An enigmatic composition that blends abstraction with a slightly surrealist sensibility, executed in oil onto canvas and dated 1991.

Two abstracted figures occupy the lower edge of an ambiguous, dreamlike landscape, their forms incorporating collaged elements alongside painted passages. Sweeping areas of colour and curious floating forms fill the space around them, while arcing trails of golden dots travel across the composition, introducing a playful graphic quality and an intriguing sense of connection between the figures.

The unusual shifts in scale and perspective give the work an enigmatic, otherworldly character. The figures seem less grounded within a recognisable setting than suspended within an imagined world – perhaps observing, communicating or simply existing within the expansive abstract space around them.

The palette is fresh and luminous, dominated by powder blue, cobalt and cornflower blue, softened by pale mint, lemon yellow and creamy white. A vivid sweep of orange cuts horizontally through the lower composition, while earthy browns and charcoal tones lend weight and definition to the figures.

The artist employs a wonderfully varied mixed-media approach, combining broad gestural brushstrokes, translucent washes and dry-brushed passages with layered collage elements. Areas of exposed canvas weave add further texture, while the cut and overlapping surfaces within the figures create a fragmented, tactile quality. The dotted yellow lines provide a contrasting sense of precision, rhythm and movement against the otherwise loose and spontaneous handling.

Playful, dreamlike and enigmatic, the painting leaves its narrative deliberately unresolved, inviting the viewer to form their own interpretation of this curious encounter.

This painting is presented in a slim white-painted wood frame. Both the painting and frame are in excellent vintage condition.

A wonderfully expressive abstract landscape dated 1975, in which the natural world has been distilled into sweeping passages of colour and energetic, gestural brushwork, executed in oil onto board.

The composition appears to depict a river or rushing water cutting through a broad, hilly landscape, its pale, winding form drawing the eye from the foreground towards the distant horizon. Rather than describing the landscape literally, the artist breaks it into bold, interlocking planes, giving the scene an almost abstract quality while retaining a strong sense of place and movement.

The palette is particularly striking, balancing fresh olive and grassy greens, earthy browns, burnt orange and flashes of turquoise against the cool whites, powder blues, lilacs and soft pinks of the water. Deep passages of inky navy and near-black provide dramatic contrast and structure, lending the composition considerable depth.

Paint has been applied with confidence and spontaneity, with broad, directional strokes and areas of thick impasto following the contours of the landscape. Sweeping marks converge through the centre of the composition, creating a wonderful feeling of movement, while visible ridges of paint and occasional finer linear marks give the surface a rich, tactile quality.

This oil on board is presented in a complementary wood frame comprising a slim white inner border surrounded by a broader soft grey outer frame. Both the painting and frame are in excellent vintage condition.

A beautifully restrained mid-century abstract landscape depicting a broad, open terrain beneath an expansive pale sky, executed in oil onto canvas.

The composition is reduced to a series of horizontal bands, with a small cluster of dark trees sitting quietly along the distant horizon. Their diminutive scale against the vastness of the surrounding landscape gives the painting a wonderful sense of solitude, stillness and space.

The artist takes a distinctly modernist, minimalist approach, stripping the landscape back to its essential forms. Rather than describing a particular place in detail, the scene is expressed through proportion, colour and atmosphere. The unusually high horizon and generous expanse of sky lend the work an almost meditative quality, while the isolated group of trees provides a subtle focal point and anchors the otherwise abstract composition.

The palette is wonderfully muted and sophisticated. A softly luminous off-white and blush-grey sky occupies much of the canvas, meeting a broad band of charcoal, slate and smoky grey across the middle ground. Below, warmer passages of ochre, sandy beige, muted terracotta and earthy brown introduce a gentle warmth. The near-monochromatic trees are rendered in deep charcoal and grey, creating a striking yet understated contrast against the pale sky.

Brushwork is loose and broad, particularly across the horizontal stretches of land, where visible sweeps of paint reinforce the width and openness of the landscape. The sky is more softly worked, with subtle tonal variations and vertical traces of the brush lending depth to its seemingly simple surface. Around the distant trees, the handling becomes more concentrated and gestural, with compact strokes suggesting foliage and form without unnecessary detail.

A quietly atmospheric work that captures the essence of a landscape through simplicity, tonal balance and expressive restraint.

This oil on canvas is presented in a complementary slim silver-toned frame. The painting has a tiny area of paint loss to the bottom right edge, as well as a small area of craquelure to the left-hand side. The paint is stable overall, and these minor signs of age do not detract from the painting’s overall appearance.

Size: 53 x 69 cm (including frame)