• Room with Blue Window

    Room with Blue Window

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    A captivating mid-century interior composition that draws the viewer into a sunlit room where everyday objects take on a contemplative stillness, executed in oil onto board by Swedish artist Tore Nyberg (1911-1993), whose has been represented at the National Museum in Stockholm, and the Värmland Museum in Karlstad, to name a few.

    Two simple wooden chairs sit at ease, one angled toward the window, the other slightly withdrawn, suggesting the subtle presence of human life just beyond the frame. Through the central window, a softened exterior unfolds: pale facades and rooftops rendered in light tones.

    Executed in a distinctly modernist style, the painting balances structure and looseness with remarkable sensitivity. The composition is anchored by strong verticals ( the doorframe, window panes, and chair backs)  yet softened by expressive, painterly handling. There is a quiet geometry at play, but it never feels rigid. Instead, it breathes with a lived-in warmth.

    The colour palette is both fresh and harmonious, dominated by cool blues and turquoise tones that frame the window and radiate throughout the room. These are beautifully offset by warm browns, and dusty greens, creating a gentle dialogue between interior warmth and exterior light. Subtle shifts in tone , particularly in the walls and floor, add depth without overwhelming the scene.

    Brushstrokes are confident and visible, applied with a relaxed, almost intuitive hand. Edges are loosely defined, allowing forms to blur slightly into one another, enhancing the sense of atmosphere. The paint surface carries a tactile quality, with layered strokes that catch the light and give the composition a quiet vibrancy.

    Overall, this is a deeply atmospheric work: an intimate study of space, light, and stillness, where beauty is found in the ordinary.

    This oil on board is presented in a beautifully characterful, rustic wooden frame that complements the warmth and intimacy of the interior scene. The painting is in excellent vintage condition. The frame has some areas of paint loss but this reveals the wood underneath and adds to its vintage charm.

    Size: 90 x 67 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Seaside Bench

    Seaside Bench

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    A small yet very striking mid-century modern figurative landscape oil painting by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

    The composition depicts a couple seated side by side on a bench overlooking a coastal landscape. Positioned in the foreground, the two figures sit quietly together, their bodies angled slightly toward the open horizon where the sea stretches out beneath a pale blue sky. Behind them, rolling green hills and foliage frame the scene, while sandy brown paths and coastal terrain lead the eye toward the calm water in the distance. The composition captures a quiet moment of companionship and reflection within a tranquil seaside setting.

    Rendered in an expressive style, the figures are simplified and loosely defined, with minimal facial detail. Their posture and colour carry the emotional tone of the scene rather than strict realism. The landscape itself is composed of bold, abstracted forms – rounded foliage, blocks of hillside colour, and horizontal bands of sea and sky – creating a balanced yet spontaneous composition.

    The palette is rich yet harmonious. Deep forest greens  shape the surrounding landscape, contrasted by warm sand of the coastal ground. The sea appears in calm bands of muted blue beneath a soft, open sky. The seated figures provide visual contrast: one dressed in a light, almost luminous light blue garment, the other in deeper navy and teal tones that subtly echo the colours of the ocean behind them.

    Brushstrokes are broad and confident, applied with visible painterly energy. Thick, expressive strokes define the foliage and figures, while flatter passages of colour describe the sea and sky, creating a pleasing interplay between texture and calm space. The slightly rough, gestural application gives the painting vitality and movement.

    This oil on canvas is housed in a complementary slim gilt frame. Both the painting and frame are in excellent vintage condition. 

     

    Size: 27 x 35 cm (including frame)

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  • Still Life with 4 Pears

    Still Life with 4 Pears

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    A contemporary semi-abstract still life composition, painted in acrylic onto canvas.

    This painting is a stylized still life with bold, simplified shapes and vibrant contrasting colours. We see a white pedestal bowl filled with three green pears with visible stems. To its left sits a white plate with a single pear, and to its right a white pitcher with a long, green stem holding a single white flower, leaning slightly to the right.

    In the background, a deep red wall centres as the backdrop,  balanced by a blue rectangular window with light blue shutters on the right. A partial white chair is visible on the left.

    The style is modern and minimalist, with an emphasis on geometric forms and a flat, decorative composition.

    The painting is on stretched canvas with white painted edges, and is strung and ready to hang. It is in excellent condition.

    Size: 40 x 40 cm

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  • Street After Rain

    Street After Rain

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    An expressive and atmospheric mid-century modernist street scene composition that captures a moment just after rainfall, executed in oil onto board.

    Three figures move through the softened and glistening pathway. Modest cottages with dark, pitched roofs line the street, and a tall chimney rises centrally, anchoring the composition. The reflections in the wet ground lend a sense of stillness and introspection, as if time has slowed in the hush following rain.

    Executed in a loose, expressive style, the painting embraces painterly spontaneity over fine detail. The figures are rendered with minimal definition, almost silhouetted. The composition is built through gestural marks and layered textures, with visible brushstrokes adding movement and atmosphere throughout.

    The colour palette is beautifully muted yet warm – earthy ochres, soft greys, and creamy whites dominate, punctuated by deeper browns and charcoals. Subtle hints of pale green and blush tones emerge within the reflections, enriching the surface with quiet complexity. The brushwork is confident, and with textured areas contrasting against thinner, more fluid passages, particularly in the reflective ground where strokes blend and dissolve into one another.

    This oil on board is housed a well-suited painted wood frame that has an inner cream border. The painting is in excellent vintage condition, and the frame has some scuffs present. 

    Size: 56.5 x 47 cm (including frame)

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  • Sunlit Courtyard

    Sunlit Courtyard

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    A quietly evocative mid-century composition that captures an architectural space bathed in angled afternoon light, executed in oil onto canvas.

    The viewer is drawn into a corridor-like courtyard framed by simple geometric structures – sloping roofs, rectangular windows, and a series of vertical supports that create a rhythmic interplay of light and shadow. The absence of figures heightens the stillness, allowing the space itself to become the subject: contemplative, almost cinematic in its sense of pause and presence.

    Rendered in a restrained, modernist style, the painting leans into clean lines and simplified forms, reminiscent of mid-century architectural studies. The palette is warm yet muted: soft taupe, sandy beiges, and gentle creams are contrasted with cooler greys and shadowed browns. Light is handled with particular sensitivity, casting elongated triangular shapes across the walls and ground, creating depth and quiet tension within the composition.

    The brushwork is controlled, precise, and deliberate, with smooth, even applications of paint that emphasise structure over gesture. Edges are softly defined rather than sharply outlined, contributing to the painting’s serene, almost dreamlike atmosphere.

    This oil on canvas is housed in a wood frame that complements the palette of the work beautifully. Both the painting and frame are in excellent vintage condition. 

    Size: 48.5 x 40.5 cm (including frame)

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  • The Matador’s Moment

    The Matador’s Moment

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    A striking mid-century figurative painting that captures a matador poised mid-stance, exuding quiet confidence and theatrical presence, and executed in oil onto board and dated 1957.

    The figure stands firmly with hands on hips, one leg slightly forward, as if caught in a moment between movement and stillness. The iconic red muleta  drapes boldly to one side, immediately anchoring the composition and evoking the drama of the bullring. The background is minimal and abstracted, allowing the viewer’s attention to remain entirely on the commanding silhouette and gesture of the subject.

    Executed in an expressive style, the figure is rendered with abstraction and reduction rather than fine detail. The anatomy is simplified into angular, geometric forms, lending the composition a sculptural quality. There is a strong emphasis on form, posture, and mood over realism.

    The palette is warm and earthy, dominated by browns and burnt oranges. These tones are contrasted with deep blacks and punctuated by flashes of vivid red in the cape, which serves as the focal point. Highlights of yellow and white are applied sparingly but effectively, creating a sense of light catching on the costume and adding depth to the otherwise flattened space. The background’s muted light shade further enhances the intensity of the foreground colours.

    The brushwork is energetic and textural, with visible, layered strokes that add movement and vitality to the piece. Dry-brush techniques and scraped applications create a sense of abrasion and depth, particularly across the matador’s jacket where flecks of yellow and white suggest embroidery and light reflection. The paint appears deliberately worked and reworked, giving the surface a tactile, almost weathered quality that enhances its expressive character.

    This oil on board is housed in a gilt frame which features gently stepped mouldings that create depth without overwhelming the artwork. Both the painting and frame are in excellent vintage condition. 

    Size: 40.5 x 22 cm (including frame)

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  • Tiger

    Tiger

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    This oil on board is presented in a dark wooden frame with a inner gilt border. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 47 x 57 cm (including frame)

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  • Wake Up Sleeper, Spring is Stirring

    Wake Up Sleeper, Spring is Stirring

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    A brilliantly executed contemporary abstract composition, executed in acrylic onto canvas, by British artist Frances Daws.

    A delightful landscape popping with colour, layers overlapping each other emit a busyness but joyful and coherent composition. reminiscent of the early blooms of spring.

    The painting is beautifully presented in a white tray frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

    Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

     

    To view more paintings in this series, click here.

     

    Size:  53 x 53 cm (including frame)

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  • Watchful Tiger

    Watchful Tiger

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    A charming contemporary naïve style painting, executed in oil onto panel by British artist Matt Rix.

    The composition presents a tiger in profile, captured mid-step as it moves across a simplified landscape. Set against a soft grey sky and grounded by a muted green foreground, the figure carries a quiet sense of motion and watchful presence.

    Rendered in a contemporary naïve style, the work embraces flat perspective and bold simplification. The tiger is defined by clean outlines and gently exaggerated proportions, with depth suggested through simple bands of colour, enhancing its graphic clarity and narrative charm.

    The palette is warm and balanced. Rich burnt orange tones are interspersed with bold black stripes, complemented by soft cream underparts. These tones sit harmoniously against the cool grey background and green foreground, creating a pleasing contrast.

    Brushwork is smooth and controlled, with flat, even application that emphasises form and pattern over texture. The overall finish is clean and deliberate, capturing the charm of the naïve aesthetic with a calm, confident presence.

    This oil on board is housed in a wood frame painted black with an inner gilt window. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 43 x 53.5 cm (including frame)

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  • Whispers in the Wind

    Whispers in the Wind

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    A calm and serene mid-century modernist style landscape, executed in oil onto board.

    The composition captures a tranquil scene anchored by two windswept trees standing sentinel beside a rustic wooden gate. The simplified composition reflects a distinctly modernist sensibility, stripping the scene down to its essential forms and rhythm.

    Rendered in a restrained yet expressive palette of dusky greens, blues and yellow, the painting suggests the stillness of early morning or the hush before a summer storm. The sky looms with weight, textured in wide, flat planes of grey-blue, lending atmosphere and depth to the horizon.

    Broad, gestural brushstrokes give the foliage of the trees a tactile quality. The rough, visible texture of the oil paint adds a sense of movement and immediacy. Subtle tonal contrasts in the fields beyond evoke a patchwork of earth and pasture, conveying both the simplicity and vitality of the rural environment.

    This oil on board is housed in a complementary gilt frame with an inner linen border. The painting is in excellent vintage condition, and there is some paint loss present at the bottom of the gilded frame.

    Size: 43 x 51 cm (including frame)

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  • Yellow Flowers

    Yellow Flowers

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    A mid century modernist floral composition, painted in oil onto board.

    This painting depicts a vibrant and expressive still life of yellow flowers in a green vase. The style appears loose and impressionistic, with bold, confident brushstrokes and a rich color palette. The background is abstract, filled with green, pink, and darker hues that contrast beautifully with the bright yellow flowers and the blue-green vase.

    The composition is framed with a wide profile wood frame that complements the earthy tones in the artwork, giving it a rustic and natural feel. It exudes an energetic and lively atmosphere, typical of modern or expressionistic art.

    The painting is in excellent vintage condition, and the frame has some scuffs.

    Size: 60.5 x 45 cm (including frame)

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  • Balloons in the Park

    Balloons in the Park

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    An enchanting mid-century modern painting that captures a lively moment in a city park, centred around a figure holding a magnificent cluster of colourful balloons, executed in oil onto canvas.

    Several figures gather along the pathway beneath tall trees, creating a gentle sense of movement and everyday life within the urban setting. A warm-toned brick building rises in the background, grounding the scene in a quiet city square.

    The composition is dominated by the striking bouquet of balloons at the centre, painted in lively tones of red, coral, orange, yellow, and soft pink. These bright colours stand in beautiful contrast to the deeper greens of the surrounding foliage and the earthy browns and greys of the park landscape.

    The painting features thick impasto and expressive brushwork. The foliage is built with bold textured strokes, while the balloons are formed from rounded dabs of paint that give them a lively, almost sculptural presence. The figures are rendered loosely, allowing the colour and atmosphere of the scene to take focus.

    The result is a warm and nostalgic composition that celebrates a simple moment of joy where children and passers-by are drawn to a burst of colour in the heart of the park.

    This oil on canvas is housed in a complementary wooden frame finished in a deep forest green. Both the painting and frame are in excellent vintage condition. 

    Size: 37.5 x 32.5 cm (including frame)

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  • Clocks & Chimes

    Clocks & Chimes

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    A quietly meditative 20th century abstraction from 1971 that distils the essence of time and rhythm into a refined visual language of line and tone, executed in oil onto canvas.

    The canvas is divided horizontally: a calm expanse of warm, creamy white above, and below it, layered bands of muted browns and soft taupes that read like measured intervals or tonal reverberations.

    Two linear elements punctuate the stillness. A slender yellow arc rises gently from the lower edge, its curve suggesting cyclical motion and the continuous sweep of time. To the right, a vertical red line edged subtly in yellow stands upright and precise, like the strike of a bell or the steady mark of an hour. Together, they evoke both movement and resonance: the visual equivalent of a clock’s face and its chime.

    The style is characteristically mid-century in its clarity and reduction. Forms are simplified to essential gestures, and depth is created through tonal layering rather than perspective. The palette is warm and harmonious: creamy neutrals and earthy browns provide a grounded field, while the yellow and red introduce quiet luminosity and rhythm.

    Brushwork is smooth and controlled, with matte, even applications that emphasise colour fields over texture. The horizontal bands are softly blended, creating a sense of gentle gradation,  like sound fading into silence,  while the linear accents remain crisp and deliberate.

    This oil on canvas is housed in a champagne toned wood frame. The painting is in excellent vintage condition, and the frame has some scuffs as shown. 

     

    Size: 46.5 x 46.5 cm (including frame)

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  • Coastal Drift

    Coastal Drift

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    A calming and serene abstract coastal landscape that suggests a sky, sea, and shoreline in soft, atmospheric layers, executed in oil onto canvas and dated 2005.

    Abstract in style, the composition features fluid, overlapping forms that hint at cloud cover, water reflections, and horizon lines, all rendered with an airy touch.

    The artist has used a muted, harmonious palette of pastel tones – pale blue, soft yellow, sage green, and creamy white – punctuated by gentle accents of orange. Broad, smooth brushstrokes contrast with areas of stippled texture, creating depth and movement while maintaining an overall sense of calm. The lower third suggests a landscape grounded in earth tones, while the upper section dissolves into an expansive, impressionistic sky.

    This oil on canvas is housed in a complementary gilt frame. Both the painting and frame are is in excellent vintage condition. 

    Size: 34.5 x 43 cm (including frame)

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  • Coastal Quietude

    Coastal Quietude

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    A serene mid-century landscape that captures a quiet coastal scene defined by openness, balance, and gentle geometry, executed in oil onto canvas.

    A pale winding pathway leads the viewer’s eye through a soft green foreground toward a tranquil shoreline and expansive horizon beyond. Two slender trees stand as quiet sentinels at the centre of the composition, their vertical forms offering a subtle counterpoint to the horizontal bands of land, sea, and sky. On the left, a gently rising bluff adds structure and depth, while rounded, sculptural foliage frames the scene with a sense of intimacy.

    The painting is executed in a modernist, semi-abstracted style characteristic of mid-century landscape painting, where natural forms are simplified into harmonious blocks of colour and shape. The artist prioritises mood and spatial clarity over fine detail, creating a composition that feels both contemplative and timeless.

    The colour palette is fresh and calming, composed of cool sky blues, soft sea greys, and layered greens ranging from muted sage to deeper forest tones. The sandy pathway is rendered in warm, pale cream, providing contrast and guiding visual movement throughout the work. These balanced tones evoke the quiet stillness of a coastal morning or early afternoon.

    Brushwork is deliberate and structured, with visible, confident strokes that build form through layered colour rather than blended transitions. The foliage is constructed with confident, blocky applications of paint, while the sky and distant water are handled more smoothly, reinforcing the sense of atmospheric depth.

    This oil on canvas is housed in a complementary linen lined wood frame with an inner silver border. The painting is in good vintage condition overall. The frame has small scuffs and marks, also consistent with age. 

    Size: 53 x 62 cm (including frame)

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  • Humpback Whale at Sea

    Humpback Whale at Sea

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    A bold and theatrical contemporary naïve style painting that depicts a monumental humpback whale gliding beneath the legendary ocean liner Lusitania, executed in oil onto panel by British artist Matt Rix.

    The composition is split horizontally between sea and sky: above the waterline, the iconic steamship moves calmly across a pale grey horizon, its three red funnels releasing soft plumes of smoke; below, a vast humpback whale dominates the scene, its immense body rendered in simplified, graphic form.

    Executed in a distinctive naïve style, the work embraces flattened perspective and exaggerated scale. The whale appears far larger than the ship, heightening the sense of quiet tension and lending the painting a folkloric, almost mythic quality. Detail is intentionally minimal: forms are cleanly outlined, shadows reduced, and spatial depth suggested through gentle tonal shifts rather than realism.

    The palette is restrained and harmonious. Cool blues define the water, transitioning subtly from lighter tones near the surface to deeper shades around the whale’s body. The whale itself is painted in rich navy with a creamy white underbelly marked by rhythmic linear grooves. Above, the ship’s black hull, red funnels and white superstructure introduce strong contrast against the soft grey sky.

    Brushwork is smooth and controlled, with flat, even applications of paint that emphasise shape and silhouette. The water shows delicate horizontal strokes, adding quiet movement while preserving the composition’s calm clarity.

    This oil on board is presented in an ornate gilt frame, its elaborate carving and warm gold tones intentionally echoing the grandeur of the Lusitania. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 45.5 x 54 cm (including frame)

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  • Fragments of a Day

    Fragments of a Day

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    A striking modernist work that presents a scene fragmented into angular planes and interlocking blocks of colour, evoking figures and structures emerging within an imagined landscape, executed in oil onto canvas and dated 1972.

    Though abstracted, one can sense the suggestion of human presence and architectural forms –  perhaps a house, a figure, and surrounding terrain reduced to their essential geometric components.

    Rendered in a modernist style, the composition is built from flat, faceted shapes that tessellate across the canvas, creating a rhythmic mosaic. The artist has employed a harmonious yet lively palette of muted peach, terracotta, sage green, browns, dusty pink, teal, and pale blues. These tones shift softly across the surface, creating subtle contrasts and spatial tension without harsh division.

    The brushstrokes are controlled yet visible, giving texture to each block of colour while maintaining an overall crispness in form. Edges are softly defined, hinting at the hand of the painter beneath the structure of the geometry. The result is a composition that feels both architectural and lyrical – an exploration of form and colour that balances abstraction with a whisper of narrative.

    This oil on canvas is presented in a complementary simple wood frame. Both the painting and frame are in excellent vintage condition

     

    Size: 59.5 x 74 cm (including frame)

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  • Intersecting Planes

    Intersecting Planes

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    A large and very striking mid-century geometric abstract composition, painted in oil in 1955  by the established Swedish artist Bror Ingemar Fröberg (1921-1999), whose artworks have been represented in the Moderna Museum in Stockholm and the Sörmland Museum.

    The painting is built from a dynamic network of interlocking shapes and angled planes. Triangles, diamonds, and irregular quadrilaterals converge and diverge across the canvas, creating a sense of movement that feels architectural. Though non-representational, the arrangement evokes rhythm, structure, and balance.

    Executed in a geometric abstract style, the work relies on strong linear boundaries and clearly defined colour fields. The composition feels meticulously plotted, yet there is a softness to some of the edges that lends a human, hand-painted warmth. The overlapping forms create layers of depth and subtle spatial tension, typical of mid-century abstraction.

    The colour palette is earthy and muted, and these grounded tones harmonise beautifully together. The balance of darker masses against lighter areas adds contrast and energy.

    The brushwork is confident and deliberate, with solid blocks of colour applied in smooth, even strokes. Slight variations in texture and faint visible brush trails keep the surface engaging

    This oil on canvas is housed in a complementary slim wood frame. The painting has some light surface marks but overall, the surface still presents well, and these characteristics do not detract from the artwork’s visual impact.

    Size: 64 x 91.5 cm (including frame)

     

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Limited Cups

    Limited Cups

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    A 2025 contemporary acrylic painting by British artist Annemarie Derrick that presents four stylised cups rendered with playful simplicity in the naïve style.

    Positioned against a pale white background, the cups are each depicted with distinctive patterns and shapes, and are outlined with fine, deliberate lines, emphasising their graphic qualities. Subtle motifs – a scalloped edge, vertical striations, circular accents, and a bold sunburst – lend individuality and rhythm to the composition.

    Executed in a restrained palette of muted greys, whites, and soft earthy outlines, the work embraces simplicity while highlighting form and design. The brushstrokes are confident yet textured, leaving slight variations on the surface that lend a tactile quality. The artist’s approach is both modern and whimsical, distilling everyday objects into symbols of quiet domesticity and charm.

    This acrylic painting is mounted a white wooden floating frame. Both painting and frame are in excellent condition.

    To view the other paintings in this series, please click here.

    Size: 23.5 x 23.5 cm (including frame)

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  • Pastoral Horizon

    Pastoral Horizon

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    A serene and atmospheric mid-century landscape composition, executed in oil onto canvas.

    The painting features an expansive foreground of an open landscape in soft cream tones, leading the eye towards a row of farmhouses resting against a soft horizon of a gentle muted blue sky.

    Modernist in its ethos, the scene has been reduced to essential forms, with broad horizontal planes in contrasting shades that emphasise atmosphere and mood over intricate detail.

    The artist’s brushwork is confident and expressive yet restrained – with visible, deliberate strokes that suggest texture and movement without overworking details. The sky is rendered in smooth, even strokes, evoking a calm atmosphere, while the land and structures exhibit a more dynamic application of paint, adding contrast and visual interest.

    This oil on canvas is housed in complementary gilt frame with multiple profiles. The painting is in excellent vintage condition, and the frame has some scuffing. 

    Size: 48 x 57 cm (including frame)

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  • Pathway to the Sea

    Pathway to the Sea

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    A sunlit mid-century modernist landscape composition that exudes calm, painted in oil onto canvas.

    This charming coastal scene captures a quiet path leading toward the shimmering shoreline. Tall, slender trees frame the composition, their canopies rendered in cool greens and muted teals, gently swaying above the sandy walkway. A pale house sits nestled in the background, its warm ochre tones subtly contrasting with the cool blues of the distant sea and sky.

    Painted in a distinctly modernist style, the work features broad, confident blocks of colour and simplified forms, allowing atmosphere and light to take centre stage. The artist has used thick, textured brushstrokes: especially in the foliage – creating lively movement and softness at once. The palette is refreshing and serene: sea-blues, grassy greens, soft lilacs, sandy neutrals, and warm earth tones blend harmoniously to evoke a breezy, coastal afternoon.

    This oil on canvas is housed in a complementary wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

    Size: 59 x 43 cm (including frame)

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  • Sunlit Still Life

    Sunlit Still Life

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    A cosy and intimate mid-century still life composition that captures a warmly lit interior scene, executed in oil onto canvas and dated 1976.

    The painting depicts a cozy dining nook, featuring a wooden table draped with a white cloth, a glass vase holding a delicate arrangement of branches with orange fruits, and a softly glowing pendant lamp hanging from the ceiling. A large window in the background, framed by translucent curtains, allows glimpses of lush greenery outside.

    The colour palette features mix of warm browns and blues, complemented by the vibrant orange and rich green of the plant, which serves as a focal point.

    The artist has used a combination of structured, deliberate strokes and softer, blended applications, creating a warm and inviting atmosphere.

    This oil on canvas is housed in a complementary light wood frame. Both the painting and frame are in excellent vintage condition. 

    Size: 63 x 54 cm (including frame)

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  • Terrier

    Terrier

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    A very endearing canine composition of a terrier dog , painted in a naïve style in oil onto panel by British artist Matt Rix.

    The dog is painted in warm cream tones with distinct chestnut-brown patches on its body and around one eye, giving it a lively and characterful appearance. A red collar with a gold buckle provides a bold, cheerful accent that contrasts beautifully against the more muted background.

    The setting is minimal yet effective: rolling yellow hills stretch across the middle ground, while a soft grey sky looms above, dotted with stylised clouds and a small flock of black birds flying in formation. The ground beneath the terrier is painted in earthy browns, anchoring the composition.

    The overall effect is whimsical yet dignified—the terrier looks alert and self-assured, embodying the loyalty and confidence of the breed. The restrained palette and simple forms give the painting a timeless charm, while the details—the curled tail, the steady gaze—imbue it with personality.

    This oil on board is housed in a black painted wood frame. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 29 x 34 cm (including frame)

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  • The Shifting Sky

    The Shifting Sky

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    A large and striking mid-century modernist abstract landscape composed in rich, geometric swathes of colour, executed in oil onto canvas.

    This lively painting has abstracted a landscape scene into bold, horizontal blocks that suggest cultivated fields and farmhouses nestled among trees. The land is rendered in earthy greens, dusty pinks and mauves, transitioning toward cooler blues and lavenders in the sky.

    The brushstrokes are broad, confident, and thickly applied. The sky dominates the upper half with layered streaks of cloud in muted purples, creams, and blues, evoking a moody, almost cinematic atmosphere. The artist’s minimalist approach to detail creates a sense of depth and serenity, inviting the viewer to contemplate the rhythm and quiet beauty of the countryside.

    This oil on board is housed in a very well-suited ridged frame. The painting is in excellent vintage condition. The frame has some surface wear to inner silver border (as shown), as well as a small loss to its upper left corner (as shown). 

    Size: 62 x 93.5 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Violet Drift

    Violet Drift

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    A small yet very impactful mid-century abstract artwork, executed in oil onto canvas.

    Set against a canvas that has been deliberately painted over, softening and partially veiling its original ground, the surface carries a layered quality that adds depth and intrigue.

    A bold, horizontal sweep of violet anchors the composition, reading like a condensed landscape or suspended terrain. Within it, biomorphic forms in deep forest greens and earthy tones cluster and disperse, evoking foliage or fragments of nature abstracted into gesture. Touches of sky blue and vivid burnt orange punctuate the field, offering moments of contrast and guiding the eye across the surface.

    Stylistically rooted in mid-century abstraction, the piece balances gestural freedom with control. Brushwork is varied and tactile: areas of thick impasto introduce a sculptural dimension, alongside dry, scumbled passages. The interplay between opacity and translucency enhances the sense of layering, making the composition feel both immediate and evolved.

    The painting’s compact format makes it especially versatile, perfectly suited to sit on a shelf or nestled into a bookcase.

    This oil on canvas is housed in a complementary wood frame with an inner gilt window and linen lining. Both the painting and frame are in excellent vintage condition.

    Size: 14.5 x 24 cm (including frame)

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  • Whispers of Winter

    Whispers of Winter

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    A serene mid-century semi-abstract landscape painting, executed in oil onto canvas.

    A snow-covered countryside is rendered with serene restraint. A distant village emerges from the soft whites and ochres of the fields, its clustered rooftops and warm-toned structures punctuating the pale horizon. Subtle hints of rust, terracotta, and charcoal create visual rhythm among the buildings and trees, while the sky is quietly layered in muted lilac and blue.

    The composition is minimalist yet evocative, with gestural brushstrokes that suggest rather than define form. The artist has used a refined palette of soft creams, icy blues, and mellow earth tones to conjure the essence of a winter scene without becoming literal. The loose brushwork and atmospheric perspective evoke a feeling of quietude and stillness. The overall impression is one of contemplative calm, where memory and landscape dissolve into one.

    This oil on canvas is housed in a beautiful dark grey wood frame with an inner linen border. The painting has some areas of craquelure present, but the paint layer is very stable overall. The frame has minor scuffs at its inner section but is in very good condition overall.

    Size: 39 x 75 cm (including frame)

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  • Windswept Winter

    Windswept Winter

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    An atmospheric mid-century modern landscape painting captures a windswept winter scene with a rich, expressive impasto technique, painted in oil onto canvas.

    The composition features a grove of abstracted trees bending under the force of the wind, their forms defined by thick, gestural brushstrokes. The background consists of rolling hills and a distant horizon, suggesting a rural or natural setting in the colder months.

    Executed in a semi-impressionistic yet abstract manner, the artist has used a restrained but effective muted colour palette dominated by cool whites, icy blues, and deep browns, punctuated by warm subdued shades of orange and yellows.

    The brushwork is dynamic and textured, with visible bold, sweeping strokes that emphasise movement and energy. The interplay between thick layers of paint and areas of exposed canvas adds to the raw, expressive quality of the piece.

    This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition. The frame has some losses to the edges, as shown in close ups.

    Size: 43 x 58cm (including frame)

     

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  • Calm Coast

    Calm Coast

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    A soothing mid-century coastal landscape that captures a quiet shoreline moment where 2 boats rest on pale sand as the tide gently recedes, executed in oil onto canvas and dated 1957.

    The coastline curves softly into the distance, leading the eye toward low hills and a scattering of seaside buildings that dissolve into the hazy horizon. The composition balances stillness and movement: the grounded boats anchoring the foreground while the waterline sweeps gracefully along the shore.

    Painted in a distinctly mid-century modern style, the work favours simplification over detail. Forms are reduced to broad planes and subtle contours, lending the scene a calm, contemplative rhythm. The palette is restrained and harmonious, with soft sands, muted sage and olive greens, and cool coastal blues, all gently warmed by blush and sandy undertones.

    Brushstrokes are loose and expressive, applied in layered, painterly passages that create texture without heaviness. The surface retains a light, airy quality, with visible strokes lending a sense of immediacy and atmosphere. Overall, the painting evokes a serene coastal pause – timeless, understated, and deeply evocative of mid-century European seaside sensibilities.

    This oil on canvas is housed in a well-suited wood frame with an inner linen border. Both the painting and frame are in  excellent vintage condition.

    Size: 48 x 74 cm (including frame)

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  • Cubist Picnic

    Cubist Picnic

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    A striking painting that presents a lively outdoor dining scene interpreted through a playful Cubist lens, executed in oil onto canvas and dated 1986.

    Fragmented figures and objects – plates, cutlery, food, and bottles -are reassembled into a bold, geometric composition. Faces, limbs, and tableware overlap in dynamic angles, giving the impression of multiple perspectives unfolding simultaneously.

    The palette is vibrant and saturated. Sharp contrasts of colour planes create rhythm and movement across the canvas, while the artist uses flat, angular brushstrokes to emphasise form over realism. Details like a patterned dish of food, a bottle of salt, and stylised trees in the background contribute to the sense of narrative within abstraction.

    Executed in a flattened, semi-abstract style characteristic of Cubist and post-Cubist traditions, the work balances playful energy with structural harmony.

    This oil on canvas is housed in a complementary gilt frame. The painting has a mark on its right side but this does not affect its overall attractiveness, and the frame has some small scuffs present. 

    Size: 71 x 64.5 cm (including frame)

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  • Figure by the Window

    Figure by the Window

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    An intimate mid-century figurative painting that captures a solitary figure absorbed in a quiet, domestic task, executed in oil onto canvas.

    Positioned near a window, the figure leans forward with gentle concentration, their form partially silhouetted against a softly lit interior. The scene feels private and unguarded – a fleeting moment of everyday life observed without interruption.

    Painted in a distinctly mid-century modern style, the composition balances figuration with loose abstraction. Architectural elements – the window frame, wall planes, and floor – are suggested rather than defined, creating a sense of space through colour blocks and shifting perspectives rather than strict linear depth.

    The palette is restrained yet expressive, built from muted greens, soft yellows, warm creams, and earthy reds, with cooler blue-green tones anchoring the shadows. These colours subtly echo one another across the canvas, lending the work a harmonious, contemplative mood.

    Brushstrokes are confident and textured, applied in short, directional strokes that remain clearly visible throughout. The paint handling prioritises movement and atmosphere over fine detail, allowing the figure to emerge organically from the surrounding space. This tactile surface and expressive restraint are hallmarks of mid-century figurative painting, where emotion and form are conveyed through colour, rhythm, and gesture rather than precision.

    A quietly powerful work, this painting invites prolonged looking, revealing beauty in stillness, routine, and the poetry of ordinary moments.

    This oil on canvas is is housed in a complementary wide-profiled gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs that is consistent with age. 

    Size: 71.5 x 67 cm (including frame)

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