintage condition.

Size: 46 x 52 cm (including frame)

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Geometric Abstract in Cinammon

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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

The grid consists of six distinct blocks in a mix of muted blues, whites, grays, and earthy reds, contrasting subtly against the warm, burnt sienna or rust-colored background. The grid arrangement is asymmetrical, giving the piece a sense of modernist abstraction while maintaining an organic, handmade feel.

The rough, textured background and carefully arranged geometric shapes suggest an aesthetic influenced by wabi-sabi, Bauhaus, or modernist minimalism, emphasizing simplicity, imperfection, and material presence. The painting has a calm, meditative quality, inviting contemplation of form, texture, and colour relationships.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang,

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

Size: 25 X 30 cm (including frame)

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Matador in Yellow

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A striking mid-century painting that captures a dramatic bullfighting scene, painted in oil onto board.

The composition presents a matador in a bright yellow suit confronting a powerful black bull, waving a pink and red cape.

Executed in an expressive, semi-abstract style with bold, gestural brushstrokes, the forms are simplified and the painting emphasises movement and emotion over realism.

The palette is bold and limited, consisting mainly of black, pink, red, and yellow. The black of the bull contrasts sharply against the bright pink and red of the cape, while the matador’s yellow suit stands out against a dark background, creating a dramatic visual impact.

The thick, impasto brushstrokes add a raw, almost sculptural quality to the painting, reinforcing the energy of the scene.

This oil on board is set in a frame with a complementary silver frame. Both the painting and frame are in excellent vintage condition.

Size: 36.5 x 54 cm (including frame)

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Passage of Time

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A striking and brilliantly executed mid-century modernist figurative composition, painted in oil onto board by the established Swedish female artist Brita Hansson (1918-1979).

The painting presents a dynamic group of abstracted human forms, seemingly in motion. The figures are elongated, rendered in deep reds, blues, greens, and earthy tones, set against a muted turquoise and grey background. The composition suggests a moment of interaction, perhaps a procession or gathering, evoking a sense of mystery.

The artist has used an expressive and gestural style, characterised by bold, angular forms and overlapping shapes. By masterfully layering contrasting shades through the use of short and swift brushstrokes, there is a sense of movement created through the loose, yet deliberate application of colour and line, reinforcing the theme of fluidity and transition.

This oil on board is housed in a complementary wide-profiled gilt frame. The painting is in excellent vintage condition. The frame has minor scuffing but is in good condition overall.

Size: 43 x 54 cm (including frame)

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Picking Flowers

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A large and very well executed mid century modernist figurative composition in oil, painted onto canvas by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

This painting features two abstracted figures depicted in a bold, minimalist, and colorful style. The focus is on shape, colour, and form rather than intricate details, creating a modern, stylized composition.

Two faceless figures stand close together, occupying the central focus of the composition. Their simplified forms are outlined subtly, emphasizing their relationship through their proximity and body language. The stark contrast between the vibrant figures and the abstract, fragmented background adds depth and visual interest.

The background consists of dynamic, curved shapes and layered colours, creating a sense of movement and energy. The abstract shapes seem to frame the figures, drawing attention to them while adding an expressive, playful quality.

The figures appear connected, perhaps siblings or close friends, standing in a moment of quiet companionship. The abstract background and faceless figures lend a sense of mystery, leaving us viewers to interpret the scene and relationship.

This painting is a bold, modern exploration of human connection through abstraction. The vibrant figures, juxtaposed with the dynamic background, evoke a sense of energy and intimacy. Its simplicity, bright colors, and lack of detail make it a striking and open-ended work, inviting viewers to engage with its emotional undertones and visual rhythm.

This large oil on canvas is framed in a simple, silver toned frame that complements its modern, minimalist aesthetic. Both painting and frame are in excellent vintage condition.

Size: 82.5 x 62.5 cm (including frame)

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Spatial Deconstruction

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A compelling and brilliantly executed mid-century abstract composition, painted in oil on canvas and dated 1957 on the reverse.

Executed in a modernist abstract style, the composition presents a dynamic interplay of geometric shapes, evoking a deconstructed architectural space with clear Cubist influences. The artist has used a sophisticated palette of muted earth tones, including deep greens, ochres, creams, and soft pinks, all contrasted by bold black lines.

The brushwork is expressive and confidently applied, yet controlled, with a layered approach that enhances depth and texture. Some areas exhibit smooth tonal transitions, while others feature a more gestural application with subtle texture, emphasising movement and form.

This oil on canvas is housed in a very well suited linen lined frame with an inner gilt window. Both the painting and frame are in excellent vintage condition.

Size: 72 x 85 cm (including frame)

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Tender Embrace

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An endearing mid-century modernist figurative oil composition by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

Semi-abstract in nature, the painting captures an intimate moment between two figures, likely a mother and child, rendered in a modernist style with expressive brushwork. The composition is defined by bold yet softened forms, with facial features left undefined, enhancing the emotional depth of the scene.

The artist has used a rich palette dominated by cool tones—shades of teal, blue, and green—contrasted by earthy black and brown, with vibrant accents of orange and yellow adding warmth and dynamism. The brushstrokes are thick and gestural, using impasto techniques to create texture and movement, giving the painting a tactile, almost sculptural quality.

This oil on board is housed in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 72 x 57 cm (including frame)

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Anne

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An expressionist and emotive contemporary figurative portrait, executed in oil.

The painting portrays a woman with short red hair in a slightly abstracted form. She is wearing a coral sleeveless dress, and is set against a bright blue background. The figure’s expression is neutral, with her gaze directed slightly away from the viewer, creating a sense of introspection or detachment. Areas of white have been applied across her body, which further highlight her silhouette.

Semi-abstract in nature, the artist has prioritised bold, simplified shapes over detailed realism. The proportions are intentionally exaggerated, adding a unique, whimsical quality to the subject.

The brushwork is visible and expressive, with bold, broad strokes that emphasise movement.

This oil on canvas that has been laid onto board is housed in a complementary wood frame, and is glazed (there is a layer of glass between the frame and the painting to ensure its longevity). Both the painting and frame are in excellent condition.

Size: 60 x 50 cm (including frame)

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Confusion

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A fun and edgy one-off original monoprint presented in a coloured frame, by British artist Olivia Bouzyk.

This monoprint is created from three different layers of colours with different paper stencils. The lighter green layer is more translucent, allowing for more subtle dialogues to engage the viewer on closer inspection.

Olivia works with contrasts in line, colour and form and a sense of harmony is achieved by balancing this series of juxtapositions.

This monoprint is housed in a vivid blue frame ( two edges are dark blue, and two are light blue) that further enhances the artwork within. There is a layer of glass protecting the artwork. Both frame and artwork are in excellent condition.

Size: 52 x 72 cm (including frame)

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Drifting in Blue

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A mid-century painting that captures a serene yet dynamic beach scene, executed in oil onto canvas and dated 1967.

The composition depicts six figures wading and swimming in the ocean, appearing to be leisurely enjoying the gentle waves. A rhythmic movement of waves dominates the background, lending a sense of motion to the composition.

The artist has used a loose, expressive style reminiscent of mid-century modern impressionism, using bold and gestural brushstrokes as well as focusing on colour as opposed to realistic details.

The colour palette consists of cool blue shades as well as darker navy blue for the water and sky, juxtaposed with yellows from the figures, creating a vibrant yet harmonious contrast.

The brushwork is fluid and dynamic, with painterly strokes that capture the texture of the waves and the shimmer of sunlight reflecting on the water.

This oil on canvas is housed in a complementary frame with a hessian lined border. Both painting and frame are in excellent vintage condition.

Size: 60 x 76 cm (including frame)

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Geometric Interplay

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An outstanding mid-century modernist style composition, executed in oil and dated 1954.

Characterised by its use of geometric abstraction, the painting is structured around overlapping geometric shapes—semi-circles, circles, triangles, and rectangles—creating a dynamic interplay of forms.

The dominant colours are cool tones like blues, greens, and teals, unified with warmer accents of muted orange and yellow. This palette creates a sense of calm and balance.

The brushwork is smooth with visible layering and blending of colours, as each shade transitions seamlessly from one shade to the next.

By deliberately leaving areas of the canvas unoccupied, the artist has skilfully utilised negative space to emphasise the geometric forms and draws attention to the boundaries between each element.

This oil on canvas has been laid onto board, and is housed in a complementary slim wood frame. The painting is in excellent vintage condition, and the frame has some scuffing.

Size: 70 x 54 cm (including frame)

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Improvisation

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An emotive and intriguing mid-century abstract painting that exudes a harmonious blend of muted tones and textures, painted in oil onto canvas and dated 1966.

Abstract in nature, the composition is non-representational as it presents an interplay of colour blocks. The artist appears to let the brushstrokes flow organically, creating a piece that suggests spontaneity and intuition.

The colour palette leans towards muted pastel hues, imbuing the work with a soothing quality. The brushstrokes vary in texture, some areas revealing thicker application, while others are more translucent. This layering gives depth and movement to the piece.

Overall, this abstract work invites the viewer to experience its calm, meditative quality, balanced with moments of intrigue and complexity.

This oil on canvas is housed in a complementary slim wood frame. Both the painting and frame are in excellent vintage condition.

Size: 42 x 47 cm (including frame)

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Sun and Structures

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A vibrant and striking mid-century abstract composition with a geometric and modernist aesthetic, executed in oil onto board.

The composition seems to abstractly depict a fragmented architectural scene, possibly hinting at building structures. The prominent yellow circle in the upper section likely represents the sun.

Containing elements of abstraction, the work exhibits a playful yet organised arrangement of forms. It is characterised by geometric shapes, bold flat areas of colour, and there is an emphasis on balance and structure.

The colour palette is striking yet harmonious, featuring muted tones of orange, teal, blue, cream, and green, punctuated by the bright yellow of the sun. These colours create a sense of warmth and balance, with the darker teal and orange adding depth.

The brushstrokes are smooth and deliberate. The layering of paint suggests a thoughtful and methodical approach, with each shape carefully defined against its neighbours.

This oil on board is housed in a very well-suited wood frame with a linen lined border. The painting is in excellent vintage condition. The frame has slight age toning present to its linen border, but this is in keeping with its vintage style.

Size: 44 x 36 cm (including frame)

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Verdant Abstraction

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A large and very pleasant modernist abstract oil composition dated 1966, and painted by the established Swedish artist Ture Fabiansson (1910-1994), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, The Museum of Art in Gothenburg, Jönköping Museum, Borås Art Museum, and many others.

The painting features bold organic forms in deep green, layered over a muted background of pale pink, earthy brown, and dark black with hints of blue. The composition suggests an abstracted representation of lush foliage. The forms are loosely defined, allowing the viewer to interpret the scene with a sense of fluidity.

The muted palette adds a soothing quality, softening the bold shapes and lending the piece a harmonious balance. The style is reminiscent of mid-century modern abstraction, with a focus on simplified shapes, strong colour contrasts, and a painterly approach. The artist has used expressive brushstrokes, particularly in the green areas, which display texture and depth. The background is painted more smoothly, creating a balance between movement and calmness.

This large oil on canvas is housed in a complementary silver frame. The painting is in very good vintage condition. The is some very slight wear to the frame, but it is in good condition overall.

Size: 62 x 83.5 cm (including frame)

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Blue of Distance

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A wonderfully executed mid-century semi-abstract landscape composition, painted in oil onto canvas,

The composition presents a nature landscape setting with fields, forests, and a distant mountain range in the background. The scene has been skilfully reduced into layered planes of contrasting shades, capturing the essence of land and sky.

The colour palette is vibrant and rich, while the expressive brushstrokes convey texture and movement. The textured, yet smooth brushwork imbues the painting with a tactile, almost palpable quality, enhancing its liveliness. The layering of colour and the dynamic interplay of brushstrokes create depth and rhythm throughout the landscape.

This oil on canvas is housed in a complementary wide-profiled gilt frame. The painting is in excellent vintage condition, and the frame has some paint losses at its inner border as shown in close ups, but it does not detract from its overall appearance.

Size: 43 x 50 cm (including frame)

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