Abstract – Page 6 – The Discerning Palette

Showing 151–180 of 452 results

Industrial Abstraction

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A brilliantly composed mid century abstract composition in oil, painted onto canvas and dated 1957.

This painting is an abstract composition with a cubist influence, constructed from overlapping geometric shapes in a horizontal layout.

The artist has used a palette of muted earth tones—including shades of blue, olive green, mustard yellow, grey, brown, and black—with occasional pops of more vibrant hues like cobalt blue and ochre.

The forms resemble architectural or industrial elements—possibly buildings, machinery, or a cityscape—but remain non-representational. Thick, impasto brushstrokes give the surface a textured, tactile quality. The shapes interlock and layer, creating depth and rhythm across the canvas. Angled lines and blocks suggest both movement and structure, while negative space in pale grey balances the denser elements.

The rigid composition and strong use of form create a sense of architectural solidity, while still maintaining an expressive feel through painterly texture. The balance of order and spontaneity suggests an interest in form, design, and underlying harmony.

The painting is housed in a frame with a linen lined border. There is a small area of paint loss as shown in close up but the paint layer is stable overall. The painting and frame in good condition overall.

Size: 35.5 x 70 cm (including frame)

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Rolling Green

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A striking and painterly mid-century modernist semi-abstract painting that captures the rhythmic undulation of a vast countryside landscape, executed in oil onto board.

Broad, gestural brushstrokes sculpt the rolling terrain into simplified, interlocking blocks of colour – browns, yellows, forest greens, deep olives, and inky blacks – evoking fields and hedgerows under a pale, overcast sky.

Executed with expressive textured brushwork, the surface reveals a confident physicality, with layered impasto lending dimensionality and dynamism to the composition. The abstraction flattens perspective, allowing the eye to move freely across the surface in a meditative scan of form and colour.

This oil on board is housed in a complementary wood frame which suits the painting very well. The painting is in excellent vintage condition, and the frame has some scuffs present.

Size: 40 x 67.5 cm (including frame)

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Topography in Green

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A striking mid-century abstract composition painted in oil onto canvas, by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

This abstract composition evokes a coastal or industrial landscape through a series of bold geometric forms and a restrained, earthen palette. The composition is anchored by a solid horizontal band of deep olive and brown, suggesting a distant shoreline or structure, while above it, angular bursts of cobalt blue, lemon yellow, and white hint at rooftops or sails catching the light. The lower half is dominated by cool, muted greens and greys, with subtle layering and visible palette knife marks that add a tactile quality.

The painting features a mix of smooth and textured brushstrokes, with areas of impasto lending weight and structure. The deliberate abstraction flattens perspective, creating a sense of quiet tension between land, form, and space.

This oil on canvas is presented in a beautifully suited gilt frame with an inner linen border and gilt window. There is some craquelure present mainly on the top section of the painting, but the paint layer is stable overall and this does not detract from the overall composition. The frame is in very good vintage condition.

Size: 61 x 70 cm (including frame)

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Topography in Red

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A striking mid-century abstract composition painted in oil onto canvas, by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

In this composition, we can discern that the artist has abstracted a landscape into a dynamic interplay of geometry, texture, and tone. Horizontal planes in earthy reds, browns, and beige suggest a stylised terrain – possibly evoking farmland or desert formations – interrupted by sharp, angular forms that hint at distant structures or dwellings.

The composition is boldly architectural, grounded in the principles of mid-century modernist abstraction. The artist has applied oil paint in dense, tactile layers, with expressive impasto and areas of scraped-back texture. Pops of cobalt blue, yellow, and a crisp white triangle create points of visual tension and balance, lifting the palette from its otherwise grounded tonality.

A striking example of mid-century abstraction, the painting balances structure with expressive vitality, offering a modernist meditation on land, form, and space.

This oil on canvas is presented in a beautifully suited gilt frame with an inner linen border and gilt window. There is some craquelure present as shown in the close ups, but the paint layer is stable overall and this does not detract from the overall composition. The frame is in very good vintage condition.

Size: 61 x 70 cm (including frame)

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A Close Bond

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A very large and brilliantly executed mid century modernist figurative composition in oil, painted onto canvas by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The composition captures the tender and affections connection between two people. Seated closely side by side, the two abstracted figures are depicted in a bold, minimalist, and colourful style. The focus is on shape, colour, and form rather than intricate details.

The palette consists of soft pastels, including shades of creams and yellows, with vibrant accents of blue, green, and red dispersed across the canvas. Upon close inspection of the painting, one can notice how the artist has skilfully layered contrasting swathes of colours to reveal a light texture and interest to this heart-warming painting.

Overall, the artist’s use of abstracted, geometric shapes, fragmented lines, and bold brushstrokes creates a dynamic yet harmonious composition.

This oil on canvas is accentuated by a dark wood frame with an outer and inner gold border. The painting is in excellent vintage condition, and the frame has some scuffing.

Size: 99 x 79 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Nocturne Sail

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An atmospheric mid-century geometric abstract painting that deconstructs the essence of a boat at sea into bold, angular planes and tonal contrasts, executed in oil onto canvas.

Modernist in its ethos, the vessel appears anchored in a moody, segmented seascape rendered through a palette of smoky greys, deep charcoals, ivory, and earthy browns. The composition is structured with deliberate symmetry, as overlapping triangular forms evoke sails and hull, captured at rest under an overcast sky.

The brushwork is dense and expressive, with thick, textured impasto strokes building surface tension and drama. Each section of the painting – sky, water, boat – remains distinct yet integrated within a grid-like framework, showcasing the artist’s mastery of form and abstraction. Minimalist yet deeply evocative, the painting invites quiet reflection on solitude, structure, and the sea.

This oil on canvas is housed in a complementary white-painted wood frame. Both the painting and frame are in excellent vintage condition.

Size: 40 x 56 cm (including frame)

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Patchwork Terrain

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A vibrant and energetic mid-century modernist painting that offers a bold abstracted interpretation of a landscape, executed in oil onto canvas.

Interlocking planes of rich colour – red, blue, orange, green and white – form an architectural patchwork suggestive of houses, hills, and cultivated plots. The upper section is dominated by a warm amber sky, radiating light across the structured terrain below.

The artist’s stylised approach uses flattened perspective and cubist influences, with simplified organic shapes nestled among angular forms. Textural elements such as dotted foliage, hatch-like brushwork for crops, and directional strokes for terrain add rhythm and variety. The brushstrokes are deliberate and graphic, reinforcing the composition’s structured yet playful visual language.

This oil on canvas is housed in a complementary wood frame with an inner white window. The painting is in excellent vintage condition, and the frame has minor scuffing.

Size: 78.5 x 67.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Quiet Horizon

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A serene mid-century abstract painting that evokes the vastness and tranquillity of a minimalist landscape, where land meets sky in quiet harmony, executed in oil onto canvas.

The composition is defined by broad, horizontal bands of layered colour, suggesting fields, earth, and a distant horizon beneath an expansive sky. Though abstract, the piece evokes the meditative simplicity of nature viewed from afar.

The brushwork is confident yet restrained, with smooth, deliberate strokes that move horizontally across the canvas, enhancing the sense of calm continuity.

The colour palette is grounded in earthy greens, sand, rust browns, and muted blues, transitioning into a soft, pale sky in the upper two-thirds of the painting. The artist has used minimal blending, opting instead for a stacked composition of hues that interact gently along subtle shifts in tone.

This oil on canvas is housed in a complementary silver frame with an inner linen lining. The painting is in excellent vintage condition. There is some scuffing to the frame present, as shown.

Size: 58 x 56 cm (including frame)

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Spanish Dome

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A brilliantly executed cityscape oil composition, painted in 1958 by the established Swedish artist Ivar Morsing (1919-2009), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Kalmar Museum, and Jönköping Museum.

The composition features a cityscape of buildings including a tall church dome in Spain, set against a soothing clear blue sky.

Containing elements of abstraction and cubism, the artist has reduced the composition down to blocks of contrasting colours, and the deliberate omission of realistic details encourages viewers to focus on the overall structural highlights as well as on colour.

The dominant use of brown, black and cream shades create a warm and earthy atmosphere, and the contrasting tones help to create a sense of depth.

This oil on board is housed in a well-suited gilt frame with an inner linen border, that illuminates the painting. Both the painting and frame are in excellent vintage condition.

Size: 32 x 51 cm (including frame)

The vessel seen in the photos is also available to purchase and details can be viewed here.

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The Cockerel

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A brilliantly executed mid-century modernist style still life composition, painted in oil onto board by the established Swedish artist Richard Björklund (1897–1974) whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Malmo Museum, Ystads Art Museum, and others.

This painting portrays a tabletop scene with what appears to be a cockerel figurine, a pot, as well as a bottle.

Working under a largely modernist ethos and containing elements of abstraction and cubism, the artist has skilfully deconstructed and simplified the scene down to geometric shapes and colour blocks, rather than focus on realistic detail.

A limited colour palette of muted tones—such as blue, grey, beige, and white—accentuated by vivid reds for the figurine’s comb and beak, have been used. This helps to create a balanced contrast, as well as create depth and space within the picture.

The brushstrokes are expressive and visible, adding a light tactile quality to the piece.

This oil on canvas is housed in a complementary gilt frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

Size: 59 x 51 cm (including frame)

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All Together

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A richly textured mid-century abstract figurative painting, executed in oil onto canvas.

Simple yet effective in its composition, a group of enigmatic figures takes center stage, and are set against a light grey background.

The figures, presented as silhouettes, are defined by striking black outlines that lend them an air of mystery and abstraction. Utilising contrasting tones of brown, yellow, and blue, and these subtle hints of colours help to convey a sense of depth and also emphasise the three-dimensional qualities of the figures. The artist has also skillfully applied loose and textured brushstrokes – using the impasto technique to create a visually raw and tactile surface

This oil on canvas is housed in a stunning gold frame with an inner grey border that suits the painting perfectly. Both the painting and frame are in excellent vintage condition.

Size: 55 x 64.5 cm (including frame)

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Coastal Reverie

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A contemporary abstract landscape painting that presents a tranquil yet expressive interpretation of a coastal horizon, executed in oil onto canvas and dated 2004.

The painting captures the essence of a shoreline scene through abstraction, distilling it into pure colour and form. Divided into horizontal bands of colour, the composition evokes the meeting of sky, sea, and land with a minimalist, yet deeply atmospheric approach.

Rendered in an abstract style and reminiscent of Colour Field painting, the artist has used a harmonious palette of soft lavender, warm orange, muted olive, deep turquoise, and pale sky blue – imbuing the work with a soothing quality. Broad, gestural brushstrokes have been executed, allowing the texture of the canvas to show through in places, creating a sense of movement and organic imperfection. The blending of colours suggests atmospheric depth, while the bold, dark band of blue-green near the horizon anchors the composition, guiding the viewer’s eye across the expanse of land and sea.

This oil on canvas is housed in a complementary lavender painted wood frame. Both painting and frame are in excellent vintage condition.

Size: 40 x 42 cm (including frame)

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Collision of Colour

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An energetic mid-century abstract composition that explodes with motion and tension through a fractured interplay of geometric planes and bold colour fields, painted in oil onto canvas.

Abstract in nature, the subject is entirely non-representational, inviting the viewer to interpret intersecting diagonals and jagged contours as shifting emotional landscapes or psychological states.

The palette is vibrant and high-contrast: crimson red, emerald green, mustard yellow, cobalt blue, and burnt sienna pulse against a textured white backdrop. The composition is defined by strong black lines that cleave through the canvas, creating a sense of fragmentation and dynamism.

The brushwork is expressive and tactile, with textured areas where colour is densely applied, giving the surface a palpable materiality. Other sections are scraped back or layered thinly, revealing the canvas weave beneath and adding depth and texture.

This oil on canvas is housed in a complementary wood frame. Both the painting and frame are in excellent vintage condition.

Size: 48.5 x 68 cm (including frame)

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Encode (Very Large)

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A very large 21st-century abstract painting that captures a rhythmic visual language of geometric forms and gestural marks, executed in oil on canvas.

At almost 1.2metres wide, this composition is set against a soft, muted sage green background, interwoven with an intricate network of white linear glyphs—some suggesting architectural schematics, others evoking primitive symbols or abstract cartography.

The artist has used a flat, matte surface treatment for the background, allowing the crisp white markings to emerge with clarity. The brushstrokes are confident and uniform, creating a sense of order amidst the apparent spontaneity. The overall style leans toward minimalistic abstraction, influenced by both modernist mark-making and contemporary urban semiotics.

This piece invites the viewer to decipher its quiet codes, encouraging contemplation of structure, language, and spatial memory.

This large oil on canvas is housed in a complementary and well made light wood tray frame. Both painting and frame are in excellent vintage condition.

Size: 83 x 118 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Form & Field (Set of 2)

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A striking mid-century set of abstract paintings that presents a dynamic exploration of geometry, movement, and texture, executed in oil onto board.

One panel is anchored by overlapping arch forms that slice through fields of green and magenta, intersected by rectilinear blocks in turquoise, purple, and orange. The other panel contrasts this with an organic constellation of amoeba-like shapes in plum, teal, and periwinkle, suspended over a rich patchwork of angled planes.

Rendered in a meticulous crosshatch technique, the surface of each panel vibrates with energy. The artist has used fine, directional brushstrokes to build a complex tactile field, imbuing the composition with a sense of movement and dimensionality. The colour palette is both earthy and vibrant.

Together, the panels evoke the duality of logic and intuition, with the left panel leaning toward structured geometry and the right into fluid abstraction, making this set a compelling addition to any art collection.

These oils on board come as a pair, and are each housed in a complementary wood frame. Both paintings and frames are in excellent vintage condition.

Size of each painting: 42 x 31.5 cm (including frame)

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Fragmented Dwellings

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A bold and brilliantly executed mid-century modern painting that presents an abstracted interpretation of architectural forms or structures, executed in oil onto paper and framed behind glass.

The composition is dominated by two geometric figures, reminiscent of houses or buildings, rendered in an intersecting grid of warm earthy tone of burnt orange and deep brown – accented with bold strokes of cobalt blue and black outlines. The background is divided into muted blocks of black, grey, and off-white, grounding the figures in a minimal yet evocative setting.

The style is distinctly abstract, drawing influences from Cubism, with an emphasis on geometric fragmentation and balance. The brushstrokes are deliberate and textured, with visible layering that adds depth and richness to the composition. The interplay of sharp angles and curved segments within the forms creates a dynamic contrast, inviting the viewer to interpret the spatial relationships and underlying forms.

This oil painted on card is framed behind glass, and is presented within a card mount. The painting is in excellent vintage condition, and the frame has minor scuffing.

Size: 38.5 x 51.5 cm (including frame)

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Geometric Collage in Raw Umber

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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

The background is composed of a richly textured, raw umber surface made from aged book cloth, divided horizontally at its midpoint, enhancing the piece’s sense of structure and symmetry. The material bears the worn, mottled patina of time, evoking a tactile warmth and nostalgic depth.

Centrally placed is a vertical arrangement of nine small rectangles, each made from a different swatch of book cloth. These blocks vary in hue—soft blues, warm reds, ochres, deep burgundy, and neutral beige—and are carefully aligned to form a grid-like column. Their tight geometry contrasts with the organic wear of the background, creating visual tension and balance.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang, Both artwork and frame are in excellent condition.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

To view more artworks from this collection, click here.

Size: 34.5 x 27.5cm (including frame)

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Geometric Street

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An evocative mid-century modernist composition that presents a stylised street scene rendered in bold geometric forms and a muted yet richly tonal palette, executed in oil onto board.

Clustered angular buildings are set against a flattened, near-monochrome sky. The artist has used sharp contour lines and sculptural blocks of colour to abstract the rural environment into a rhythmic interplay of shapes.

The palette is dominated by muted browns, dusty greys, charcoal, and olive green, punctuated with subtle brick-red and off-white accents. The expressive, deliberate brushstrokes reveal a textured surface, while the edges of forms are outlined in dark pigment, heightening the structural effect and anchoring the composition with a graphic solidity.

This oil on board is housed in a distressed wood frame. The painting has an area of paint loss at the middle of its top edge. The frame has areas of wear as shown.

Size: 23.5 x 60 cm (including frame)

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Hot Day at Prussia Cove

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An expressive contemporary Cornish coastal abstraction painting, executed in oil on board and dated 2023.

Abstract in nature and titled ‘Hot Day at Prussia Cove’, the painting captures the essence of Prussia Cove, a secluded and rugged coastal area in Cornwall, on a sweltering summer’s day. The composition is a striking interplay of geometric forms and gestural marks, evoking the interplay of land, sea, and sky under the intensity of the sun.

Executed in a highly textural impasto style, the brushstrokes are thick and expressive, lending the work a tactile, almost sculptural quality. Areas of scraped-back paint reveal underlying layers, adding depth and a sense of weathered, organic movement reminiscent of the Cornish coastline.

The piece features a coastal-inspired palette dominated by cool blues, sandy beiges, and off-whites, contrasted with bold strokes of black and vibrant orange accents. These colours suggest the shimmering seawater, sunlit rocks, and other elements.

This oil on board is housed in a simple yet elegant white frame. Both the painting and frame are in excellent condition.

Size: 48 x 48 cm (including frame)

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Interplay

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A large, striking and very well balanced abstract composition, painted in oil with areas of collage.

This painting features a dynamic interplay of geometric shapes and layered textures, rendered in a muted, earthy palette with bursts of colour.

The dominant tones are cool greys and greens, softened with washes of white and dusty blue, punctuated by vibrant rusty oranges, ochres, and pale pinks. Angular shapes interlock and overlap, creating a sense of movement and fragmentation. There is a textural richness to the surface, likely from mixed media or layered paint application—some sections are soft and diffused, others sharp and defined.

The painting fits within the realm of modernist abstraction, echoing influences from Cubism and Abstract Expressionism. It evokes a sense of organic structure and emotional intensity, while remaining non-representational—there are no identifiable objects, allowing the viewer to explore form, space, and rhythm freely. The mood is contemplative and complex, suggesting inner tension or transformation.

This is a piece that invites close viewing and personal interpretation, offering new shapes and meanings the longer one looks.

The painting is presented in white tray frame, which suits it perfectly. Both painting and frame are in excellent vintage condition.

Size: 72 x 66 cm (including frame)

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Man on a Bench

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A brilliantly executed semi-abstract oil composition painted in by the established Swedish artist Ivar Morsing (1919-2009), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Kalmar Museum, and Jönköping Museum.

Here we have a semi abstract composition of a man seated on a bench. Morsing has used a restrained palette- focusing mainly on blue, green, yellow and black. He has juxtaposed the lighter colours against the darker colours in order create depth and perspective within the composition. Realistic details have been intentionally left out, but we get a palpable sense that the figure is surrounded by trees and dappled light. Swift and expressionist brushstrokes have been applied to the canvas, giving this pieces its textured and painterly qualities.

This oil on board is housed in a complementary wood frame with an inner linen border. The painting is in very good vintage condition. The frame has some light age wear.

Size: 45.5 x 41 m (including frame)

The vessel seen in the photos is also available to purchase and details can be viewed here.

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Matrix (Very Large)

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A very large and striking 21st-century abstract geometric painting, executed in oil on canvas.

This mesmerising painting is composed entirely of triangular shapes arranged in a tight, grid-like pattern. The triangles are painted in a restricted but bold palette of black, dark brown, white, and a soft cream, which creates a strong visual rhythm and contrast across the canvas. There is a visual order but the subtle shifts in orientation and colour prevent it from becoming monotonous.

The stark contrast between deep browns, black, and crisp white creates strong visual impact, but the occasional soft cream triangle adds warmth and breaks the binary, giving the eye a place to rest.

From afar the painting looks clean, precise and monotone. But as you move toward it and study its intricacies, you begin to realise the range of colours and the visible brushstrokes, which further enhances the fact that this is indeed a hand painted piece with more subtle details that are not immediately obvious at first glance.

The restrained colour scheme enhances sophistication. It feels modern and timeless, making it versatile in a range of settings from minimalist homes to design-forward spaces.

This large oil on canvas is housed in a very well suited black frame. The painting is in excellent vintage condition. The frame has some scuffing present.

Size: 80 x 120 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Port Construct

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A striking mid-century abstract painting that explores the structural rhythms of a harbour or port cityscape, rendered through a bold interplay of geometric forms and mirrored reflections, and executed in oil onto board.

Angular shapes and intersecting planes suggest industrial architecture – perhaps cranes and bridges – set against a waterfront backdrop. The lower half of the canvas evokes the surface of water, softly reflecting the rigid structures above.

Executed in thick, expressive brushstrokes, the artist has used a restrained yet dynamic palette of cool sea-blues, teal greens, soft greys, and sandy browns, punctuated by touches of deep navy and burnt orange. The paint is applied with a wide brush, producing a ridged texture that adds dimension and movement to the flattened forms.

Reminiscent of the modernist abstraction of the 1950s and 60s, the work captures the tension between nature and industry, fluidity and form – an evocative study in balance and reflection.

This oil on canvas is housed in a very well suited wood frame with a linen border. Both the painting and frame are in excellent vintage condition.

Size: 53 x 69.5 cm (including frame)

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Reflections at the Grove

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A very pleasant modernist abstract landscape oil composition dated 1974, and painted by the established Swedish artist Ture Fabiansson (1910-1994), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, The Museum of Art in Gothenburg, Jönköping Museum, Borås Art Museum, and many others.

The painting transforms natural forms into a meditative study of shape and colour. Bold, rounded abstractions suggest a grove of trees or boulders mirrored in a pool of still water, their reflections rendered with gentle distortion across the lower half of the composition.

The palette is earthy yet expressive – muted browns, mossy greens, and greys are punctuated by vivid blues and soft lavender. The use of flattened perspective and blocked-in colour fields is emblematic of modernist abstraction, while the brushwork is firm and intuitive, with visible strokes lending texture and movement to the otherwise serene setting.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffing at its edges.

Size: 59.5 x 69.5 cm (including frame)

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Shadowed Ascent

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A brilliantly executed and compelling abstract landscape with figure oil composition painted in 1953 by the established Swedish artist Ivar Morsing (1919-2009), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Kalmar Museum, and Jönköping Museum.

The painting presents silhouetted forms ascending against a fractured, mountainous backdrop. The figures – three discernible shapes rendered in deep charcoal- emerge in the foreground moving through a fragmented terrain, evoking themes of journey, endurance, or spiritual pilgrimage.

Executed in a subdued palette of earthy and muted tones, the painting achieves a rich tonal harmony while emphasising contrast between light and dark. The angular planes and hard-edged abstraction suggest influences of Cubism and Modernist figuration, with geometric simplification shaping both figures and landscape.

Thick, directional brushstrokes lend the work a tactile surface, especially in the earthy sky and rock formations. This adds depth and texture, reinforcing the sense of movement within an otherwise still and solemn scene.

This oil on board is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffing but is in good condition overall.

Size: 46.5 x 56.5 cm (including frame)

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Gathering in Motion

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A striking mid-century abstract figurative painting that captures a dynamic group scene with bold, expressive brushstrokes and a rich, layered composition, executed in oil onto canvas.

Abstract in nature, all realistic details have been omitted, and the figures, though loosely defined, appear to be engaged in a communal activity. Their forms are suggested rather than explicitly outlined, lending a sense of movement and depth to the composition.

Executed in a rich palette of blues, purple, light yellow, brown and black, the painting consists of a harmonious contrast of darker and lighter tones.

The artist has used a gestural and impasto technique, using heavy, angular strokes to render forms and suggest depth. The fragmented yet rhythmic brushwork adds spontaneity and raw energy to the piece, inviting the viewer to interpret the scene through its interplay of form and colour.

This oil on canvas is housed in a very well suited wood frame with with an inner linen border. The painting has some areas of craquelure and paint loss present, as shown in the close ups. The frame has some scuffing.

Size: 68 x 79 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Red Thoughts

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An engaging and powerful abstract composition by British contemporary artist Lloyd Durling, painted in oil onto linen board. Signed, titled and dated 2024 on reverse.

Central to this painting is an intense engagement with oil on linen that explore the interface between painting, drawing and collage. There is a balance between expressive play and tight control and with this comes an expanse of associations that push beyond simple categorisations of abstraction or scale. The information in each painting, given by gesture or mark, is reduced to a fleeting register on the surface, as if each mark has to count.

The idea of topography is of central importance and is explored through continuing walking projects. These serve as opportunities to gather diverse source material through physical and emotional interactions with whichever environment chosen to traverse. It amounts to a kind of urban and rural wandering where the information gathered is reinterpreted or reimagined feeding into a deep connection with landscape, arrangements of ancient monuments, light, shadow and forgotten histories – all of these elements find a way into the work.

This oil on linen board is housed in a complementary walnut stained oak frame. Both painting and frame are in excellent condition.

Size: 50 x 40 cm (including frame)

To purchase the pair of oils seen in the photo at a group price, click here.

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The Letter Writer

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A contemplative and rhythmic mid-century abstract figurative painting captures a quiet, intimate moment of reflection, executed in oil onto canvas and dated 1957.

The central figure – suggested through simplified, sculptural forms – rests their head on one hand while writing or drawing on a blank page, immersed in thought. The face and body are deliberately obscured, inviting the viewer to project their own narrative onto the scene.

Executed in a muted yet warm palette of mustard, brick red, and soft peach, the work is layered with earthy tones and bold linear accents. The artist has used broad, expressive brushstrokes and lightly textured brushstrokes, contrasting with smoother, pale passages of light to create rhythm and emotional weight.

This oil on canvas is housed in a complementary white painted wood frame. The painting has a small bit of paint loss at its top edge, as well as some craquelure present (as shown) but the paint layer is stable overall. The frame has minor scuff marks.

Size: 40.5 x 48.5 cm (including frame)

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The White Boat

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A compelling minimalist coastal landscape painting that captures a moment of quiet isolation from a high vantage point, executed in oil onto canvas and dated 2006.

At the heart of the composition, a lone white boat gently floats in a muted blue-grey body of water, its tilted angle adding a sense of drifting movement. The scene is bordered above by a dense expanse of deep greens – evoking rich, overgrown coastal foliage – which dramatically meets the waterline in a jagged edge, suggesting a tree-lined cliff or forested headland.

The painting is executed in a modernist style with thick, textured brushwork. The artist has applied broad, horizontal strokes to the water, allowing tonal shifts of grey, blue, and muted green to emerge. The foliage is rendered in expressive, layered swathes of dark greens, creating a weighty contrast against the pale expanse on the left – possibly a suggestion of open sand.

Despite its minimal detailing, the work conveys a powerful narrative of solitude.

This oil on canvas is housed in a complementary white frame. The painting has minor craquelure present at its upper right area, but the paint layer is very stable and it is only noticeable upon close inspection.

Size: 57 x 63.5 cm (including frame)

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Twilight Flowers

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A small and visually impactful semi-abstract composition in oil, painted by British artist Lloyd Durling,

The surface is thick with textured impasto, giving the work a tactile, almost sculptural presence. The composition is divided into vivid colour blocks—warm corals, sunny yellows, soft aquas, and hints of mint—intersected by expressive black and blue marks that suggest floral forms.

Lloyd’s use of thick paint application invites a physical response—you can almost feel the surface just by looking at it. This rich texture adds depth and dynamism, engaging the senses beyond the visual.

The loosely defined forms gives us viewers just enough to begin imagining flowers or figures without being literal. Its small size encourages close, personal viewing. It feels like a private experience—something to be studied and absorbed in a quiet moment. A perfect example of how small artworks can carry a big impact.

This impasto painting is mounted a dark stained oak frame. Both painting and frame are in excellent condition.

Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

To view the other paintings in this series, please click here.

Size: 14.5 x 19.5 cm (including frame)

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