Abstract – Page 7 – The Discerning Palette

Showing 181–210 of 455 results

Ebullient

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An energetic and richly coloured abstract composition, executed in oil and dated 1972.

With its vivid patches of rich colour including yellow, red, blue, and green, this artwork is a testament to the confident and dynamic style of the artist.

The artist has worked boldly in his medium of oil, confidently executing expressive brushstrokes, and has used the impasto technique to create a wonderful textural quality. Each textured and forceful stroke is imbued with a palpable sense of movement and emotion, inviting viewers to immerse themselves in this abstract beauty.

This oil on canvas has been laid onto board and is housed in a silver frame with red undertones. The painting is in very good vintage condition, and the frame has general scuffs as well as losses at its corners (as shown).

Size: 41 x 45 cm (including frame)

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Rural Terrain

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A very textured mid century modernist landscape composition, painted in oil onto board.

This painting is a landscape that captures the essence of a rural scene with an emphasis on earthy tones and expressive brushwork.

The foreground consists of a flat expanse of sandy or golden-yellow terrain, possibly a field or open land. A few trees with slender forms are positioned toward the left side of the composition, bending slightly as if swayed by the wind. In the middle ground, darker green hills stretch across the canvas, adding depth. The background features a bold and expansive sky, rendered in deep, intense blue tones.

The artist employs thick, textured brushstrokes, particularly evident in the sky and foreground. The impasto technique creates a dynamic and tactile quality, emphasizing movement and energy within the scene.

This landscape painting conveys the raw beauty of a natural setting, emphasizing the texture of the land and the vastness of the sky. The expressive use of color and brushwork suggests the artist’s emotional connection to the scene, capturing the interplay of light, movement, and the rugged beauty of the outdoors.

This oil on board is housed in a complementary slim wood frame. Both the painting and frame are in excellent vintage condition.

Size: 32 x 52 cm (including frame)

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The Resting Muse

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A brilliantly executed mid-century modernist figurative painting that presents a stylised nude form rendered in soft, interlocking shapes, executed onto canvas by Swedish painter Bengt Lundin (1924-2005) whose works have been exhibited at the National Museum in Stockholm, as well as Modern Art Museum in Sweden.

The figure reclines in an abstracted interior space, her body defined by bold blocks of colour rather than distinct outlines. The composition is reduced to essential forms, yet the posture conveys a quiet sensuality and repose.

The artist has used a palette of muted browns, taupe, and creams, contrasted with deep blue and olive-green accents that evoke both depth and intimacy. The patterned background, suggestive of foliage or textile design, enhances the rhythmic harmony of the piece.

The brushstrokes are confident and broad, with areas of visible texture and raw canvas left exposed, lending an immediacy and honesty to the work. Each shape feels intentionally placed, balancing figuration and abstraction.

A celebration of form and tone, this painting captures the essence of modernist restraint – expressive, structured, and deeply human.

This oil on canvas is presented in a complementary slim wood frame. Both painting and frame are in very good vintage condition.

Size: 70.5 x 52 cm (including frame)

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Blue Horizon

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A mid-century painting that presents a serene and minimalist abstraction of a coastal landscape, executed in oil onto board.

The composition is reduced to bold horizontal bands and planes of colour, evoking sea, sky, and shoreline through pure geometry.

The subject matter is suggested rather than depicted – soft gradations of blue recall the horizon line where sea meets sky, while the darker horizontal strip hints at a distant shoreline, and the pale lower section conveys the sandy openness of the beach.

The style is distinctly modernist, with a restrained geometric abstraction typical of mid-century sensibilities. The artist emphasises simplicity, balance, and a meditative stillness, favouring form and colour over literal detail.

The colours are cool and calming: pale sky blue and soft powder blue are contrasted with earthy browns, muted creams, and gentle yellows. These tones create both harmony and subtle tension across the composition.

The brushstrokes are controlled and smooth, with areas of solid flat colour applied in broad planes, giving the painting a crisp, clean quality. The artist’s hand is deliberately understated, prioritising structure and tonal contrasts over texture.

This oil on board is housed in a complementary and well made wood frame. The painting is in excellent vintage condition. The frame has some very minor scuffing, commensurate with age.

Size: 36 x 53 cm (including frame)

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Geometric Collage with 2 Circles

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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

The composition consists of two muted circular forms, each placed centrally within the upper and lower halves of the piece. The circles—soft pinkish and earthy reddish tones—are made from swatches of book covers, creating a tactile contrast against the rich, golden-brown marbled background.

The background evokes a sense of aged parchment or worn leather, enhancing the artwork’s connection to its literary origins. The precise placement of the circles introduces a sense of symmetry and contemplation, while the visible grain and patina of the materials speak to time, reuse, and the quiet endurance of objects past.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

To view more artworks from this collection, click here.

Size: 31.5 x 25.5 cm (including frame)

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Highlands Wall Hanging

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This vintage traditional handmade Peruvian kilim rug is a stunning example of Andean textile artistry, blending abstract symbolism with a soft, earthy colour palette. The rug features geometric motifs inspired by mountain landscapes, trees, and native forms, all rendered in a flat-weave style typical of traditional Peruvian kilims.

Warm terracotta, sandy beige, muted pink, clay brown, and soft blue dominate the palette, evoking the colours of the Peruvian highlands. Repeating triangular and circular forms resemble stylised mountains, birds, and trees, arranged in mirrored sections across the rug. The motifs are separated by zigzag and wave-like lines in blue and rust tones, suggesting movement or rivers flowing through a valley.

This rug has undergone professional cleaning and remains in very good condition. The rug’s shape is very slightly irregular, which is typical for handmade or traditionally woven pieces, adding to its authenticity and charm.

Size: 134 x 68 cm

To view more vintage textiles in our collection, click here. The rug clamps as seen in this photo will be removed before delivery. If you would like to purchase these bronze clamps you can do so here.

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Whimsical Afghani Wall Hanging

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This beautiful Afghan handmade artisan rug showcases a vibrant display of tribal and symbolic patterns using earthy tones—reds, oranges, browns, and greens—against a neutral base and with a rose coloured border. The motifs include human figures, animals, birds, trees, and geometric shapes, all arranged in a balanced and symmetrical layout.

This rug is made using the knotted technique, a labour-intensive and traditional method where individual knots are tied by hand onto the warp threads of the loom. The result is a rug that not only has intricate designs but also a soft, rich texture that can last generations.

This type of rug is both decorative and functional, ideal for hanging as a wall tapestry (as shown in the image) or laid on the floor.

This rug has undergone professional cleaning and remains in very good condition. The rug’s shape is very slightly irregular, which is typical for handmade or traditionally woven pieces, adding to its authenticity and charm.

Size: 88 x 69 cm

To view more vintage textiles in our collection, click here. The rug clamps as seen in this photo will be removed before delivery. If you would like to purchase these bronze clamps you can do so here.

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Whispers of Blue

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A very pleasant and soothing modernist abstract landscape oil composition dated 1964, and painted by the established Swedish artist Ture Fabiansson (1910-1994), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, The Museum of Art in Gothenburg, Jönköping Museum, Borås Art Museum, and many others.

The painting presents a lyrical abstraction of nature, rendered in a simplified, expressive manner. Dominating the canvas is a large, cloud-like form in soft sky blue, spreading across the surface in loose, swirling brushstrokes that suggest movement and depth. Around this central mass, smaller organic shapes in earthy olive-greens rise vertically, evoking trees or natural formations, while muted pink and cream passages peek through, softening the composition.

The style is minimalist yet painterly, leaning toward abstraction while still evoking landscape elements. The palette is restrained but harmonious: pale blue, moss green, muted pink, and warm beige. The brushwork is broad, textured, and somewhat gestural, creating a sense of spontaneity and rhythm.

Overall, the piece balances form and void, evoking the serenity of a landscape distilled into pure colour and shape.

This oil on canvas is presented in a complementary silver painted frame. Both the painting and frame are in excellent vintage condition.

Size: 56 x 75 cm (including frame)

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Apple Splendour

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An expressive and wonderfully coloured mid-century still life composition, executed in oil onto canvas.

Simple yet effective in its composition, the painting revolves around a group of luscious apples set against an expressive and abstract backdrop executed with gestural sweeping brushstrokes.

The artist has thoughtfully used an uplifting colour palette, drawing our attention to the form of the apples, as their striking richer shades of red and green with hints of blue contrasts against the lighter backdrop comprising a spectrum of yellow, and white and orange.

Through the masterful use of the contrasting shades, as well as seemingly unrestrained yet precise brushstrokes, the three-dimensional qualities of the fruits are enhanced and the overall composition is full of character.

This oil on canvas is housed in a complementary gilt frame. Both painting and frame are in excellent vintage condition.

Size: 61 x 75 cm (including frame)

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Geometric City

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An outstanding mid-century geometric abstract cityscape composition, executed in oil onto canvas.

The painting depicts a cityscape reimagined through a dynamic array of geometric shapes and blocks that intersect one another. The city has been skilfully deconstructed into shapes with clean lines and sharp angles, reminiscent of architectural forms but stripped to their essence.

The composition features a vibrant palette of rich and striking colours—jet black, fiery orange, bold red, deep blue, and sunny yellow. These hues contrast sharply, creating a sense of energy as well as demonstrating a sense of depth to the painting.

The smooth brushstrokes add a polished finish to the piece, enhancing the sharpness and clarity of each geometric form.

This oil on canvas is housed in a well-suited dark grey frame with an inner silver window. The painting has some scattered areas of craquelure as well as small areas of paint loss as shown in the close ups, but the paint layer is stable overall.

Size: 81 x 69 cm (including frame)

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Geometric Collage in Burnt Umber

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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

The grid consists of six distinct blocks in a mix of blues, white, and earthy red, contrasting against the warm, burnt umber or rust-coloured background. The grid arrangement is asymmetrical, giving the piece a sense of modernist abstraction while maintaining an organic, handmade feel.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang, Both artwork and frame are in excellent condition.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

Size: 31.5 x 26 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Glowing Silhouette

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A small yet striking mid-century semi-abstract figurative composition, executed in oil onto board.

The painting centers around a silhouette of an illuminating standing figure rendered in shades of yellow. This luminous form stands in stark contrast against a rich brown backdrop, creating a captivating focal point that draws the viewer’s eye.

The artist’s use of a restrained palette, consisting primarily of browns and yellows, emphasises the interplay of the contrasting shades, allowing the figure’s form to stand out further.

The composition’s simplicity is balanced by the expressive and beautifully textured brushwork, which adds depth and dynamism to the painting.

This oil on board is housed in a very well-suited gilt frame with multiple profiles, that complements and enhances the warm tones of the artwork. Both painting and frame are in excellent vintage condition.

Size: 33.5 x 21 cm (including frame)

The sculpture seen in the photos is also available to purchase and details can be viewed here.

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Shoreline Light

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A mid-century coastal landscape painting that captures the quiet meeting point between land, sea, and sky in a softened abstraction, executed in oil onto canvas.

The horizon line divides the composition with calm simplicity: a pale sky stretches above a tranquil blue sea, while the foreground is alive with textured planes of yellow, orange, rust, and sandy beige. These earthy tones suggest windswept dunes basking under light, while the faint hints of rose and lavender lend a delicate warmth to the scene.

Painted in an abstract impressionist manner, the artist has used broad, confident strokes, layering thick impastos of colour that create both depth and vibrancy. The brushwork is loose yet deliberate, with overlapping textures that blur the boundaries between natural forms, evoking movement and atmosphere.

This oil on canvas is housed in a complementary silver painted frame. The painting is in excellent condition, and the frame has a mark to the bottom edge as shown.

Size: 40 x 48 cm (including frame)

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The Shape of Thought (Very Large)

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A large and outstanding mid century modernist abstract figurative composition in oil, painted onto board by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The painting presents a bold and dynamic interpretation of the human form, fragmented into intersecting shapes and saturated blocks of colour. At the centre, a green torso-like shape anchors the composition, surrounded by gestural planes of midnight blue, ivory white, forest green, sky grey, and cerulean. Hints of yellow and red punctuate the palette with energy, while the heavy use of impasto and palette knife work brings a sense of raw physicality to the surface.

Though abstract, the overlapping forms and contours evoke the impression of a seated or contemplative figure, abstracted almost to the point of pure form. The figure emerges from and dissolves into the background, suggesting emotional introspection or transformation. The painter’s brushwork is assertive yet nuanced, blending thickly applied oil with moments of scraped texture and layered opacity.

In both its materiality and expressive ambiguity, the painting speaks to the search for identity through abstraction, emotion, and gesture.

Close to a metre in height, this painting will make a statement piece in any interior.

This oil on canvas is housed in a very well-suited hessian lined frame with an inner silver border. The painting is in excellent vintage condition, and the frame has minor scuffing.

Size: 99 x 78 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Veils of Grey

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A large mid-century abstract painting that explores an interplay of muted tones and layered forms, creating a composition that feels both architectural and atmospheric, executed in oil onto canvas.

The subject matter is non-representational, allowing the viewer to interpret shifting planes and subtle depths that suggest shadowed interiors or blurred landscapes without resolving into a fixed image.

Rendered in a restrained palette of whites, greys, silvers, and soft taupe, with occasional accents of darker brown and hints of blue, the work captures a cool, contemplative mood.

The brushstrokes are loose yet deliberate – some areas built up with dense, textured applications, while others are feathered, thinned, or softly blended to create a sense of translucency and motion. The overall effect is one of quiet dynamism, as if forms are emerging and dissolving within a luminous fog.

This oil on canvas is presented in a complementary gilt frame. The painting is in excellent vintage condition. The frame has some minor scuffing but this does not detract from its overall attractiveness.

Size: 65.5 x 75.5 cm (including frame)

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By the Arches

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A striking and very well executed mid century modernist composition in oil, painted onto board by by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

It depicts a stylized North African architectural scene, characterized by a row of arched windows and whitewashed buildings with flat roofs. The structure is rendered with bold, simplified shapes and thick black outlines, giving it a graphic, modernist quality.

The palette is warm and muted, dominated by creamy whites, ochres, deep blues, and burnt siennas, evoking a desert or sunlit townscape. The composition is horizontally oriented, emphasizing the linearity of the architecture and the contrast between the built environment and the figures.

The painting has a modernist, almost expressionistic style, with an emphasis on shape, shadow, and form over fine detail. The mood is contemplative and quiet, possibly evoking the heat and stillness of a midday scene. The use of flat perspective and colour blocking contributes to a sense of abstraction, while still grounding the image in recognizable, real-world elements.

The painting is well presented in a gilt frame which suits it impeccably. Both painting and frame are in excellent vintage condition.

Size: 36.5 x 76 cm (including frame)

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Earthen Horizon

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A soothing mid-century abstract painting that evokes a quiet, atmospheric landscape through restrained simplicity, painted in oil onto canvas.

The composition is divided into two sweeping planes: a broad expanse of earthy brown and grey tones that anchor the lower half, contrasted with a soft, muted sky in shades of lighter greys and beige above. At their meeting point, textured strokes of white and pale grey suggest drifting mist or distant light, imbuing the work with depth and a sense of horizon.

The artist has used a minimalist yet expressive style, where the subject matter becomes more suggestion than representation. Broad, horizontal brushstrokes are layered with subtle variations, creating tonal gradations and a tactile surface. The impasto work along the horizon adds movement, balancing the otherwise serene, meditative field.

This painting’s restrained palette and textural abstraction reflect the mid-century modernist sensibility – favouring atmosphere, mood, and material over literal depiction.

This oil on canvas is presented in a very well suited silver metal frame. Both the painting and frame are in excellent vintage condition.

Size: 39 x 46 cm (including frame)

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Gathered by the Piano

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An intimate and lively mid-century semi-abstract composition that captures a dynamic group scene, painted in oil onto board.

The scene appears to depict a lively social gathering centred around music, with a man playing the piano on the right side of the composition and with a group of people behind him dancing around.

The artist has used minimal details on the figures, which have been simplified into abstract forms, focusing on colour and brushstrokes over realistic details.

The colour palette comprises of muted soft tones with hints of black. The brushstrokes are loose, gestural and expressive – adding to the sense of spontaneity. This encourages viewers to feel the energy of the scene rather than focus on precise details.

This oil on board is housed in a wood frame with an inner cream border. Both the painting and frame are in excellent vintage condition.

Size: 32 x 41 cm (including frame)

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Layered Horizon

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An engaging and striking mid-century abstract landscape painting that captures a dynamic and expressive interpretation of a vast horizon, painted in oil onto canvas.

The composition is structured into horizontal bands of colour, evoking a layered terrain of fields and hills, under an expansive sky. The painting’s abstract nature allows for multiple interpretations, and there is a focus on colour and form over literal representation.

The artist has used a vibrant yet earthy palette, featuring warm oranges, greens, and fiery reds, contrasted against soft blues and off-whites. These colours are applied in thick brushstrokes, creating a beautiful textured surface. The expressive layering and gestural lines contribute to a sense of movement, as if the landscape is shifting under the viewer’s gaze.

This oil on canvas is housed in a complementary champagne frame. The painting is in excellent vintage condition. There is some very minor scuffing to the frame, but it is in good condition overall.

Size: 50 x 70cm (including frame)

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Sea Flowers

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A playful and organic one-off original monoprint presented in a sapele frame, by British artist Olivia Bouzyk.

Unlike most printmaking, where artists create an edition of identical prints, a monoprint produces just one final piece. Olivia works on a plate — inking, painting, and layering textures — and then transfers the image onto paper. But because of the process, it can never be repeated in the same way again.

This artwork is created from two layers of ink on purple card. There is a slight texture to the dark blue, as some of the purple background can be seen underneath. The yellow flowers are slightly translucent but with thicker, textured ink. The flowers are made from a paper stencil which was of a drawing from the Essex coastline.

Each work holds the spontaneity of the moment it was made — the way the ink spread, the pressure of the press, the marks left behind. No two are ever alike. When you own one of Olivia’s prints, you’re holding the only version that exists.

Olivia works with contrasts in line, colour and form and a sense of harmony is achieved by balancing this series of juxtapositions.

This artwork, as with the others, has no intended direction, so it can be hung to suit the viewer’s space/inclinations. The fixtures on the back of all the prints are on each side so that they can be hung in any direction, and the signature also has no intended direction.

It is mounted and housed in a high quality sapele wood frame with anti reflective UV glass. Both frame and artwork are in excellent condition.

Size: 61.5 x 86 cm (including frame)

To view the other paintings in this collection, please click here.

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Stairwell Passage

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An abstract mid-century painting that presents a loosely structured cityscape, likely depicting an alleyway or stairwell framed by urban architecture, executed in oil onto canvas.

The subject matter is suggested rather than precisely defined, with forms of stairs, walls, and a slender lamppost-like shape emerging through layered brushstrokes. The scene gives an impression of movement and transience, as if glimpsed quickly while passing through.

Executed in an abstract expressionist manner, the work balances between representation and abstraction. While there are hints of architectural elements, the focus is on atmosphere and painterly effect rather than literal detail. The composition is dynamic, with angled lines creating depth and perspective that draw the eye inward.

The brushwork is energetic and varied – broad, gestural sweeps contrast with more angular, deliberate marks to suggest structure. The layering of muted shades create texture and depth, with areas of raw canvas and loosely applied paint adding to the painting’s immediacy. The strokes appear spontaneous yet controlled, giving the composition a sense of rhythm and vitality.

This oil on canvas is housed in a complementary floater gilt frame. The painting is in very good vintage condition, and the frame has some paint marks at its left edge.

Size: 75 x 59.5 cm (including frame)

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Terracotta Coastline

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A captivating modernist abstract painting that evokes a coastal village set against a distant sea and seen from an elevated viewpoint, executed in oil onto board.

The composition is built on a series of bold, gestural blocks of colour – burnt orange, yellow verdant green – suggesting terracotta roofs, foliage, and sunlit structures nestled in the hillside.

The artist has used a distinctly expressive style, using thick, confident brushstrokes that emphasise texture and movement. The top half of the canvas opens into a serene, pale sky and a smooth, luminous band of blue sea, rendered in calm horizontal strokes that contrast with the dynamic geometry below.

Hints of architectural forms and natural growth are abstracted into vivid planes and swaths of colour, capturing the atmosphere, structure, and vibrancy of a Mediterranean coastal scene. With its interplay of abstraction and suggestion, this work invites the viewer to linger and imagine.

This oil on board is housed in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 52 x 61 cm (including frame)

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Golden Horizon

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A serene yet energetic and beautifully textured mid-century abstract landscape composition, painted in oil onto canvas.

Although abstract in nature, the painting captures the essence of a landscape scene, focusing more on colour, texture, and emotion, than on precise representation.

The palette is dominated by rich yellows in the foreground, capturing the essence of sunlit plains or sand dunes. The middle and background areas feature shades of blue and teal, suggesting either the ocean or the edge of the sky meeting the horizon. Above, light blues and soft creams represent a broad, open sky, with fluffy, abstract clouds.

The texture is highly expressive, with bold, sweeping strokes that give a sense of movement and dynamism to the landscape. The thick impasto application of paint, enhances the tactile quality and adds character to the painting.

This oil on board is housed in a complementary slim gilt frame. The painting is in excellent vintage condition, and the frame has some light scuffing but nothing that detracts.

Size: 53 x 73 cm (including frame)

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Industrial Abstraction

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A brilliantly composed mid century abstract composition in oil, painted onto canvas and dated 1957.

This painting is an abstract composition with a cubist influence, constructed from overlapping geometric shapes in a horizontal layout.

The artist has used a palette of muted earth tones—including shades of blue, olive green, mustard yellow, grey, brown, and black—with occasional pops of more vibrant hues like cobalt blue and ochre.

The forms resemble architectural or industrial elements—possibly buildings, machinery, or a cityscape—but remain non-representational. Thick, impasto brushstrokes give the surface a textured, tactile quality. The shapes interlock and layer, creating depth and rhythm across the canvas. Angled lines and blocks suggest both movement and structure, while negative space in pale grey balances the denser elements.

The rigid composition and strong use of form create a sense of architectural solidity, while still maintaining an expressive feel through painterly texture. The balance of order and spontaneity suggests an interest in form, design, and underlying harmony.

The painting is housed in a frame with a linen lined border. There is a small area of paint loss as shown in close up but the paint layer is stable overall. The painting and frame in good condition overall.

Size: 35.5 x 70 cm (including frame)

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Rolling Green

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A striking and painterly mid-century modernist semi-abstract painting that captures the rhythmic undulation of a vast countryside landscape, executed in oil onto board.

Broad, gestural brushstrokes sculpt the rolling terrain into simplified, interlocking blocks of colour – browns, yellows, forest greens, deep olives, and inky blacks – evoking fields and hedgerows under a pale, overcast sky.

Executed with expressive textured brushwork, the surface reveals a confident physicality, with layered impasto lending dimensionality and dynamism to the composition. The abstraction flattens perspective, allowing the eye to move freely across the surface in a meditative scan of form and colour.

This oil on board is housed in a complementary wood frame which suits the painting very well. The painting is in excellent vintage condition, and the frame has some scuffs present.

Size: 40 x 67.5 cm (including frame)

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Topography in Green

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A striking mid-century abstract composition painted in oil onto canvas, by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

This abstract composition evokes a coastal or industrial landscape through a series of bold geometric forms and a restrained, earthen palette. The composition is anchored by a solid horizontal band of deep olive and brown, suggesting a distant shoreline or structure, while above it, angular bursts of cobalt blue, lemon yellow, and white hint at rooftops or sails catching the light. The lower half is dominated by cool, muted greens and greys, with subtle layering and visible palette knife marks that add a tactile quality.

The painting features a mix of smooth and textured brushstrokes, with areas of impasto lending weight and structure. The deliberate abstraction flattens perspective, creating a sense of quiet tension between land, form, and space.

This oil on canvas is presented in a beautifully suited gilt frame with an inner linen border and gilt window. There is some craquelure present mainly on the top section of the painting, but the paint layer is stable overall and this does not detract from the overall composition. The frame is in very good vintage condition.

Size: 61 x 70 cm (including frame)

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Topography in Red

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A striking mid-century abstract composition painted in oil onto canvas, by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

In this composition, we can discern that the artist has abstracted a landscape into a dynamic interplay of geometry, texture, and tone. Horizontal planes in earthy reds, browns, and beige suggest a stylised terrain – possibly evoking farmland or desert formations – interrupted by sharp, angular forms that hint at distant structures or dwellings.

The composition is boldly architectural, grounded in the principles of mid-century modernist abstraction. The artist has applied oil paint in dense, tactile layers, with expressive impasto and areas of scraped-back texture. Pops of cobalt blue, yellow, and a crisp white triangle create points of visual tension and balance, lifting the palette from its otherwise grounded tonality.

A striking example of mid-century abstraction, the painting balances structure with expressive vitality, offering a modernist meditation on land, form, and space.

This oil on canvas is presented in a beautifully suited gilt frame with an inner linen border and gilt window. There is some craquelure present as shown in the close ups, but the paint layer is stable overall and this does not detract from the overall composition. The frame is in very good vintage condition.

Size: 61 x 70 cm (including frame)

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A Close Bond

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A very large and brilliantly executed mid century modernist figurative composition in oil, painted onto canvas by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The composition captures the tender and affections connection between two people. Seated closely side by side, the two abstracted figures are depicted in a bold, minimalist, and colourful style. The focus is on shape, colour, and form rather than intricate details.

The palette consists of soft pastels, including shades of creams and yellows, with vibrant accents of blue, green, and red dispersed across the canvas. Upon close inspection of the painting, one can notice how the artist has skilfully layered contrasting swathes of colours to reveal a light texture and interest to this heart-warming painting.

Overall, the artist’s use of abstracted, geometric shapes, fragmented lines, and bold brushstrokes creates a dynamic yet harmonious composition.

This oil on canvas is accentuated by a dark wood frame with an outer and inner gold border. The painting is in excellent vintage condition, and the frame has some scuffing.

Size: 99 x 79 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Nocturne Sail

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An atmospheric mid-century geometric abstract painting that deconstructs the essence of a boat at sea into bold, angular planes and tonal contrasts, executed in oil onto canvas.

Modernist in its ethos, the vessel appears anchored in a moody, segmented seascape rendered through a palette of smoky greys, deep charcoals, ivory, and earthy browns. The composition is structured with deliberate symmetry, as overlapping triangular forms evoke sails and hull, captured at rest under an overcast sky.

The brushwork is dense and expressive, with thick, textured impasto strokes building surface tension and drama. Each section of the painting – sky, water, boat – remains distinct yet integrated within a grid-like framework, showcasing the artist’s mastery of form and abstraction. Minimalist yet deeply evocative, the painting invites quiet reflection on solitude, structure, and the sea.

This oil on canvas is housed in a complementary white-painted wood frame. Both the painting and frame are in excellent vintage condition.

Size: 40 x 56 cm (including frame)

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Patchwork Terrain

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A vibrant and energetic mid-century modernist painting that offers a bold abstracted interpretation of a landscape, executed in oil onto canvas.

Interlocking planes of rich colour – red, blue, orange, green and white – form an architectural patchwork suggestive of houses, hills, and cultivated plots. The upper section is dominated by a warm amber sky, radiating light across the structured terrain below.

The artist’s stylised approach uses flattened perspective and cubist influences, with simplified organic shapes nestled among angular forms. Textural elements such as dotted foliage, hatch-like brushwork for crops, and directional strokes for terrain add rhythm and variety. The brushstrokes are deliberate and graphic, reinforcing the composition’s structured yet playful visual language.

This oil on canvas is housed in a complementary wood frame with an inner white window. The painting is in excellent vintage condition, and the frame has minor scuffing.

Size: 78.5 x 67.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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