• In Her Own World

    In Her Own World

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    An evocative figurative painting depicting a solitary figure seen from behind and seated before an abstracted interior or window-like setting, executed in oil onto canvas and dated 1984.

    The figure occupies the lower centre of the composition, their dark, rounded hair and softly rendered skin tones contrasted against an expansive field of pale blue. With the sitter turned away from the viewer, the work has a wonderfully introspective quality, suggesting a private moment of stillness or contemplation.

    The painting has a distinctly modernist sensibility, reducing both figure and surroundings to simplified shapes and broad planes of colour. Rather than describing the setting literally, the artist allows loosely defined blocks, stripes and fragmented forms to suggest an interior space. To the right, a vertical passage of turquoise and green introduces an almost window-like element, while small geometric details and bands of colour lend the composition an appealing abstract quality.

    The palette is particularly fresh and harmonious, built around powder blue, soft aqua, turquoise, sage and mint green, balanced by creamy off-white and a deep charcoal-blue. Small touches of buttery yellow, coral pink and brighter teal provide playful accents without disturbing the painting’s overall sense of calm.

    Paint has been applied with loose, expressive and deliberately visible brushwork. Broad, scumbled passages allow layers beneath to subtly emerge, creating a beautifully textured, chalky surface. The figure itself is only lightly articulated, with softened edges and minimal detail, while the surrounding areas shift between sweeping strokes, dry-brushed marks and more geometric passages of colour. This combination of figuration and abstraction gives the work an appealingly spontaneous character.

    This oil on canvas is presented in a complementary slim gilt frame.There are some light surface marks and areas of water marking present, consistent with the age of the work; however, these do not detract from the overall appearance of the painting.

    Size: 52 x 48 cm (including frame)

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  • The Hills Beyond

    The Hills Beyond

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    An expressive and wonderfully textured modernist landscape depicting a dense woodland and rolling hills, executed in oil onto canvas and dated 1971.

    A small red-roofed structure sits quietly at the centre of the composition, almost enveloped by the surrounding trees. Beyond, the landscape rises into broad undulating hills, with a distant blue peak emerging beneath an expansive, pale sky.

    The work has a distinctly modernist, expressionistic character, favouring simplified forms, heightened colour and energetic mark-making over naturalistic detail. The landscape is constructed in loose horizontal bands – foreground, woodland, hills and sky – while the upright forms of the trees create a lively vertical rhythm through the centre of the painting.

    The palette is particularly vibrant, dominated by olive, forest and lime greens, punctuated by flashes of golden yellow, ochre, apricot and burnt orange across the trees. Deep blue-green and near-black passages give weight to the woodland, while the distant mountain is picked out in striking cobalt and ultramarine blue. Soft blue, cream and pale yellow sweep across the sky, balancing the richer earth tones below. The small building, rendered in warm red and brown, provides a subtle focal point amid the vegetation.

    Paint has been applied with bold, vigorous and highly visible brushstrokes, with areas of thick impasto giving the surface a wonderfully tactile quality. Short, upright strokes articulate the trees, while broader, sweeping marks describe the contours of the hills and sky. In the foreground, long horizontal strokes of ochre and cream draw the eye into the scene. Throughout, glimpses of the underlying canvas remain visible between strokes, adding to the painting’s spontaneous, expressive character.

    This oil on canvas is presented in a complementary natural wood frame. The painting is in excellent vintage condition, and the frame has some scuffs.

    Size: 43.5 x 64 cm (including frame)

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  • Three Ladies

    Three Ladies

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    A striking mid-century modernist figurative painting, executed in oil onto canvas by the established Swedish artist Fabian Lundqvist (1913-1989), whose works have been represented in many public collections in Sweden.

    The composition depicts three elongated female figures standing closely together beneath a glowing amber sun. Their simplified silhouettes and dramatically oversized, geometric headwear lend the composition an almost ceremonial quality, while their close arrangement suggests companionship, solidarity and quiet intimacy.

    The artist approaches the figures with a distinctly modernist sensibility, reducing the human form to elegant shapes and flattened planes. Facial features are deliberately minimal – small eyes and flashes of red at the lips emerge from dark faces – allowing posture, pattern and proportion to carry the expression. The exaggerated rectangular forms above the figures create a wonderful architectural rhythm across the upper half of the composition, contrasting with the softer curves of their shoulders and the setting sun behind them.

    The palette is beautifully restrained and earthy, dominated by tobacco brown, umber, charcoal, muted taupe and warm terracotta. Against these subdued tones, touches of burnished ochre and golden yellow illuminate the patterned garments and echo the glowing sun, while tiny accents of blue and deep red provide unexpected points of colour.

    Brushwork is largely soft and controlled, with broad areas of thinly worked, matte colour creating the painting’s characteristic flattened appearance. The edges retain a slight softness and irregularity that reveals the hand of the artist rather than feeling rigidly graphic. More animated marks appear within the clothing: loosely brushed golden squares, narrow vertical strokes and scattered jewel-like dabs create texture and individuality across each figure. These small painterly details enliven the otherwise restrained composition and provide a pleasing counterpoint to its bold geometric forms.

    This oil on canvas is presented in a beautiful and very well suited linen lined wood frame with an inner gilt window. The painting is in excellent vintage condition. The frame has a mark to the bottom section of the linen border, which does not detract from the overall appearance of the piece.

    Size: 79 x 79 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Garden Gate in Spring

    Garden Gate in Spring

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    A vibrant and uplifting mid-century landscape painting depicting a lush garden entrance, where a white picket gate opens onto a winding pathway beneath flourishing trees in bloom, executed in oil onto canvas and dated 1961.

    The composition captures an everyday suburban scene with remarkable freshness, celebrating the quiet beauty of a well-tended garden at the height of spring. Rather than focusing on intricate detail, the artist conveys the atmosphere through simplified forms and an intuitive sense of colour.

    Executed in an expressive, painterly style, the work balances representation with loose abstraction. The scene is built from confident, gestural brushstrokes that allow shapes to dissolve into one another, creating a lively impression of filtered sunlight, moving foliage, and blossoming branches. Broad sweeps of paint are contrasted with more deliberate marks that define the fence, tree trunks, and winding path, lending the composition both structure and spontaneity.

    The palette is fresh and uplifting, dominated by an array of luminous greens ranging from soft sage to vibrant lime, complemented by crisp whites, cool blue-greys, warm yellows, and delicate blush pinks along the pathway. The interplay of light and colour evokes the warmth of a bright spring day, while the visible brushwork gives the painting an energetic, immediate quality that is full of movement and life.

    This oil on canvas is presented in a well crafted wood frame with an inner gilt border. Both the painting and frame are in excellent vintage condition.

    Size: 58 x 68 cm (including frame)

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  • Crimson Conversation

    Crimson Conversation

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    A bold and expressive mid-century modernist figurative composition, painted in oil and gouache onto board by the established Swedish female artist Brita Hansson (1918-1979).

    The painting depicts two seated female figures in vivid red garments, engaged in quiet dialogue or mutual contemplation. Their forms are abstracted, rendered without facial features, allowing posture and colour to convey mood and intimacy.

    The painting bursts with saturated reds, deep purples, and yellows, offset by bold swathes of white and textured brushwork that creates a dynamic, almost rhythmic background. The foreground is punctuated by gestural strokes of lilac, grey-blue, and orange, suggesting fruit or textiles on a table.

    Executed confidently and swiftly, the brushstrokes are layered and gestural, giving the piece a tactile quality as well as lively feel.

    This oil and gouache on board is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs.

    Size: 51 x 64 cm (including frame)

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  • Stroll Above the Bay

    Stroll Above the Bay

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    A lively mid-century expressionist landscape painting, executed in oil by the established Swedish artist Uno Vallman (1913-2004) whose works are included in the Swedish National Museum and The Swedish Modern Museum, to name a few. His works are also included in the collections of Lyndon Johnson, Jimmy Carter, and the Tessin Institute in Paris.

    This joyful painting captures three figures pausing on a grassy headland as they overlook a tranquil stretch of water framed by sculptural coastal pines. The sweeping composition draws the eye between the distinctive wind-shaped trees towards the shimmering bay beyond, while rolling green hills and rugged shoreline create a lively sense of place. Rather than pursuing realism, the artist distils the landscape into expressive forms, celebrating the harmony between nature and the quiet presence of people within it.

    Executed in a highly expressive, naïve modernist style, the composition is defined by bold outlines, flattened perspective and simplified organic shapes. The twisted crimson tree trunks become rhythmic anchors within the scene, while the figures are rendered with minimal detail, contributing to the painting’s spontaneous charm and decorative quality.

    The palette is vibrant yet harmonious, dominated by fresh spring greens, turquoise-blue water and a pale sky infused with soft blush-pink undertones. Rich crimson reds animate the tree trunks and are echoed subtly in the clothing of the figures and the flowering vegetation, creating visual rhythm across the composition. Crisp black contours unify the forms, while touches of white lend brightness and movement to the sea and landscape.

    The brushwork is energetic and confident, with visible, textured strokes applied in broad passages that allow the weave of the canvas to remain evident in places. Loose, gestural marks and expressive layering create a lively surface full of character, while the deliberate outlining of forms gives the composition clarity and a distinctly graphic quality. The resulting balance of texture, colour and simplified form lends the painting an enduring sense of warmth and optimism.

    This oil on canvas is presented in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

    Size: 51.5 x 60.5 cm (including frame)

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  • Bottles in Blue Geometry

    Bottles in Blue Geometry

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    A refined and thoughtfully composed mid-century still life composition in a cubist style that presents two elongated bottles set against a layered arrangement of abstracted forms, executed in oil onto board.

    The objects are simplified and slightly flattened, outlined with confident dark contours that give them a sculptural presence. Around them, angular planes and overlapping shapes create a quiet architectural backdrop, lending structure and balance to the composition while subtly shifting the sense of depth.

    Executed in a modernist style with cubist leanings, the work embraces reduction and clarity over realism. The interplay between object and space feels deliberate and contemplative, with negative space used just as thoughtfully as the painted forms themselves. There is a calm stillness to the arrangement, where everyday objects are elevated into a study of form, tone, and balance.

    The colour palette is harmoniously restrained, dominated by cool blues, soft aquas, and muted teal tones, punctuated by gentle off-whites and deeper navy accents. These hues create a tranquil, almost meditative atmosphere, while subtle tonal variations add dimension without disrupting the overall serenity.

    This oil on board is presented in a elegant frame with a warm, muted gold tone finish. Both the painting and frame are in excellent vintage condition.

    Size: 69 x 58 cm (including frame)

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  • Still Life in Pastel

    Still Life in Pastel

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    An expressive and lively mid-century still life composition with a rich palette of colours, rendered in pastel onto board and dated 1954.

    An array of objects punctuates the painting – this includes a candle holder on the left, standing proudly beside two vases. Beside them on the right, two pieces of fruit – a red apple and an orange – provide balance to the arrangement.

    Expressive and loose strokes of pastel give the entire composition a sense of movement and energy, while black outlines around the objects emphasise their distinct forms, evoking a sense of dynamism.

    This pastel on board is housed in a complementary linen-lined wood frame, and is glazed (there is a layer of glass between the frame and the painting to ensure its longevity). The painting is in excellent vintage condition, and the frame has some marks and scuffs. 

    Size: 42 x 49 cm (including frame)

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  • The Courtyard

    The Courtyard

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    An absolutely delightful and expressive mid-century landscape painting of a stream passing through a courtyard filled with lush greenery and a cottage.

    Painted in vibrant colours and wonderfully short and layered brushstrokes, this artwork would make a joyful and lively statement piece in any interior.

    This oil on board is is in very good vintage condition. It is housed in a complementary cream painted wood frame that has both a gilt as well as linen lining. The frame has slight areas of paint loss and light dents (as shown in the images), but nothing that detracts from the overall attractiveness of the piece.

    Size: 49 x 57 cm (including frame)

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  • Abbey Remains

    Abbey Remains

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    A striking mid-century modernist painting that captures the elegance of the remains of a Gothic abbey, rendered in angular, abstracted forms, executed in oil onto board and dated 1955.

    The artist has deconstructed the architecture into bold geometric shapes and intersecting planes, offering a stylised, almost cubist interpretation of the structure. The skeletal remains of arched windows, pointed gables, and weathered stone towers are set against a pale, faceted sky and softly undulating hills.

    The palette is restrained yet evocative, with cool greys, browns, and muted greens dominating the composition. Subtle highlights of light blue and off-white suggest shifting daylight, lending a fragile luminosity to the scene. Thick, confident brushstrokes applied in mosaic-like patches give the surface a textured, tessellated effect, echoing the crumbling but enduring nature of the abbey itself.

    This oil on board  is housed in a beautiful distressed wood frame that pairs wonderfully with the painting. The painting is in excellent vintage condition, and the frame has minor scuffs.

    Size: 33.5 x 43 cm (including frame)

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  • A Gentle Path

    A Gentle Path

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    A gentle and atmospheric mid-century landscape that captures a winding path as it cuts through softly rolling fields, executed in oil onto canvas.

    Small yet impactful, the composition is calm and inviting, with the path acting as a quiet guide through the scene, drawing the eye into a softly rendered horizon.

    The trees, though delicately understated, are rendered in a hazy, atmospheric manner that allows their forms to dissolve slightly into the surrounding landscape. This subtle treatment gives the impression of early morning mist or diffused evening light, enhancing the painting’s quiet, contemplative mood.

    Executed in a semi-impressionistic style, the artist balances structure with looseness. The foreground is built with expressive, textured brushstrokes that suggest grasses and earth, while the midground and background soften into more blended, almost dreamlike passages. This contrast creates a gentle depth without disrupting the overall stillness.

    The palette is muted and harmonious, featuring soft greens, mossy undertones, warm ochres, and pale neutrals, with cooler grey-blues subtly woven throughout. The sky is light and diffused, lending a quiet luminosity that bathes the landscape in a gentle glow.

    This oil on canvas is presented in a simple yet elegant silver-toned wood frame. The painting is in excellent vintage condition, and the frame has minor scuffs.

    Size: 32 x 37 cm (including frame)

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  • A Moment to Read

    A Moment to Read

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    A contemplative mid-century interior scene that captures a solitary figure absorbed in reading, positioned beside a softly lit window, executed in oil onto canvas.

    The setting feels intimate and introspective – books are stacked and scattered across a desk and nearby surfaces. The figure’s posture, slightly bowed over the book, conveys a sense of stillness and focus.

    Rendered in a distinctly expressive, modernist style, the composition leans toward abstraction without losing its figurative anchor. The artist simplifies the figure’s facial features, allowing gesture and stance to carry emotional weight. There is a subtle tension between structure and looseness – forms are blocked in with confidence, yet edges dissolve and shift, lending the scene a fleeting quality.

    The palette is rich yet restrained, dominated by earthy browns, deep charcoals, and mossy greens, punctuated by passages of pale blue and a warm, luminous yellow from the window light. This interplay of cool and warm tones creates depth and atmosphere, drawing the eye toward the glowing interior light source.

    Brushstrokes are tactile and deliberate: thick, painterly applications of oil give the surface a textured, almost sculptural quality. The handling is direct and unrefined in places, with visible strokes that trace the artist’s hand, reinforcing the immediacy and emotional sincerity of the work.

    This oil on canvas is present in a beautiful champagne coloured wood frame with an inner cream border. The painting is in excellent vintage condition, and the frame has some scuffs. 

    Size: 74 x 59.5 cm (including frame)

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  • Autumn Reflections

    Autumn Reflections

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    An expressive mid-century landscape that captures a tranquil lakeside scene at the height of autumn, executed in oil onto canvas.

    Slender birch trees rise in the foreground, their pale trunks acting as a vertical counterpoint to the soft, undulating forms of cottages and foliage beyond. Across the still water, a cluster of rustic buildings with pitched roofs nestle into a hillside, partially obscured by sweeping, golden canopies of trees. The lake mirrors the scene with gentle distortion, drawing the eye into a quiet, reflective atmosphere.

    Executed in a loose, expressive style, the painting embraces painterly abstraction while retaining a strong sense of place. The artist has used confident, gestural brushstrokes – often thick and directional – to suggest form rather than define it precisely. Areas of impasto add texture, particularly in the foliage and along the water’s edge, giving the surface a tactile, almost sculptural quality.

    The colour palette is warm and harmonious, dominated by yellows, muted greens, and earthy browns, contrasted with cooler greys and soft blues in the water and sky. Subtle accents of red and deeper green punctuate the composition, adding depth and rhythm. The interplay of colour and reflection enhances the sense of calm, while the energetic handling of paint keeps the scene lively and immediate.

    Overall, the work beautifully balances structure and spontaneity – an intimate, atmospheric snapshot of nature interpreted through a distinctly mid-century modern lens.

    This oil on canvas is housed a characterful wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition. 

    Size: 52 x 60 cm (including frame)

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  • Behind the Mask

    Behind the Mask

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    A bold and enigmatic mid-century figurative portrait, executed in oil onto board and dated 1957.

    The composition depicts a simplified and abstracted figure with a frontal, mask-like face. The facial features are distorted, emphasising expressive shapes and tones rather than realism. Containing elements of expressionism and abstraction, there is a strong emphasises on emotional resonance, as opposed to detailed representation.

    The artist has used a palette that is earthy yet muted, with dominant tones of green, pink, and brown contrasting against a textured, light sky-blue background.

    The brushwork is bold and expressive, with thick, impasto strokes that create a textured surface.

    This oil on board is housed in a complementary wood frame with an inner cream border. The painting has some marks on its left side, as shown in close ups, and the frame has some scuffs to its edges. 

    Size: 43 x 35 cm (including frame)

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  • Blue Winter

    Blue Winter

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    A beautifully atmospheric mid-century landscape, rendered with a wonderful sense of texture and restraint, executed in oil onto board.

    The composition depicts an expansive snow-covered landscape beneath a vast blue-grey sky, with a low horizon and dark clusters of trees providing structure to the otherwise open scene.

    The artist works in a distinctly modernist manner, reducing the landscape to broad passages of colour and allowing texture and gesture to carry much of the expression. The restrained palette is particularly appealing: cool slate and powder blues dominate the sky, contrasted against chalky whites, soft greys and muted olive greens across the snowy terrain. Small touches of turquoise add unexpected flashes of colour within the foreground.

    Paint has been applied generously throughout, with wonderfully tactile, impasto brushwork and palette-knife marks creating a richly worked surface. Scraped, layered and overlapping strokes give the snow an almost abstract quality, while the heavily textured sky lends a sense of movement and changing weather. There is a lovely balance between the stillness of the subject and the energy of the paint handling.

    This oil on board is presented in a complementary linen-lined wood frame. Both the painting and frame are in excellent vintage condition.

    Size: 59.5 x 70 cm (including frame)

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  • Boats at Rest

    Boats at Rest

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    A striking mid-century modernist painting that captures the quiet charm of a coastal scene, executed in oil onto board.

    Two boldly coloured boats – one in deep navy blue, the other in brick red – rest upon warm ochre sands, their strong silhouettes set against whitewashed houses with terracotta roofs. Behind them, rolling green hills meet a vivid band of cobalt sky, while the turquoise edge of the sea curves into view at the foreground.

    Executed with a modernist sensibility, the scene is reduced to simplified geometric forms and flat planes of rich colour, outlined in confident black strokes. The palette balances earthy warmth with refreshing coastal blues and greens, evoking both the heat of the sun and the coolness of the sea breeze. The smooth, uniform brushwork enhances the crisp, graphic quality of the composition, lending it a timeless feel.

    This oil on board is presented in a wooden frame with a linen inner border that beautifully complements the painting’s bold lines and coastal palette. Both the artwork and frame display some water marks and age-related spots, consistent with their vintage character. The frame also bears some scuffs and some scratches, most notably along the top right edge.

    Size: 47.5 x 72.5 cm (including frame)

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  • Canyon Edge

    Canyon Edge

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    A striking mid-century modernist landscape rendered in a semi-abstract style, that captures the sculptural quality of the natural terrain through bold, expressive brushwork and a refined palette, executed in oil onto board.

    The composition evokes an arid canyon vista, where red earth forms and sand-coloured ridges converge beneath a hazy, pale sky. A deep green tree anchors the right side, its foliage built with rapid, textural strokes that suggest movement and volume.

    The artist’s confident handling of paint emphasises texture over detail, using broad, angular brushstrokes to sculpt the land into almost architectural planes. Muted purples and earthy reds contrast against softer neutrals and golden tones, lending the scene both depth and warmth. With its modernist sensibility and harmonious abstraction, this piece distills the landscape into its essential shapes and energies, offering a timeless interpretation of place through form and colour.

    This oil on board is housed in a complementary gilt frame with an inner linen border. Both the painting and frame are in excellent condition.

    Size: 36 x 46.5 cm (including frame)

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  • Crosscurrents

    Crosscurrents

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    A striking mid-century abstract composition rendered with a bold sense of colour, movement and spontaneity, painted in oil onto board by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

    The painting is built from broad, interlocking passages of colour, with sweeping forms layered across the surface to create a dynamic sense of rhythm and depth.

    The composition is distinctly Abstract Expressionist in character, with an emphasis on gesture, colour and the physical act of painting rather than recognisable subject matter. Strong areas of red anchor the lower half of the work, while intense blues punctuate the upper and central passages. These vivid tones are balanced by expanses of cool grey, black and white, with flashes of orange, blush pink and earthy brown adding warmth and complexity.

    The brushwork is wonderfully expressive and varied. Broad, vigorous strokes sweep diagonally through the composition, while areas of thicker, more textured paint sit alongside flatter passages of colour. Rough edges, visible layering and occasional flashes of underlying pigment give the work a wonderfully immediate, energetic quality. The dark, gestural forms cutting through the upper half provide a particularly strong counterpoint to the brilliant red below.

    This oil on canvas is presented in a unique gilt frame with a deep-red fabric surround, finished with an inner gilt slip. The painting has some stable areas of craquelure present, consistent with the age and nature of the work, which do not detract from the overall appearance.

    Size: 53 x 45 cm (including frame)

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  • Distant Trees

    Distant Trees

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    A beautifully restrained mid-century abstract landscape depicting a broad, open terrain beneath an expansive pale sky, executed in oil onto canvas.

    The composition is reduced to a series of horizontal bands, with a small cluster of dark trees sitting quietly along the distant horizon. Their diminutive scale against the vastness of the surrounding landscape gives the painting a wonderful sense of solitude, stillness and space.

    The artist takes a distinctly modernist, minimalist approach, stripping the landscape back to its essential forms. Rather than describing a particular place in detail, the scene is expressed through proportion, colour and atmosphere. The unusually high horizon and generous expanse of sky lend the work an almost meditative quality, while the isolated group of trees provides a subtle focal point and anchors the otherwise abstract composition.

    The palette is wonderfully muted and sophisticated. A softly luminous off-white and blush-grey sky occupies much of the canvas, meeting a broad band of charcoal, slate and smoky grey across the middle ground. Below, warmer passages of ochre, sandy beige, muted terracotta and earthy brown introduce a gentle warmth. The near-monochromatic trees are rendered in deep charcoal and grey, creating a striking yet understated contrast against the pale sky.

    Brushwork is loose and broad, particularly across the horizontal stretches of land, where visible sweeps of paint reinforce the width and openness of the landscape. The sky is more softly worked, with subtle tonal variations and vertical traces of the brush lending depth to its seemingly simple surface. Around the distant trees, the handling becomes more concentrated and gestural, with compact strokes suggesting foliage and form without unnecessary detail.

    A quietly atmospheric work that captures the essence of a landscape through simplicity, tonal balance and expressive restraint.

    This oil on canvas is presented in a complementary slim silver-toned frame. The painting has a tiny area of paint loss to the bottom right edge, as well as a small area of craquelure to the left-hand side. The paint is stable overall, and these minor signs of age do not detract from the painting’s overall appearance.

    Size: 53 x 69 cm (including frame)

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  • Echoes of the Coast

    Echoes of the Coast

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    A dynamic yet serene mid-century modernist coastal landscape painting, executed in oil onto board.

    The composition captures a tranquil seascape with a bold yet abstracted and simplified approach. A vivid blue sky stretches above a deep azure ocean, with small landmasses appearing in the distance. The foreground presents rocky terrain with dynamic, gestural strokes of earthy tones—rich browns, and hints of purple and white—contrasting with the bright greens of greenery.

    Executed in a modernist style, the painting embraces expressive and slightly abstracted forms rather than realistic details. The colours are vibrant, with a strong emphasis on blues and greens, juxtaposed against warmer, muted earth tones. The brushwork is loose, gestural, and confident, with visible, textured strokes adding movement and depth to the composition. The sky exhibits smooth, blended transitions, while the land and sea are defined by more spontaneous, energetic marks, reflecting the raw beauty of a windswept coastal environment.

    This oil on board is housed in a complementary wood frame with an inner gilt window. Both the painting and frame are in excellent vintage condition.

    Size: 31 x 35.5 cm (including frame)

     

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  • Fields in Full Colour

    Fields in Full Colour

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    A vibrant mid-century abstract landscape in which the countryside has been distilled into a rhythmic arrangement of colour, shape and texture, executed in oil onto canvas and dated 1971.

    The composition suggests a sweeping view across rolling fields and distant hills, with the landscape unfolding in overlapping horizontal bands. Rather than describing the scenery literally, the artist has simplified the terrain into loosely defined patches of colour, giving the work a wonderfully expressive, almost patchwork-like quality. A large blue-grey hill anchors the distance beneath a softly painted sky, while the foreground is alive with shifting fields and vegetation.

    The palette is particularly joyful, combining coral pink, tangerine orange, mustard yellow, apple and sage green, turquoise and powder blue, balanced by softer passages of dusty mauve, grey and cream. The colours feel sun-warmed and harmonious, lending the landscape an uplifting quality without becoming overly bright.

    Paint has been applied with broad, spontaneous and gestural brushstrokes, with areas of the canvas deliberately left visible between forms. The dry, scumbled application creates a lovely textural quality, while the irregular edges of each colour field retain a sense of movement and immediacy. There is a distinctly modernist approach to abstraction, where colour and form take precedence over conventional perspective and detail.

    This oil on canvas is presented in a complementary slim wood frame. Both the painting and frame are in excellent vintage condition. 

    Size: 48.5 x 57 cm (including frame)

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  • Figures by the Sea

    Figures by the Sea

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    A wonderfully serene modernist coastal scene dated 1987, depicting three elongated figures gathered along a sweeping shorelines, executed in oil onto canvas.

    One figure appears to carry or draw in a fishing net, while a central figure stands beside a loosely rendered bicycle and a third looks out towards the water. Two small sailing boats punctuate the distant sea, reinforcing the painting’s gentle maritime character.

    The composition is distinctly modernist and semi-abstract, reducing both the figures and surrounding landscape to simplified, almost geometric forms. The exaggerated proportions of the figures – with their long limbs, narrow heads and softly defined silhouettes – lend the scene a dreamlike quality. Perspective is deliberately flattened, with the rolling foreground, sea and sky arranged in broad bands of colour rather than rendered naturalistically. The delicate linear construction of the bicycle and net provides an expressive counterpoint to the more solid blocks of colour elsewhere in the work.

    A beautifully restrained coastal palette dominates, built around powder blue, turquoise, aquamarine, teal and deep marine blue. Small accents of darker green in the sails and deep blue along the horizon provide definition, while the luminous blue sky gives the painting an airy, summery atmosphere.

    The artist works with loose, visible brushstrokes, particularly across the sea and foreground, where layered strokes and variations in tone give movement and texture to the otherwise simplified forms. Elsewhere, paint is applied in broad, relatively flat passages, with edges left softly irregular rather than precisely delineated. Fine, gestural dark lines are used sparingly to describe the bicycle, net and smaller details, adding an appealing sense of spontaneity.

    Overall, the work has a wonderfully quiet, nostalgic Mediterranean feel, balancing figurative storytelling with the decorative simplicity and colour-led abstraction characteristic of late twentieth-century modernism.

    This oil on canvas is housed in a complementary slim white painted wood frame. The painting is in excellent vintage condition, and the frame has very minor marks.

    Size: 68.5 x 68.5 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Flight at First Light

    Flight at First Light

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    A serene and atmospheric landscape composition that captures the quiet majesty of a misty wetland at sunrise, executed in oil onto canvas and dated 1982.

    The painting reveals a golden field of cattails as three ducks soar just above the water’s surface, their wings frozen in mid-flight. A band of trees stretches across the horizon, their dark green silhouettes softened by the morning haze and a luminous sky tinged with yellow and grey.

    The artist’s naturalistic style is defined by soft, layered brushwork and a harmonious palette of orange, mossy greens, and muted sky blues. The composition balances movement and stillness – the dynamism of the birds in flight contrasts with the hushed stillness of the surrounding reeds and trees. the delicate treatment of light and mist adds atmosphere and depth, drawing the viewer into a fleeting, peaceful moment in nature.

    This oil on canvas is housed in a very well suited wood frame. Both painting and frame are in good vintage condition.

    Size: 45.5 x 53.5 cm (including frame)

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  • Interior with Painting

    Interior with Painting

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    An expressive and uplifting mid-century modernist painting that showcases a richly decorated interior scene, executed in oil onto board.

    The composition features a still life arrangement in the foreground and a vibrant seaside painting adorning the wall. The scene is anchored by a patterned tablecloth draped over a round table, which holds a bowl of fruit, a ceramic dish, and a guitar. Surrounding the table are striped upholstered chairs, adding an inviting atmosphere to the space. In the background, a framed painting of a lively harbour with colourful sailboats adds a lively quality to the scene.

    Executed in a Fauvist-influenced, post-impressionist style, the painting embraces bold colour choices, flattened perspective, and an expressive, spontaneous approach to form. The composition plays with pattern and contrast, reminiscent of Henri Matisse’s interior scenes, where objects and décor hold as much visual weight as the background elements.

    The brushwork is lively and gestural, with painterly strokes adding texture and vibrancy. The artist has used a loose, expressive technique, giving the composition an energetic and dynamic feel.

    This oil on board is housed in a complementary gilt frame with an inner linen border. The painting is in excellent vintage condition. The frame has some scuffing present.

    Size: 57 x 45cm (including frame)

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  • Lavender Skies

    Lavender Skies

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    An uplifting and expressive mid-century landscape painted with a refreshing simplicity and a distinctly modernist sensibility, executed in oil onto canvas and dated 1954.

    A winding peach-toned road leads the eye through open fields towards a cluster of dark farm buildings and trees, their simplified forms sitting beneath an expansive lavender-grey sky. The landscape has been reduced to its essential elements, giving the scene an almost abstract quality while retaining a strong sense of place and perspective.

    The artist works with a beautifully unexpected palette. Soft pistachio and sage greens sweep across the foreground, meeting areas of burnt orange and golden yellow, while the warm blush of the road provides a gentle route through the composition. These lighter tones are anchored by deep forest greens, charcoal black and touches of russet around the distant buildings. Above, the broad lilac-grey sky lends the painting its particularly distinctive atmosphere.

    Brushwork is loose, broad and wonderfully visible throughout. Areas of paint have been applied in confident, overlapping strokes, with sections of the underlying ground deliberately left exposed. Rather than describing every detail, the artist uses blocks and sweeps of colour to suggest fields, trees and architecture, creating a landscape that feels spontaneous and immediate. The slightly rough edges and changing directions of the brushstrokes add movement and a lovely painterly energy.

    This oil on canvas is presented in a complementary linen-lined frame with a dark wood outer and inner border. Both the painting and frame are in excellent vintage condition.

    Size: 40 x 47.5 cm (including frame)

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  • Mary

    Mary

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    A charming contemporary naïve style painting, executed in oil onto panel by British artist Matt Rix.

    Set within a tranquil landscape, the painting depicts a sheep named Mary by the artist, standing peacefully in an open meadow, its gaze turned gently towards the viewer. In the distance, a small white cottage nestles atop a rolling hill, with a ribbon of smoke rising from its chimney beneath a brilliant blue sky dotted with stylised clouds.

    Painted in a contemporary naïve style, the composition embraces simplicity, clarity and a sense of childlike wonder. The artist distils the landscape into softly undulating hills, clean silhouettes and carefully balanced forms, creating a scene that feels both timeless and quietly whimsical.

    The colour palette is fresh and harmonious, combining lush greens with a vivid blue sky and warm cream tones that give the sheep a soft, luminous presence. Gentle beige accents define the animal’s face, legs and ears, while the white cottage introduces a subtle focal point that balances the composition. The restrained palette creates an atmosphere of warmth, optimism and pastoral serenity.

    Brushwork is smooth and controlled, with thin, even applications of paint producing broad, uninterrupted fields of colour. Subtle tonal modulation across the sheep’s fleece suggests softness, while delicate linear brushstrokes within the foreground grass add gentle movement and texture.

    This oil on board is housed in a black painted wooden frame with a gilded inner trim. Both the painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 37 x 47.5 cm (including frame)

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  • Red Roosters

    Red Roosters

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    This 1973 textile artwork is a striking, handwoven wall tapestry that captures the essence of 1970s Scandinavian modernist design — bold, playful, and deeply textural.

    The composition features two stylised birds facing each other in symmetrical balance, their beaks nearly touching as if in conversation or ritual. The birds are rendered in vivid shades of magenta, red, orange, and pink, set against an earthy brown and olive backdrop that enhances the vibrancy of their plumage. Their bodies are richly patterned with repeated eye-like motifs in black and white, adding a rhythmic, almost totemic quality to the piece.

    Floral or feather-like forms rise vertically behind each bird, in flaming tones of violet, orange, and yellow, creating a sense of movement and vitality. The tapestry is bordered by a neutral linen mount that both softens and frames the intense colourwork.

    Executed with a masterful sense of geometry and folk-inspired abstraction, the work feels both decorative and symbolic — celebrating nature, symmetry, and craftsmanship. The combination of strong contrasting hues, simplified forms, and tactile woven texture make this a quintessential example of early 1970s Nordic textile art, exuding warmth, character, and playful sophistication.

    This vintage tapestry remains in very good condition. It is mounted onto fabric lined board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

    Size:  27 x 25 cm

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  • Shifts in Green

    Shifts in Green

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    A wonderfully graphic mid-century abstract composition built around a rhythmic arrangement of geometric forms in varying shades of green, executed in oil onto canvas.

    The work is divided into four loosely mirrored sections, each constructed from overlapping rectangles, angular planes and elongated shapes. There is a distinctly architectural quality to the composition, with forms that suggest stacked structures, windows and shifting façades without resolving into anything explicitly representational.

    The painting has a strong geometric abstractionist character, with echoes of Constructivism and the clean, design-led aesthetic of post-war modernism. Repetition provides a sense of order, while subtle variations between each quadrant prevent the composition from becoming overly rigid. The overlapping translucent-looking planes are particularly effective, creating an engaging illusion of depth and movement across an otherwise flat surface.

    The palette is beautifully restrained, moving through forest green, emerald, olive and fresh leaf green, punctuated by areas of deep blue-green and pale chartreuse. These saturated tones sit crisply against a cool silver-grey ground, giving the painting a distinctly modern feel.

    Rather than expressive, visible brushwork, the artist has applied the paint in smooth, controlled passages with sharply defined edges. This precision allows colour, shape and tonal contrast to take centre stage, while the subtle layering of greens gives the composition surprising depth.

    This oil on canvas is housed in a complementary slim white-painted wood frame. The painting itself is in excellent vintage condition, and the frame has a chipped corner to the top right.

    Size: 74.5 x 74.5 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Sunlit Arrangement

    Sunlit Arrangement

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    A richly coloured and striking mid-century still life that presents a thoughtfully arranged grouping of domestic objects – a ceramic jug, cylindrical vessel, pears, lemons, and draped cloth – set upon a tabletop, executed in oil onto canvas.

    Rather than pursuing realism, the artist has reduced each form into bold, interlocking shapes, creating a composition that feels both structured and expressive.

    Executed in a modernist style with hints of Cubist influence, the painting emphasises colour, form, and spatial relationships over precise representation. Objects are simplified into geometric planes and outlined with confident contours, lending the composition a strong sense of rhythm and balance.

    The palette is warm and earthy, dominated by rich ochres, burnt oranges, terracotta reds, and umber browns, enlivened by accents of lemon yellow, turquoise, and pale blue. These contrasting colours create visual energy while maintaining an overall harmony that is characteristic of mid-century modernist painting.

    Brushwork is broad and assured, with visible, painterly strokes that build form through blocks of colour rather than fine detail. The surface retains a pleasing immediacy, allowing the artist’s hand to remain evident throughout.

    This oil on canvas is presented in a complementary warm honey-toned wood frame with a stepped profile. Both the painting and frame are in excellent vintage condition.

    Size: 38 x 49 cm (including frame)

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  • The Boathouse

    The Boathouse

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    A large and serene modernist painting that captures a quiet waterfront scene with minimalistic charm, executed in oil onto canvas and dated 1991.

    The composition features two docked boats beside a boathouse, nestled against a backdrop of stylised green trees. A lone figure stands near the entrance of the boathouse, adding a subtle human presence without disrupting the painting’s calm ambiance.

    Modernist in its ethos, the composition has been rendered in a flat, geometric style. The artist has skilfully deconstructed and simplified the scene into blocks of contrasting colours using expressive yet flat brushstrokes through horizontal layering that demonstrates depth to the painting. A muted yet harmonious palette of dusty greens, soft greys, beige, and pale blue have been used, imbuing with work with a soothing quality.

    This oil on canvas is housed in a very well suited frame with an inner white border.  The painting is in excellent vintage condition, and the frame has some scuffing as shown. 

    Size: 65 x 77 cm (including frame)

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