• A Moment Alone

    A Moment Alone

    £490

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    An evocative mid-century figurative painting depicting a solitary figure seated in an armchair, executed in oil onto canvas and dated 1957.

    The sitter is rendered with striking restraint: facial features have been entirely omitted, allowing posture, colour and form to carry the composition. Leaning slightly into the chair with one arm extended, the figure has a quiet, introspective presence that feels at once relaxed and enigmatic.

    The work has a distinctly modernist, expressionistic character, with the body simplified into broad, angular shapes and the surrounding interior reduced to loosely defined planes of colour. Rather than pursuing realism, the artist focuses on the relationship between figure, furniture and space. The elongated limbs and deliberately flattened perspective lend the scene a wonderfully distinctive, almost sculptural quality.

    The palette is particularly compelling. Deep black, midnight blue and charcoal define the sitter, set dramatically against a backdrop of acidic yellow-green, sage, teal and chalky cream. Small flashes of mustard yellow and vivid red-orange around the chair provide unexpected warmth and energy, creating a wonderful tension against the darker figure.

    Paint has been applied with a confident, tactile hand. Broad, visible brushstrokes and  dry-brushed passages give the surface considerable texture, while loosely worked edges allow forms to merge into one another. There is an immediacy to the handling that feels spontaneous yet assured, particularly in the abstracted background.

    This oil on canvas is housed in a warm-toned wood frame with a simple stepped profile. The painting has some craquelure to the central area, but the paint layer remains stable, as well as a surface mark to the lower left. The frame has some light scuffing, consistent with age. Overall, the painting and frame are in good vintage condition.

    Size: 37 x 31 cm (including frame)

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  • Between Two Worlds

    Between Two Worlds

    £445

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    An enigmatic composition that blends abstraction with a slightly surrealist sensibility, executed in oil onto canvas and dated 1991.

    Two abstracted figures occupy the lower edge of an ambiguous, dreamlike landscape, their forms incorporating collaged elements alongside painted passages. Sweeping areas of colour and curious floating forms fill the space around them, while arcing trails of golden dots travel across the composition, introducing a playful graphic quality and an intriguing sense of connection between the figures.

    The unusual shifts in scale and perspective give the work an enigmatic, otherworldly character. The figures seem less grounded within a recognisable setting than suspended within an imagined world – perhaps observing, communicating or simply existing within the expansive abstract space around them.

    The palette is fresh and luminous, dominated by powder blue, cobalt and cornflower blue, softened by pale mint, lemon yellow and creamy white. A vivid sweep of orange cuts horizontally through the lower composition, while earthy browns and charcoal tones lend weight and definition to the figures.

    The artist employs a wonderfully varied mixed-media approach, combining broad gestural brushstrokes, translucent washes and dry-brushed passages with layered collage elements. Areas of exposed canvas weave add further texture, while the cut and overlapping surfaces within the figures create a fragmented, tactile quality. The dotted yellow lines provide a contrasting sense of precision, rhythm and movement against the otherwise loose and spontaneous handling.

    Playful, dreamlike and enigmatic, the painting leaves its narrative deliberately unresolved, inviting the viewer to form their own interpretation of this curious encounter.

    This painting is presented in a slim white-painted wood frame. Both the painting and frame are in excellent vintage condition.

    Size: 40 x 48 cm (including frame)

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  • Blue Interlude

    Blue Interlude

    £455

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    A striking and beautifully textured mid-century abstract composition built around an interplay of cool colour, gestural movement and strongly defined forms, executed in oil onto canvas.

    Broad passages of paint overlap and intersect across the surface, creating an energetic arrangement that feels spontaneous while retaining a considered sense of balance and structure.

    The palette is dominated by powder blue, cornflower, cobalt and deep navy, softened by areas of pale sage, muted aqua and creamy blue-grey. Subtle touches of buttery yellow, lavender and coral pink provide warmth and contrast, particularly against the painting’s more saturated blues.

    Paint is applied with confidence and immediacy. Broad, sweeping brushstrokes sit alongside shorter, heavily worked passages, with the direction of the brush remaining clearly visible throughout. Areas of thicker impasto lend the surface a wonderfully tactile quality, while overlapping strokes and partially obscured colours give the composition a sense of depth. Dark blue linear forms cut dynamically through the softer fields of colour, bringing rhythm and definition to the work.

    This oil on canvas is presented in a complementary silver-grey wooden frame with a recessed black inner surround. The painting displays some craquelure consistent with the age of the work; however, the paint layer remains stable overall.

    Size: 50.5 x 43 cm (including frame)

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  • Figures at the Window

    Figures at the Window

    £475

    Available

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    A wonderfully expressive mid-century figurative painting depicting two figures gathered beside a large window, beyond which a loosely rendered urban landscape unfolds, executed in oil onto board.

    One figure perches on the windowsill, elongated and angular, while the other sits below with a knee drawn towards the body. Their relaxed poses and proximity suggest a quiet familiarity, yet their inward expressions lend the scene a contemplative, slightly enigmatic quality.

    The painting has a distinctly modernist sensibility, with the figures simplified into strong, sculptural forms and the surrounding interior flattened into broad planes of colour. Perspective is deliberately loose, allowing the figures, window and distant architecture to overlap and merge. The bare branches of the tree beyond the window provide a particularly expressive counterpoint, their dark, gestural lines echoing the angularity of the figures.

    The palette is rich and earthy, combining browns,  rust, burnt orange and deep burgundy with cooler passages of cobalt, slate blue, teal and soft green. A pale peach sky brings warmth and light to the upper composition, while the saturated yellows and blues of the interior give the painting an energetic quality.

    Brushwork is confident and highly visible throughout. Broad, dry strokes build up the background and furnishings, while darker, more assertive marks define the figures and tree. Areas of colour are layered rather than smoothly blended, allowing glimpses of underlying tones to remain visible and giving the surface a wonderfully tactile, painterly character. The loosely articulated faces are especially compelling, constructed through small, angular strokes of ochre, red, blue and brown rather than precise detail.

    This oil on board is presented in a complementary layered natural wood frame with a stepped profile. Both the painting and frame are in excellent vintage condition.

    Size: 67 x 58 cm (including frame)

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  • Houses in Snow

    Houses in Snow

    £750

    Available

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    A characterful mid-century modernist style street scene depicting a close grouping of houses beneath a pale yellow winter sky, executed in oil onto canvas by the established Finnish artist Paavo Airola (1918 – 1983), who’s works have been represented at the National Gallery in Stockholm, Örebro Museum of Fine Art, Jämtland Museum, Hudiksvall Museum, Östersund, and others.

    The buildings overlap and recede into one another, their steeply pitched roofs, chimneys and irregular facades creating a strong architectural rhythm. Patches of snow settle between the houses and across the foreground, giving the composition a distinctly quiet, wintry atmosphere.

    Painted in a modernist, semi-abstract style, the artist has simplified the architecture into broad geometric planes, allowing shape and colour to take precedence over fine detail. The slightly skewed perspectives and tightly compressed arrangement of the buildings lend the scene an expressive quality, while the absence of figures heightens its sense of stillness.

    The palette is wonderfully restrained, combining deep aubergine, charcoal, brick red, muted olive, and soft grey. These darker architectural tones are offset by areas of powder blue and chalky white snow, all set beneath a hazy pale yellow-green sky that gives the painting an unusual luminosity.

    Brushwork is loose, dry and textural, with areas of the canvas weave remaining visible beneath the paint. Edges are deliberately softened and occasionally broken, giving the buildings a wonderfully painterly quality. Rather than precisely delineating each structure, the artist uses blocks of colour and confident angular strokes to suggest roofs, walls, windows and shadows.

    This oil on board is presented in a beautiful wood frame with an inner cream border. Both the painting and frame are in excellent vintage condition. 

    Size: 69 x 74 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Lavender Skies

    Lavender Skies

    £495

    Available

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    An uplifting and expressive mid-century landscape painted with a refreshing simplicity and a distinctly modernist sensibility, executed in oil onto canvas and dated 1954.

    A winding peach-toned road leads the eye through open fields towards a cluster of dark farm buildings and trees, their simplified forms sitting beneath an expansive lavender-grey sky. The landscape has been reduced to its essential elements, giving the scene an almost abstract quality while retaining a strong sense of place and perspective.

    The artist works with a beautifully unexpected palette. Soft pistachio and sage greens sweep across the foreground, meeting areas of burnt orange and golden yellow, while the warm blush of the road provides a gentle route through the composition. These lighter tones are anchored by deep forest greens, charcoal black and touches of russet around the distant buildings. Above, the broad lilac-grey sky lends the painting its particularly distinctive atmosphere.

    Brushwork is loose, broad and wonderfully visible throughout. Areas of paint have been applied in confident, overlapping strokes, with sections of the underlying ground deliberately left exposed. Rather than describing every detail, the artist uses blocks and sweeps of colour to suggest fields, trees and architecture, creating a landscape that feels spontaneous and immediate. The slightly rough edges and changing directions of the brushstrokes add movement and a lovely painterly energy.

    This oil on canvas is presented in a complementary linen-lined frame with a dark wood outer and inner border. Both the painting and frame are in excellent vintage condition.

    Size: 40 x 47.5 cm (including frame)

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  • Little Red Houses

    Little Red Houses

    £415

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    A small and charming naïve style mid-century landscape painting, executed in oil onto canvas.

    The composition depicts a settlement where cluster of red-painted timber houses are scattered across a gently undulating countryside. A winding road draws the eye through the composition, where two small figures – one walking and another riding a bicycle – introduce a delightful sense of everyday life and movement. Beyond, a pale blue waterway winds towards softly rolling hills, giving the compact scene a surprising sense of depth.

    The painting has a distinctly naïve, folk-art quality, with flattened perspective, simplified architecture and an almost storybook approach to scale and composition. Buildings, trees, fences and figures are individually articulated, lending the work a wonderfully observant and intimate character, as though recalling a familiar place from memory.

    The palette is light and sun-filled, dominated by yellows and sandy beige, punctuated by the vivid reds of the traditional houses. Fresh greens, turquoise window frames and a powder-blue sky and water provide lively contrast. The artist’s brushwork is highly textural and wonderfully detailed: short, stippled touches and delicate dabs of colour build the fields, foliage and distant landscape, while finer linear marks define the buildings and figures.

    This oil on canvas is presented in a complementary warm-toned wooden frame. Both the painting and frame are in excellent vintage condition.

    Size: 29.5 x 32 cm (including frame)

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  • Open Doors to Summer

    Open Doors to Summer

    £435

    Available

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    A wonderfully serene mid-century interior scene that captures the quiet pleasure of a sunlit room opening onto the countryside beyond,  executed in oil onto canvas.

    The composition draws the eye through a pair of powder-blue French doors, thrown open to reveal a lush green landscape and a winding garden path bordered by wildflowers. Inside, a delicate white chair holds a small basket of freshly gathered blooms, while a hanging arrangement of blue, pink and violet flowers adds a charming decorative note. A softly striped rug in the foreground completes the scene, lending a sense of warmth and domestic intimacy.

    Painted in a light, impressionistic manner, the artist favours atmosphere over precise detail. Brushstrokes remain visible throughout, particularly in the garden, where loose touches and dabs of paint suggest grasses, flowers and foliage. The architectural elements are more deliberately defined, creating a lovely contrast between the ordered calm of the interior and the softer, more freely rendered landscape beyond.

    The palette is especially appealing, dominated by powder blue, soft cream and fresh spring greens, with delicate accents of lavender, blush pink, yellow and white. The overall effect is airy and luminous, with the pale tones beautifully evoking sunlight filtering into the room.

    This oil on canvas is presented in a complementary slim gilt frame. Both the painting and frame are in excellent vintage condition.

    Size: 58.5 x 49.5 cm (including frame)

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  • River Through the Hills

    River Through the Hills

    £435

    Available

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    A wonderfully expressive abstract landscape dated 1975, in which the natural world has been distilled into sweeping passages of colour and energetic, gestural brushwork, executed in oil onto board.

    The composition appears to depict a river or rushing water cutting through a broad, hilly landscape, its pale, winding form drawing the eye from the foreground towards the distant horizon. Rather than describing the landscape literally, the artist breaks it into bold, interlocking planes, giving the scene an almost abstract quality while retaining a strong sense of place and movement.

    The palette is particularly striking, balancing fresh olive and grassy greens, earthy browns, burnt orange and flashes of turquoise against the cool whites, powder blues, lilacs and soft pinks of the water. Deep passages of inky navy and near-black provide dramatic contrast and structure, lending the composition considerable depth.

    Paint has been applied with confidence and spontaneity, with broad, directional strokes and areas of thick impasto following the contours of the landscape. Sweeping marks converge through the centre of the composition, creating a wonderful feeling of movement, while visible ridges of paint and occasional finer linear marks give the surface a rich, tactile quality.

    This oil on board is presented in a complementary wood frame comprising a slim white inner border surrounded by a broader soft grey outer frame. Both the painting and frame are in excellent vintage condition.

    Size: 22.5 x 41.5 cm (including frame)

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  • Room with a View

    Room with a View

    £455

    Available

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    A charming mid-century interior that balances the intimacy of a domestic setting with a glimpse of the world beyond, executed in oil onto board.

    The composition centres on a simply dressed table, upon which a single red-orange fruit rests, while an open doorway or window to the left reveals neighbouring rooftops, trees and architecture. A vivid red vessel on the sill provides a second small but striking focal point, drawing the eye outward into the distant view.

    The painting has a distinctly modernist sensibility, with the interior pared back into broad, flattened planes and simplified geometric forms. Much of the composition is given over to the pale wall, creating a wonderful sense of openness and stillness. The cropped architectural elements and slightly unconventional proportions lend the scene an almost abstract quality, while the everyday objects give it warmth and familiarity.

    The palette is beautifully restrained, dominated by chalky whites, pale cream, powder blue, soft grey and muted green, punctuated by the jewel-like reds of the fruit and vase. These small flashes of saturated colour animate an otherwise cool and contemplative composition.

    Paint has been applied with soft brushwork, with areas of visible texture and gently worked colour preventing the larger expanses from feeling flat. The exterior view is handled more loosely, with small, expressive strokes suggesting foliage and architectural detail rather than describing them precisely. There is a lovely naivety to the execution that complements the painting’s modernist character.

    This oil on board is presented in a complementary gilt frame. Both the painting and frame are in excellent vintage condition. 

    Size: 45 x 52 cm (including frame)

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  • Shifts in Green

    Shifts in Green

    £640

    Available

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    A wonderfully graphic mid-century abstract composition built around a rhythmic arrangement of geometric forms in varying shades of green, executed in oil onto canvas.

    The work is divided into four loosely mirrored sections, each constructed from overlapping rectangles, angular planes and elongated shapes. There is a distinctly architectural quality to the composition, with forms that suggest stacked structures, windows and shifting façades without resolving into anything explicitly representational.

    The painting has a strong geometric abstractionist character, with echoes of Constructivism and the clean, design-led aesthetic of post-war modernism. Repetition provides a sense of order, while subtle variations between each quadrant prevent the composition from becoming overly rigid. The overlapping translucent-looking planes are particularly effective, creating an engaging illusion of depth and movement across an otherwise flat surface.

    The palette is beautifully restrained, moving through forest green, emerald, olive and fresh leaf green, punctuated by areas of deep blue-green and pale chartreuse. These saturated tones sit crisply against a cool silver-grey ground, giving the painting a distinctly modern feel.

    Rather than expressive, visible brushwork, the artist has applied the paint in smooth, controlled passages with sharply defined edges. This precision allows colour, shape and tonal contrast to take centre stage, while the subtle layering of greens gives the composition surprising depth.

    This oil on canvas is housed in a complementary slim white-painted wood frame. The painting itself is in excellent vintage condition, and the frame has a chipped corner to the top right.

    Size: 74.5 x 74.5 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Tabletop with Pears

    Tabletop with Pears

    £915

    Available

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    A charming and characterful mid-century still life composition executed in tempera on board, by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

    The painting presents a tabletop still life of pears and a smoking pipe, set against a stylised interior and a glimpse of landscape beyond.

    At the centre, a scalloped white bowl holds a cluster of elongated pears, their simplified silhouettes rising almost sculpturally from the composition. Alongside sits a halved pear, its creamy flesh punctuated by dark seeds and flashes of green, while a long white pipe stretches across the foreground. The unusual pairing lends the scene a playful, slightly surreal quality, transforming familiar domestic objects into a carefully arranged study of shape and form.

    The work has a distinctly modernist sensibility, with perspective flattened and objects reduced to bold, graphic shapes. Rather than striving for naturalism, the artist plays with proportion, pattern and overlapping planes. The strongly grained tabletop, dotted backdrop and small landscape visible through the opening at right introduce decorative elements that give the composition considerable character.

    The palette is beautifully earthy and restrained, bringing together olive and moss greens, browns, muted mauve and charcoal, offset by the warm ivory and pale yellow of the bowl and sliced pear. A patch of powdery blue in the distant landscape provides a cool counterpoint to the predominantly autumnal tones.

    Executed in tempera, the paint has a characteristically matte, velvety surface. Brushwork is controlled and largely concealed within broad areas of flat colour, while finer painted lines articulate the grain of the table and smaller details. Subtle variations within the painted surfaces prevent the graphic forms from feeling overly precise, retaining the handmade quality so appealing in mid-century works.

    The painting is presented in a well-suited gilt frame with a wide muted sage-grey mount. The painting is in excellent vintage condition, and the frame has some marks.

    Size: 34.5 x 45 cm (including frame)

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  • The Green Gate

    The Green Gate

    £595

    Available

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    A charming mid-century street scene depicting a secluded entrance framed by whitewashed pillars and a deep green gate, executed in oil onto canvas.

    Beyond, lush foliage rises above and around the entrance, loosely rendered in overlapping forms that give the impression of a verdant garden hidden from view. The central gateway draws the eye into the composition, lending the scene a wonderful sense of intimacy and intrigue.

    Painted in a distinctly modernist, semi-abstract style, the artist simplifies the architectural elements and surrounding foliage into expressive blocks of colour and loosely defined shapes. The strong geometry of the gate and pillars contrasts beautifully with the softer, more organic forms of the nature above.

    The palette combines chalky whites, forest and olive greens, yellow, earthy terracotta and muted brown, with touches of dusty pink and mauve. The deep green gate provides a strong visual anchor, while the varied greens and warmer tones suggest abundant foliage catching the light.

    The paint has been applied with a wonderfully tactile and expressive hand. Broad, directional brushstrokes and generous passages of impasto build up the foliage, creating a richly textured surface, while looser, thinner strokes define the architecture and foreground. This contrast in handling gives the work a lively, spontaneous quality.

    This oil on canvas is presented in a complementary slender warm-toned wooden frame. Both the painting and frame are in excellent vintage condition. 

    Size: 39.5 x 32 cm (including frame)

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  • The Path Beyond

    The Path Beyond

    £425

    Available

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    An atmospheric and expressive mid-century figurative landscape depicting two figures strolling through a gently curving pathway, executed in oil onto board.

    The path sweeps through the composition and disappears into the distance, creating a pleasing sense of depth and movement. The two figures provide a subtle human presence within the expansive landscape, giving the scene an intimate quality.

    Painted in a distinctly modernist style, the landscape is simplified into broad, softly defined forms. Rather than focusing on precise detail, the artist uses shape, colour and tonal contrast to suggest the surrounding landscape, giving the work an expressive and slightly abstracted character.

    The palette is particularly attractive, dominated by turquoise, teal, blue and fresh green, with deeper blue-green and olive tones providing contrast. The clear blue sky lends the painting a lightness, while small touches of muted mauve and green articulate the two figures.

    Brushwork is loose, broad and expressive, with visible strokes and areas of blended colour creating a wonderfully painterly surface. The sweeping curve of the pathway is particularly effective, naturally guiding the eye from the foreground towards the distant landscape.

    This oil on board is presented in a beautiful wood frame with a layered profile. Both the painting and frame are in excellent vintage condition.

    Size: 42 x 47.5 cm (including frame)

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  • The Window Seat

    The Window Seat

    £555

    Available

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    A compelling mid-century figurative work depicting a seated figure beside a window, rendered with a wonderful balance of abstraction and recognisable form, executed in oil onto board and dated 1961.

    The sitter is reduced to broad, loosely defined shapes, with facial features largely omitted, allowing posture, colour and composition to carry the scene. A deep green form in the foreground – suggestive of a draped furnishing – adds a strong geometric counterpoint to the softer figure.

    The painting has a distinctly modernist, semi-abstract quality, with the artist simplifying the interior into overlapping planes of colour rather than describing the setting literally. The luminous window behind the figure introduces a sense of light and depth, while the cropped composition gives the work an intimate, almost observational character.

    The palette is beautifully restrained and earthy, combining warm cream, stone, muted brown and soft grey with touches of olive and forest green. Pale buttery yellows around the window bring warmth and illumination to the otherwise subdued palette, while darker brown and charcoal passages provide structure and contrast.

    Paint is applied with loose, expressive and highly visible brushwork, with areas of dry-brushing, scraping and layered pigment creating a wonderfully tactile surface. Broad directional strokes construct the figure and surrounding interior, while passages of exposed and broken colour give the work an appealing immediacy.

    This oil on board is presented in a beautiful layered wood frame featuring a warm gilt inner border, textured linen slip and grey-toned outer moulding. Both the painting and frame are in excellent vintage condition.

    Size: 41.5 x 33 cm (including frame)

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  • Under the Pale Blue Sky

    Under the Pale Blue Sky

    £995

    Available

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    An evocative mid-century modernist figurative landscape painting, executed in oil onto canvas by the established Swedish artist Fabian Lundqvist (1913-1989), whose works have been represented in many public collections in Sweden.

    The composition depicts a small gathering of figures beneath a rhythmic line of trees. The composition is anchored by a female figure in the foreground, dressed in vivid red clothing, while several more loosely defined figures recede into the distance. A brilliant white sun hangs in the expansive blue sky, lending the scene a dreamlike, almost timeless quality.

    The painting has a distinctly modernist quality, with simplified forms, flattened perspective and an emphasis on shape and colour rather than naturalistic detail. The tall, umbrella-like trees create a strong structural rhythm across the canvas, while the widely spaced figures give the composition an appealing sense of stillness and gentle mystery.

    The palette is particularly lovely, dominated by powdery sky blue, soft grey, muted mauve and dusty brown, punctuated by small areas of stronger colour. The foreground figure’s red clothing provides a warm focal point, complemented by touches of turquoise, deep blue and yellow among the distant figures. The near-white disc of the sun adds a graphic, almost surreal note against the uninterrupted blue.

    Brushwork is soft and restrained. The sky and ground are rendered in thin, gently blended passages, while the tree canopies are built from layered, stippled strokes of mauve, grey and brown. Figures and trunks are treated more simply, with broad blocks of colour and minimal modelling, reinforcing the painting’s charming modernist character.

    This oil on canvas is presented in a complementary slim silver-toned wood frame. The painting is in excellent vintage condition, and the frame has some scuffs. 

    Size: 48.5 x 57.5 cm (including frame)

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  • Harbour at Rest

    Harbour at Rest

    £435

    Available

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    An atmospheric mid-century seascape that captures a tranquil harbour scene where moored fishing boats rest gently along the quay, executed in oil onto canvas and dated 1953.

    The composition is anchored by two vessels, their masts and rigging forming a rhythmic lattice against a pale, open sky. A simple waterside building to the right introduces architectural balance, while the calm inlet reflects the boats in softened, broken tones, reinforcing the stillness of the moment.

    Painted in a distinctly mid-century modern style, the work favours structure and mood over detail. Forms are simplified and confidently blocked in, lending the scene a quiet solidity and timeless charm.

    The colour palette is muted and harmonious, dominated by soft greys, weathered whites, warm and earthy browns, with subtle accents of black and a touch of brick red along the roofline. These tones suggest early morning light and a cool coastal air, while the water is rendered in pale blues and silvery reflections.

    Brushstrokes are loose, expressive, and clearly visible, particularly in the sky and water, where layered strokes create movement and texture without disrupting the overall calm. Thicker applications of paint define the boats and quay, giving them tactile presence and depth.

    This oil on canvas is housed in a beautiful wood frame with visible grain as well as an outer gilt border. Both the painting and frame are in excellent vintage condition.

    Size: 53.5 x 63 cm (including frame)

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  • The Rumour

    The Rumour

    £985

    Available

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    An expressive figurative composition depicting a gathering of faces and fragmented figures, arranged almost as a stream of fleeting encounters, executed in oil onto board and dated 1989.

    Profiles emerge from and dissolve into the surrounding paint: a red-haired figure occupies the centre, while further faces appear at the edges, including the particularly striking dark-haired woman in the foreground. There is a sense of conversation and human interaction, yet the figures remain curiously detached from one another.

    The work sits between figuration and abstraction, with the artist reducing faces and bodies into simplified planes of colour rather than pursuing naturalistic representation. There is something distinctly modernist in its construction: features are abbreviated, perspectives overlap, and areas of apparent background become almost indistinguishable from the figures themselves. The resulting composition feels spontaneous and slightly enigmatic, inviting the viewer to piece together the relationships between its characters.

    The palette is rich and earthy, combining brick red, rust, terracotta, dusty pink and muted flesh tones with deeper passages of forest green, teal, navy, violet and charcoal. Bright flashes of cobalt blue, turquoise and orange cut through the darker areas and give the composition an unexpected vibrancy.

    Paint has been applied with tremendous freedom. Broad, vigorous brushstrokes remain clearly visible throughout, with areas of thicker, textured pigment sitting alongside thinner, more loosely worked passages. Faces are constructed with surprisingly few marks – sometimes little more than a sweep of colour, a dark eyebrow or a sharply placed eye – lending the work its wonderfully immediate character. The visible layering, scraping and overlapping strokes reinforce its painterly, almost improvisational quality.

    This oil on board is presented in a complementary champagne-toned floater frame. The painting is in excellent vintage condition, and the frame has scuffs. 

    Size: 40 x 91.5 cm (including frame)

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  • Coastal Dock

    Coastal Dock

    £415

    Available

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    A vibrant and expressive mid-century figurative painting, executed in oil onto board.

    The composition depicts a bustling coastal dock, with a stretch of boats resting in the water in the background. 5 figures are positioned in the foreground, each engaged in their own activity.

    The colours used in this painting are rich and saturated, bringing the composition to life with energy. The artist’s unrestricted and bold brushstrokes add a sense of spontaneity and movement, emphasising the lively atmosphere of the coastal setting, and the loose application of paint creates a characterful textured surface.

    This oil on board is housed in a complementary gilt frame with an inner linen lining. Both the painting and frame are in excellent vintage condition. 

    Size: 45 x 49.5 cm (including frame)

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  • Boundaries in Blue

    Boundaries in Blue

    £965

    Available

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    A striking abstract composition dated 1974 that is built from a series of broad, interlocking colour fields that shift and overlap across the picture plane, executed in oil onto canvas.

    There is no fixed subject, yet the arrangement has an almost architectural or landscape-like quality, with forms appearing to advance, recede and intersect. A vivid horizontal passage of deep red provides a particularly strong focal point, cutting through the cooler expanses surrounding it.

    The work reflects the language of mid-century geometric and colour-field abstraction, although its shapes are softened by irregular, gently curving edges rather than strict geometry. Large areas of powder blue, cornflower and deeper cobalt are balanced against cool greys and a warm, creamy yellow, with the single rich red form introducing a confident burst of contrast.

    Paint has been applied with remarkable restraint. The surface is predominantly flat and matte, with little visible texture or gestural brushwork, allowing colour, proportion and shape to become the principal means of expression. Subtle variations within the painted fields retain a sense of the handmade and prevent the composition from feeling overly precise.

    This oil on canvas is housed in a complementary slender warm-toned wood frame. The painting is in good vintage condition overall. There appears to be a slight water mark to the lower right-hand side of the painting, as shown.

    Size: 94 x 74.5 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • The Lounger

    The Lounger

    £760

    Available

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    A large and vibrant mid-century composition depicting a lounger set within a lush garden overlooking the sea, executed in oil onto canvas.

    The empty chair sits prominently in the foreground, its bold orange-red and white stripes immediately drawing the eye and lending the scene a playful, summery character. Beyond, dense foliage gives way to a brilliant stretch of blue water, suggesting a secluded coastal garden and a moment of leisurely escape.

    The painting has a distinctly modernist, expressive quality, with the landscape simplified into broad areas of colour rather than carefully defined forms. Trees and shrubs dissolve into overlapping patches of green, chartreuse and yellow, while the chair is more deliberately articulated, creating a striking focal point amid the loosely rendered surroundings. There is an appealing spontaneity to the composition – almost as though the artist has captured an intimate holiday moment before its occupant returns.

    The palette is especially joyful. Fresh mint, emerald, olive and yellow-greens dominate the garden, set against an expansive turquoise sky and a band of deep cobalt blue sea. The chair’s warm orange-red stripes provide a vivid complementary contrast, bringing energy and structure to the abundance of greens and blues.

    Brushwork is loose, broad and gestural, with visible strokes and areas where the paint appears thinly and freely applied. Drips and unfinished passages toward the lower edge reinforce the painting’s immediacy, while the foliage is constructed through quick, overlapping daubs of colour. The more linear treatment of the chair creates a lovely tension between representation and abstraction.

    This oil on canvas is housed in a complementary slim white-painted frame. The painting is in excellent vintage condition, and the frame has scuffs.

    Size: 92.5 x 85.5 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Blue Division

    Blue Division

    £880

    Available

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    A compelling mid-century abstract composition built around a dramatic interplay of saturated blue, earthy brown and passages of chalky white, painted in oil onto canvas by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

    The painting feels architectural in its construction, with overlapping forms suggesting fragmented structures, rock faces or perhaps an abstracted figure emerging from the composition. While firmly non-representational, there is a subtle sense of landscape and monumentality within its vertical forms.

    The palette is particularly striking. Intense cobalt and ultramarine blues dominate the right-hand side, shifting into softer cornflower and powder blue towards the centre. These cool tones are counterbalanced by a broad expanse of deep umber and warm chestnut brown, while charcoal, inky navy and crisp white provide strong graphic contrasts.

    The artist works with an expressive, layered approach, combining broad areas of flat colour with more gestural passages of paint. Scraping, scumbling, dry brushwork and areas of heavier impasto create a wonderfully varied surface, particularly through the centre of the composition. Fine linear marks and visible drips interrupt the larger blocks of colour, lending the work a spontaneous, almost collage-like quality. The contrast between controlled geometric forms and looser, textured marks gives the painting both structure and movement.

    This oil on canvas is housed in a complementary linen-lined wood frame with an inner silver window. The painting is in good vintage condition overall, with minor signs of age. There is a small dent to the canvas at the middle left-hand side and a small area of paint loss within the white passage at the lower right of which the paint layer is in stable condition.

    Size: 86 x 76 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Edge of the Land

    Edge of the Land

    £795

    Available

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    A compelling mid-century abstract landscape that has reduces a rural scene to bold planes of colour, expressive marks and simplified architectural forms, painted in oil onto canvas by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

    A long, low white building anchors the horizon, its stark geometry set against an expansive, softly worked sky. Around it, fragmented shapes in the foreground suggest fields, tracks, rooftops and scattered structures, giving the composition the feeling of a landscape observed and then reconstructed through abstraction.

    The work has a distinctly modernist, semi-abstract quality, balancing recognisable elements with areas that dissolve into pure shape and colour. Strong horizontal divisions create a sense of distance, while angular forms cutting across the foreground lend movement and an almost collage-like quality to the composition.

    The palette is wonderfully restrained yet punctuated with colour. Slate blue, charcoal, smoky grey, muted olive and blue-green dominate, contrasted by the brilliant white of the central building. Small flashes of brick red, cobalt blue, mustard yellow and green enliven the darker passages and draw the eye around the canvas.

    Brushwork is confident and varied, moving between broad, flat passages of paint and more vigorous, scraped and scumbled marks. Visible layering and areas where colours overlap or break through one another give the surface a tactile, painterly quality. The loose handling of the sky contrasts beautifully with the sharper geometry below, reinforcing the tension between landscape and abstraction.

    This oil on canvas is housed in a complementary linen-lined wood frame with an inner silver window. The painting is in excellent vintage condition, and the frame has scuffs.

    Size: 68 x 108 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Beyond the White Road

    Beyond the White Road

    £610

    Available

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    An atmospheric mid-century landscape that depicts a quiet settlement gathered along a broad country road, executed in oil onto canvas and dated 1964.

    A scattering of simple whitewashed buildings stretches across the horizon, their angular silhouettes emerging beneath an expansive blue-grey sky. The sweeping road dominates the foreground, drawing the eye gently into the composition and towards the cluster of houses beyond. Sparse surrounding fields and the absence of figures give the scene a wonderfully still, almost timeless quality.

    The work is painted in a distinctly modernist, semi-abstract style, with the landscape reduced to broad planes, simplified architectural forms and loosely defined contours. Rather than focusing on precise detail, the artist captures the essential shapes and atmosphere of the setting. The buildings are constructed from irregular blocks of paint, while passages of shadow and dark openings provide a striking graphic contrast against their pale facades.

    The restrained palette is particularly appealing, combining chalky whites, warm creams and stone greys with muted olive and earthy brown. A soft blue-grey sky lends a coolness to the composition, balanced beautifully by the warmer tones of the surrounding land. Small accents of charcoal and near-black punctuate the otherwise subdued palette, lending depth and definition to the buildings and landscape.

    Brushwork is loose, expressive and richly textural, with broad, dry strokes and areas of thicker impasto giving the surface a tactile quality. The road is rendered through long, sweeping strokes that reinforce its perspective, while shorter, more vigorous marks articulate the buildings and rough terrain. Areas of the underlying surface are allowed to interact with the paint, contributing to the work’s raw, understated character.

    This oil on canvas is presented in a complementary lined-lined wood frame with a slender gilt inner border. The painting presents well overall. There are small minor dents to the outer edge of the frame. A line of craquelure runs down the centre of the painting, corresponding with the underlying stretcher framework; however, the paint remains stable.

    Size: 61.5 x 70.5 cm (including frame)

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  • The Comfort of Home

    The Comfort of Home

    £445

    Available

    Free shipping to UK, Europe and Singapore.

    A playful and wonderfully characterful interior scene depicting a figure stretched comfortably across a sofa while a cat sleeps contentedly beneath, executed in oil onto board and dated 1991.

    Surrounded by patterned cushions, a glowing table lamp and familiar domestic objects, the composition captures an intimate moment of everyday leisure with warmth, humour and a strong sense of personality.

    Painted in a naïve, folk-inspired expressionist style, the work favours storytelling and decorative detail over conventional perspective. Bold black outlines give the figures and furnishings an almost illustrative quality, while exaggerated proportions and flattened forms lend the scene its distinctive charm. The painted frame is cleverly incorporated into the composition, extending the interior beyond the traditional picture plane.

    The palette is warm and earthy, dominated by dusty rose, sage and muted olive green, cream, soft brown and touches of black, with small white dotted accents enlivening the surrounding pink walls. The brushwork is expressive and deliberately loose, combining broad areas of colour with finer linear marks, stippling and scratched or drawn details. Layers of visible texture and irregularly worked surfaces enhance the painting’s handcrafted, whimsical character.

    This oil on board is presented in a substantial painted wooden frame with stepped, moulded detailing, that is intentionally integrated with the artwork. The painting is in excellent vintage condition, and the frame has some scuff marks.

    Size: 33 x 38 cm (including frame)

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  • Citrus & Pot

    Citrus & Pot

    £490

    Available

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    A charming mid-century still life depicting an arrangement of citrus fruits alongside a small terracotta plant pot, set upon loosely folded white cloths, executed in oil onto canvas and dated 1945.

    Delicate, almost bare stems rise from the pot, providing a linear counterpoint to the rounded forms of the fruit and the angular folds of the fabric.

    Executed in an expressive modernist style, the composition favours simplified forms, flattened perspective and confident outlines. The objects are loosely arranged across the tabletop, creating an appealing balance between the organic shapes of the fruit and plant and the more geometric planes of the draped cloth.

    The restrained palette of warm beige, cream, soft grey and muted olive is enlivened by vivid passages of golden yellow, orange, russet and fresh green. The earthy reddish-brown of the terracotta pot provides a strong visual anchor at the centre of the composition.

    Brushwork is loose and assured, with broad, visible strokes giving the surface a wonderfully painterly quality. Dark, sketch-like outlines and spontaneous touches of white highlight add definition to the forms, while areas of exposed and thinly worked paint contribute to the work’s distinctly mid-century character.

    This oil on canvas is presented in a complementary silver tone wood frame and a cream inner border. Both the painting and frame are in excellent vintage condition.

    Size: 51 x 69 cm (including frame)

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  • City Forms

    City Forms

    £585

    Available

    Free shipping to UK, Europe and Singapore.

    A striking cityscape dated 1971, depicting an urban skyline distilled into a rhythmic arrangement of architectural forms, executed in oil onto canvas.

    Blocks of buildings stretch across the composition, punctuated by a solitary tower rising prominently against the softly rendered sky. In the foreground, broad horizontal structures and dark linear passages introduce a strong sense of depth, suggesting rooftops, roads or elevated urban infrastructure.

    Painted in a loose modernist style, the artist favours simplified geometry and expressive mark-making over precise architectural detail. Buildings are reduced to planes, lines and blocks of colour, giving the work an almost abstract quality while retaining a clear sense of the city.

    The palette is particularly appealing, combining dusty blush pink, soft peach, warm cream and muted grey-blue with earthy olive and taupe. Deep charcoal and chocolate-brown accents cut through these gentler tones, lending structure and graphic contrast to the composition.

    Brushwork is confident, spontaneous and visibly gestural, with broad, dry strokes allowing areas of the underlying ground to show through. Sweeping horizontal marks animate the foreground, while loosely applied vertical strokes articulate the architecture. The resulting surface feels immediate and wonderfully painterly, capturing the atmosphere and rhythm of the city rather than its exact appearance.

    This oil on canvas is presented in a complementary silver toned wood frame. The painting is in very good vintage condition, and the frame has general scuff marks and signs of wear, consistent with age.

    Size: 67 x 56 cm (including frame)

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  • Crossing Paths

    Crossing Paths

    £545

    Available

    Free shipping to UK, Europe and Singapore.

    A compelling mid-century abstract figurative oil composition, painted in 1958 by the established Swedish artist Ivar Morsing (1919-2009), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Kalmar Museum, and Jönköping Museum.

    The painting depicts a group of figures moving through an architectural setting. The composition feels almost cinematic, with overlapping bodies and angular planes suggesting a busy street, stairway or urban passage. Rather than describing the scene literally, the artist reduces both figures and surroundings into bold, simplified shapes, creating an intriguing interplay between people, space and structure.

    The work has a distinctly modernist character, drawing on elements of Cubism and geometric abstraction. Forms are fragmented and compressed within the picture plane, while the figures are rendered with deliberately abbreviated features and strong, sculptural silhouettes. The closely grouped subjects give the scene a wonderful sense of movement and anonymity, capturing the rhythm of people passing one another.

    The palette is beautifully restrained and earthy, dominated by deep chocolate brown, charcoal black, warm ochre, caramel and muted taupe, punctuated by passages of creamy white and pale beige. These lighter geometric areas bring contrast and structure to the darker figures, while touches of burnt red add warmth and depth.

    Paint has been applied with expressive, visibly worked brushstrokes, with areas of dry, textured handling giving the surface a tactile quality. Broad, directional strokes reinforce the angular construction of the composition, while rougher passages and subtle variations in opacity lend the work a sense of immediacy. The combination of geometric structure and painterly texture gives this compelling piece both strength and atmosphere.

    This oil on board is housed in a complementary linen-lined wood frame. The painting is in very good vintage condition, and the frame shows some slight wear consistent with age.

    Size: 46.5 x 38.5 cm (including frame)

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  • Distant Trees

    Distant Trees

    £515

    Available

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    A beautifully restrained mid-century abstract landscape depicting a broad, open terrain beneath an expansive pale sky, executed in oil onto canvas.

    The composition is reduced to a series of horizontal bands, with a small cluster of dark trees sitting quietly along the distant horizon. Their diminutive scale against the vastness of the surrounding landscape gives the painting a wonderful sense of solitude, stillness and space.

    The artist takes a distinctly modernist, minimalist approach, stripping the landscape back to its essential forms. Rather than describing a particular place in detail, the scene is expressed through proportion, colour and atmosphere. The unusually high horizon and generous expanse of sky lend the work an almost meditative quality, while the isolated group of trees provides a subtle focal point and anchors the otherwise abstract composition.

    The palette is wonderfully muted and sophisticated. A softly luminous off-white and blush-grey sky occupies much of the canvas, meeting a broad band of charcoal, slate and smoky grey across the middle ground. Below, warmer passages of ochre, sandy beige, muted terracotta and earthy brown introduce a gentle warmth. The near-monochromatic trees are rendered in deep charcoal and grey, creating a striking yet understated contrast against the pale sky.

    Brushwork is loose and broad, particularly across the horizontal stretches of land, where visible sweeps of paint reinforce the width and openness of the landscape. The sky is more softly worked, with subtle tonal variations and vertical traces of the brush lending depth to its seemingly simple surface. Around the distant trees, the handling becomes more concentrated and gestural, with compact strokes suggesting foliage and form without unnecessary detail.

    A quietly atmospheric work that captures the essence of a landscape through simplicity, tonal balance and expressive restraint.

    This oil on canvas is presented in a complementary slim silver-toned frame. The painting has a tiny area of paint loss to the bottom right edge, as well as a small area of craquelure to the left-hand side. The paint is stable overall, and these minor signs of age do not detract from the painting’s overall appearance.

    Size: 53 x 69 cm (including frame)

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  • Fields Beyond

    Fields Beyond

    £825

    Available

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    A wonderfully expressive mid-century landscape depicting a broad, open countryside framed by clusters of trees and gently rolling fields, executed in oil onto canvas.

    The scene has been distilled into simplified, almost abstract forms, with rounded trees rising rhythmically across the middle ground and broad passages of colour suggesting fields, pathways and distant farmland.

    The artist works with a distinctly modernist sensibility, favouring shape, colour and gesture over precise representation. There is a lovely looseness to the composition: forms overlap and merge into one another, while the landscape feels constructed from sweeping blocks of paint. The trees in particular have a sculptural quality, their curved silhouettes giving the scene a strong sense of rhythm and movement.

    The palette is beautifully muted yet varied, combining moss and forest greens, slate and powder blues, olive and soft grey, with warmer passages of buttery yellow, dusty peach and earthy brown. A pale blue-grey sky stretches expansively above, lending a quiet, atmospheric quality to the scene.

    Brushwork is confident and wonderfully visible throughout. Broad, loaded strokes sweep across the foreground, while curved, directional marks articulate the trees and contours of the land. Areas of exposed ground and loosely finished edges add to the painting’s spontaneous character, giving it the feeling of a landscape captured directly and instinctively.

    This oil on canvas is housed in a complementary linen-lined wood frame. Both the painting and frame are in excellent vintage condition.

    Size: 60 x 78 cm (including frame)

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