Abstract – Page 3 – The Discerning Palette

Showing 61–90 of 465 results

Coastal Road to the Sea
£510
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A lyrical and atmospheric semi-abstract landscape painting, executed in oil onto canvas and dated 1982.

The painting captures the charm of a seaside village nestled among soft golden hills. A winding road leads the viewer’s eye gently toward the distant horizon, where a calm stretch of blue sea meets a pale, almost translucent sky.

Painted in an expressive, semi-abstract style, the composition features loosely defined cottages scattered across the hillsides, their rooftops rendered in pastel tones of rose, lilac, mint, and cornflower blue. The artist has used a restrained, earthy palette dominated by yellows, greys, and soft creams, punctuated by these subtle touches of colour that lend the work a nostalgic yet dreamlike quality.

The brushwork is gestural and textured, with generous impasto lending physical depth and spontaneity to the canvas. Strokes appear almost sculpted in places, conveying a tactile sense of the landscape’s contours.

Overall, this piece evokes a serene, timeless mood – an evocative blend of memory and place.

This oil on canvas is housed in a complementary light gilt frame that has a very unique light green tint. Both the painting and frame are in excellent vintage condition.

Size: 57.5 x 47.5 cm (including frame)

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Woman in Repose
£540
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A small yet very impactful mid century abstract figurative oil composition, by the established Swedish artist Ivar Morsing (1919-2009), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Kalmar Museum, and Jönköping Museum.

The painting captures the delicate stillness of a seated female figure through a haze of muted earth tones and gestural brushwork. The composition is softened by a palette of dark green, cream, dusty rose, black, and pale blue, evoking a dreamlike ambiance.

The figure, loosely rendered, appears to be draped in a light dress, reclining against an abstracted backdrop that hints at foliage or stone. The artist has used confident, impressionistic strokes to blur the boundaries between subject and setting, allowing light and shadow to dissolve form. The painter’s technique embraces abstraction, with layered brushwork and softened edges creating an evocative play between motion and stillness.

This oil on board is housed in a complementary wide profile gilt frame. The painting is in excellent vintage condition. There are some very minor scuffs to the frame, but it is in very good condition overall.

Size: 36 x 32.5 cm (including frame)

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Forest Bathing I
£400
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A very engaging and beautifully presented contemporary abstract composition, painted on to canvas by British artist Frances Daws.

The Forest Bathing series captures the feeling of walking through a forest on a warm day – how the light bounces off the leaves and shadows dance on the forest floor. Luscious greens and soft yellows create a deep feeling of calm and are reminiscent of long walks and time spent sitting amongst the trees and ferns.

This small abstract painting, set within a deep white frame, presents a swirling interplay of earthy tones—olive green, beige, ochre, and hints of rusty red. The brushwork is expressive and gestural, forming a loosely circular or spiral pattern that seems to draw the viewer inward.

The layered, textured strokes give the surface a sense of depth and movement, while the overall palette evokes natural elements like moss, bark, and soil.

This piece conveys quiet energy and contemplative rhythm, inviting the viewer to pause and reflect within its modest scale.

Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 35 x 35 cm (including frame)

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Forest Bathing II
£400
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A very engaging and beautifully presented contemporary abstract composition, painted on to canvas by British artist Frances Daws.

The Forest Bathing series captures the feeling of walking through a forest on a warm day – how the light bounces off the leaves and shadows dance on the forest floor. Luscious greens and soft yellows create a deep feeling of calm and are reminiscent of long walks and time spent sitting amongst the trees and ferns.

This abstract painting, set within a minimalist white shadow frame, is a compact composition rich in earthy tones and gestural brushwork. Dominated by deep forest green, the canvas is energized by strokes of ochre, beige, and burnt orange, with the paint applied in sweeping, confident motions.

The brushstrokes vary in texture—some areas are smooth and blended, while others are more expressive and raw, revealing the artist’s hand.

The overall atmosphere is introspective and grounded, with a palette that evokes nature. This piece has a quietly compelling presence, inviting closer observation and personal interpretation.

Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

Size: 35 x 35 cm (including frame)

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Resting in Green
£620
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A brilliantly executed contemporary abstract composition, executed in acrylic onto canvas, by British artist Frances Daws.

The paintings in this series respond to the calming presence of the colour green. Frances consciously spends as much time as she can outside. She lives close to woodlands and fields, making it easy to be immersed within greenery. Resting in Green seeks to capture the varying shades of greens within a snapshot of plants and how the relationship of these colours can form interesting compositions.

This fluid, abstract composition immerses the viewer in a serene, verdant atmosphere. Dominated by various shades of green, interwoven with hints of olive, moss, turquoise, and muted ochre, the work evokes the sensation of being enveloped by nature.

Organic, curvilinear forms ripple across the canvas, overlapping and intertwining in a way that mimics the foliage that Frances is inspired by. She employs layered brushwork and soft transitions between tones, creating a gentle rhythm that guides the eye across the piece.

There’s a meditative stillness in the work, capturing the quiet energy of an abstracted garden. Despite its abstraction, the composition feels balanced and harmonious, with light and dark greens playing off each other in a soothing visual dialogue.

Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 40.5 x 50.5 cm (including frame)

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Pine Cones

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A semi-abstract mid century modernist composition, painted in oil onto canvas.

This painting is an expressive, semi-abstract depiction of what appears to be a woodland scene dominated by pine branches and cones. The artist uses thick, impasto brushstrokes and a cool, earthy palette of blues, greens, whites, and deep browns to capture the textures and dynamic forms of the forest.

The pine cones and branches are rendered with bold, almost sculptural application of paint, and the artist has added a sandy aggregate, giving the canvas a textured, tactile quality. The diagonal sweep of the central tree branch and scattered cones conveys a sense of movement, as if observed in a moment of wind or natural disarray.

The background is filled with vertical strokes of cool blue-greens suggesting trunks or dense undergrowth, while the pale, almost snowy backdrop provides contrast and depth. This interplay of light and dark, texture and fluidity, evokes the feeling of standing among trees in a winter or early spring forest.

This oil on canvas is housed in a lightly painted wood frame, which suits it beautifully. Both painting and frame are in excellent condition.

Size: 61.5 x 52.5 cm (including frame)

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Cobalt Collision
£445
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A striking abstract composition that explores depth and tension through bold, jagged forms that evoke architectural silhouettes or fragmented memories, painted in oil onto canvas and dated 1992 on reverse.

Rendered in a palette dominated by cobalt blue, mustard yellow, black, and fiery orange, the painting crackles with energetic contrast. Dense, vertical planes in near-black anchor the work, while layers of scraped and scratched pigment reveal underlying tones, adding texture and movement.

The brushwork is expressive and layered – some areas thick with impasto, others scumbled – suggesting both spontaneity and deliberate structure. The interplay of shadow and saturated colour creates a visual rhythm that pulls the viewer inward, echoing the emotional intensity of late 20th-century abstraction.

This oil on canvas is housed in a complementary grey painted wood frame. Both the painting and frame are in excellent vintage condition.

Size: 32 x 42 cm (including frame)

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Urban Blocks
£685
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A striking mid-century abstract cityscape rendered in a restrained muted palette, executed in oil onto board.

The painting captures an imagined urban landscape reduced to essential form and shadow. Angular blocks suggest rooftops, facades, and stacked buildings, layered tightly across a sloping terrain beneath a distant hill.

The artist has used deliberate, textured brushstrokes to create architectural weight and spatial tension. The colour scheme leans toward steely greys, deep charcoal, slate blue, and hints of taupe, giving the composition a quiet, contemplative tone. Despite its abstraction, the work holds a firm sense of structure and rhythm, reflecting mid-century modernist ideals of simplification and form.

This oil on board is housed in a complementary wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

Size: 48 x 63.5 cm (including frame)

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The Rail Yards at Dusk
£565
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An evocative modernist cityscape captured at dusk, executed in oil onto canvas and dated 1975.

As dimming light softens the urban edges, the artist has reduced architectural forms into geometric planes – warehouses, blocky high-rises, and rows of parked railcars — giving the scene a rhythmic, almost abstracted structure. The visual repetition of lampposts, silhouetted trees, and building facades hints at both the order and the monotony of this cityscape.

Rendered in a subdued palette of dusky blues, muted greys, burnt orange, and deep maroons, the painting conveys the quiet atmosphere of a city settling into evening. A band of still water in the foreground reflects the urban glow and breaks up the composition with cool, shimmering blues.

The brushwork is deliberate and textured, with blocky applications of paint that build the scene from tonal shifts rather than fine detail. This confident handling of light and shape suggests a moment observed from a distance – contemplative, grounded, and imbued with quiet power.

This oil on canvas is housed in a complementary slim wood frame. The painting is in excellent vintage condition, and the frame has some loss as shown.

Size: 66 x 79 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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At the Counter
£1,050
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A large and compelling mid century modernist abstract figurative composition in oil, painted onto board by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The scene captures three stylised figures possibly engaged in an exchange at the checkout – a familiar ritual rendered with striking simplicity and emotional weight.

The central figure, dressed in black, appears to be a shopper in mid-transaction, while the figure in pale blue behind the counter suggests a cashier. A third, more ambiguously defined figure stands nearby, perhaps another customer or a child. The figures are abstracted, skilfully reduced to essential shapes.

Thick impasto brushstrokes and rich textural layering give the work a tactile presence. The palette is earthy and architectural – orange, muted greens, brick reds, and cool greys – punctuated by flashes of white, lemon yellow, and cobalt blue, adding moments of vibrancy to the otherwise grounded tones.

The composition is rhythmic and architectural, with geometric planes converging to form an abstracted treatment of space and perspective. The flattened forms and overlapping fields of colour speak to the artist’s modernist sensibility — elevating the ordinary to the iconic.

This oil on board is housed in a complementary wood frame with an inner linen lining. The painting is in excellent vintage condition, and the frame has some scuffing.

Size: 86.5 x 71.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Rhythms of the Wind
£540
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A vibrant mid-century modernist abstract painting that captures the essence of a dynamic landscape through expressive colour and bold, gestural form, executed in oil onto canvas.

Angular hills in deep burgundy, forest green, and charcoal anchor the composition, while slender white tree trunks stretch vertically across a kaleidoscopic backdrop.

The trees, with their loosely rendered, wind-blown canopies of green, sway dramatically, suggesting motion and energy. The background unfolds in blocks of pastel and saturated hues – blue, lavender, peach, lemon yellow, and vivid cyan – creating a sense of fragmented light and spatial ambiguity.

Executed in lively, expressive brushstrokes and confident swaths of colour, the work evokes both the emotional resonance of nature and the structural experimentation of modernist form. The artist’s bold palette and rhythmic composition echo the influence of abstraction while retaining a distinctly personal and poetic sensibility.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has scuffing.

Size: 48 x 57.5 cm (including frame)

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Coastal Path
£740
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A very atmospheric and expressive landscape painting, executed in oil onto board by contemporary British artist Ian Mood.

It is a dynamic, abstracted landscape that captures the essence of walking along a windswept shoreline trail. It blends expressive brushwork, shifting textures, and a vivid, elemental palette to evoke both the physical and emotional experience of the coastline.

Pink dashes and shapes dance across the centre, adding rhythm and possibly indicating human presence, wildflowers, or directional markers on a path. The brushwork is loose, textural, and emotionally charged, capturing fleeting impressions over literal depiction.]

Overall, the painting conveys solitude, discovery, and elemental energy. It’s less about representing a specific location and more about evoking the feeling of being immersed in nature—the wind on your face, the shifting weather, the wide horizon ahead. It celebrates the freedom and introspection of walking the edge between land and sea.

This oil on board is housed in a complementary white frame. Both painting and frame are in excellent condition.

Size: 65.5 x 65.5 cm (including frame)

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About the artist:

Ian Mood is a contemporary artist with an international reputation, having shown work with Saatchi London, Brooklyn Art Library, Battersea Art Fair & Manchester Art Fair – as well as being represented by numerous established galleries in the UK and US. He recently held his first solo show in New York.

In 2019, he collaborated as artist in residence with The National Theatre (Madness of George III with Mark Gatiss) and The Royal Exchange Manchester (Mother Courage with Julie Hesmondhalgh).

Ian is a member of Manchester Academy of Fine Arts, Society Of Staffordshire Artists and the Artist Association of Nantucket (USA) where he regularly lectures as part of their summer arts programme. He was awarded the Artists Association of Nantucket Frank Swift Chase Plein Air Award in 2014.

Ian grew up in Stoke on Trent and studied Fine Art at the University of the West of England, Bristol.

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Enclosure
£890
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A large, rich and vivid abstract composition, executed in oil onto board by contemporary British artist Ian Mood.

This vivid abstract composition is defined by bold colour fields and energetic gesture, evoking the sensation of boundary, structure, and containment within nature or memory.

It is dominated by a large central mass of deep red, bordered by a sharp vertical white line on the left and a curved pale blue line sweeping across the middle. To the right, a vibrant orange block contrasts with cooler greens and earth tones in the lower and left portions. The composition is off-center and dynamic, with the eye pulled toward the intersection of curves and edges.

The brushstrokes are expressive and textural, with areas of scraped paint, blending, and layering giving a sense of physical depth.

The painting could allude to land boundaries, personal space, or emotional states—open to interpretation but rich in atmosphere. There’s a sense of tactile exploration and spatial ambiguity, making the piece both visceral and contemplative.

This oil on board is housed in a complementary white frame. Both painting and frame are in excellent condition.

Size: 70 x 70 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

About the artist:

Ian Mood is a contemporary artist with an international reputation, having shown work with Saatchi London, Brooklyn Art Library, Battersea Art Fair & Manchester Art Fair – as well as being represented by numerous established galleries in the UK and US. He recently held his first solo show in New York.

In 2019, he collaborated as artist in residence with The National Theatre (Madness of George III with Mark Gatiss) and The Royal Exchange Manchester (Mother Courage with Julie Hesmondhalgh).

Ian is a member of Manchester Academy of Fine Arts, Society Of Staffordshire Artists and the Artist Association of Nantucket (USA) where he regularly lectures as part of their summer arts programme. He was awarded the Artists Association of Nantucket Frank Swift Chase Plein Air Award in 2014.

Ian grew up in Stoke on Trent and studied Fine Art at the University of the West of England, Bristol.

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Snowy Rooftops
£425
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A small yet evocative mid-century abstract painting that presents an interpretation of a wintry urban landscape, executed in oil onto board.

Likely viewed from an elevated vantage point, the composition depicts snow-covered rooftops and architectural forms simplified into bold planes and tonal contrasts, hinting at chimneys, dormers, and stone facades under a muted sky.

Rendered in a restrained palette of cold greys, browns, and beiges, the painting evokes the quietude of a snow-blanketed city. The brushwork is dynamic yet deliberate – broad, textured strokes create rhythmic abstractions of built forms, while impasto accents add depth and tactile intensity. The work borders on abstraction but retains enough figuration to suggest a real, lived environment – familiar yet stylised.

This oil on board is housed in a complementary gilt. Both the painting and frame are in excellent vintage condition.

Size: 32.5 x 32.5 cm (including frame)

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Southern Shore
£740
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A very atmospheric and expressive abstract landscape painting, executed in oil onto board by contemporary British artist Ian Mood.

It captures the emotional essence of a coastal environment rather than a literal depiction, using abstract forms and a painterly style to evoke the energy, complexity, and richness of the scene.

Earthy tones of red, brown, black, and orange dominate the central form, possibly alluding to rock formations, cliffs, or human structures. The bottom area is awash with cool greys, off-whites, and hints of gold, possibly representing a beach or tidal flat.

The atmosphere is introspective yet vigorous, echoing nature’s forces—wind, water, erosion—while remaining grounded in abstract expressionism.

The style is gestural and semi-abstract, reminiscent of mid-20th-century European modernism, where landscape becomes a conduit for emotional expression.

This oil on board is housed in a complementary white frame. Both painting and frame are in excellent condition.

Size: 65.5 x 65.5 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

About the artist:

Ian Mood is a contemporary artist with an international reputation, having shown work with Saatchi London, Brooklyn Art Library, Battersea Art Fair & Manchester Art Fair – as well as being represented by numerous established galleries in the UK and US. He recently held his first solo show in New York.

In 2019, he collaborated as artist in residence with The National Theatre (Madness of George III with Mark Gatiss) and The Royal Exchange Manchester (Mother Courage with Julie Hesmondhalgh).

Ian is a member of Manchester Academy of Fine Arts, Society Of Staffordshire Artists and the Artist Association of Nantucket (USA) where he regularly lectures as part of their summer arts programme. He was awarded the Artists Association of Nantucket Frank Swift Chase Plein Air Award in 2014.

Ian grew up in Stoke on Trent and studied Fine Art at the University of the West of England, Bristol.

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Zennor
£890
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A large and very atmospheric landscape painting, painted onto board by contemporary British artist Ian Mood.

This semi-abstract landscape powerfully captures the wild, changeable atmosphere of the Cornish coast, likely inspired by the moody environment near the village of Zennor in southwest England.

The sky dominates the composition with a bold expanse of turquoise blue, suggesting a clearing or break in weather. A large, dark grey cloud mass occupies the centre, rendered with sweeping, smudged strokes that create a sense of motion and tension. Deeper greens, browns, and black at the bottom evoke moorland or rugged earth, painted with energetic brushwork and scraped textures.

The painting exudes a dramatic, elemental energy, evoking the feeling of standing exposed to the sky on coastal high ground, just before or after a storm. It feels both expansive and intimate, caught between serenity and threat—hallmarks of Cornwall’s raw natural beauty.

This painting is housed in a complementary white frame. Both painting and frame are in excellent condition.

Size: 70 x 70 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

About the artist:

Ian Mood is a contemporary artist with an international reputation, having shown work with Saatchi London, Brooklyn Art Library, Battersea Art Fair & Manchester Art Fair – as well as being represented by numerous established galleries in the UK and US. He recently held his first solo show in New York.

In 2019, he collaborated as artist in residence with The National Theatre (Madness of George III with Mark Gatiss) and The Royal Exchange Manchester (Mother Courage with Julie Hesmondhalgh).

Ian is a member of Manchester Academy of Fine Arts, Society Of Staffordshire Artists and the Artist Association of Nantucket (USA) where he regularly lectures as part of their summer arts programme. He was awarded the Artists Association of Nantucket Frank Swift Chase Plein Air Award in 2014.

Ian grew up in Stoke on Trent and studied Fine Art at the University of the West of England, Bristol.

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Crimson Conversation
£565
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A bold and expressive mid-century modernist figurative composition, painted in oil and gouache onto board by the established Swedish female artist Brita Hansson (1918-1979).

The painting depicts two seated female figures in vivid red garments, engaged in quiet dialogue or mutual contemplation. Their forms are abstracted, rendered without facial features, allowing posture and colour to convey mood and intimacy.

The painting bursts with saturated reds, deep purples, and yellows, offset by bold swathes of white and textured brushwork that creates a dynamic, almost rhythmic background. The foreground is punctuated by gestural strokes of lilac, grey-blue, and orange, suggesting fruit or textiles on a table.

Executed confidently and swiftly, the brushstrokes are layered and gestural, giving the piece a tactile quality as well as lively feel.

This oil and gouache on board is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs.

Size: 51 x 64 cm (including frame)

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Procession of Shadows
£580
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A striking and richly textured mid-century abstract composition, executed in oil onto canvas.

Although abstract in nature, the painting captures a densely clustered mass of vertical forms that suggest a gathering of figures in motion.

The artist has used thick impasto and gestural, almost sculptural brushstrokes to create a palpable sense of depth and emotional intensity. Faces and bodies seem to emerge from the paint, rendered with a raw immediacy that is both haunting and poetic.

The palette is earthy and muted – browns, greys and beige – with punctuations of orange, evoking both the solemnity and vitality of the human condition. The work feels deeply emotive, bordering on the surreal, and invites contemplation on themes of community, anonymity, and collective memory.

This oil on canvas is housed in a complementary distressed style wood frame. Both the painting and frame are in excellent vintage condition.

Size: 39.5 x 53 cm (including frame)

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Fragments of the City (Reserved)

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A captivating mid-century modernist painting that depicts a stylised urban landscape, characterised by a series of geometric forms representing rooftops, buildings, and water, executed in oil onto board.

Modernist in its ethos with a focus on the artist’s exploration of form and abstraction, the scene captures the essence of a townscape, possibly a riverside or harbour area, rendered in a semi-abstract manner. The architectural forms have been fragmented into angular, interlocking planes, and the cubist influence is evident in the faceted representation of buildings and their integration into the surrounding landscape.

The palette consists of soft, muted tones, including pastel shades that harmonise with deeper hues of brown and red. The subtle blending of colours creates a cohesive and atmospheric effect, while the subdued tones evoke a tranquil, contemplative mood.

The brushwork is expressive, with short, layered strokes that create a sense of depth and movement. The overlapping strokes enhance the impression of architectural complexity and spatial rhythm.

This oil on board is housed in a very well-suited distressed style grey painted wood frame with an inner gilt window. Both painting and frame are in excellent vintage condition.

Size: 50 x 66.5 cm (including frame)

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Rural Abstraction
£525
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A large and captivating mid-century landscape painting that presents a dynamic interplay between abstraction and representation, executed in oil onto canvas.

The painting presents a rural landscape dominated by an angular, white structure – likely a house or barn – set against rugged terrain. The composition balances organic and geometric forms, emphasising the contrast between man-made and natural elements.

The piece embodies elements of abstract expressionism, blending gestural and textured brushstrokes with semi-representational forms. The fragmented, layered approach to the structure hints at collage techniques, while the landscape itself is rendered through broad, sweeping gestures.

Earthy tones dominate the palette, with yellows, browns, and deep greens forming the background and landscape. The structure itself is highlighted with whites and light greys, accented by touches of muted blue.

The artist has used expressive, textured brushwork, layering thick and thin applications of paint. Loose, bold strokes define the landscape, while the structure features more deliberate, angular marks, emphasising the contrast between organic scenery and constructed form. The brushstrokes convey a sense of movement and depth, giving the impression of a weathered, windswept setting.

This large oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition. There are some minor scuffs to bottom left frame corner, but it is in good condition otherwise.

Size: 46.5 x 78.5cm (including frame)

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Three Standing Figures
£490
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A striking geometric composition in acrylic, painted onto card and dated ’23.

This painting features three abstracted, geometric human figures rendered in a bold, angular Cubist style. The artist uses sharp-edged shapes and planes to construct the bodies, with a palette dominated by earthy ochres, deep reds, purples, blacks, and cool blues.

Each figure is stylized, built from interlocking triangles, rectangles, and trapezoids. Their faces are simplified and mask-like, and their postures suggest movement or conversation, with overlapping arms and angled legs.

Overall, the composition emphasizes form, structure, and colour harmony, inviting the viewer to focus on the interplay of geometric shapes and bold contrasts.

This acrylic on card is housed in a complementary stained walnut wooden frame, and is protected behind perspex. Both the painting and frame are in excellent vintage condition.

Size: 53 x 40.5 cm (including frame)

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Apple & Dancing Forms
£650
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A brilliantly executed abstract composition drawn in biro onto paper, by British artist Enos Lovatt (1937-2018).

This intricate composition has a dynamic, surreal quality, filled with abstract forms and stylised figures. The cross-hatching and dense linework typical of biro drawings are skilfully used to create depth, contrast, and texture. The artist plays with positive and negative space, using white areas effectively to highlight the main forms amidst the dark, densely filled background.

The drawing has strong influences from Surrealism and Abstract Expressionism, with its dream-like imagery and focus on fluidity, symbolism, and subconscious forms. There’s a sense of narrative, though it remains open-ended and abstract, encouraging personal interpretation.

Overall, the piece is bold, intricate, and highly textured, showcasing the meticulous potential of the humble biro pen in the hands of a skilled artist.

Both the drawing and frame are in excellent vintage condition. The painting is presented within a card mount and a stained black wooden frame, and is protected behind perspex.

Enos Lovatt (1937–2018) studied at Burslem School of Art and the Royal College of Art (1959–1962) before becoming Senior Lecturer in Fine Art at Staffordshire Polytechnic until 1992. A prolific artist, he worked in oils, gouache, acrylics, ceramics, and biro, leaving behind thousands of works. He exhibited sporadically, including solo shows in City Museum and Art Gallery in Stoke-on-Trent, one man shows at the Paton and Woodstock Galleries in London and at Stafford Museum and Art Gallery.

In the early 1990s, Enos lost most of the three middle fingers on his dominant right hand in a lawnmower accident. The biros allowed him to navigate his vivid and unique imagination and bring the thoughts and images in his head to life in their purest form of magic realism. This drawing was created in the early 2000s.

Size: 59 x 78 cm (including frame)

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Children at Play
£650
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A large mid century modernist composition in gouache, by British artist Enos Lovatt (1937-2018).

This expressive gouache painting features a collection of abstract, stylized human figures, arranged vertically against a bold turquoise background. The figures are outlined with heavy black lines, giving them a graphic, almost childlike quality. Each character has a distinct presence but is rendered with simplified forms and exaggerated facial features.

The gouache medium allows for bold, opaque colour application, giving the painting a vibrant, matte finish. Visible brushstrokes and unrefined edges enhance the raw, expressive energy.

Overall, this piece feels dynamic and full of personality, with a playful yet intense aesthetic that invites viewers to interpret the relationships and emotions of the figures.

The painting is presented within a card mount and a ochre wooden frame with silver leaf detailing, and is protected behind perspex. Both painting and frame are in excellent vintage condition.

Enos Lovatt (1937–2018) studied at Burslem School of Art and the Royal College of Art (1959–1962) before becoming Senior Lecturer in Fine Art at Staffordshire Polytechnic until 1992. A prolific artist, he worked in oils, gouache, acrylics, ceramics, and biro, leaving behind thousands of works. He exhibited sporadically, including solo shows in City Museum and Art Gallery in Stoke-on-Trent, one man shows at the Paton and Woodstock Galleries in London and at Stafford Museum and Art Gallery.

Much of Enos’ work on paper from the 1950s to 1970s uses gouache, often in tandem with other media. Gouache allowed his joy and passion for colour to shine. Enos’ work straddled the worlds of figurative and abstracted art as he dipped into both with equal enthusiasm.

Size: 85 x 60 cm (including frame)

To view more artworks in this collection by Enos Lovatt, click here.

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Abstracted Nature
£650
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A brilliantly executed abstract composition drawn in biro onto paper, by British artist Enos Lovatt (1937-2018).

This intricate composition has a dynamic, surreal quality, filled with abstract forms and stylised figures. The cross-hatching and dense linework typical of biro drawings are skilfully used to create depth, contrast, and texture. The artist plays with positive and negative space, using white areas effectively to highlight the main forms amidst the dark, densely filled background.

The drawing has strong influences from Surrealism and Abstract Expressionism, with its dream-like imagery and focus on fluidity, symbolism, and subconscious forms. There’s a sense of narrative, though it remains open-ended and abstract, encouraging personal interpretation.

Overall, the piece is bold, intricate, and highly textured, showcasing the meticulous potential of the humble biro pen in the hands of a skilled artist.

Both the drawing and frame are in excellent vintage condition. The painting is presented within in a card mount and a black stained wooden frame, and is protected behind perspex. The frame has some very minor scuffing as seen in the photos.

Enos Lovatt (1937–2018) studied at Burslem School of Art and the Royal College of Art (1959–1962) before becoming Senior Lecturer in Fine Art at Staffordshire Polytechnic until 1992. A prolific artist, he worked in oils, gouache, acrylics, ceramics, and biro, leaving behind thousands of works. He exhibited sporadically, including solo shows in City Museum and Art Gallery in Stoke-on-Trent, one man shows at the Paton and Woodstock Galleries in London and at Stafford Museum and Art Gallery.

In the early 1990s, Enos lost most of the three middle fingers on his dominant right hand in a lawnmower accident. The biros allowed him to navigate his vivid and unique imagination and bring the thoughts and images in his head to life in their purest form of magic realism. This drawing was created in the early 2000s.

Size: 54 x 73 cm (including frame)

To view more artworks in this collection by Enos Lovatt, click here.

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Figure in Dark Landscape
£650
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A large and very striking mid century modernist composition in gouache, by British artist Enos Lovatt (1937-2018).

This vibrant gouache painting showcases an abstract, expressive portrait of a figure, executed with energetic, gestural lines and a vivid colour palette.

Dominated by electric blues, purples, reds, greens, and black, with accents of yellow, pink, and white. The intense use of colour creates a dynamic, almost chaotic atmosphere. The central figure is constructed with a loose, overlapping web of continuous, scribbled lines. The facial features—particularly the eyes—are more defined yet still fragmented, conveying a sense of complexity and introspection.

The painting exudes intensity and vulnerability, inviting viewers to engage with the emotional landscape behind the fragmented human figure.

The painting is presented within in a card mount and a ochre wooden frame with silver leaf detailing, and is protected behind perspex. Both painting and frame are in excellent vintage condition. The painting has very small losses to upper corners of paper as seen in the photos.

Enos Lovatt (1937–2018) studied at Burslem School of Art and the Royal College of Art (1959–1962) before becoming Senior Lecturer in Fine Art at Staffordshire Polytechnic until 1992. A prolific artist, he worked in oils, gouache, acrylics, ceramics, and biro, leaving behind thousands of works. He exhibited sporadically, including solo shows in City Museum and Art Gallery in Stoke-on-Trent, one man shows at the Paton and Woodstock Galleries in London and at Stafford Museum and Art Gallery.

Much of Enos’ work on paper from the 1950s to 1970s uses gouache, often in tandem with other media. Gouache allowed his joy and passion for colour to shine. Enos’ work straddled the worlds of figurative and abstracted art as he dipped into both with equal enthusiasm.

Size: 83 x 63 cm (including frame)

To view more artworks in this collection by Enos Lovatt, click here.

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Mrs Jackson
£650
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A large and vibrant mid century modernist composition in gouache, by British artist Enos Lvoatt (1937-2018).

This gouache painting presents an abstract, expressionist portrait of a human face. The figure is stylised, with exaggerated features and bold, energetic lines that convey a sense of intensity and emotion.

Dominated by deep shades of red, purple, black, and blue, with accents of vibrant yellow and cyan. These contrasting colours create a strong visual tension. Colourful lines, particularly a yellow loop and bold blue stroke, cut across the face and neck, adding dynamic movement and further abstracting the form.

Overall, the painting feels charged with emotional intensity, inviting viewers to interpret the subject’s inner world through its bold, non-traditional portrayal.

The painting is presented within in a card mount and a ochre wooden frame with silver leaf detailing, and is protected behind perspex. Both painting and frame are in excellent vintage condition.

Enos Lovatt (1937–2018) studied at Burslem School of Art and the Royal College of Art (1959–1962) before becoming Senior Lecturer in Fine Art at Staffordshire Polytechnic until 1992. A prolific artist, he worked in oils, gouache, acrylics, ceramics, and biro, leaving behind thousands of works. He exhibited sporadically, including solo shows in City Museum and Art Gallery in Stoke-on-Trent, one man shows at the Paton and Woodstock Galleries in London and at Stafford Museum and Art Gallery.

Much of Enos’ work on paper from the 1950s to 1970s uses gouache, often in tandem with other media. Gouache allowed his joy and passion for colour to shine. Enos’ work straddled the worlds of figurative and abstracted art as he dipped into both with equal enthusiasm.

Size: 83.5 x 63 cm (including frame)

To view more artworks in this collection by Enos Lovatt, click here.

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Echoes of the Coast
£400
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A dynamic yet serene mid-century modernist coastal landscape painting, executed in oil onto board.

The composition captures a tranquil seascape with a bold yet abstracted and simplified approach. A vivid blue sky stretches above a deep azure ocean, with small landmasses appearing in the distance. The foreground presents rocky terrain with dynamic, gestural strokes of earthy tones—rich browns, and hints of purple and white—contrasting with the bright greens of greenery.

Executed in a modernist style, the painting embraces expressive and slightly abstracted forms rather than realistic details. The colours are vibrant, with a strong emphasis on blues and greens, juxtaposed against warmer, muted earth tones. The brushwork is loose, gestural, and confident, with visible, textured strokes adding movement and depth to the composition. The sky exhibits smooth, blended transitions, while the land and sea are defined by more spontaneous, energetic marks, reflecting the raw beauty of a windswept coastal environment.

This oil on board is housed in a complementary wood frame with an inner gilt window. Both the painting and frame are in excellent vintage condition.

Size: 31 x 35.5 cm (including frame)

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Geometric Gathering
£630
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A striking mid-century modernist semi-abstract figurative painting, executed in oil onto board and dated 1964.

The composition captures a dynamic and abstracted scene of three figures engaged in daily activities. It suggests a communal or domestic setting, possibly depicting women preparing food or engaged in household chores. The artist has used geometric forms and angular lines to construct the figures, giving them an expressive presence.

Rendered in a bold, textured technique, the painting showcases an earthy, muted palette dominated by yellows, deep blues, browns, and warm neutrals. The brushstrokes are heavily applied, creating a layered, almost sculptural surface that enhances the raw energy of the composition. The background features a loosely defined architectural or patterned element, adding depth while maintaining the abstract nature of the piece.

Strongly influenced by Cubist and modernist traditions, this work exemplifies the mid-century aesthetic with its fusion of abstraction and figurative storytelling, making it a compelling addition to any collection of modernist art.

This oil on board is housed in a complementary gilt frame with an inner linen and gilt border. Both the painting and frame are in excellent vintage condition.

Size: 43 x 72 cm (including frame)

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The Expectant Nude
£495
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A brilliantly executed and emotive mid-century modernist figurative portrait of a reclining pregnant nude figure in a relaxed yet expressive pose, executed in oil onto canvas.

The subject’s form is simplified and abstracted, rendered in warm, earthy tones with gestural brushstrokes that emphasise movement and texture.

The artist has used a loose, expressive technique with visible, confident brushwork, creating a sense of raw energy. The muted palette consists of beige, brown, and soft blues, harmonising the composition while highlighting the play of light and shadow across the figure. The background remains abstract, with atmospheric swathes of paint suggesting an interior space without rigid definition.

Overall, the dynamic lines, swift and energetic brushwork, and emotive colour application contribute to an evocative portrayal of maternity and the female form.

This oil on canvas is housed in a complementary gilt frame with an inner cream border. The painting is in excellent vintage condition, and the frame has scuffing.

Size: 55.5 x 70.5 cm (including frame)

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Mountain Monastery
£550
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A large and captivating mid-century modernist geometric abstract painting, executed in oil onto canvas.

The composition features three nuns dressed in black and with triangular orange faces, walking down from an abstracted mountainous landscape. Their simplified geometric forms give them a strong sense of movement, guiding the viewer’s eye toward the background, which consists of rolling green hills, a blue sky, and a large, stark white and black architectural structure on the right.

Containing elements of geometric abstraction and cubism, the painting emphasises bold, angular forms and a structured composition. The artist has skilfully used a simplified, almost stained-glass-like approach to render the scene, with thick black outlines segmenting each shape.

The brushwork appears smooth and controlled, lending the painting a polished and deliberate aesthetic. The combination of geometric stylisation and minimal detail creates a contemplative yet dynamic composition that is visually engaging.

This large oil on canvas is housed in a complementary wood frame. Both painting and frame are in excellent vintage condition.

Size: 74 x 52.5cm (including frame)

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