• Watchful Tiger

    Watchful Tiger

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    A charming contemporary naïve style painting, executed in oil onto panel by British artist Matt Rix.

    The composition presents a tiger in profile, captured mid-step as it moves across a simplified landscape. Set against a soft grey sky and grounded by a muted green foreground, the figure carries a quiet sense of motion and watchful presence.

    Rendered in a contemporary naïve style, the work embraces flat perspective and bold simplification. The tiger is defined by clean outlines and gently exaggerated proportions, with depth suggested through simple bands of colour, enhancing its graphic clarity and narrative charm.

    The palette is warm and balanced. Rich burnt orange tones are interspersed with bold black stripes, complemented by soft cream underparts. These tones sit harmoniously against the cool grey background and green foreground, creating a pleasing contrast.

    Brushwork is smooth and controlled, with flat, even application that emphasises form and pattern over texture. The overall finish is clean and deliberate, capturing the charm of the naïve aesthetic with a calm, confident presence.

    This oil on board is housed in a wood frame painted black with an inner gilt window. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 43 x 53.5 cm (including frame)

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  • Tiger

    Tiger

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    This oil on board is presented in a dark wooden frame with a inner gilt border. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 47 x 57 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Street After Rain

    Street After Rain

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    An expressive and atmospheric mid-century modernist street scene composition that captures a moment just after rainfall, executed in oil onto board.

    Three figures move through the softened and glistening pathway. Modest cottages with dark, pitched roofs line the street, and a tall chimney rises centrally, anchoring the composition. The reflections in the wet ground lend a sense of stillness and introspection, as if time has slowed in the hush following rain.

    Executed in a loose, expressive style, the painting embraces painterly spontaneity over fine detail. The figures are rendered with minimal definition, almost silhouetted. The composition is built through gestural marks and layered textures, with visible brushstrokes adding movement and atmosphere throughout.

    The colour palette is beautifully muted yet warm – earthy ochres, soft greys, and creamy whites dominate, punctuated by deeper browns and charcoals. Subtle hints of pale green and blush tones emerge within the reflections, enriching the surface with quiet complexity. The brushwork is confident, and with textured areas contrasting against thinner, more fluid passages, particularly in the reflective ground where strokes blend and dissolve into one another.

    This oil on board is housed a well-suited painted wood frame that has an inner cream border. The painting is in excellent vintage condition, and the frame has some scuffs present. 

    Size: 56.5 x 47 cm (including frame)

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  • Chair in Sunlight

    Chair in Sunlight

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    An intimate mid-century still life centres on a simple wooden chair, positioned in a dim interior and illuminated by a striking shaft of light, executed in oil onto canvas.

    Two small fruits rest gently on the seat, introducing a subtle human touch without the presence of a figure. The composition is sparse yet deliberate, with the chair’s linear structure and the vertical band of light creating a quiet tension between solidity and atmosphere. The surrounding darkness enhances the sense of stillness, evoking a contemplative, almost meditative mood.

    The style leans toward a pared-back realism infused with modernist restraint. Forms are simplified, and the geometry of the chair is emphasised through clean lines and carefully observed perspective. There’s a strong interplay between light and shadow, reminiscent of chiaroscuro, yet softened through a muted, mid-century sensibility. The artist has focused less on detail and more on mood, allowing light itself to become the central subject.

    The palette is warm and earthy – deep browns and burnt sienna dominate the scene, contrasted by the pale, almost creamy tones of the illuminated chair. The fruits introduce gentle accents of yellow, subtly catching the light and drawing the eye. The brushwork is smooth and controlled, with fine, even layering that allows the canvas texture to quietly show through. Edges are softened rather than sharply defined, lending the painting a hushed, atmospheric quality that feels both timeless and introspective.

    This oil on canvas is housed in a wood frame that complements the subdued palette of the work beautifully. Both the painting and frame are in excellent vintage condition. 

    Size: 48.5 x 40.5 cm (including frame)

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  • Room with Blue Window

    Room with Blue Window

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    A captivating mid-century interior composition that draws the viewer into a sunlit room where everyday objects take on a contemplative stillness, executed in oil onto board by Swedish artist Tore Nyberg (1911-1993), whose has been represented at the National Museum in Stockholm, and the Värmland Museum in Karlstad, to name a few.

    Two simple wooden chairs sit at ease, one angled toward the window, the other slightly withdrawn, suggesting the subtle presence of human life just beyond the frame. Through the central window, a softened exterior unfolds: pale facades and rooftops rendered in light tones.

    Executed in a distinctly modernist style, the painting balances structure and looseness with remarkable sensitivity. The composition is anchored by strong verticals ( the doorframe, window panes, and chair backs)  yet softened by expressive, painterly handling. There is a quiet geometry at play, but it never feels rigid. Instead, it breathes with a lived-in warmth.

    The colour palette is both fresh and harmonious, dominated by cool blues and turquoise tones that frame the window and radiate throughout the room. These are beautifully offset by warm browns, and dusty greens, creating a gentle dialogue between interior warmth and exterior light. Subtle shifts in tone , particularly in the walls and floor, add depth without overwhelming the scene.

    Brushstrokes are confident and visible, applied with a relaxed, almost intuitive hand. Edges are loosely defined, allowing forms to blur slightly into one another, enhancing the sense of atmosphere. The paint surface carries a tactile quality, with layered strokes that catch the light and give the composition a quiet vibrancy.

    Overall, this is a deeply atmospheric work: an intimate study of space, light, and stillness, where beauty is found in the ordinary.

    This oil on board is presented in a beautifully characterful, rustic wooden frame that complements the warmth and intimacy of the interior scene. The painting is in excellent vintage condition. The frame has some areas of paint loss but this reveals the wood underneath and adds to its vintage charm.

    Size: 90 x 67 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Dwelling

    Dwelling

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    A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

    A hidden place, a forest floor, little places to take refuge and dwell in the beauty of the nature that forms around us.

    The painting is beautifully presented in a custom made St Ives frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

    Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

     

    To view more paintings in this series, click here.

     

    Size:  37 x 32 cm (including frame)

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  • Exhale

    Exhale

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    A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

    A gentle abstract hinting of a seascape and the emotive relationship of a calming sea with the feeling of peace and being able to breathe.

    This painting is wonderfully presented in a trescol slab frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

    Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

     

    To view more paintings in this series, click here.

     

    Size:  39 x 39 cm (including frame)

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  • Wake Up Sleeper, Spring is Stirring

    Wake Up Sleeper, Spring is Stirring

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    A brilliantly executed contemporary abstract composition, executed in acrylic onto canvas, by British artist Frances Daws.

    A delightful landscape popping with colour, layers overlapping each other emit a busyness but joyful and coherent composition. reminiscent of the early blooms of spring.

    The painting is beautifully presented in a white tray frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

    Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

     

    To view more paintings in this series, click here.

     

    Size:  53 x 53 cm (including frame)

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  • Courtyard in Soft Light

    Courtyard in Soft Light

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    A tranquil mid-century modern painting that beautifully captures a moment of everyday life, executed in oil onto canvas by Swedish artist Reuben Hedin (1905-1985), whose artworks have been represented in the Växjö Museum, Vetlanda Museum, Kalmar Museum of Art, and Småland Art Archive in Sweden.

    The composition depicts a row of geometric sunlit houses with warm terracotta roofs, arranged in a quiet courtyard-like space. In the foreground, a solitary figure stands beneath a clothesline, arms raised as she hangs freshly washed garments to dry. The small human presence adds a gentle narrative moment, bringing warmth and life to the otherwise architectural setting.

    Painted in a distinctly mid-century modern style, the scene emphasises simplified forms and strong architectural geometry. The houses are constructed from clean planes and angular shapes, with stepped walls, chimneys, and rooflines forming an almost abstract rhythm across the composition. Perspective is flattened and stylised, allowing the interplay of shapes and light to become the central visual language of the work.

    The colour palette is soft yet striking. Terracotta reds and warm peach tones dominate the rooftops and upper facades, while creamy whites and muted beige walls catch the sunlight. Cool greens and soft blue-greys define the courtyard ground and shaded areas, creating a pleasing contrast between warmth and shadow. The subtle shifts in tone suggest late afternoon light drifting across the buildings.

    Brushwork is controlled and smooth, with carefully blended surfaces that give the painting a calm, contemplative atmosphere. Edges are crisp yet softened by delicate transitions of light and shade, allowing architectural forms to appear solid yet serene. The artist uses gentle tonal gradients rather than heavy texture, reinforcing the quiet stillness of the scene.

    This oil on canvas is housed in a complementary gilt frame with an inner linen border. Both the painting and frame are in excellent vintage condition. 

     

    Size: 53 x 61.5 cm (including frame)

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  • Great White Shark at Sea

    Great White Shark at Sea

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    A striking naïve style contemporary painting of a dramatic maritime scene, executed in oil onto panel by British artist Matt Rix.

    The painting depicts a monumental shark gliding through calm, cerulean waters while, above the surface, a tall-masted sailing ship drifts serenely under a rose-tinted sky.

    Executed in a contemporary naïve style, the work embraces flat perspective and bold simplification. Forms are clearly outlined, proportions intentionally exaggerated for emphasis, and spatial depth is suggested through horizontal bands of colour rather than traditional modelling. The shark’s commanding scale is dramatically larger than the distant ship, enhancing the dreamlike, storytelling quality of the piece, lending it a subtly surreal charm.

    The colour palette is both playful and harmonious. Layers of blue shift from deeper tones below to lighter hues near the surface, while the sky transitions through warm blush and coral pinks. The dark charcoal body of the shark anchors the composition, contrasted by its pale underbelly and small accents of red in the mouth. The restrained palette heightens visual clarity and impact.

    Brushstrokes are smooth and controlled, with areas of flat, even application that emphasise shape over texture. Subtle tonal variations within the water suggest gentle movement, while the sky’s gradient appears softly blended. The overall finish is clean and deliberate, reinforcing the naïve aesthetic while maintaining a confident contemporary edge.

    This oil on board is housed in a brown painted wood frame with an inner gilt window. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 32.5 x 50.5 cm (including frame)

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  • Humpback Whale at Sea

    Humpback Whale at Sea

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    A bold and theatrical contemporary naïve style painting that depicts a monumental humpback whale gliding beneath the legendary ocean liner Lusitania, executed in oil onto panel by British artist Matt Rix.

    The composition is split horizontally between sea and sky: above the waterline, the iconic steamship moves calmly across a pale grey horizon, its three red funnels releasing soft plumes of smoke; below, a vast humpback whale dominates the scene, its immense body rendered in simplified, graphic form.

    Executed in a distinctive naïve style, the work embraces flattened perspective and exaggerated scale. The whale appears far larger than the ship, heightening the sense of quiet tension and lending the painting a folkloric, almost mythic quality. Detail is intentionally minimal: forms are cleanly outlined, shadows reduced, and spatial depth suggested through gentle tonal shifts rather than realism.

    The palette is restrained and harmonious. Cool blues define the water, transitioning subtly from lighter tones near the surface to deeper shades around the whale’s body. The whale itself is painted in rich navy with a creamy white underbelly marked by rhythmic linear grooves. Above, the ship’s black hull, red funnels and white superstructure introduce strong contrast against the soft grey sky.

    Brushwork is smooth and controlled, with flat, even applications of paint that emphasise shape and silhouette. The water shows delicate horizontal strokes, adding quiet movement while preserving the composition’s calm clarity.

    This oil on board is presented in an ornate gilt frame, its elaborate carving and warm gold tones intentionally echoing the grandeur of the Lusitania. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 45.5 x 54 cm (including frame)

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  • Lesser Spotted Dogfish

    Lesser Spotted Dogfish

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    A visually engaging contemporary naïve style painting depicting two Lesser Spotted Dogfish gliding in quiet formation beneath gently rippling waters, executed in oil onto panel by British artist Matt Rix.

    Set against a softly modulated blue sea, the pair move horizontally across the composition, their elongated bodies and distinctive spotted markings rendered with clarity and playful precision.

    Executed in a naïve style, the work embraces simplified form and flattened perspective. The fish are presented in profile, their proportions slightly stylised to emphasise pattern and silhouette over anatomical realism. The repetition of the two figures creates a pleasing sense of rhythm and balance, lending the composition a calm, almost decorative quality.

    The palette is harmonious and restrained. The cool blue water is built from subtle tonal variations, with light, horizontal strokes suggesting surface movement. In contrast, the dogfish are painted in warm sandy tones, scattered with rhythmic brown spots that animate their forms. Fine linear details define the fins and gill markings, adding gentle texture without disrupting the painting’s graphic simplicity.

    Brushwork is smooth and controlled, with flat, even applications of paint enhancing the bold outlines and clean silhouettes. Delicate, feathered strokes in the background provide atmosphere while allowing the spotted patterning to remain the focal point.

    This oil on board is presented in a dark wooden frame. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 35 x 45 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Beluga Whale at Sea

    Beluga Whale at Sea

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    A charming and whimsical naïve style contemporary painting of a maritime scene, executed in oil onto panel by British artist Matt Rix.

    A white beluga whale glides through rich blue waters, while above the horizon a tall sailing ship drifts beneath a soft pink sky dotted with small clouds.

    Executed in a contemporary naïve style, the painting embraces clarity over realism. Perspective is intentionally flattened, proportions are stylised, and forms are reduced to their essential shapes. This simplicity enhances its whimsical, almost folkloric quality. The composition is clean and balanced, with strong horizontal divisions that give the work a calm, meditative rhythm.

    The palette is bold yet harmonious: deep blues contrast beautifully with the warm rose-pink sky, while the pale whale stands out as the focal point. Brushwork appears smooth and controlled, with areas of flat, opaque colour that emphasise the graphic quality of the composition.

    This oil on board is housed in a brown painted wood frame with an inner gilt window. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 31.5 x 37.5 cm (including frame)

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  • Orca and Steamship

    Orca and Steamship

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    A striking naïve style contemporary painting that captures a moment of quiet drama at sea, executed in oil onto panel by British artist Matt Rix.

    A monumental orca glides across softly undulating waters, its bold black-and-white form commanding the foreground. Behind it, a stylised steamship sails calmly across the horizon, smoke rising in gentle puffs toward a pale, clouded sky. In the distance, faint mountainous silhouettes dissolve into mist, creating a sense of depth while maintaining the painting’s charming simplicity.

    Executed in a naïve style, the work embraces flat perspective and deliberate scale distortion.  The whale is rendered larger than life in relation to the ship, lending the scene a dreamlike, storytelling quality. The composition feels almost folkloric, as if suspended between reality and imagination.

    The palette is restrained yet effective: cool blues dominate the sea and sky, layered in soft tonal shifts, while the orca’s deep matte black contrasts crisply against its creamy white markings. The ship introduces earthy browns, subtly grounding the scene.

    Brushwork is controlled and minimal, with smooth, even application across the whale’s body and ship, enhancing their graphic clarity. The water and sky show slightly more texture, with gentle horizontal strokes suggesting movement and atmosphere without disrupting the overall calm. The result is a piece that feels both playful and contemplative: bold in silhouette, serene in mood.

    This oil on board is housed in a brown painted wood frame with an inner gilt window. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 38.5 x 43.5 cm (including frame)

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  • Geometric Harvest

    Geometric Harvest

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    A striking modernist still life that presents a vibrant arrangement of fruit abstracted into a dynamic composition of intersecting planes and softened geometry, executed in oil onto canvas and dated 1950.

    The familiar forms of citrus and rounded vessels are deconstructed and reassembled into a rhythmic interplay of curves, arcs, and angular shapes, inviting the viewer to experience the still life as both object and structure. Rather than depicting fruit in literal terms, the artist captures its essence through balance, weight, and spatial tension.

    Executed in a refined modernist style, the composition reflects the influence of Cubism and post-war abstraction, where form and colour take precedence over realism. Overlapping shapes create depth while maintaining a flattened picture plane, lending the work a quiet architectural quality. The arrangement rests within a harmonious equilibrium, suggesting careful deliberation and confident restraint.

    The palette is both playful and sophisticated, featuring soft pastel tones of peach, lemon yellow, sage green, muted lilac, and warm coral, contrasted with grounding passages of charcoal, slate grey, and black. These colours are thoughtfully distributed across the surface, allowing light tones to advance and darker forms to anchor the composition.

    Brushwork is smooth and controlled, with areas of matte, even application that emphasise the clarity of form. Subtle variations in opacity and tone reveal the artist’s hand, while clean edges between colour fields enhance the geometric precision. The surface possesses a quiet tactility, reinforcing the contemplative nature of the work.

    Overall, this painting exemplifies the mid-century modernist pursuit of harmony between abstraction and representation, transforming an everyday still life into a refined study of form, colour, and compositional balance.

    This oil on canvas is housed in a unique and well-suited wood frame featuring a wide, softly textured border in a warm tone. The painting is in excellent vintage condition, and the frame has some age-appropriate marks which do not detract from its overall presentation.

     

    Size: 35 x 72.5 cm (including frame)

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  • Difficult Tableau

    Difficult Tableau

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    A small and visually impactful abstract composition in oil, painted by British artist Lloyd Durling,

    This painting showcases Durling’s distinctive abstract vocabulary—tactile, spatially quiet, and emotionally charged through texture and colour. It feels like a visual diary entry composed of silences punctuated by vivid moments.

    Durling introduces small blocks of intense, saturated colours including jet black, fiery orange, acidic yellow, and forest green, scattered throughout the pale background like thoughts breaking through quietude. Thick, painterly textures dominate the surface. The paint is almost sculpted, making the canvas a physical object as much as a visual one. This adds emotional depth—you sense that each mark carries intention and presence.

    This impasto painting is mounted a dark stained oak frame. The dark wooden frame again complements the painting beautifully—earthy and solid, grounding the delicate and expressive content within.

    Both painting and frame are in excellent condition.

    Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

    To view the other paintings in this series, please click here.

    Size: 19.5 x 14.5 cm (including frame)

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  • Hanging Sloth

    Hanging Sloth

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    A contemporary painting that presents a whimsical depiction of a sloth suspended upside down from a gently curving tree branch , painted in a naïve style in oil onto panel by British artist Matt Rix.

    The composition is pared back, allowing the single figure to become both the focal point and the emotional anchor of the work. Sparse foliage punctuates the scene, floating around the sloth like pauses in thought, reinforcing a sense of stillness and calm.

    The style is deliberately simplified, with a subtle nod to folk art and modern naïve painting. Flattened forms and soft contours give the subject an emblematic rather than literal presence, while the sloth’s rounded body and elongated limbs create a gentle rhythm across the board, anchored by the horizontal branch.

    A restrained, soothing palette of warm brown and taupe contrasts with a muted blue-grey background, accented by soft green leaves. Smooth, matte brushstrokes and a lightly textured surface enhance the contemplative mood of the piece.

    This oil on board is housed in a black painted wood frame . Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 44 x 54 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Geometric Collage in Raw Sienna

    Geometric Collage in Raw Sienna

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    A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

    Centred in the upper half is a soft pinkish-orange circle, and in the lower half, a deep maroon or burgundy circle, both crisply defined but softly textured. The background is a heavily textured rust-brown surface, almost like oxidized metal or aged earth. It’s speckled with natural-looking marks, scuffs, and tonal variation, creating a sense of history and  suggesting time, wear, and process.

    The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang, Both artwork and frame are in excellent condition.

    Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials,  with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

    To view more artworks from this collection, click here.

    Size: 24.5 x 21 cm(including frame)

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  • Houses by the Rolling Hills

    Houses by the Rolling Hills

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    A charming and picturesque mid-century landscape that captures a quiet cluster of houses nestled within rolling green fields, executed in oil onto canvas and dated 1963.

    The composition centres around a small hamlet, its simple geometric forms distilled into blocks of colour: red and blue rooftops, creamy white façades, and deep green foliage. A single tree rises from the village centre, its broad, dark crown creating a natural focal point amid the surrounding patchwork of shapes.

    Rendered in a distinctly modernist style, the painting embraces simplification and abstraction, reducing the landscape into harmonious, interlocking planes. The artist’s palette is earthy yet vivid: rich brick reds, moss greens, browns, and blues – all balanced by softer, muted tones in the distant hills. This juxtaposition of saturated and subdued colour adds depth and a rhythmic visual cadence.

    Brushstrokes are confident and textural, with layered applications of paint that create subtle variations across the surface. Edges are softly defined, allowing forms to merge slightly into one another, giving the work its characteristic mid-century warmth and painterly charm. The result is a beautifully composed village scene that feels at once grounded and gently abstracted.

    This oil on canvas is housed in a complementary silver frame. Both the painting and frame are in excellent vintage condition.

    Size: 57.5 x 87 cm (including frame)

     

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Memory of a Landscape

    Memory of a Landscape

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    A bold and abstract mid-century composition, painted in oil onto board.

    This painting is composed of large, solid blocks of colour and thick, expressive brushstrokes. While not realistic, it suggests a natural scene, perhaps a sunset or sunrise over hills or a valley.

    The upper half of the canvas is dominated by a clear, bright blue that could represent the sky. There is a large red circle positioned in the top right quadrant – this striking element resembles the sun or moon, radiating a powerful visual presence, anchoring the composition. Below the red circle is a sweeping shape in green, possibly representing a grassy hill or field, surrounded by brown, beige, and ochre, evoking earth or terrain.

    There are small red marks scattered to the green and brown area, which add interest and detail and encourage you to look deeper at the painting, drawing you in.

    Despite its boldness, the horizontal layering and balanced composition give a sense of calm and order. This is the kind of painting that invites multiple interpretations—sunset over a landscape, a memory, or even an abstract metaphor for time and place.

    This oil on board is presented in a simple wood frame that suits it well. Both painting and frame are in excellent vintage condition.

    Size: 41 x 48 cm (including frame)

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  • Farmhouse Cottage

    Farmhouse Cottage

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    A charming mid-century landscape painting, executed in oil onto canvas.

    The composition captures a serene landscape scene of a farmhouse beneath a broad thatched roof, accompanied by a full-bodied tree to the right. The composition is balanced and restrained, focusing on the geometric rhythm of the roofline contrasted with the organic softness of the foliage.

    The artist has worked in a modernist style, reducing forms to their essentials while retaining a sense of place and atmosphere. The palette is cool and calming, with sky blues, muted teals, earthy browns, and soft golden browns, which together create a tranquil countryside mood.

    The brushstrokes are broad and textured, applied with confident, almost block-like swathes of paint that suggest depth and light without unnecessary detail. This technique allows the viewer’s eye to rest on the impression of shapes and tones, rather than fine rendering.

    This oil on canvas is presented in a complementary wooden frame and with inner silver and cream border. Both the painting and frame are in excellent vintage condition.

    Size:  42.5 x 50 cm (including frame)

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  • Lemons

    Lemons

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    A contemporary oil painting on a round canvas board featuring three yellow lemons clustered together with green leaves. The lemons are painted in a loose, impressionistic style with soft brushstrokes and subtle shading, giving them a vibrant and slightly textured appearance. The background is a light, neutral tone that contrasts nicely with the rich yellow of the lemons and the deep green of the leaves, making the fruit the focal point. The canvas board itself is circular, adding a unique and modern touch to the otherwise classic still-life composition.

    This painting is unframed but can be hung as is. It is in excellent condition.

     

    Size:  20 x 20 cm (including frame)

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  • Blue Bowl & Pears

    Blue Bowl & Pears

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    A small but very striking still life composition, executed in tempera on board and dated 1978, by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

    Small yet impactful in its composition, the painting presents a carefully balanced arrangement of fruit upon a wooden surface. At the centre sits a vivid cobalt-blue bowl, cradling a bright yellow lemon and a tightly clustered bunch of deep purple grapes, accented with a bold green leaf. Surrounding the bowl are five pears in varying tones of green and brown, their organic forms adding rhythm and balance to the composition.

    The artist has used a simplified, almost sculptural style, emphasising solid blocks of colour and clear outlines over intricate detail. The palette is bold and saturated, contrasting jewel-like purples and blues against earthy browns and greens, with the lemon’s intense yellow providing a sharp highlight. The brushwork is confident yet controlled, with smooth, flat applications of paint that create a sense of weight and presence.

    The background is rendered in horizontal bands of brown, giving a structured backdrop that contrasts with the roundness of the fruit.

    This tempera on board is presented in a well suited frame with an inner and outer gilt window. Both the painting and frame are in excellent vintage condition.

    Size: 26 x 31 cm (including frame)

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  • Pine Cones

    Pine Cones

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    A semi-abstract mid century modernist composition, painted in oil onto canvas.

    This painting is an expressive, semi-abstract depiction of what appears to be a woodland scene dominated by pine branches and cones. The artist uses thick, impasto brushstrokes and a cool, earthy palette of blues, greens, whites, and deep browns to capture the textures and dynamic forms of the forest.

    The pine cones and branches are rendered with bold, almost sculptural application of paint, and the artist has added a sandy aggregate, giving the canvas a textured, tactile quality. The diagonal sweep of the central tree branch and scattered cones conveys a sense of movement, as if observed in a moment of wind or natural disarray.

    The background is filled with vertical strokes of cool blue-greens suggesting trunks or dense undergrowth, while the pale, almost snowy backdrop provides contrast and depth. This interplay of light and dark, texture and fluidity, evokes the feeling of standing among trees in a winter or early spring forest.

    This oil on canvas is housed in a lightly painted wood frame, which suits it beautifully. Both painting and frame are in excellent condition.

    Size: 61.5 x 52.5 cm (including frame)

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  • Fragments of the City (Reserved)

    Fragments of the City (Reserved)

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    A captivating mid-century modernist painting that depicts a stylised urban landscape, characterised by a series of geometric forms representing rooftops, buildings, and water, executed in oil onto board.

    Modernist in its ethos with a focus on the artist’s exploration of form and abstraction, the scene captures the essence of a townscape, possibly a riverside or harbour area, rendered in a semi-abstract manner. The architectural forms have been fragmented into angular, interlocking planes, and the cubist influence is evident in the faceted representation of buildings and their integration into the surrounding landscape.

    The palette consists of soft, muted tones, including pastel shades that harmonise with deeper hues of brown and red. The subtle blending of colours creates a cohesive and atmospheric effect, while the subdued tones evoke a tranquil, contemplative mood.

    The brushwork is expressive, with short, layered strokes that create a sense of depth and movement. The overlapping strokes enhance the impression of architectural complexity and spatial rhythm.

    This oil on board is housed in a very well-suited distressed style grey painted wood frame with an inner gilt window. Both painting and frame are in excellent vintage condition.

    Size: 50 x 66.5 cm (including frame)

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  • Still Life with 4 Pears

    Still Life with 4 Pears

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    A contemporary semi-abstract still life composition, painted in acrylic onto canvas.

    This painting is a stylized still life with bold, simplified shapes and vibrant contrasting colours. We see a white pedestal bowl filled with three green pears with visible stems. To its left sits a white plate with a single pear, and to its right a white pitcher with a long, green stem holding a single white flower, leaning slightly to the right.

    In the background, a deep red wall centres as the backdrop,  balanced by a blue rectangular window with light blue shutters on the right. A partial white chair is visible on the left.

    The style is modern and minimalist, with an emphasis on geometric forms and a flat, decorative composition.

    The painting is on stretched canvas with white painted edges, and is strung and ready to hang. It is in excellent condition.

    Size: 40 x 40 cm

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  • Still Life in Pastel

    Still Life in Pastel

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    An expressive and lively mid-century still life composition with a rich palette of colours, rendered in pastel onto board and dated 1954.

    An array of objects punctuates the painting – this includes a candle holder on the left, standing proudly beside two vases. Beside them on the right, two pieces of fruit – a red apple and an orange – provide balance to the arrangement.

    Expressive and loose strokes of pastel give the entire composition a sense of movement and energy, while black outlines around the objects emphasise their distinct forms, evoking a sense of dynamism.

    This pastel on board is housed in a complementary linen-lined wood frame, and is glazed (there is a layer of glass between the frame and the painting to ensure its longevity). The painting is in excellent vintage condition, and the frame has some marks and scuffs. 

    Size: 42 x 49 cm (including frame)

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  • Montage

    Montage

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    A unique elongated and narrow semi-abstract figurative composition, executed in oil onto canvas.

    Reminiscent of a film strip or photo montage, the painting has been divided into half. The artwork features a semi-abstract figure of a woman depicted twice, once in the top half and again in the bottom half, standing in a similar pose.

    The top half of the painting presents the woman amidst lighter shades, creating a subtle yet noticeable contrast with the lower half where slightly darker shades prevail. Between the two renditions of the female figure, a beige colour block acts as a divider, enhancing the montage-like effect.

    This oil on canvas is housed in a complementary black-painted wood frame. Both the painting and frame are in excellent vintage condition.

    Size: 101.5 x 33 cm (including frame)

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  • At your Service

    At your Service

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    A  wonderfully textured figurative composition, executed in oil onto board and dated 1976.

    A figure is captured in the act of serving a drink. The figure blends seamlessly into an abstract backdrop where shades of white, light blue, greens and brown overlay one another. He or she appears as a natural extension of this delicate environment, and by leaving areas of the canvas exposed, the artist’s creative use of negative space accentuates the figure’s form.

    The subtle colours, applied with loose and unrestrained brushstrokes, create a textural and visually stimulating surface. Its expressive nature also evokes a sense of movement and depth, drawing the viewer into the scene.

    This oil on board is housed in a well-suited gilt frame with multiple ridges. Both the painting and frame are in excellent vintage condition.

    Size: 58 x 43 cm (including frame)

    The pot seen in the photos is also available to purchase and details can be viewed here.

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  • Geometric Duo

    Geometric Duo

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    An outstanding geometric abstract figurative composition that explores the interplay between form, colour, and perspective, exeucted in iol onto canvas.

    Two figures stand in opposite direction against a backdrop of meticulously arranged geometric abstraction, and their forms have also been deconstructed down to angular shapes.

    The geometric shapes composing the figures and backdrop interlock like pieces of a puzzle. Each shape contributes to the overall composition, its placement and colour carefully considered to achieve balance and cohesion.

    The composition is a symphony of muted pastel hues – soft sage greens, mustard yellows, tranquil blues, delicate pinks, subtle greys, and warm peach. These colours contrast seamlessly, imbuing the composition with a serene and very pleasant feel.

    This oil on stretched canvas comes unframed but can be hung as is, and is in excellent vintage condition. 

    Size: 41 x 33 cm (including frame)

    The sculpture seen in the photos is also available to purchase and details can be viewed here.

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