A compelling mid-century abstract composition built around a dramatic interplay of saturated blue, earthy brown and passages of chalky white, painted in oil onto canvas by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The painting feels architectural in its construction, with overlapping forms suggesting fragmented structures, rock faces or perhaps an abstracted figure emerging from the composition. While firmly non-representational, there is a subtle sense of landscape and monumentality within its vertical forms.

The palette is particularly striking. Intense cobalt and ultramarine blues dominate the right-hand side, shifting into softer cornflower and powder blue towards the centre. These cool tones are counterbalanced by a broad expanse of deep umber and warm chestnut brown, while charcoal, inky navy and crisp white provide strong graphic contrasts.

The artist works with an expressive, layered approach, combining broad areas of flat colour with more gestural passages of paint. Scraping, scumbling, dry brushwork and areas of heavier impasto create a wonderfully varied surface, particularly through the centre of the composition. Fine linear marks and visible drips interrupt the larger blocks of colour, lending the work a spontaneous, almost collage-like quality. The contrast between controlled geometric forms and looser, textured marks gives the painting both structure and movement.

This oil on canvas is housed in a complementary linen-lined wood frame with an inner silver window. The painting is in good vintage condition overall, with minor signs of age. There is a small dent to the canvas at the middle left-hand side and a small area of paint loss within the white passage at the lower right of which the paint layer is in stable condition.

Size: 86 x 76 cm (including frame)

A striking mid-century modernist abstract oil composition dated 1965, and painted by the established Swedish artist Ture Fabiansson (1910-1994), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, The Museum of Art in Gothenburg, Jönköping Museum, Borås Art Museum, and many others.

This painting explores the interplay of organic form, colour and movement. Large, loosely defined shapes gather and overlap across the canvas, creating a lively visual rhythm that feels simultaneously spontaneous and carefully balanced. The forms remain deliberately ambiguous, inviting associations with leaves, petals or fragments of the natural world without resolving into a recognisable subject.

The palette is particularly distinctive, bringing together powdery blue, fresh lime green, warm brown, burnt orange and earthy brick red, punctuated by bold areas of charcoal black. Sections of creamy white provide moments of openness between the denser passages of colour, while the contrasting warm and cool tones give the composition its wonderful energy.

Stylistically, the painting has a distinctly mid-century modernist sensibility, with an emphasis on simplified organic forms and expressive colour rather than representation. There is an almost collage-like quality to the arrangement, as individual shapes appear layered, interlocked and suspended across the surface.

The brushwork is loose, visible and wonderfully tactile. Short, overlapping strokes remain evident within the larger blocks of colour, creating subtle variations in tone and texture. Rather than striving for perfectly polished edges, the artist allows the hand-painted quality of the work to remain visible, lending the composition an appealing immediacy and warmth.

This oil on canvas is presented in a complementary slim gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 50.5 x 78.5 cm (including frame)