Portraits – Page 2 – The Discerning Palette

Showing 31–60 of 265 results

Woman with a Red Flower
£965
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A quiet and introspective mid-century modernist figurative painting, executed in oil onto canvas by the established Swedish artist Fabian Lundqvist (1913-1989), whose works have been represented in many public collections in Sweden.

The painting depicts a solitary female figure standing frontally against a simplified geometric backdrop. Her elongated neck, pale face, and slender hands lend the composition a quiet elegance, while the single red flower held delicately at her side introduces a note of tenderness and mystery. The figure’s direct gaze and still posture create an introspective mood, inviting the viewer to contemplate her inner world.

Executed in a refined mid-century modernist semi-abstract style, the artist has reduced the figure to essential forms, favouring flat planes of colour and simplified anatomy over realism. The composition recalls the poetic restraint of European modernist portraiture, where emotional presence is conveyed through shape, colour, and balance rather than intricate detail.

The palette is beautifully restrained, centred around warm dusty rose, terracotta, and deep cocoa-brown tones. The figure’s dress harmonises with the surrounding background, creating a subtle tonal unity, while her ivory-white skin provides striking contrast. The small crimson flower acts as a focal point, drawing the eye and adding a vivid accent to the otherwise muted composition.

Brushwork is smooth and controlled, with broad, even applications of paint that emphasise the painting’s flat decorative qualities. Subtle variations in texture and tone reveal the artist’s hand without disrupting the calm surface.

This oil on canvas is presented in an complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 56.5 x 34.5 cm (including frame)

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Silent Companions
£895
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A quiet arresting mid-century modernist figurative painting, executed in oil onto canvas by the established Swedish artist Fabian Lundqvist (1913-1989), whose works have been represented in many public collections in Sweden.

This composition presents two elongated female figures standing side by side, their presence both grounded and ethereal. The subjects are reduced to essential forms – tall, cloaked silhouettes with simplified faces – imbuing them with a sense of introspection and quiet detachment. They appear suspended within a flattened architectural space, where block-like shapes behind them suggest walls or structures without anchoring the scene to any specific place, enhancing the painting’s contemplative quality.

Executed in a restrained, earthy palette, the work leans into deep umbers, warm browns, and soft taupes, punctuated subtly by a muted ochre accent that draws the eye without disrupting the overall harmony. The brushwork is deliberate yet understated – thinly layered with a matte finish – allowing the texture of the surface to gently come through. Edges are softened rather than sharply defined, lending the figures a quiet stillness, while the broad, flat application of paint reinforces the modernist sensibility of reduction and form.

There is a poetic tension between presence and absence here: the figures are undeniably central, yet emotionally distant, inviting the viewer to project their own narrative. The overall effect is one of calm restraint and introspective beauty – an elegant example of mid-century abstraction meeting figuration in its most distilled form.

This oil on canvas is present softly toned linen lined wood frame with a stepped, layered profile that creates gentle depth and guides the eye inward toward the composition. Both the painting and frame are in excellent vintage condition.

Size: 55 x 63 cm (including frame)

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A Moment to Read

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A contemplative mid-century interior scene that captures a solitary figure absorbed in reading, positioned beside a softly lit window, executed in oil onto canvas.

The setting feels intimate and introspective – books are stacked and scattered across a desk and nearby surfaces. The figure’s posture, slightly bowed over the book, conveys a sense of stillness and focus.

Rendered in a distinctly expressive, modernist style, the composition leans toward abstraction without losing its figurative anchor. The artist simplifies the figure’s facial features, allowing gesture and stance to carry emotional weight. There is a subtle tension between structure and looseness – forms are blocked in with confidence, yet edges dissolve and shift, lending the scene a fleeting quality.

The palette is rich yet restrained, dominated by earthy browns, deep charcoals, and mossy greens, punctuated by passages of pale blue and a warm, luminous yellow from the window light. This interplay of cool and warm tones creates depth and atmosphere, drawing the eye toward the glowing interior light source.

Brushstrokes are tactile and deliberate: thick, painterly applications of oil give the surface a textured, almost sculptural quality. The handling is direct and unrefined in places, with visible strokes that trace the artist’s hand, reinforcing the immediacy and emotional sincerity of the work.

This oil on canvas is present in a beautiful champagne coloured wood frame with an inner cream border. The painting is in excellent vintage condition, and the frame has some scuffs.

Size: 74 x 59.5 cm (including frame)

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Dream Reflex
£1,150
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A brilliantly executed and compelling evocative 1987 figurative interior painting that captures a contemplative moment shared between three figures set within a softly abstracted studio environment, by Finnish postwar artist Marjatta Sarasalo (1930 – 2006).

Sarasalo’s paintings have a very distinctive style, which incorporate line drawings of figures on very textured backgrounds as seen in this piece. Here’s the bodies have been rendered in a delicate, linear style – each figure outlined with expressive black contour lines against a textured, ochre-toned ground.

Their poses are relaxed yet poised: one sits cross-legged in profile, another stands beside her, while the third looms gently in the background, creating a rhythm of human presence that feels both classical and modern.

Executed with a refined palette of warm sand, muted green, pale rose, and chalky white, the composition is harmonised by vertical bands of colour that frame and anchor the figures, suggesting architectural planes or light filtering through curtains. The layered surface – built up with dry, rough brushstrokes and subtle scumbling—imbues the work with a tactile, fresco-like quality.

The painting’s quiet grandeur and subdued palette speak to a modernist sensitivity, where figuration, abstraction, and texture merge in serene dialogue.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has a small nick to its left edge but is in good condition overall.

Size: 41 x 33 cm (including frame)

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Figure in Constructed Room
£1,085
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A very striking mid-century modern composition that presents a pared-back interior scene distilled into bold geometry and quiet symbolism, executed in oil onto canvas and dated 1957 by the estalished Swedish artist Bertil Berntsson (1921-2002), whose works have been exhibited at the Modern Art Museum in Stockholm, Ystad Art Museum, Malmö Museum, and the Helsingborg City Museum, to name a few.

At the centre stands a simplified elongated female figure that has been rendered with minimal contour yet carrying a strong, sculptural presence. Beside her, a cylindrical vessel or drum-like form anchors the composition, its solidity contrasting with the openness of the surrounding space.

The setting is constructed through intersecting planes and architectural lines, suggesting walls, windows, or partitions without fully resolving into a literal interior. This ambiguity lends the work a contemplative quality – where figure and object coexist in a suspended, silent dialogue.

Stylistically, the painting reflects mid-century modernist influences, drawing on elements of abstraction and cubist structure. Thick, deliberate black outlines define the forms, creating a graphic framework that flattens perspective while guiding the eye across the composition. The restrained palette features soft creams, muted greys, and a gentle teal-blue panel, balanced by deeper blacks and earthy browns. These colours are applied in broad, even fields, with subtle tonal shifts that add depth without disrupting the overall calm.

The brushwork is confident, largely smooth and controlled, with occasional visible strokes and dry-brush textures that lend a tactile quality to the surface. The result is a harmonious interplay between line, form, and colour.

This oil on canvas is presented in a simple wood frame that complements the earthy palette of the work. Both the painting and frame are in excellent vintage condition.

Size: 41.5 x 56.5 cm (including frame)

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Agnes
£625
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A thoughtful mid-century figurative portrait that captures a female figure in a moment of inward reflection, executed in oil onto canvas.

Positioned slightly off-centre, she gazes softly away from the viewer, her expression calm yet contemplative. There is a sense of emotional distance – she feels present, but absorbed in her own interior world. The simplicity of her attire and the absence of narrative detail draw attention to her face and psychological presence, making the portrait feel intimate and introspective rather than formal.

Executed in a loose, painterly mid-century style, the work leans toward modernist portraiture with subtle expressionist undertones. The artist prioritises mood and character over strict realism, allowing forms to soften and dissolve at the edges. There’s a gentle flattening of space, with the background treated as an atmospheric field rather than a defined setting, enhancing the subject’s quiet isolation.

A muted, harmonious palette dominates the composition – soft sage greens, warm beiges, and gentle creams create a subdued backdrop. The skin tones are delicately layered with hints of pink and grey, lending the face a lived-in softness. A subtle red accent along the neckline introduces a quiet point of contrast, drawing the eye without disrupting the overall calm.

The brushwork is loose and expressive, with visible, layered strokes that give the surface a tactile quality. The face is built up with short, blended strokes, creating a soft modelling of light and form, while the background is more gestural, with broader, sweeping applications of paint. This contrast between controlled and freer brushwork adds depth and reinforces the emotional tone – grounded yet quietly unsettled.

This oil on canvas is housed a complementary silver frame. The painting has some small areas of surface paint loss as shown in the photos. The frame has some minor losses and scuffs but is very stable overall.

Size: 57.5 x 49 cm (including frame)

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Seated Harlequin
£475
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A mid-century figurative painting where a solitary, elongated figure is captured mid-pose, leaning into a quiet, introspective moment, executed in oil onto board and dated 1961.

Dressed in a bold harlequin-patterned suit, the subject occupies a constructed interior – part stage, part room – defined by geometric planes. The posture feels both poised and slightly off-balance, suggesting a tension between performance and stillness, as though the figure has paused between acts.

Drawing on elements of figurative abstraction, the composition is structured through flattened perspectives and intersecting planes, while the figure is stylised with simplified anatomy and a mask-like face. There is a theatrical quality to the scene – evoking European modernist traditions where costume, form, and space interplay in a quiet psychological narrative.

A striking palette defines the painting. The harlequin suit is rendered in deep reds, blacks, and muted purples, anchoring the composition with rhythmic intensity. This is set against a backdrop of cool, calming tones: soft sage greens, dusty blues, and pale neutrals. The contrast between warm and cool hues creates both depth and visual tension, while maintaining an overall harmony.

The brushwork is controlled yet expressive, with a matte, slightly textured surface. Planes of colour are applied with confidence, often in flat, deliberate blocks, while subtle variations in tone and edge soften the geometry. The figure itself is outlined with a gentle firmness, allowing it to emerge clearly from the layered background without losing the painterly quality.

This oil on board is housed in a complementary silver frame. Both the painting and frame are in excellent vintage condition.

Size: 37.5 x 29.5 cm (including frame)

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Reclining Figure on Rug
£460
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A striking mid-century figurative composition that presents a reclining nude stretched languidly across a rug with vivid blue foliage, executed in watercolour onto paper and framed behind glass.

The figure is simplified yet sensuous, her body rendered in soft, flowing contours that emphasise volume and repose rather than anatomical precision. She rests against a boldly divided backdrop, saturated red to one side and an expanse of blue to the other, creating a dynamic, modernist tension between figure and space.

The style reflects a distinctly mid-century approach: flattened perspective, expressive simplification, and an emphasis on shape and colour over fine detail. The body is articulated through translucent washes of warm peach, apricot, and blush tones, allowing the underpainting and brush movement to remain visible. Shadows are suggested rather than defined, giving the figure a softness that feels intimate and atmospheric.

The surrounding, painted in rhythmic strokes of cerulean and turquoise, forms a decorative, almost pattern-like base. These repeated leaf motifs introduce movement and contrast, their cool tones heightening the warmth of the nude figure. The brushwork throughout is loose and confident – gestural in the background, more fluid and diluted across the body lending the piece an immediacy and painterly charm.

Overall, the work balances bold colour blocking with gentle figuration, embodying the modern aesthetic characteristic of mid-century figurative painting.

This watercolour on paper is framed behind glass and presented in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 48 x 69 cm (including frame)

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The Patience of Form
£895
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A large and striking mid-century abstract figurative composition that presents a stylised female nude seated in a contemplative pose, executed in oil onto canvas and dated 1950.

The figure is simplified into soft, sculptural forms, her facial features intentionally omitted, allowing the focus to rest on shape, balance and presence rather than identity. One arm bends gently at the elbow, while the body folds into itself with an elegant rhythm, creating a quiet tension between strength and vulnerability.

Executed in a modernist mid-century style, the work embraces abstraction without fully abandoning figuration. The anatomy is reduced to rounded, almost cubist volumes, with limbs and torso articulated through blocks of colour rather than strict line. The proportions are subtly exaggerated, particularly in the thighs and hips, giving the composition a grounded, monumental quality despite its intimate scale.

The palette is cool and harmonious, dominated by muted blues, soft greys and chalky whites. Gentle blush pinks and earthy browns warm the lower half of the figure, while small accents of deeper blue and rust add visual punctuation. The pale, textured background enhances the sense of stillness, allowing the figure to emerge almost like a fresco against a washed wall.

Brushwork is expressive yet controlled. Loose, visible strokes define contour and volume, with areas of dry-brushed texture that lend the surface a tactile, slightly weathered character. Edges remain soft rather than sharply delineated, reinforcing the painting’s quiet, introspective mood.

This large oil on canvas is well presented in a wide-profile wood frame. The painting is in excellent vintage condition, and the frame has minor scuffs.

Size: 105 x 60.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Nude in Soft Light
£845
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A brilliantly executed expressive mid-century figurative painting that presents a standing female nude, captured in a moment of quiet composure, painted in oil onto board and dated 1957.

The figure stands upright, one arm gently extended to rest upon a vertical form while the other arm falls loosely by her side. Her face is intentionally softened and undefined, directing attention instead to posture, gesture, and the interplay of light across the body.

Rendered in a distinctly modernist style, the composition balances figuration with abstraction. The body is constructed through confident, sculptural brushwork: planes of brown, sand, olive, and muted rose build form through tonal shifts rather than precise line. The artist uses broad, directional strokes that remain visible and tactile, giving the surface a sense of movement and immediacy.

The palette is earthy and restrained: warm flesh tones contrast against a cool, chalky white background layered with subtle greys and hints of pale blue. The isolated blue vertical accent at the left provides a visual counterweight and anchors the composition.

Brushstrokes are expressive and gestural, applied with a loaded brush in sweeping, confident passes. Areas of thicker impasto sit alongside thinner, scumbled layers, creating depth and texture. The figure’s contours are suggested rather than strictly defined, lending the work a softness and modern elegance typical of mid-century European studio practice.

The overall effect is contemplative and quietly powerful, a study in form, balance, and painterly restraint.

This oil on board is housed in a complementary gilt frame with red undertones. Both the painting and frame are in excellent vintage condition.

Size: 83 x 41.5 cm (including frame)

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Quiet Farmstead
£480
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A calm and serene mid-century landscape that captures a rural farmstead in its most distilled and poetic form, executed in oil onto canvas.

Three angular barns sit low against an expansive, powder-blue sky, their pitched roofs forming a rhythmic sequence of geometric silhouettes. Bare trees rise slender and vertical, softening the strong triangular architecture and anchoring the composition in a quiet seasonal stillness.

Rendered in a restrained, modernist style, the painting balances abstraction and representation. The barns are simplified into bold planes of colour, while hedgerows and fields are reduced to blocks of earthy brown and moss green. The pale turquoise sky provides a luminous backdrop, creating a gentle contrast against the grounded, darker foreground.

Brushstrokes are confident. Broad, flat applications of paint define the land and sky, while looser, slightly feathered strokes articulate the trees and subtle shifts in the terrain. The paint handling is matte and softly textured, allowing the composition’s geometry and colour relationships to take precedence over detail.

This oil on canvas is housed in an elegant linen-lined wood frame with an inner white and silver border. Both the painting and frame are in excellent vintage condition.

Size: 53 x 63.5 cm (including frame)

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The Figs
£495
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A poised mid-century still life that presents a quietly architectural composition, executed in oil onto board.

This composition centres on three deep green figs resting in a shallow tray. Behind them rises a stylised facade, a simplified portico with an arched window and triangular pediment rendered in flattened planes of muted blush, sage and cream.

The style reflects a distinctly mid-century sensibility: pared back, structured, and contemplative. Forms are simplified into essential shapes of ovals, triangles, rectangles, and the architectural backdrop introduces a sense of order and symmetry, contrasting beautifully with the organic curves of the figs.

The palette is restrained and harmonious. Moss greens and olive tones dominate the fruit, offset by chalky whites, dusty rose, pale yellow and cool grey-blues in the surrounding space. Light appears to enter from the side, casting gentle shadows that anchor the composition and add depth without disrupting its calm balance.

Brushstrokes are confident and visible, with a slightly dry, textured application that allows the canvas weave to subtly show through. The paint is layered in broad, deliberate strokes – particularly in the background – while the figs themselves are modelled with softer blending, giving them a quiet solidity and presence.

This oil on canvas is housed in a complementary wide profile gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 49 x 58.5 cm (including frame)

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Sushi & Sake
£585
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A large and striking contemporary painting that presents a vibrant Japanese-themed still life celebrating the ritual of sushi and sake, executed in acrylic onto canvas and dated 2003.

Four boldly coloured fish are arranged in a neat horizontal line across a yellow tabletop, evoking the careful presentation of sushi before it is served. They are accompanied by a sake bottle, matching cups, chopsticks, and a small dish of rice, creating a scene that feels ceremonial, abundant, and quietly joyful.

The composition draws on Japanese visual traditions while remaining distinctly modern. Forms are simplified and stylised, with a graphic clarity that recalls both folk art and mid-century illustration. Decorative foliage frames the scene, adding movement and balance while subtly referencing nature.

The colour palette is striking and playful. Rich reds, cobalt blue, deep forest green, and warm golden yellow are set against a soft sky-blue background and a creamy, sunlit tabletop. The high-contrast colours give the work a lively, contemporary energy, while black and white accents ground the composition and provide visual rhythm.

Brushstrokes are smooth and controlled, with flat, even applications of paint that emphasise form over texture. Fine line details and dotted highlights bring gentle depth and refinement to the surface without breaking the clean, graphic quality of the work. The overall effect is bold yet harmonious, a modern homage to Japanese dining culture, celebration, and shared moments at the table.

This artwork on canvas is housed in a complementary white floater frame. The painting has some very minor surface marks that are commensurate with age and do not detract from the overall composition.

Size: 79 x 109 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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The Laundry Room
£625
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A lively 1977 interior figurative painting that captures a lively domestic moment within what appears to be a laundry room, executed in oil onto canvas.

A group of women are absorbed in their individual tasks: lifting sheets, folding linen, tending to fabrics, and moving rhythmically through the shared space. The presence of cribs in the foreground adds a gentle narrative rhythm, evoking themes of care, routine, and collective responsibility. The scene feels observed rather than staged, offering an intimate glimpse into daily life.

Executed in a gentle modernist figurative style, the composition prioritises atmosphere and emotion over strict realism. Figures are simplified and slightly elongated, their forms softened into painterly silhouettes. The spatial arrangement guides the eye fluidly from foreground to background, creating a sense of continuity between the women, their tasks, and the surrounding architecture. Tall arched windows allow light to pour into the space, reinforcing the feeling of calm routine and shared purpose.

The palette is dominated by delicate, muted tones – powder blues, greens, soft creams, and pale lavenders – punctuated by warmer accents of rust, ochre, and terracotta in the figures’ garments. These gentle colour harmonies evoke cleanliness, light, and quiet introspection, reinforcing the contemplative tone of the scene.

Brushwork is loose, expressive, and economical. Forms are suggested rather than fully defined, with thin veils of paint layered transparently to create softness and luminosity. Edges blur into one another, allowing figures and environment to merge subtly, while occasional firmer strokes articulate gestures and movement. The overall effect is intimate and atmospheric, capturing not only a place, but the lived rhythm and quiet humanity of shared work.

This oil on canvas is is housed in a complementary slim white wooden frame. Both the painting and frame are in excellent vintage condition.

Size: 67 x 87 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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The Waiting Place

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A compelling mid-century abstract figurative painting that presents a gathering of elongated figures arranged in quiet proximity, executed in oil onto board.

The forms appear engaged in a shared moment: perhaps at a waiting place or a gathering, but their identities remain deliberately obscured.

Rendered in a distinctly modernist style, the composition balances abstraction with figuration. The figures are reduced to essential silhouettes and planar shapes, their coats and hats suggested through angular geometry and softened contours. There is a subtle architectural structure anchoring the composition, with vertical elements lending a sense of stillness and gravitas.

The palette is restrained and sophisticated, dominated by muted greys, smoky charcoals, warm browns, and off-whites, punctuated by accents of crimson, burnt sienna, and soft rose. These warmer notes glow subtly from the centre, creating a quiet internal luminosity that draws the viewer inward. The tonal contrasts between light and dark figures create rhythm and spatial depth while maintaining an atmospheric cohesion.

The brushwork is expressive yet controlled, combining thin washes with dry, textured passages. Edges dissolve and re-emerge, allowing forms to hover between presence and absence. Vertical strokes emphasise the standing figures, while softer blended areas create a sense of movement and ambiguity. This interplay between structure and dissolution is characteristic of mid-century abstraction, lending the painting both emotional resonance and formal sophistication.

This oil on board is housed in a complementary grey painted wood frame with an inner white border. The painting is in excellent vintage condition, and the frame has a white mark to the bottom right corner of the outer frame but this does not detract from the overall composition.

Size: 49 x 56.5 cm (including frame)

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The Guard
£250
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A charming and beautifully crafted Flemish tapestry artwork from the 1970s. featuring a stylised figure in ceremonial attire. It is full of bold colour, character, and cultural flair.

The weaving technique is tight and clean, showing care in craftsmanship despite the playful design. The piece celebrates cultural attire and heritage, showcasing Flemish woven folk traditions.

The work is done in a flat-woven tapestry technique, typical of traditional Flemish weaving where imagery is built from coloured yarns rather than painted or embroidered. The design is graphic and pattern-based, with clear outlines and a strong sense of rhythm.

The tapestry is stretched within a wooden frame using visible cord lacing, emphasising its handcrafted nature. The frame is made from smooth, light-toned wood with dowel joints and rounded edges, giving it a rustic, functional elegance that enhances the folk-art feel.

The tapestry and frame is in excellent vintage condition.

Size: 39 x 18 cm (including frame)

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Passing Light (Reserved)
£455
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RESERVED UNTIL 08/05/2026.

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An emotive mid-century figurative painting that captures a procession of elongated figures moving through a softly lit interior space, executed in oil onto canvas.

Rendered with a dreamlike sense of motion, the figures appear to overlap and dissolve into one another, suggesting the quiet anonymity and rhythm of everyday life. One central figure, subtly more defined and luminous, anchors the composition and draws the viewer’s eye, creating a moment of pause amid the flow.

There is an emphasis on mood and gesture over precise detail. Forms are simplified and slightly abstracted, lending the scene an introspective, almost existential quality reminiscent of post-war European figurative painting.

The colour palette is restrained and atmospheric, dominated by warm creams, sand, soft browns, and muted greys, with gentle accents of pale blue and hints of earthy green. These tones enhance the painting’s sense of light and space, while maintaining a calm, contemplative mood.

Brushstrokes are loose, layered, and expressive, with visible textures that give the figures a transient presence. The paint is applied with a dry, feathered touch in places, allowing the background to breathe through the forms, reinforcing the impression of movement and impermanence.

This oil on canvas is housed in a complementary warm, off-white tone frame that echoes the painting’s palette. Both the painting and frame are in excellent vintage condition.

Size: 46.5 x 58.5 cm (including frame)

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The Open Window
£490
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A large, serene and light-filled mid-century coastal scene viewed from an open window, painted in oil onto canvas.

This tranquil painting invites the viewer into a sunlit summer morning by the sea. The composition is framed by delicate, sheer curtains billowing gently inward, softening the transition between interior and exterior. Beyond the window lies a lush garden bursting with violet blue delphiniums and pale pink blooms, leading the eye toward a sparkling expanse of ocean where the sun casts a gentle shimmer across the water.

Rendered in a soft, lyrical mid-century style, the palette is dominated by airy whites, fresh greens, pastel blues, and gentle pinks, creating a sense of calm and effortless charm. The artist has used light, feathery brushstrokes to capture the translucency of the curtains and the movement of the foliage, while smoother, blended strokes describe the distant horizon and glowing sky. Subtle impasto in the floral areas adds texture and depth, enhancing the sense of a garden alive with colour and breeze.

A peaceful and evocative work that beautifully captures the nostalgia of coastal summers and the quiet poetry of a room opening onto nature.

This large oil on canvas is housed in a complementary champagne frame. Both the painting and frame are in excellent vintage condition.

Size: 72.5 x 80 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Figure and Flowers
£505
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A serene mid-century modernist style painting that depicts a quiet, intimate interior moment, executed in oil onto board and dated 1953.

A female figure is seated at a table, deeply focused on her hands as she works or writes. She wears a white headscarf and a pale blue dress, her posture soft and contemplative. To her right, a simple vase holds two vivid red-orange flowers, their petals dramatically fanned and adding a lively burst of colour to the otherwise serene setting. A closed book rests on the table, anchoring the composition with a sense of stillness and domestic quiet.

Executed in a distinctly mid-century modernist style, the work embraces simplified geometric forms, muted planes of colour, and a strong sense of design. The artist has reduced detail to essentials, relying on shape and tonal relationships to describe space and figure. The overall aesthetic is minimal, balanced, and quietly poetic.

The palette is soft and harmonious: cool greys, pale blues, cream, soft yellow and muted greens form the foundation of the room and figure. These gentle tones are beautifully contrasted by the bold, saturated reds and oranges of the flowers, giving the composition a striking focal point without overwhelming its calm mood.

Brushwork is smooth, controlled, and deliberate, with flat, even applications of paint that emphasise form over texture. Edges are clean and slightly softened, contributing to the painting’s gentle, contemplative atmosphere.

This oil on board is presented in a complementary wood frame. The painting is in excellent vintage condition, and the frame has some scuffs.

Size: 54 x 65 cm (including frame)

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Under the Desert Sky

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A compelling abstract landscape with figure oil composition, painted in 1961 by the established Swedish artist Ivar Morsing (1919-2009), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Kalmar Museum, and Jönköping Museum.

The painting captures a quiet moment of communal gathering in what appears to be a sun-drenched desert setting. A group of robed figures, seated in a loose circle, are rendered in simplified forms that emphasise posture and gesture rather than facial detail – inviting the viewer to focus on atmosphere and collective presence over individual identity.

The style is modernist and pared-back, with strong influences of mid-century abstraction. The artist distils the scene into broad planes of colour: a soft blue sky meeting a warm band of yellow horizon, and earthy tones of russet, sand and umber defining the ground. The figures themselves appear as sculptural blocks of white, cream, black and deep brown, forming a rhythmic arrangement across the composition.

Brushstrokes are thick, confident, and deliberately visible, with the paint applied in textured swathes that give the work a grounded, tactile quality. The artist’s expressive technique conveys a sense of stillness and the intimate social rituals of desert life.

This oil on board is presented in a complementary ridged gilt frame. The painting is in excellent vintage condition, and the frame has some wear to its corners as shown.

Size: 28.5 x 47.5 cm (including frame)

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Moments Between Casts
£475
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A serene mid-century figurative seascape that captures a tranquil moment between two fishermen, each absorbed in the gentle rhythm of the water, and executed in oil onto canvas.

One figure sits hunched in a brown rowboat, lost in quiet concentration, while the other stands poised in a teal-hued vessel nearby. The composition conveys stillness and introspection: a wordless companionship bound by the shared ritual of fishing.

Rendered with soft, fluid brushstrokes, the artist has evoked a hazy, atmospheric calm, where mist and water seem to merge. Muted tones of beige, umber, and sea-grey create a sense of morning light filtered through fog, with subtle highlights suggesting the sun’s pale glow above. The brushwork is confident yet soft, with details intentionally abstracted to focus on form and feeling rather than realism.

This oil on canvas is presented in an off-white wood frame with an inner linen border that pairs wonderfully with the painting. Both the painting and frame are in excellent vintage condition.

Size: 68 x 79 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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The Unspoken Between Us
£405
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An enigmatic contemporary figurative painting that presents two semi-abstracted figures, rendered in broad, raw brushstrokes, and executed in oil onto board.

The central figure dominates the composition with a pale pink face, its expression subdued and introspective, clothed in a deep block of black that anchors the work. To the left, a second, fainter visage emerges – its features less defined, almost spectral – set against a backdrop of intense crimson.

The style is deeply expressionistic, favouring emotional resonance over realism. The artist has used loose, textured brushwork, allowing streaks of paint to drag and layer across the surface. The palette is limited but powerful: saturated reds, stark black, white, and fleshy pinks combine to create a mood of tension and vulnerability. The contrast between the figures and the turbulent background enhances the sense of psychological depth, suggesting themes of presence and absence, solitude and companionship.

This is a painting that invites reflection – it conveys both fragility and unease, capturing fleeting, human emotions with raw immediacy.

This oil on board is presented in a complementary slim wood frame frame. Both the painting and frame are in very good condition.

Size: 41.5 x 33.5 cm (including frame)

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Maris
£555
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A enigmatic figurative oil painting that presents a striking, abstracted portrait of a lone figure, executed in oil onto canvas and dated 1978.

The subject is rendered with elongated, geometric features, their pale face standing starkly against a moody, layered background. The figure’s hair, painted in a deep, earthy rust-red, frames the face and flows downward, anchoring the composition.

The style is boldly modernist, with an emphasis on simplified forms and blocks of colour rather than fine detail. The palette is restrained yet atmospheric: muted blue-greys dominate the ground, offset by the ochre-yellow of the garment and the rusty red of the hair. Subtle tonal variations and visible brushstrokes add texture and depth, giving the surface a raw, tactile quality.

The brushwork is expressive and confident, with layered strokes that reveal the artist’s hand. Shadows and planes of colour are suggested rather than fully defined, creating a sense of mystery and introspection. The overall impression is one of quiet strength and contemplative stillness, in keeping with the aesthetics of mid-century abstraction.

This oil on canvas is presented in a complementary slim wood frame. Both painting and frame are in good vintage condition.

Size: 42.5 x 33.5 cm (including frame)

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Behind the Mask
£615
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A bold and enigmatic mid-century figurative portrait, executed in oil onto board and dated 1957.

The composition depicts a simplified and abstracted figure with a frontal, mask-like face. The facial features are distorted, emphasising expressive shapes and tones rather than realism. Containing elements of expressionism and abstraction, there is a strong emphasises on emotional resonance, as opposed to detailed representation.

The artist has used a palette that is earthy yet muted, with dominant tones of green, pink, and brown contrasting against a textured, light sky-blue background.

The brushwork is bold and expressive, with thick, impasto strokes that create a textured surface.

This oil on board is housed in a complementary wood frame with an inner cream border. The painting has some marks on its left side, as shown in close ups, and the frame has some scuffs to its edges.

Size: 43 x 35 cm (including frame)

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Oscar
£585
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A striking and emotive mid-century figurative portrait composition that is characterised by expressive brushwork and a rich interplay of colours, executed in oil onto board and dated 1944.

The subject, a solemn individual, is depicted with an elongated face and angular features, exuding an introspective presence. Positioned against an abstracted interior background, the painting suggests a domestic setting with hints of a decorative element behind the figure, possibly a painting.

Loose, painterly brushstrokes fill the surface, as the artist has applied paint in a gestural, almost raw manner – with visible and layered strokes that convey a sense of immediacy and emotion. This technique creates texture and imbues the work with a dynamic quality.

The palette consists of an array of muted shades that evoke a subdued but powerful emotional tone, suggesting introspection or melancholy.

This oil on board is housed in complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 65.5 x 54.5 cm (including frame)

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Pose
£1,095
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A brilliantly executed modernist style figurative portrait, executed in oil onto canvas and dated 1951.

The composition features a model seated on a tall brown stool, with one leg resting on a shorter platform while the other touches the floor.

The artist has deliberately chosen to omit the facial features, instead focusing on the figure’s form, accentuated by the dark outlines that trace the silhouette and bring a sense of structure and definition to the piece.

The backdrop is an abstract blend of pale yellow and light cream blocks, providing a calming yet contrasting background that enhances the simplicity and effectiveness of the composition.

This oil on canvas is housed in a complementary champagne silver frame with an inner beige border. The painting is in very good vintage condition. The frame has some light scuffs and marks, but nothing that detracts from the overall attractiveness of the piece.

Size: 80.5 x 41 cm (including frame)

The vessel seen in the photos is also available to purchase and details can be viewed here.

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At the Market

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A warm and nostalgic figurative composition depicting a lively market scene, painted in oil onto board, framed and ready to hang.

The loose, expressive brushstrokes and bold yet slightly muted colours give it an impressionistic feel. The figures appear in mid-conversation or activity, creating a sense of movement and casual everyday life.

The central figure, a woman in a black top and green skirt, appears calm and composed. She draws the viewer’s eye and provides a human anchor amid the busier setting. The background shows fragmented architecture, sunlight, and possibly docks or sails, all rendered in a painterly, almost abstract way.

The painting conveys a sense of sunlight and warmth, and the bustle of everyday life.

This oil on board is presented in a complementary slim wood frame. The painting is in excellent vintage condition. There are some light marks to the frame.

Size: 35 x 43 cm (including frame)

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The Juggler
£455
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A striking mid-century modernist figurative painting that presents a stylised performer rendered in bold geometric abstraction, executed in oil onto canvas.

The figure, dressed in a vivid patchwork costume of interlocking chevrons and colour blocks, stands poised with one arm outstretched, balancing two circular forms in green and blue. A mask and beret add to the theatrical quality, suggesting the subject is a harlequin or juggler.

The composition is divided into distinct planes of muted colours that heighten the sense of stage-like drama. The ground is dotted with playful red and purple marks, while a looping line hints at a hoop or prop, reinforcing the carnival atmosphere.

Executed in flat planes of paint, the brushwork is smooth and deliberate, with clean, well-defined edges that emphasise the crisp geometry of the design. The palette juxtaposes earthy tones with bright primaries, creating visual rhythm and balance.

This oil on board is housed in a very well suited wood frame finished in a muted silver-grey tone with subtle golden highlights along the inner edge. The painting is in very good vintage condition, with only a small area of paint loss to the gold leaf of the frame.

Size: 61.5 x 39 cm (including frame)

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Through the Tunnel
£455
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A vibrant and compelling mid-century modernist painting that immerses the viewer in the perspective of a train driver at work, executed in oil onto board.

Rendered in bold, confident brushstrokes, this composition captures the dense array of gauges, levers, and dials that surround the central figure – an train driver in a cobalt-blue uniform – who gazes ahead toward a set of diverging tracks leading into a shadowy tunnel.

The style is distinctly modernist, echoing the industrial fascination of the mid-20th century. The artist has used a semi-abstract approach, reducing forms into rhythmic blocks of colour and simplified shapes that emphasise geometry over realism. Rich earthy browns and blacks contrast sharply with vivid blues, reds, and whites, bringing energy and movement to the interior space.

The brushwork is vigorous and expressive, lending texture and dynamism to both the machinery and the tunnel’s receding perspective. This painting celebrates the machinery of modern life while subtly meditating on the solitude and focus of the individual amidst the mechanical world.

This oil on board is housed in a complementary gilt frame with and inner linen border. The painting is in excellent vintage condition, and the frame has some marks on its linen border as shown but is in good vintage condition otherwise.

Size: 57 x 67 cm (including frame)

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A Moment to Herself
£495
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A mid-century figurative painting painted in 1955 that captures a contemplative figure absorbed in quiet work, seated near a sunlit window, executed in oil onto canvas.

The subject is cloaked in soft whites and muted yellows. Her back is turned, head bowed slightly, hands poised at a table – offering a moment of private introspection or perhaps diligent creation.

Executed in a restrained, modernist style, the composition flattens and abstracts the figure and environment into planes of diffused light and soft geometry. The painting evokes a hushed, almost spiritual atmosphere, reinforced by the play of cool blues and dusky purples that mingle with the warm earth tones of the interior.

The artist’s brushwork is loose yet deliberate, layering paint in broad, textural strokes that blur the lines between body and space. The window, though suggested rather than rendered in full detail, casts a cool radiance into the room, lending a structural balance and emotional focal point.

This is a quietly moving piece – imbued with the kind of everyday poetry that typified mid-century figurative painting, where solitude, domesticity, and light become the true subjects.

This oil on canvas is housed in a complementary wood frame with an inner gilt border. Both the painting and frame are in excellent vintage condition.

Size: 82 x 69.5 cm (including frame)

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