• The Waiting Bicycle

    The Waiting Bicycle

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    A contemplative mid-century painting captures a tranquil domestic interior, where the viewer looks through a tall sash window towards a lone bicycle resting outside, executed in oil onto canvas.

    Rather than making the bicycle the central focus, the artist celebrates the interplay between interior and exterior spaces. Long bands of sunlight stretch dramatically across the window frame and sill, transforming an everyday scene into a study of light, shadow, and quiet observation. The composition evokes a sense of calm, inviting the viewer to pause and appreciate the beauty found in an ordinary moment.

    Executed in a refined mid-century realist style with subtle modernist influences, the painting balances careful observation with simplified forms and a restrained sense of geometry. The strong verticals and horizontals of the window create an architectural structure that contrasts beautifully with the organic silhouette of the bicycle beyond.

    A harmonious palette of honey yellows, olive greens, soft creams, and muted browns gives the composition a gentle, sunlit warmth. The golden exterior light is offset by the cooler grey-brown shadows within the room, while touches of muted blue on the bicycle provide a subtle focal point. The restrained colour scheme enhances the painting’s peaceful, timeless character.

    The brushwork is measured and controlled, with smooth, even applications of paint that reinforce the stillness of the scene. Soft blending creates convincing transitions between light and shadow, while delicate variations in texture subtly animate the grassy foreground and weathered surfaces outside. Fine, confident detailing defines the bicycle and window frames without becoming overly precise, allowing the composition to retain its painterly elegance.

    This oil on canvas is presented in a complementary dark wood frame with an inner stepped silver profile. Both the painting and frame are excellent vintage condition. 

    Size: 63 x 46 cm (including frame)

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  • Cubist Breakfast

    Cubist Breakfast

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    A striking mid-century modern still life that presents a carefully arranged tabletop scene set against what appears to be a balcony or waterfront outlook, executed in oil onto canvas.

    A faceted silver coffee pot rises at the centre of the composition, accompanied by a bowl overflowing with grapes and pale green fruit all placed upon an orange tabletop. Behind, the suggestion of railings and shimmering turquoise water beyond creates a subtle dialogue between interior and exterior space.

    Executed in a distinctly modernist style, the painting combines elements of Cubism and post-war European abstraction. Forms are simplified into geometric planes and intersecting shapes, with objects fragmented and reassembled through an expressive architectural structure. Rather than striving for realism, the artist focuses on balance, pattern, and the interplay of light and form.

    The palette is fresh and luminous, dominated by aqua blue, warm orange, muted sage green, dove grey, and earthy brown. The vibrant orange tablecloth provides a striking contrast to the cool blues of the fruit and background, creating a lively yet harmonious visual tension.

    Brushwork is confident and painterly, with visible strokes and layered applications of paint that lend texture and vitality to the surface. Fine linear accents outline and divide forms, reinforcing the composition’s geometric character, while areas of loosely applied colour allow the painting to retain a spontaneous and expressive quality.

    This oil on canvas is presented in a complementary slim wood frame. Both the painting and frame are in excellent vintage condition. 

    Size: 72.5 x 45 cm (including frame)

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  • Green Vessels & House Form

    Green Vessels & House Form

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    A brilliantly executed and richly textured modernist still life oil composition that balances domestic familiarity with a subtle sense of abstraction, painted by the established Swedish artist Max Gregor Carlsson (1914-1996), whose works have been exhibited in public collections including the Malmö Museum, Eskilstuna Art Museum, Ystads Museum, Norrköping City Collection, and the Landskrona Konsthall.

    At the centre, a pair of elongated green vessels: a bottle and a handled jug, stand side by side on a tabletop, their simplified silhouettes echoed by a stylised white house form rising behind them. A small red circular object rests in the foreground, offering a gentle focal contrast and anchoring the composition.

    The arrangement feels both intimate and architectural, with the tabletop and surrounding planes constructed in flattened, geometric blocks. There’s a careful interplay between interior and exterior elements – the house motif blurs the boundary between still life and landscape.

    The palette is restrained yet expressive: muted greens and teal tones dominate, softened by warm off-whites and earthy browns, with touches of terracotta and a single note of deep red adding warmth and rhythm. The colours are slightly desaturated, lending the work a calm, contemplative mood.

    Brushwork is deliberate and textural, with visible, layered strokes that give the surface a tactile, almost sculptural quality. Edges are gently defined rather than sharply outlined, allowing forms to breathe within the composition. The paint handling suggests confidence and restraint, with subtle variations in tone and thickness bringing depth to otherwise simplified forms.

    Overall, this is a thoughtfully balanced piece that captures the essence of mid-century still life through its harmony of form, colour, and structure.

    This oil on canvas is presented in a charming, rustic wooden frame that has a gently distressed, whitewashed finish. The painting has some light craquelure due to the thickness of the paint, but it remains in very stable condition overall. 

    Size: 63 x 68 cm (including frame)

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  • Interior with Desk

    Interior with Desk

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    A warm and inviting mid-century painting that captures a quiet charm of an interior scene, executed in oil onto canvas and dated 1964.

    The scene is centred around a wooden writing desk topped with a pitcher of fresh blue blossoms. A simple wooden chair sits before it, while a delicate armchair with intricate circular patterns is placed to the left. On the wall, framed artworks, a glowing table lamp, and a glimpse of a mirror or window reflecting a vase of pink flowers create layers of visual interest. The arrangement captures a lived-in, thoughtful space, quietly animated by the presence of everyday objects.

    Painted in a mid-century modern style, the work emphasises form, colour, and structure over strict realism. The composition is built from large, blocky shapes and softened outlines, giving the scene a warm, slightly abstracted quality.

    The palette is muted yet very balanced. The brushwork is loose and painterly, applied in visible, layered strokes that build texture and rhythm. Broad, confident applications of paint define surfaces, while smaller, more delicate strokes capture details such as the wicker chair pattern and the clustered petals of the flowers. The overall handling gives the painting an impressionistic intimacy, evoking both structure and atmosphere.

    This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has minor scuffs.

    Size: 63.5 x 55.5 cm (including frame)

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  • Sunlight & Table

    Sunlight & Table

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    A gentle and poetic mid-century interior still life that captures a moment of quiet radiance, executed in oil onto canvas.

    The scene centres on a teal table, upon which rests a small earthen pot of pink flowers, bathed in a cascade of soft morning light filtering through tall windows. The painter transforms a humble domestic corner into a study of atmosphere: where form dissolves into light and shadow.

    Executed in a loose, impressionistic style, the artist has used delicate, feathery brushstrokes and thin layers of paint to build an airy, almost translucent composition. Muted mauves, lilacs, pale yellows, and soft greys create a dreamlike haze, while the turquoise of the table provides a striking counterpoint of solidity within the diffused glow. The brushwork is confident yet restrained – the marks suggesting more than defining, allowing the viewer’s imagination to fill in the forms.

    The overall effect is one of serenity and light: a meditation on stillness and the subtle poetry of the everyday interior.

    This oil on canvas is presented in a complementary wood frame with a rich and warm oak tone, and with an inner gilt window. The painting is in excellent vintage condition, and the frame has some scuffing.

    Size: 62 x 53.5 cm (including frame)

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  • Arrangement by the Window

    Arrangement by the Window

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    A refined mid-century interior still life painting, executed in oil onto canvas.

    This composition arranges everyday objects into a poised, almost architectural tableau. A bowl of brightly coloured fruit anchors the scene, set upon a warm brown tabletop alongside two citrus forms and a slender candlestick. Above, a dark mortar and pestle sits against a softly diffused window, where vertical strokes evoke sheer curtains and architectural buildings. Along the lower register, abstract floral or fruit-like motifs echo the colours above, creating a rhythmic visual balance.

    Rendered in a modernist, reductive style, the painting favours simplified shapes and carefully weighted blocks of colour over fine detail. Softly scumbled brushstrokes and visible edges give the work a textural, atmospheric quality, while the artist’s palette – dusty blues, muted greys, warm ochres, soft greens, and small bursts of orange and yellow lends calmness punctuated by subtle vibrancy. The overall effect is contemplative and elegant, transforming a quiet domestic moment into a study of harmony, form, and mood.

    This oil on canvas is housed in a complementary slim gilt frame. Both the painting and frame are in excellent vintage condition.

    Size: 80 x 53.5 cm (including frame)

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  • Constructed Still Life

    Constructed Still Life

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    A striking mid-century still life rendered through bold geometry and a masterful play of colour planes, executed in oil onto canvas.

    On a faceted tabletop sit a tall red jug, a teal bottle, and two fruits: one rosy red, the other golden yellow – arranged in balanced asymmetry. The artist has abstracted the everyday into angular forms, each shape carved by light and shadow into sculptural precision.

    Executed in a Cubist-inspired style, the composition uses intersecting planes and overlapping hues to suggest depth and rhythm. Deep blues and purples form the backdrop, while cool aquas, brick reds, and lemon yellows provide sharp, luminous contrast. The brushwork is confident and flat, with clean edges and opaque layers that emphasise structure over texture, giving the work a strong architectural presence.

    This oil on canvas is presented in a complementary wood frame with a linen-lined inner border. The painting itself is in excellent vintage condition. The frame has some marks, but this does not detract from its overall presentation.

    Size: 63 x 49 cm (including frame)

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  • Spatial Dialogue

    Spatial Dialogue

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    A captivating mid-century still life that reduces everyday objects to a carefully balanced arrangement of geometric forms and tonal relationships, painted in oil onto canvas and dated 1958.

    A simple tabletop supports a solitary bottle and a small circular object, while dark vertical planes and architectural shapes rise behind them, creating a composition that feels both intimate and monumental. The scene hovers between representation and abstraction, inviting the viewer to focus on structure, rhythm, and atmosphere rather than narrative detail.

    Executed in a distinctly modernist style, the painting reflects the influence of abstraction. Forms are flattened and distilled into bold blocks of colour, while strong verticals and angular planes create a sense of spatial tension. The composition is thoughtfully constructed, with the bottle acting as a quiet focal point amidst a series of intersecting shapes and muted surfaces.

    The palette is restrained and sophisticated, dominated by soft greys, charcoal blacks, warm orange, and earthy browns, punctuated by subtle touches of rust red and pale blue. These understated colours lend the work a contemplative, atmospheric quality while enhancing its architectural character.

    Brushwork is expressive yet controlled, with broad, confident applications of paint and visible palette-knife-like passages. Areas of scraped and exposed underpainting create texture and depth, while rough-edged forms and layered surfaces contribute to the painting’s tactile, lived-in presence.

    This oil on canvas is presented in a complementary slim wood frame. The painting itself is in excellent vintage condition, and the frame displays some marks and scuffs consistent with age.

    Size: 75.5 x 53.5 cm (including frame)

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  • Table for Two

    Table for Two

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    An intimate interior scene that exudes warmth and quietude and executed in an impressionist style, painted in oil onto canvas and dated 1989.

    Depicting a sunlit corner set for two, the composition depicts round table draped in white linen is flanked by a pair of red chairs with floral upholstery, evoking a sense of lived-in elegance. Atop the table sits a vase overflowing with wildflowers, while a cat rests peacefully at the foot of the chairs, blending gently into the richly textured floor.

    Executed in a modern impressionist style, the painting features thick, expressive brushstrokes and a soft, diffused palette of warm ochres, terracotta reds, and dusty blues. The layered impasto technique adds depth and tactile presence, inviting the viewer into a serene, light-filled space that feels both familiar and timeless.

    This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has a small scuff at its lower right corner as shown.

    Size: 67 x 56 cm (including frame)

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  • Lily of the Valley with Pears

    Lily of the Valley with Pears

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    A charming and characterful mid-century interior still life composition executed in tempera on board, by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

    This beautifully composed painting centres around a striking turquoise vase filled with lily-of-the-valley, their delicate white bells rising in elegant contrast against a backdrop of bold modernist colour blocks. Arranged on a vivid red tabletop, four stylised green pears add balance and rhythm.

    The interior behind the arrangement is rendered through geometric planes of earthy brown, charcoal, plum, and cerulean blue, evoking walls, textiles, and an arched doorway while maintaining a flattened, abstract sensibility.

    Executed in tempera, the work exhibits smooth, matte surfaces with crisp, clean edges. The artist embraces a distinctly modernist, slightly naïve style: simplifying forms, minimising perspective, and emphasising bold, graphic colour fields. The brushwork is controlled and even, lending a refined clarity to each element within the composition.

    This tempera on board is presented in an ornate, richly detailed gilt frame that elevates the work with a sense of classical elegance. The artwork is further enhanced by a deep burgundy velvet mount, which provides a luxurious contrast and subtly intensifies the colours within the painting. The painting is in excellent vintage condition, and the frame has tiny areas of wear the corners, consistent with age.

     

    Size: 40 x 45 cm (including frame)

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  • Patterned Vase

    Patterned Vase

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    A playful modernist interior composition, painted in oil onto canvas, and dated 2012.

    Featuring a striking and eye-catching colour palette, the artist has worked in a Naïve style, reminiscent of Modern British artists like Alfred Wallis. There is something very endearing about this painting, from its patterning and arrangement to its playfulness with scale. A patterned vase is at the forefront of this picture, and its patterns and colours echo the patterns and colours of the wall in the background. A voile curtain can be seen blowing inward, capturing the windyness of the seaside, the view of which is visible through the window.  We can see a little red and white sailing boat passing by. There is a sense of nostalgia and homeliness in the picture – that lovely feeling of living right by the sea.

    The painting is on stretched canvas with edges painted, and can be hung as is without the need for a frame. The painting is in excellent vintage condition.

    Size: 50.5 x 39.5 cm (including frame)

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  • Patterns of a Summer Afternoon

    Patterns of a Summer Afternoon

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    A lively and playful abstracted mid-century still life that transforms everyday objects into rhythmic shapes and patterns, executed in oil onto canvas and dated 1951.

    At the heart of the composition appears a wide-brimmed box beside a compact dish, set against a fragmented tabletop filled with textiles and geometric designs. The artist plays with perspective, flattening and tilting planes to create a patchwork of dynamic, interlocking forms that pulse with colour and texture.

    The painting exemplifies the modernist fascination with form and balance: where representation gives way to feeling. Its visual language recalls both cubist structure and the spontaneity of mid-century Scandinavian abstraction, with domestic motifs rendered through bold simplification.

    A harmonious palette of yellows, teal, olive green, dusty pink, and cream is punctuated by rhythmic strokes of red and blue. The brushwork is confident yet playful: thick, directional strokes build texture and depth, while smoother planes of pastel create moments of calm. The artist’s handling of paint is distinctly expressive, leaving visible brush trails that add vibrancy and movement across the canvas.

    This oil on canvas is presented in a complementary slim wood. The painting is in excellent vintage condition. The frame has light scuffing to the lower half but is otherwise in good condition.

    Size: 69 x 56.5 cm (including frame)

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  • Picnic Under the Pines

    Picnic Under the Pines

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    A mid-century figurative painting that captures a lively outdoor gathering beneath two abstracted pine trees, rendered in bold, expressive forms, and  painted in oil onto board by the established Swedish female artist Brita Hansson (1918-1979).

    At the center of the composition, a group of stylised figures sits together on what appears to be a picnic blanket, sharing a meal or conversation. Their forms are simplified yet evocative, outlined with fluid, gestural lines that emphasise connection and warmth.

    Executed in a semi-abstract style, the painting merges figuration with vivid blocks of colour and dynamic compositional geometry. The palette features warm orange, deep forest greens, and rich reds, offset by cool blues and white negative space that lends the work a breezy openness. The brushwork is broad and textured, revealing the artist’s confident hand and intuitive layering of paint.

    The overall effect is one of spontaneous joy and sunlit nostalgia—an ode to communal leisure in nature, filtered through the lens of modernist abstraction.

    This oil on board is housed in a complementary gilt frame. The painting is in execllent vintage condition, and the frame has very minor scuffs.

    Size: 54 x 66.5 cm (including frame)

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  • Citrus Arrangement

    Citrus Arrangement

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    A vibrant and lively mid-century still life that balances structure with spontaneity, executed in oil onto canvas.

    The composition gathers a cluster of oranges or orange flowers in a glass, a sculptural pedestal bowl filled with citrus, and scattered fruit arranged across a vivid, almost stage-like tabletop. The setting feels both intimate and constructed -blocks of deep teal, cobalt, and forest green rise behind the objects, suggesting an interior space distilled into geometric planes.

    The style leans toward modernist abstraction, where forms are simplified yet expressive. Outlines are confidently drawn, giving each object a bold presence, while perspective is intentionally flattened, allowing shapes and colours to interact more as a composition than a literal scene.

    Colour is central and striking: zesty oranges glow warmly against cool blues and greens, creating a vibrant push-and-pull across the canvas. Acidic lime tones and yellow highlights punctuate the foreground, adding freshness and rhythm. The palette feels both harmonious and energetic, with strong contrasts that keep the eye moving.

    Brushwork is loose yet deliberate, with visible, chalky strokes that lend texture and immediacy. Edges soften and dissolve in places, while elsewhere they are reinforced with darker contours, giving the piece a dynamic, almost sketch-like vitality. The overall effect is one of cheerful sophistication:a still life that feels animated, modern, and quietly bold.

    This oil on canvas is presented in a slim wood frame. Both the painting and frame are in excellent vintage condition. 

    Size: 49 x 69.5 cm (including frame)

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  • Still Life with Blue Chair

    Still Life with Blue Chair

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    A striking still life composition that centres on a blue wooden chair rendered with bold clarity, its angular structure anchoring the scene, and executed in oil onto board and dated 1978.

    Resting on the seat are three rounded green fruits, their placement both casual and deliberate. Behind, a partially opened window shutter introduces a sense of space and atmosphere, suggesting filtered daylight entering an otherwise enclosed interior.

    Executed in a modernist style, the painting embraces simplified forms and strong outlines. Perspective is intentionally flattened, lending the composition a decorative, almost architectural quality. The artist prioritises balance and rhythm over realism, allowing shapes and colour blocks to guide the eye.

    The colour palette is vibrant yet harmonious: dominated by saturated blues that define the chair and surrounding space, contrasted with lively greens and yellow undertones in the fruit and background. Accents of warm terracotta and muted mauve in the floor add depth and visual grounding.

    Brushstrokes are confident and expressive, with visible texture throughout. Areas of layered paint and subtle tonal variation give the surface a tactile quality, while darker outlines enhance definition and structure. The result is a composition that feels both playful and composed, capturing a quiet, contemplative interior moment.

    This oil on board is presented in a complementary slim wood frame. Both the painting and frame are in excellent vintage condition.

    Size: 82 x 53 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Plant Pot & Apples

    Plant Pot & Apples

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    A brilliant mid-century modernist style still life composition that focuses on the simplicity of everyday objects, executed in oil onto board.

    The painting features a potted plant and two green apples placed on a flat surface by a window. The arrangement is simple and balanced, with the plant situated to the left and the apples placed together on the right, allowing each element space to stand out while maintaining a sense of harmony.

    The colour palette is dominated by cool greens and blues, creating a serene atmosphere. The brushstrokes are expressive and have been confidently executed, imbuing the painting with an uplifting feel.

    This oil on board is housed in a very well-suited wood frame with an inner blue border that pairs wonderfully with the painting. Both the painting and frame are in excellent vintage condition.

    Size: 49.5 x 36.5 cm (including frame)

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  • The Open Door

    The Open Door

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    A serene mid-century interior composition that captures a quiet domestic moment, centred around a finely detailed console table set against a softly lit wall, executed in oil onto canvas.

    The arrangement is carefully balanced: a small bouquet of vivid red flowers, flanked by slender candlesticks, sits beneath a grouping of framed artworks and decorative plates, lending the scene a sense of order and intimacy.

    To the right, an open door becomes the focal point of the composition, revealing a glimpse of a lush garden bathed in natural light. This transition from interior stillness to exterior vitality creates a subtle narrative tension – inviting the viewer outward while anchoring them firmly within the calm of the room.

    Stylistically, the work leans toward a refined, almost Scandinavian minimalism, with clean lines, precise perspective, and a quiet emphasis on geometry and space. The composition is deliberate and measured, evoking a sense of harmony and restraint.

    The colour palette is soft and muted, dominated by warm neutrals – dusty mauves, pale creams, and gentle browns – contrasted by the fresh greens and floral pinks of the garden beyond. The small accents of red within the bouquet provide a striking yet controlled focal point, adding warmth without disrupting the painting’s tranquil balance.

    Brushwork is delicate and controlled, with smooth, even application across walls and surfaces, lending the piece a polished finish. Subtle tonal gradations and fine detailing – particularly in the furniture and architectural elements – demonstrate a careful hand, while the garden beyond is rendered with slightly looser, more expressive touches, enhancing the sense of depth and light.

    This oil on canvas is housed a complementary gilt frame with a stepped, moulded profile. The painting is in excellent vintage condition. The frame shows some slight losses, consistent with age, which does not detract from the overall presentation and charm of the piece.

    Size: 60 x 49.5 cm (including frame)

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  • Chair in Sunlight

    Chair in Sunlight

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    An intimate mid-century still life centres on a simple wooden chair, positioned in a dim interior and illuminated by a striking shaft of light, executed in oil onto canvas.

    Two small fruits rest gently on the seat, introducing a subtle human touch without the presence of a figure. The composition is sparse yet deliberate, with the chair’s linear structure and the vertical band of light creating a quiet tension between solidity and atmosphere. The surrounding darkness enhances the sense of stillness, evoking a contemplative, almost meditative mood.

    The style leans toward a pared-back realism infused with modernist restraint. Forms are simplified, and the geometry of the chair is emphasised through clean lines and carefully observed perspective. There’s a strong interplay between light and shadow, reminiscent of chiaroscuro, yet softened through a muted, mid-century sensibility. The artist has focused less on detail and more on mood, allowing light itself to become the central subject.

    The palette is warm and earthy – deep browns and burnt sienna dominate the scene, contrasted by the pale, almost creamy tones of the illuminated chair. The fruits introduce gentle accents of yellow, subtly catching the light and drawing the eye. The brushwork is smooth and controlled, with fine, even layering that allows the canvas texture to quietly show through. Edges are softened rather than sharply defined, lending the painting a hushed, atmospheric quality that feels both timeless and introspective.

    This oil on canvas is housed in a wood frame that complements the subdued palette of the work beautifully. Both the painting and frame are in excellent vintage condition. 

    Size: 48.5 x 40.5 cm (including frame)

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  • Room with Blue Window

    Room with Blue Window

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    A captivating mid-century interior composition that draws the viewer into a sunlit room where everyday objects take on a contemplative stillness, executed in oil onto board by Swedish artist Tore Nyberg (1911-1993), whose has been represented at the National Museum in Stockholm, and the Värmland Museum in Karlstad, to name a few.

    Two simple wooden chairs sit at ease, one angled toward the window, the other slightly withdrawn, suggesting the subtle presence of human life just beyond the frame. Through the central window, a softened exterior unfolds: pale facades and rooftops rendered in light tones.

    Executed in a distinctly modernist style, the painting balances structure and looseness with remarkable sensitivity. The composition is anchored by strong verticals ( the doorframe, window panes, and chair backs)  yet softened by expressive, painterly handling. There is a quiet geometry at play, but it never feels rigid. Instead, it breathes with a lived-in warmth.

    The colour palette is both fresh and harmonious, dominated by cool blues and turquoise tones that frame the window and radiate throughout the room. These are beautifully offset by warm browns, and dusty greens, creating a gentle dialogue between interior warmth and exterior light. Subtle shifts in tone , particularly in the walls and floor, add depth without overwhelming the scene.

    Brushstrokes are confident and visible, applied with a relaxed, almost intuitive hand. Edges are loosely defined, allowing forms to blur slightly into one another, enhancing the sense of atmosphere. The paint surface carries a tactile quality, with layered strokes that catch the light and give the composition a quiet vibrancy.

    Overall, this is a deeply atmospheric work: an intimate study of space, light, and stillness, where beauty is found in the ordinary.

    This oil on board is presented in a beautifully characterful, rustic wooden frame that complements the warmth and intimacy of the interior scene. The painting is in excellent vintage condition. The frame has some areas of paint loss but this reveals the wood underneath and adds to its vintage charm.

    Size: 90 x 67 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Seaside Bench

    Seaside Bench

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    A small yet very striking mid-century modern figurative landscape oil painting by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

    The composition depicts a couple seated side by side on a bench overlooking a coastal landscape. Positioned in the foreground, the two figures sit quietly together, their bodies angled slightly toward the open horizon where the sea stretches out beneath a pale blue sky. Behind them, rolling green hills and foliage frame the scene, while sandy brown paths and coastal terrain lead the eye toward the calm water in the distance. The composition captures a quiet moment of companionship and reflection within a tranquil seaside setting.

    Rendered in an expressive style, the figures are simplified and loosely defined, with minimal facial detail. Their posture and colour carry the emotional tone of the scene rather than strict realism. The landscape itself is composed of bold, abstracted forms – rounded foliage, blocks of hillside colour, and horizontal bands of sea and sky – creating a balanced yet spontaneous composition.

    The palette is rich yet harmonious. Deep forest greens  shape the surrounding landscape, contrasted by warm sand of the coastal ground. The sea appears in calm bands of muted blue beneath a soft, open sky. The seated figures provide visual contrast: one dressed in a light, almost luminous light blue garment, the other in deeper navy and teal tones that subtly echo the colours of the ocean behind them.

    Brushstrokes are broad and confident, applied with visible painterly energy. Thick, expressive strokes define the foliage and figures, while flatter passages of colour describe the sea and sky, creating a pleasing interplay between texture and calm space. The slightly rough, gestural application gives the painting vitality and movement.

    This oil on canvas is housed in a complementary slim gilt frame. Both the painting and frame are in excellent vintage condition. 

     

    Size: 27 x 35 cm (including frame)

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  • Still Life with 4 Pears

    Still Life with 4 Pears

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    A contemporary semi-abstract still life composition, painted in acrylic onto canvas.

    This painting is a stylized still life with bold, simplified shapes and vibrant contrasting colours. We see a white pedestal bowl filled with three green pears with visible stems. To its left sits a white plate with a single pear, and to its right a white pitcher with a long, green stem holding a single white flower, leaning slightly to the right.

    In the background, a deep red wall centres as the backdrop,  balanced by a blue rectangular window with light blue shutters on the right. A partial white chair is visible on the left.

    The style is modern and minimalist, with an emphasis on geometric forms and a flat, decorative composition.

    The painting is on stretched canvas with white painted edges, and is strung and ready to hang. It is in excellent condition.

    Size: 40 x 40 cm

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  • Sunlit Courtyard

    Sunlit Courtyard

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    A quietly evocative mid-century composition that captures an architectural space bathed in angled afternoon light, executed in oil onto canvas.

    The viewer is drawn into a corridor-like courtyard framed by simple geometric structures – sloping roofs, rectangular windows, and a series of vertical supports that create a rhythmic interplay of light and shadow. The absence of figures heightens the stillness, allowing the space itself to become the subject: contemplative, almost cinematic in its sense of pause and presence.

    Rendered in a restrained, modernist style, the painting leans into clean lines and simplified forms, reminiscent of mid-century architectural studies. The palette is warm yet muted: soft taupe, sandy beiges, and gentle creams are contrasted with cooler greys and shadowed browns. Light is handled with particular sensitivity, casting elongated triangular shapes across the walls and ground, creating depth and quiet tension within the composition.

    The brushwork is controlled, precise, and deliberate, with smooth, even applications of paint that emphasise structure over gesture. Edges are softly defined rather than sharply outlined, contributing to the painting’s serene, almost dreamlike atmosphere.

    This oil on canvas is housed in a wood frame that complements the palette of the work beautifully. Both the painting and frame are in excellent vintage condition. 

    Size: 48.5 x 40.5 cm (including frame)

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  • Sunlit Still Life

    Sunlit Still Life

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    A cosy and intimate mid-century still life composition that captures a warmly lit interior scene, executed in oil onto canvas and dated 1976.

    The painting depicts a cozy dining nook, featuring a wooden table draped with a white cloth, a glass vase holding a delicate arrangement of branches with orange fruits, and a softly glowing pendant lamp hanging from the ceiling. A large window in the background, framed by translucent curtains, allows glimpses of lush greenery outside.

    The colour palette features mix of warm browns and blues, complemented by the vibrant orange and rich green of the plant, which serves as a focal point.

    The artist has used a combination of structured, deliberate strokes and softer, blended applications, creating a warm and inviting atmosphere.

    This oil on canvas is housed in a complementary light wood frame. Both the painting and frame are in excellent vintage condition. 

    Size: 63 x 54 cm (including frame)

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  • Figure by the Window

    Figure by the Window

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    An intimate mid-century figurative painting that captures a solitary figure absorbed in a quiet, domestic task, executed in oil onto canvas.

    Positioned near a window, the figure leans forward with gentle concentration, their form partially silhouetted against a softly lit interior. The scene feels private and unguarded – a fleeting moment of everyday life observed without interruption.

    Painted in a distinctly mid-century modern style, the composition balances figuration with loose abstraction. Architectural elements – the window frame, wall planes, and floor – are suggested rather than defined, creating a sense of space through colour blocks and shifting perspectives rather than strict linear depth.

    The palette is restrained yet expressive, built from muted greens, soft yellows, warm creams, and earthy reds, with cooler blue-green tones anchoring the shadows. These colours subtly echo one another across the canvas, lending the work a harmonious, contemplative mood.

    Brushstrokes are confident and textured, applied in short, directional strokes that remain clearly visible throughout. The paint handling prioritises movement and atmosphere over fine detail, allowing the figure to emerge organically from the surrounding space. This tactile surface and expressive restraint are hallmarks of mid-century figurative painting, where emotion and form are conveyed through colour, rhythm, and gesture rather than precision.

    A quietly powerful work, this painting invites prolonged looking, revealing beauty in stillness, routine, and the poetry of ordinary moments.

    This oil on canvas is is housed in a complementary wide-profiled gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs that is consistent with age. 

    Size: 71.5 x 67 cm (including frame)

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  • Hills in Reverie

    Hills in Reverie

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    A mid-century modernist abstracted landscape that presents a serene pastoral vista distilled into rhythmic sweeps of colour and gesture, executed in oil onto canvas and dated 1965.

    The composition evokes rolling countryside rendered not through precise detail, but through impressionistic suggestion – where a gently sloping hill rises confidently across the centre, its curved mass anchoring the scene. In the foreground, luminous yellow fields stretch outward in broad passages, while clusters of softly suggested shrubs and earth tones create quiet interruptions across the terrain. To the right, two tall, slender vertical forms- reminiscent of cypress trees – stand like sentinels, introducing a quiet architectural presence against the openness of the land. The sky recedes in soft atmospheric layers, suggesting a fleeting moment of warm light as day gives way to evening.

    The style embodies the essence of mid-century modernist landscape abstraction, where form is simplified into essential shapes and expressive mark-making. Rather than striving for realism, the artist captures the emotional resonance of place. The sweeping, curved hill is rendered almost sculpturally, its mass built through confident, continuous strokes that emphasise movement and volume. There is a harmonious balance between abstraction and recognition – the landscape feels both real and remembered, filtered through sensation rather than observation.

    The palette is fresh and uplifting, dominated by layered greens ranging from mint and sage to deeper emerald tones. These are complemented by glowing passages of buttery yellow and warm ochre in the foreground, suggesting sunlit grasses. The sky transitions through soft pale blues, creamy whites, and hints of peach and apricot near the horizon, introducing warmth and atmosphere.

    The brushwork is expressive and tactile, with visible, painterly strokes applied with confidence and immediacy. Thick, sweeping gestures define the hills, while shorter, curved dabs suggest foliage and texture. The surface carries a lively energy, revealing the artist’s hand and the spontaneity of execution.

    This oil on canvas is housed in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

    Size: 47 x 57 cm (including frame)

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  • Objects by the Window

    Objects by the Window

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    A striking and energetic mid-century expressionist style interior still life painting, executed in oil onto canvas.

    A vibrant potted plant with red flowers as well as a lamp punctuates the center of the composition. These objects are placed on a table by a window that offers glimpses of muted exterior tones.

    The piece is executed in an expressionist style – characterised by its bold, expressive brushstrokes and flattened perspective. The artist has used short, rhythmic strokes to define shapes and form, imbuing the work with dynamic energy.

    The colour palette features a mix of muted warm tones including orange and pink. These shades add warmth and are complemented with earthy muted greens and browns. Overall the colours enhance the homely and inviting feel of the composition.

    This oil on canvas is housed in a complementary frame with multiple profiles. The painting has some scattered craquelure present but paint layer is stable overall. The frame has some scuffing and wear but is in good condition overall.

    Size: 67 x 59 cm (including frame)

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  • The Meeting

    The Meeting

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    A large and evocative mid-century figurative composition that depicts a group of seated figures gathered around a long white table, executed in oil onto canvas.

    The figures’ forms have been rendered in simplified, almost sculptural blocks of colour. The figures, distinguished by subtle variations in hair colour, posture, and attire are shown in quiet communion, while a standing figure at the head of the table adds a sense of hierarchy or occasion.

    The artist has adopted a distinctly modernist approach: the scene is pared back to its essential geometry, the narrative implied rather than explicit. The palette is warm yet restrained, with browns, blacks, and muted greens dominating against a rich golden background that imbues the work with both warmth and gravitas. The surface bears visible, expressive brushstrokes, creating a tactile sense of movement and texture.

    The overall effect is one of quiet introspection: a timeless study of human gathering, presence, and form.

    This oil on canvases is housed in very well suited wood and gilt frame.

    Size:  cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Still Life with Cat Figurine

    Still Life with Cat Figurine

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    A charming mid-century modernist style interior still life painting rendered in soft, abstracted geometry,  and executed in oil onto board.

    The composition features a tabletop arrangement with a flower in a vase, a covered bowl, a few bottles, and a pale blue cat figurine that adds a whimsical note to the scene. The artist has captured a quiet moment of domestic life through simplification and balance – transforming everyday objects into forms of colour and shape.

    The palette is harmonious and cool-toned, dominated by shades of blue, teal, and brown, offset by the warmth of brown and a single crimson bloom. These muted yet carefully balanced hues create a sense of a calm interior.

    Painted in a distinctly modernist idiom, the artist has used broad, confident brushstrokes and flattened planes, giving the work tonal depth. The brushwork is visible and deliberate, lending vibrancy to the otherwise tranquil composition.

    This oil on board is presented in a beautiful frame with a linen mount and a wooden outer border in brown and gold tones. Both the painting and frame are in excellent vintage condition.

    Size: 43.5 x 64.5 cm (including frame)

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  • The Act of Seeing

    The Act of Seeing

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    An expressive mid-century figurative portrait that captures a quiet, introspective moment as a woman stands in profile, gently parting a patterned curtain, executed in oil onto canvas and dated 1948.

    Her posture is poised yet intimate, suggesting both observation and hesitation – as though she stands between interior life and the world beyond. A window behind her opens onto a soft, distant landscape, reinforcing a sense of contemplation and transition.

    Rendered in an expressive, painterly style, the work embraces loose, gestural brushwork that prioritises emotion over precise realism. The figure is constructed through layered strokes of cool blues, muted greys, and soft creams, with touches of rose and pale green animating the contours of her face and clothing. The curtain introduces rhythmic vertical zigzags and organic shapes in earthy reds, blues, and blacks, creating a striking contrast against the cooler tones of the interior. This interplay of colour and pattern brings both movement and structural tension to the composition.

    The artist’s brushstrokes are confident and spontaneous, with visible, energetic marks that give the surface vitality. Areas of thinner, translucent paint sit alongside thicker, more textured passages, allowing the underlayers to breathe through and enhancing the sense of immediacy. The figure itself is softly modelled, with edges dissolving into the surrounding space, reinforcing the emotional atmosphere rather than strict form.

    This oil on board is is housed in a complementary ridged gilt frame. Both the painting and frame are in excellent vintage condition. 

     

    Size: 75.7 x 64.5 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • A Moment Left Behind

    A Moment Left Behind

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    A modernist style interior still life composition that captures a quiet moment, executed in oil onto canvas and dated 1959.

    The painting features a table with a yellow chair in the foreground, set against a background of geometric planes in muted tones. On the table, a green bottle with a red seal, a glass, and a small red bowl are arranged across a pink tablecloth. A dark green jacket is draped casually over another chair, adding an element of human presence without directly depicting a figure.

    The painting embraces a modernist approach. The perspective is slightly flattened, and the shapes of objects are reduced to their essential forms.  The artist has utilised strong but subtle structural lines to define space.

    The colour palette features predominantly muted shades of blues, greys, and pinks, which imbue the work with a calm and slightly melancholic atmosphere.

    This oil on canvas is housed in complementary gilt and white ridged frame. The painting is in excellent vintage condition, and the frame has minor scuffs but this is in keeping with its vintage style.

    Size: 43 x 39 cm (including frame)

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