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A large and brilliantly executed contemporary semi-abstract seascape composition, executed in acrylic onto board, by British artist Frances Daws.
A richly layered and highly expressive landscape, this painting captures the untamed beauty of the natural world through a complex interplay of colour, texture and movement. Although abstracted in style, the composition evokes the familiarity of a wild valley or mountain pass, with sweeping forms suggesting rolling hills, winding paths and distant peaks beneath an expansive sky.
Built up with multiple layers of paint, the surface is wonderfully textured and full of character. Each brushstroke contributes to a sense of energy and depth, revealing subtle shifts in tone and gesture the longer you look. Dominant hues of deep reds, moss greens, ochres and earthy browns merge and overlap to create a warm, grounded palette that feels closely connected to the land itself.
When caught by the light, brighter passages of pale blue, blush pink and soft cream emerge from within the composition, adding luminosity and contrast. These lighter notes bring a sense of atmosphere and openness, as though sunlight is breaking through clouds and illuminating sections of the landscape below.
There is a compelling sense of both movement and structure in the work. Fluid, sweeping marks guide the eye through the scene, while the varied colours and textures create a layered terrain that feels rugged, organic and alive. The painting rewards close inspection, revealing new details and relationships with each viewing.
Bold yet harmonious, this piece would bring warmth, depth and a strong connection to nature into an interior. It is an engaging and atmospheric work for anyone drawn to expressive landscapes and richly textured contemporary painting.
This large painting is beautifully presented in a custom made white tray frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.
Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.
