• Three Standing Figures

    Three Standing Figures

    £490

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    A striking geometric composition in acrylic, painted onto card and dated ’23.

    This painting features three abstracted, geometric human figures rendered in a bold, angular Cubist style. The artist uses sharp-edged shapes and planes to construct the bodies, with a palette dominated by earthy ochres, deep reds, purples, blacks, and cool blues.

    Each figure is stylized, built from interlocking triangles, rectangles, and trapezoids. Their faces are simplified and mask-like, and their postures suggest movement or conversation, with overlapping arms and angled legs.

    Overall, the composition emphasizes form, structure, and colour harmony, inviting the viewer to focus on the interplay of geometric shapes and bold contrasts.

    This acrylic on card is housed in a complementary stained walnut wooden frame, and is protected behind perspex. Both the painting and frame are in excellent vintage condition.

    Size: 53 x 40.5 cm (including frame)

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  • Urban Blocks

    Urban Blocks

    £685

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    A striking mid-century abstract cityscape rendered in a restrained muted palette, executed in oil onto board.

    The painting captures an imagined urban landscape reduced to essential form and shadow. Angular blocks suggest rooftops, facades, and stacked buildings, layered tightly across a sloping terrain beneath a distant hill.

    The artist has used deliberate, textured brushstrokes to create architectural weight and spatial tension. The colour scheme leans toward steely greys, deep charcoal, slate blue, and hints of taupe, giving the composition a quiet, contemplative tone. Despite its abstraction, the work holds a firm sense of structure and rhythm, reflecting mid-century modernist ideals of simplification and form.

    This oil on board is housed in a complementary wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

    Size: 48 x 63.5 cm (including frame)

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  • Winter Reeds

    Winter Reeds

    £405

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    A tranquil and subdued mid-century landscape painting that captures an atmospheric wetland scene, executed in oil onto canvas.

    In this painting, slender reeds rise delicately from a mist-covered foreground and distant trees emerge softly through a veil of fog. The composition feels wonderfully restrained and contemplative, balancing open space with bold dark landforms that drift horizontally across the canvas like quiet islands in thawing winter waters.

    Executed in a gestural modernist style, the painting relies on mood and suggestion rather than strict detail. A muted palette of soft sage green, smoky grey, ivory and deep charcoal creates a beautifully subdued harmony, while hints of earthy browns in the reeds add warmth and vertical movement to the composition. The brushwork is fluid and expressive throughout  – broad sweeping strokes soften the landscape into abstraction, contrasted by fine linear marks that give the reeds an elegant calligraphic quality. The result is a painting that feels both tranquil and dynamic, with an almost poetic sense of stillness and atmosphere.

    This oil on canvas is presented in a complementary wood frame with silver-toned inner and outer detailing. Both the painting and frame are in excellent vintage condition.

    Size: 40 x 48 cm (including frame)

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  • Woman with a Red Flower

    Woman with a Red Flower

    £965

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    A quiet and introspective mid-century modernist figurative painting, executed in oil onto canvas by the established Swedish artist Fabian Lundqvist (1913-1989), whose works have been represented in many public collections in Sweden.

    The painting depicts a solitary female figure standing frontally against a simplified geometric backdrop. Her elongated neck, pale face, and slender hands lend the composition a quiet elegance, while the single red flower held delicately at her side introduces a note of tenderness and mystery. The figure’s direct gaze and still posture create an introspective mood, inviting the viewer to contemplate her inner world.

    Executed in a refined mid-century modernist semi-abstract style, the artist has reduced the figure to essential forms, favouring flat planes of colour and simplified anatomy over realism. The composition recalls the poetic restraint of European modernist portraiture, where emotional presence is conveyed through shape, colour, and balance rather than intricate detail.

    The palette is beautifully restrained, centred around warm dusty rose, terracotta, and deep cocoa-brown tones. The figure’s dress harmonises with the surrounding background, creating a subtle tonal unity, while her ivory-white skin provides striking contrast. The small crimson flower acts as a focal point, drawing the eye and adding a vivid accent to the otherwise muted composition.

    Brushwork is smooth and controlled, with broad, even applications of paint that emphasise the painting’s flat decorative qualities. Subtle variations in texture and tone reveal the artist’s hand without disrupting the calm surface.

    This oil on canvas is presented in an complementary gilt frame. Both the painting and frame are in excellent vintage condition.

    Size: 56.5 x 34.5 cm (including frame)

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  • Woodland Overtures

    Woodland Overtures

    £470

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    A striking contemporary Cornish abstract painting, executed in oil on board and dated 2024.

    Abstract in nature and titled ‘Woodland Overtures’, the composition is an interplay of bold, curvilinear forms that suggest the intertwining of trees, foliage, and natural pathways, reinterpreted through a modernist lens.

    The palette is rich, featuring warm ochres, blacks, soft lilacs, and off-whites, punctuated by a striking red accent that commands attention at the painting’s core. Delicate red and black contour lines weave through the forms, adding a sense of structure and movement to the composition.

    The brushstrokes vary between smooth, controlled edges and more spontaneous, gestural elements, giving depth and dynamism to the work.

    This oil on board is housed in a complementary white frame. The painting has a very tiny area of paint loss at its right side as shown in close up. The frame has some very light marks but this does not detract from its overall appearance.

    Size: 50 x 52 cm (including frame)

     

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  • Woodland Rhythm

    Woodland Rhythm

    £775

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    A dynamic mid-century artwork that can be read as an abstracted woodland scene, where slender tree trunks and clustered canopies are distilled into rhythmic, angular forms, executed in oil onto board and dated 1955.

    The vertical lines suggest trunks or branches, while the overlapping triangular and faceted shapes evoke dense foliage catching light at different angles. Rather than a literal forest, it feels like a memory or impression of one – fragmented, layered, and alive with quiet movement.

    The style leans into geometric abstraction with strong cubist influence, where natural forms are broken down into interlocking planes. The composition feels almost musical in its repetition – trees rising and overlapping, creating a sense of depth without traditional perspective. There’s a balance between structure and spontaneity, as the eye moves through the clustered forms like walking through a stylised grove.

    The palette is rich yet earthy: dominated by browns, mustard yellows, olive greens, and warm rust tones that suggest autumnal foliage or filtered forest light. Darker browns and charcoal lines anchor the composition, acting as trunks or branches that give structure to the scene.

    Brushwork remains controlled and deliberate, with paint applied in flat, confident planes that emphasise form over texture. Subtle variations in tone and the visible weave of the canvas add warmth and tactility, reinforcing the painting’s grounded, organic feel despite its abstraction.

    This oil on board is housed complementary layered wooden frame with pronounced grain, as well as a cream-toned inner border. Both the painting and frame are in excellent vintage condition. 

    Size: 32.5 x 38.5 cm (including frame)

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  • Off the Beaten Track

    Off the Beaten Track

    £1,180

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    A large and brilliantly executed contemporary semi-abstract seascape composition, executed in acrylic onto board, by British artist Frances Daws.

    A richly layered and highly expressive landscape, this painting captures the untamed beauty of the natural world through a complex interplay of colour, texture and movement. Although abstracted in style, the composition evokes the familiarity of a wild valley or mountain pass, with sweeping forms suggesting rolling hills, winding paths and distant peaks beneath an expansive sky.

    Built up with multiple layers of paint, the surface is wonderfully textured and full of character. Each brushstroke contributes to a sense of energy and depth, revealing subtle shifts in tone and gesture the longer you look. Dominant hues of deep reds, moss greens, ochres and earthy browns merge and overlap to create a warm, grounded palette that feels closely connected to the land itself.

    When caught by the light, brighter passages of pale blue, blush pink and soft cream emerge from within the composition, adding luminosity and contrast. These lighter notes bring a sense of atmosphere and openness, as though sunlight is breaking through clouds and illuminating sections of the landscape below.

    There is a compelling sense of both movement and structure in the work. Fluid, sweeping marks guide the eye through the scene, while the varied colours and textures create a layered terrain that feels rugged, organic and alive. The painting rewards close inspection, revealing new details and relationships with each viewing.

    Bold yet harmonious, this piece would bring warmth, depth and a strong connection to nature into an interior. It is an engaging and atmospheric work for anyone drawn to expressive landscapes and richly textured contemporary painting.

    This large painting is beautifully presented in a custom made white tray frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

    Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

     

    To view more paintings in this series, click here.

    Size: 64 x 94 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • The Collector’s Room

    The Collector’s Room

    £495

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    A captivating mid-century modernist painting that depicts an imagined interior filled with paintings, framed works, and decorative forms arranged within a richly abstracted room, executed in oil onto board.

    The composition feels like an artist’s studio or collector’s salon, where artworks lean against walls and hang in layered succession, creating a maze of colour, shape, and visual conversation.

    Painted in a bold abstract-modernist style, the work reduces the interior into interlocking geometric forms and flattened planes of colour. Architectural structure and decorative detail merge together, giving the scene an almost dreamlike spatial quality while still clearly suggesting walls, frames, canvases, and displayed artworks.

    The palette is vibrant and expressive, dominated by vivid sky blues and warm burnt oranges, balanced with soft cream, deep black, plum purple, olive green, and flashes of yellow. These contrasting tones create both warmth and movement throughout the composition, while the lighter central forms draw the eye inward like illuminated canvases within the room.

    The brushwork is energetic and textural, with layered matte paint, gestural outlines, and visible directional strokes adding depth and rhythm to the surface. Loose scratch-like marks and painterly edges give the work a lively, spontaneous quality.

    This oil on board is presented in a complementary wood frame with a white inner border. The painting is in excellent vintage condition, and there are some marks to inner white frame. 

    Size: 61 x 71.5 cm (including frame)

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  • Whispering Canopy

    Whispering Canopy

    £445

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    An atmospheric mid-century landscape that depicts a tranquil setting centred around a narrow stream and a cluster of trees rising from soft green embankments, executed in oil onto canvas and dated 1959.

    The composition carries a quiet, reflective mood, with the delicate branches dissolving into a hazy landscape beyond. Surrounding the upper branches is a luminous veil of light cream paint that softly suggests foliage or leaves emerging through mist, lending the scene a gentle seasonal transition and an almost dreamlike glow.

    Executed in a loose modernist style, the painting balances abstraction with landscape observation. The artist uses expressive, gestural brushwork and layered paint application, allowing forms to appear and disappear across the surface. Fine linear strokes defining the trees contrast beautifully with broader painterly passages and softly feathered areas of cream and green. Scraped-back textures and visible brush movement add depth and spontaneity to the composition.

    The palette is subtle and harmonious, featuring muted sage greens, pale creams, warm beige tones, and soft earthy greys. The creamy passages surrounding the branches evoke light filtering through sparse leaves or blossom, creating an airy softness against the more grounded green foreground. Altogether, the work possesses a calm, poetic quality.

    This oil on canvas is presented in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs. 

    Size: 84 x 68.5 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Cliffside by the Sea

    Cliffside by the Sea

    £495

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    A soothing mid-century painting that captures a quiet coastal settlement perched along a pale, windswept cliff, executed in oil onto canvas.

    A cluster of modest houses with whitewashed walls topped with muted red and charcoal roofs rests gently against a backdrop of dense, dark green foliage. To the left, a sliver of calm turquoise sea meets a soft, expansive sky, creating a sense of openness and air. Sparse, linear elements – possibly masts or fishing lines – punctuate the scene, hinting at a working coastal life without disrupting its stillness.

    Executed in a restrained, modernist style, the composition leans into simplicity and atmosphere over detail. The artist has employed a subdued, harmonious palette: chalky creams and sandy beiges for the cliff, cool blue-greys for the sky, and deep greens to anchor the horizon. Accents of rust red and black add structure and rhythm across the rooftops and linear elements.

    Brushstrokes are confident and textural, applied with thick brush, giving the surface a tactile quality. The paint is layered in soft, angular planes, with visible strokes that suggest form rather than define it precisely. The result is a composition that feels both grounded and airy, capturing a fleeting moment of coastal quiet with elegance and restraint.

    This oil on canvas is present in a beautiful linen lined wood frame, with an inner cream border. The painting has small areas of craquelure visible on the left-hand side of the sky, otherwise it is in good vintage condition. The frame has some scuffs. 

    Size: 46 x 78 cm (including frame)

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  • Cliffside Houses

    Cliffside Houses

    £495

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    A calm mid-century painting that captures a row of coastal houses perched along a gently sloping bluff, executed in oil onto canvas.

    The angular rooftops of the homes step rhythmically across the incline as the land falls away toward a calm, uninterrupted band of sea on the horizon. There’s a quiet sense of stillness here – no figures, no movement – just the presence of these structures holding their place against the elements, evoking the calm solitude of a seaside village.

    Rendered in a modernist style with a subtle lean toward abstraction, the composition simplifies form while preserving a strong architectural narrative. The perspective feels slightly flattened, allowing the houses, hillside, and sky to merge into a cohesive, almost dreamlike plane. A restrained and harmonious palette anchors the scene: chalky whites and soft creams dominate the hillside and facades, offset by deeper blacks and browns in the rooftops, while a pale grey-blue sky creates a gentle, atmospheric backdrop. The sea introduces a cooler, more saturated blue, balanced by delicate touches of brown and faint peach that lend warmth and depth.

    The brushwork is expressive yet measured. Broad, painterly strokes shape the hillside with a textured, almost windswept quality, while the buildings are defined with more deliberate, slightly firmer gestures. Fine linear mark – suggesting fishing poles – bring a light, sketch-like energy that contrasts with the heavier, more tactile application of paint below, adding a sense of quiet movement within an otherwise serene composition.

    This oil on canvas is present in a beautiful linen lined wood frame, with an inner cream border. The painting is in excellent vintage condition, and the frame has some scuffs.

    Size: 46 x 78 cm (including frame)

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  • Cubist Hillside

    Cubist Hillside

    £495

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    A striking cubist-style modernist composition that captures a cluster of houses nestled beneath towering trees and radiant geometric hills, executed in oil onto canvas and dated 1975.

    Painted in a vertically elongated format, the scene unfolds: guiding the eye upward from timber-framed cottages and red rooftops toward pale angular mountains and a glowing cream-coloured sun.

    Executed in a modernist style with cubist influences, the composition is built from fractured planes and intersecting triangular forms that give the landscape a rhythmic, architectural structure. The tall dark trees act as dramatic vertical anchors against the luminous pastel terrain, lending the work both serenity and monumentality.

    The palette is beautifully restrained, featuring soft creams, pale peach, muted sage, dusty blue, and earthy browns contrasted against deep forest greens and near-black shadows. Areas of impasto and textured layering create a tactile surface, while expressive brushstrokes and scraped passages reveal an intuitive, painterly hand. The faceted hills and sky are rendered with angular sweeps of paint, adding movement and light throughout the composition.

    This oil on canvas is presented in a complementary slim wood frame. The painting is in excellent vintage condition, and the frame has some scuffs. 

    Size: 102 x 32 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Fading Light

    Fading Light

    £435

    Available

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    A moody and atmospheric mid-century painting that captures a quiet landscape the edge of twilight, executed in oil onto canvas.

    A cluster of darkened farm buildings with angular rooftops sit silhouetted against a low, glowing horizon. The land in the foreground feels scarce.

    The style is expressive, and form is simplified but atmosphere is deeply felt. The artist prioritises mood over detail, allowing the composition to breathe through shadow and contrast rather than precision.

    The colour palette is restrained yet powerful: deep charcoals, smoky greys, and earthy umbers dominate, punctuated by a striking band of warm yellow along the horizon. Subtle hints of burnt red and rust flicker through the foreground, adding depth and a quiet intensity.

    Brushwork is confident and textural, with visible, slightly impasto strokes that give the land a tactile, almost rugged quality. The buildings are rendered with looser, broader strokes, allowing their silhouettes to emerge organically from the surrounding darkness. The sky is softly blended, creating a gentle transition that enhances the painting’s atmospheric tension.

    This oil on canvas is presented in an elegant and well-suited linen lined wood frame with an inner gilt border. The painting is in excellent vintage condition, and the frame has minor scuffs.  Please note that there is just some glare in the photos – there is no fading to any of the colours in the painting.

    Size: 43.5 x 64 cm (including frame)

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  • Silent Companions

    Silent Companions

    £895

    Available

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    A quiet arresting mid-century modernist figurative painting, executed in oil onto canvas by the established Swedish artist Fabian Lundqvist (1913-1989), whose works have been represented in many public collections in Sweden.

    This composition presents two elongated female figures standing side by side, their presence both grounded and ethereal. The subjects are reduced to essential forms – tall, cloaked silhouettes with simplified faces – imbuing them with a sense of introspection and quiet detachment. They appear suspended within a flattened architectural space, where block-like shapes behind them suggest walls or structures without anchoring the scene to any specific place, enhancing the painting’s contemplative quality.

    Executed in a restrained, earthy palette, the work leans into deep umbers, warm browns, and soft taupes, punctuated subtly by a muted ochre accent that draws the eye without disrupting the overall harmony. The brushwork is deliberate yet understated – thinly layered with a matte finish – allowing the texture of the surface to gently come through. Edges are softened rather than sharply defined, lending the figures a quiet stillness, while the broad, flat application of paint reinforces the modernist sensibility of reduction and form.

    There is a poetic tension between presence and absence here: the figures are undeniably central, yet emotionally distant, inviting the viewer to project their own narrative. The overall effect is one of calm restraint and introspective beauty – an elegant example of mid-century abstraction meeting figuration in its most distilled form.

    This oil on canvas is present softly toned linen lined wood frame with a stepped, layered profile that creates gentle depth and guides the eye inward toward the composition. Both the painting and frame are in excellent vintage condition. 

    Size: 55 x 63 cm (including frame)

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  • Dream Reflex

    Dream Reflex

    £1,150

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    A brilliantly executed and compelling evocative 1987 figurative interior painting that captures a contemplative moment shared between three figures set within a softly abstracted studio environment, by Finnish postwar artist Marjatta Sarasalo (1930 – 2006).

    Sarasalo’s paintings have a very distinctive style, which incorporate line drawings of figures on very textured backgrounds as seen in this piece. Here’s the bodies have been rendered in a delicate, linear style – each figure outlined with expressive black contour lines against a textured, ochre-toned ground.

    Their poses are relaxed yet poised: one sits cross-legged in profile, another stands beside her, while the third looms gently in the background, creating a rhythm of human presence that feels both classical and modern.

    Executed with a refined palette of warm sand, muted green, pale rose, and chalky white, the composition is harmonised by vertical bands of colour that frame and anchor the figures, suggesting architectural planes or light filtering through curtains. The layered surface – built up with dry, rough brushstrokes and subtle scumbling—imbues the work with a tactile, fresco-like quality.

    The painting’s quiet grandeur and subdued palette speak to a modernist sensitivity, where figuration, abstraction, and texture merge in serene dialogue.

    This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has a small nick to its left edge but is in good condition overall.

    Size: 41 x 33 cm (including frame)

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  • Red Tulips

    Red Tulips

    £415

    Available

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    A captivating and well-balanced interior still life composition, executed in oil onto canvas.

    Upon first glance, a vase of striking red tulips in the foreground captures our attention. Our eyes are then guided to a red ceramic jug in the middle ground, followed by a dresser in the background. There is a strong focus of attention on the objects as their bold colours stand out in contrast to the background painted in light cream, grey, sand, and blue tones.

    The painting has an uplifting quality, brought forth through the use of rich colours and expressive brushstrokes.

    This oil on canvas is housed in a well suited gilt frame with an inner hessian window. Both the painting and frame are in excellent vintage condition.

    Size: 67 x 58 cm (including frame)

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  • Figure in Constructed Room

    Figure in Constructed Room

    £1,085

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    A very striking mid-century modern composition that presents a pared-back interior scene distilled into bold geometry and quiet symbolism, executed in oil onto canvas and dated 1957 by the estalished Swedish artist Bertil Berntsson (1921-2002), whose works have been exhibited at the Modern Art Museum in Stockholm, Ystad Art Museum, Malmö Museum, and the Helsingborg City Museum, to name a few.

    At the centre stands a simplified elongated female figure that has been rendered with minimal contour yet carrying a strong, sculptural presence. Beside her, a cylindrical vessel or drum-like form anchors the composition, its solidity contrasting with the openness of the surrounding space.

    The setting is constructed through intersecting planes and architectural lines, suggesting walls, windows, or partitions without fully resolving into a literal interior. This ambiguity lends the work a contemplative quality – where figure and object coexist in a suspended, silent dialogue.

    Stylistically, the painting reflects mid-century modernist influences, drawing on elements of abstraction and cubist structure. Thick, deliberate black outlines define the forms, creating a graphic framework that flattens perspective while guiding the eye across the composition. The restrained palette features soft creams, muted greys, and a gentle teal-blue panel, balanced by deeper blacks and earthy browns. These colours are applied in broad, even fields, with subtle tonal shifts that add depth without disrupting the overall calm.

    The brushwork is confident, largely smooth and controlled, with occasional visible strokes and dry-brush textures that lend a tactile quality to the surface. The result is a harmonious interplay between line, form, and colour.

    This oil on canvas is presented in a simple wood frame that complements the earthy palette of the work. Both the painting and frame are in excellent vintage condition. 

    Size: 41.5 x 56.5 cm (including frame)

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  • The Long Turn Home

    The Long Turn Home

    £495

    Available

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    An atmospheric and expressive mid-century landscape painting that captures a solitary figure walking along a gently winding path bordered by a stand of tall dark trees, executed in oil onto canvas.

    In the distance, low rolling hills dissolve into a hazy horizon beneath a softly shifting sky, lending the scene a contemplative, almost introspective mood. The lone figure, rendered with minimal detail, becomes a quiet focal point – suggesting themes of solitude, journey, and reflection.

    Stylistically, the painting leans toward an expressive, semi-abstract interpretation of the landscape. Forms are simplified and loosely defined, with an emphasis on atmosphere rather than precise realism. The trees to the right are articulated with bold, vertical strokes, their dark silhouettes contrasting against the softer, diffused background.

    The colour palette is cool and restrained, dominated by layered greens, deep forest tones, and muted blue-greys. Subtle touches of pale sky blue and soft white break through the cloud cover, while earthy undertones ground the composition. Occasional dabs of lighter pigment across the foreground add texture and visual rhythm.

    Brushwork is confident and gestural throughout: broad, sweeping strokes shape the land and sky, while more assertive, almost calligraphic lines define the trees and path. The paint is applied with varying thickness, creating a tactile surface that enhances the painting’s immediacy and emotional depth.

    This oil on canvas is presented in a silver painted wood frame with an inner cream border. The painted surface shows areas of craquelure, most notably within the darker black passages, where the paint layer appears slightly fragile. Otherwise, it is in good vintage condition. 

    Size: 58 x 69 cm (including frame)

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  • Twilight Path

    Twilight Path

    £465

    Available

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    An atmospheric mid-century landscape that captures a hushed forest scene at nightfall, where fading light settles softly over a quiet woodland, executed in oil onto canvas.

    In the foreground, a gently defined and inviting path emerges, guiding the eye inward and creating a subtle sense of movement through the stillness.

    Rendered in a modernist, semi-abstract style, the artist distils the forest into softened bands and gestural marks. Trees are suggested rather than defined, dissolving into the surrounding atmosphere. The composition feels both grounded and elusive, with the path offering structure amid the increasingly shadowed landscape.

    The colour palette leans into cool, moody tones: muted greens, deepened aquas, smoky greys, and chalky whites – layered to evoke the last traces of light filtering through the trees. Darker, almost inky accents anchor the composition, hinting at tree trunks and the quiet density of the forest as it recedes into shadow.

    Brushwork is expressive yet measured. Broad, horizontal strokes shape the landscape and the path, while thicker, textured applications of paint add weight and tactility in the foreground. More translucent layers in the background soften the scene, allowing forms to blur gently into one another, enhancing the twilight atmosphere.

    This oil on canvas is presented in a refined, light-toned wood frame featuring a gently stepped profile and a contrasting black inset which creates a striking visual border. Both the painting and frame are in excellent vintage condition. 

    Size: 65.5 x 76.5 cm (including frame)

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  • Geometric Collage in Dark Brown

    Geometric Collage in Dark Brown

    £380

    Available

    Free shipping to UK, Europe and Singapore.

    A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

    At the centre is a compact vertical block of four rectangles, arranged in a tight grid. The arrangement feels deliberate and balanced, like a coded visual fragment.

    The surface surrounding this central form is rich with the history of its previous life. Dark, charcoal-toned book covers dominate the background, with horizontal scuffs, striations, and fading that reveal years of handling and wear. A visible seam across the middle hints at the joining of separate covers, reinforcing the idea of reconstruction.

    The binding cloth used in the coloured rectangles subtly contrasts with the rougher ground. The crisp geometry of the central block stands in tension with the imperfect, weathered field.

    Boyd distills their physical essence into a minimal composition that speaks of time, use, and renewal—less about what was written, and more about what remains.

    The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang. Both artwork and frame are in excellent condition.

    Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials,  with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

    To view more artworks from this collection, click here.

    Size: 32.5 x 26 cm (including frame)

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  • Bottles in Blue Geometry

    Bottles in Blue Geometry

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    A refined and thoughtfully composed mid-century still life composition in a cubist style that presents two elongated bottles set against a layered arrangement of abstracted forms, executed in oil onto board.

    The objects are simplified and slightly flattened, outlined with confident dark contours that give them a sculptural presence. Around them, angular planes and overlapping shapes create a quiet architectural backdrop, lending structure and balance to the composition while subtly shifting the sense of depth.

    Executed in a modernist style with cubist leanings, the work embraces reduction and clarity over realism. The interplay between object and space feels deliberate and contemplative, with negative space used just as thoughtfully as the painted forms themselves. There is a calm stillness to the arrangement, where everyday objects are elevated into a study of form, tone, and balance.

    The colour palette is harmoniously restrained, dominated by cool blues, soft aquas, and muted teal tones, punctuated by gentle off-whites and deeper navy accents. These hues create a tranquil, almost meditative atmosphere, while subtle tonal variations add dimension without disrupting the overall serenity.

    This oil on board is presented in a elegant frame with a warm, muted gold tone finish. Both the painting and frame are in excellent vintage condition.

    Size: 69 x 58 cm (including frame)

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  • The Red Table

    The Red Table

    £445

    Available

    Free shipping to UK, Europe and Singapore.

    An intimate mid-century interior painting that captures a quiet domestic moment, executed in oil onto canvas and dated 1950.

    The interior is centred on a small, round table draped in a vivid red cloth, paired with a slender blue chair. The setting is intimate and pared back, with a turquoise door to the left introducing depth and structure, while a small, minimally rendered painting hangs on the wall behind. A simple vase of flowers and a small vessel rest atop the table, suggesting a moment of pause, as if the space has just been left or is waiting to be occupied.

    Rendered in a mid-century modernist style, the composition favours simplified forms and flattened perspective. The artist has distilled the interior into essential geometric shapes and colour blocks, creating a balance between representation and abstraction. There is a strong decorative sensibility at play, with careful attention to spatial relationships and visual rhythm rather than strict realism.

    The palette is warm yet strikingly balanced. The deep red of the tablecloth anchors the composition, contrasted beautifully by the cool turquoise of the door and the soft blue of the chair. Earthy brown tones in the floor add warmth, while the walls are painted in muted creams and gentle lilacs, lending a soft, atmospheric backdrop.

    The brushwork is loose yet deliberate, with visible, painterly strokes that give the surface a rich, tactile quality. Broader strokes define the walls and floor, while slightly more controlled applications shape the furniture and objects. Edges are softened rather than sharply delineated, enhancing the painting’s calm, contemplative mood.

    This oil on canvas is housed in a charming wooden frame with multiple profiles, finished in warm, layered tones that beautifully complement the palette of the painting. The painting is in good condition overall – there is some craquelure present that is consistent with age, however the paint layer is in stable and does not detract from the overall appearance of the work.

    Size: 57.5 x 47.5 cm (including frame)

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  • Where Houses Gather

    Where Houses Gather

    £825

    Available

    Free shipping to UK, Europe and Singapore.

    A charming mid-century composition that depicts a cluster of closely nestled houses as their angular rooftops form a rhythmic patchwork against a soft open sky, executed in oil onto board by Swedish artist Wilhelm Wik (1897-1987), whose works have been exhibited at the National Museum in Stockholm, Moderna Museet in Stockholm, and the Tessin Institute in Paris, to name a few.

    The scene appears gently elevated, allowing the viewer to look across the rooftops toward a calm, pale horizon. A small domed structure rises subtly among the buildings, adding a sense of place and quiet architectural character.

    Rendered in a modernist style, the painting embraces simplified forms and flattened perspective. The houses are reduced to bold geometric shapes, outlined with confident, dark lines that lend structure and clarity to the composition. There is a deliberate absence of fine detail, allowing the interplay of shape and colour to take centre stage.

    The colour palette is warm yet restrained: soft creams and sandy tones form the buildings, while pops of terracotta and burnt orange on the rooftops introduce gentle contrast. These are balanced by deep, expressive greens in the foreground foliage, painted in loose, gestural strokes that bring movement and texture to the lower edge of the scene. The sky is rendered in a calm, neutral wash, enhancing the overall sense of stillness and light.

    Brushwork varies across the surface: the architecture is treated with flatter, more controlled applications of paint, while the greenery is handled with thicker, more fluid strokes, creating a pleasing tension between order and spontaneity.

    This oil on board is presented in a characterful wooden frame which features a rustic wood finish with visible grain and a stepped gilt inner border. The painting is in excellent vintage condition. There is some paint loss to the gilded section of the frame, consistent with age, however this does not detract from its overall appearance or charm.

    Size: 63 x 71 cm (including frame)

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  • Agnes

    Agnes

    £625

    Available

    Free shipping to UK, Europe and Singapore.

    A thoughtful mid-century figurative portrait that captures a female figure in a moment of inward reflection,  executed in oil onto canvas.

    Positioned slightly off-centre, she gazes softly away from the viewer, her expression calm yet contemplative. There is a sense of emotional distance – she feels present, but absorbed in her own interior world. The simplicity of her attire and the absence of narrative detail draw attention to her face and psychological presence, making the portrait feel intimate and introspective rather than formal.

    Executed in a loose, painterly mid-century style, the work leans toward modernist portraiture with subtle expressionist undertones. The artist prioritises mood and character over strict realism, allowing forms to soften and dissolve at the edges. There’s a gentle flattening of space, with the background treated as an atmospheric field rather than a defined setting, enhancing the subject’s quiet isolation.

    A muted, harmonious palette dominates the composition – soft sage greens, warm beiges, and gentle creams create a subdued backdrop. The skin tones are delicately layered with hints of pink and grey, lending the face a lived-in softness. A subtle red accent along the neckline introduces a quiet point of contrast, drawing the eye without disrupting the overall calm.

    The brushwork is loose and expressive, with visible, layered strokes that give the surface a tactile quality. The face is built up with short, blended strokes, creating a soft modelling of light and form, while the background is more gestural, with broader, sweeping applications of paint. This contrast between controlled and freer brushwork adds depth and reinforces the emotional tone – grounded yet quietly unsettled.

    This oil on canvas is housed a complementary silver frame. The painting has some small areas of surface paint loss as shown in the photos. The frame has some minor losses and scuffs but is very stable overall. 

    Size: 57.5 x 49 cm (including frame)

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  • Old Town Reverie

    Old Town Reverie

    £475

    Available

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    A contemplative and nostalgic 20th century street scene composition that captures a quiet yet animated urban square, where figures drift through a softened architectural landscape, executed in oil onto canvas and dated 1979.

    Tall, weathered buildings rise in layered formation, their facades dissolving into one another. In the foreground, loosely rendered figures – some in conversation, others moving independently – animate the space with a gentle rhythm, giving the composition a sense of everyday life observed from a distance.

    The style leans toward a semi-abstract impressionism, where structure and atmosphere take precedence over precise detail. The artist has employed a restrained palette of light yellows, muted creams, soft greys, and earthy browns, punctuated by occasional darker accents in the figures. These tones create a hazy, almost nostalgic ambiance, as if the scene is filtered through memory or mist.

    Brushwork is expressive and fluid, with vertical strokes elongating the buildings and lending them a sense of quiet monumentality. The figures are sketched with minimal, gestural marks – suggestive rather than defined – allowing the viewer to interpret their presence and movement. Areas of paint appear scraped back or layered thinly, adding texture and depth, while softer washes create an atmospheric, almost ethereal ground.

    Overall, the painting balances structure and abstraction beautifully, offering a poetic interpretation of urban life – less about a specific place, and more about the feeling of being within it.

    This oil on canvas is housed a complementary gilt frame that features a gently stepped profile with soft ridging. Both the painting and frame are in excellent vintage condition. 

    Size: 79 x 66.5 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Tidal Forms: A Study in Motion

    Tidal Forms: A Study in Motion

    £580

    Available

    Free shipping to UK, Europe and Singapore.

    A small yet captivating mid-century abstract triptych that evokes the quiet power and rhythm of water in motion, executed in oil onto canvas.

    Across the three panels, fluid, sculptural forms emerge and dissolve – suggesting cresting waves, shifting currents, or even fleeting natural phenomena captured mid-transformation. Each composition feels both connected and self-contained, inviting the viewer to move from one moment of motion to the next.

    Rendered in a restrained, atmospheric palette of soft greys, silvery whites, and muted blue undertones, the works exude a sense of calm and introspection. Subtle tonal gradations in the background create depth and horizon-like expanses, while the central forms introduce tension and movement.

    The artist’s use of thick, impasto brushwork is particularly compelling – paint is applied with a tactile, almost sculptural quality, creating ridges and folds that catch the light. These gestural strokes give the impression of energy frozen in time, with each mark feeling deliberate yet instinctive. The contrast between the smooth, blended grounds and the dynamic, textural forms enhances the sense of movement across the series.

    Together, the three paintings form a cohesive visual narrative – an exploration of flow, balance, and the ephemeral beauty of natural forces – making this a captivating and contemplative set that rewards close viewing.

    These 3 oils are each housed in a  complementary silver painted wood frame. The paintings are in excellent vintage condition, and the frames have some light scuffing present. 

    Size: 21 x 22 cm each (including frame)

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  • Golden Leopard

    Golden Leopard

    £420

    Available

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    A charming contemporary naïve style painting, executed in oil onto panel by British artist Matt Rix.

    The composition presents a leopard in profile, moving gently across a simplified landscape. Set against a muted grey sky with faint, stylised clouds, the figure strides along a deep green ground, evoking a calm and contemplative mood.

    Rendered in a contemporary naïve style, the work embraces flat perspective and bold simplification. The leopard is defined by clean outlines and slightly exaggerated proportions, while depth is suggested through simple bands of colour, enhancing its graphic clarity and appeal.

    The palette is warm and harmonious. Golden yellows and soft creams of the leopard’s coat are punctuated by rhythmic black spots, set against the cool grey background and deep green foreground for gentle contrast.

    Brushwork is smooth and controlled, with flat, even application that emphasises shape and pattern. The overall finish is clean and deliberate, embodying the charm of the naïve aesthetic with a confident contemporary edge.

    This oil on board is presented in a dark wooden frame with an inner gilt window. Both the painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 38 x 48 cm (including frame)

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  • Majestic Lion

    Majestic Lion

    £420

    Available

    Free shipping to UK, Europe and Singapore.

    A charming contemporary naïve style painting, executed in oil onto panel by British artist Matt Rix.

    The composition presents a lion in profile, standing calmly across a simplified landscape. Set against a soft grey sky with faint, stylised clouds, the figure rests upon a deep green ground, evoking a sense of stillness and quiet authority.

    Rendered in a contemporary naïve style, the work embraces flat perspective and bold simplification. The lion is defined by clean outlines and gently exaggerated proportions, with depth suggested through simple bands of colour, enhancing its graphic clarity and appeal.

    The palette is warm and restrained. Soft sandy tones of the lion’s body are complemented by a rich, dark mane, set against the cool grey background and deep green foreground for balanced contrast.

    Brushwork is smooth and controlled, with flat, even application that emphasises form over texture. The overall finish is clean and deliberate, capturing the charm of the naïve aesthetic with a calm, confident presence.

    This oil on board is housed in an ornate brown painted wooden frame with an inner gilt window. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 45 x 55 cm (including frame)

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  • A Gathering Across Planes

    A Gathering Across Planes

    £910

    Available

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    A striking mid-century composition that presents a rhythmic display of abstracted figures moving through a fractured, almost mosaic-like landscape, executed in oil onto canvas by Swedish artist Gunnar Greiber (1919 – 2011), whose works have been exhibited in public collections including the Moderna Museet, VästerÃ¥s Art Museum, Sundsvall Museum, Östersund Museum, Hudiksvall Museum, as well as the Hälsingland Museum.

    Slender, linear forms – rendered in vivid red- suggest human silhouettes, gathering across a dense field of angular shapes. These figures feel both primitive and modern, evoking a sense of movement and quiet connectivity within an otherwise chaotic environment.

    Stylistically, the painting leans into mid-century abstraction with strong influences of cubism and figurative modernism. The scene is constructed from interlocking geometric planes, compressing depth and perspective into a flattened, dynamic surface. The figures are reduced to essential lines and nodes, almost symbolic in nature, contrasting sharply with the weightier, block-like forms that surround them.

    The colour palette is rich and earthy, dominated by deep reds, burgundy, plum, and umber, interspersed with cooler passages of slate blue, charcoal, and muted lavender. Occasional accents of green and pale cream provide visual relief, while the recurring red linear figures create a unifying thread across the composition.

    Brushstrokes are confident and expressive, with visible texture throughout. Paint is applied in thick, deliberate patches, giving each geometric fragment a tactile presence. The interplay between matte and slightly more saturated passages enhances the sense of depth, despite the overall flattened structure. The result is a compelling balance between order and spontaneity – an intricate visual rhythm that invites the eye to wander and discover new relationships within the composition.

    This oil on canvas is presented in an elegant wood frame with a linen-lined outer border and an inner gilt window. Both the painting and frame are in excellent vintage condition. 

    Size: 78 x 59 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Between Presences

    Between Presences

    £425

    Available

    Free shipping to UK, Europe and Singapore.

    An evocative 20th century figurative painting that captures three loosely rendered figures in what appears to be a quiet interior passageway, executed in oil onto canvas and dated 1979.

    The central figure, seen from behind in a dark, almost silhouetted form, anchors the composition, while two lighter, more ethereal figures flank either side – one turned slightly inward, the other facing outward with a casual stance. The scene feels suspended in a moment of subtle interaction, where the narrative is implied rather than defined.

    Executed in a restrained, painterly style, the work leans toward abstraction while maintaining a strong figurative presence. The artist has used soft, diffused edges and minimal detailing, allowing the figures to emerge gently from the pale ground. There is a sense of spatial ambiguity, with faint architectural lines suggesting depth without fully committing to perspective – enhancing the introspective, almost dreamlike quality of the piece.

    The colour palette is understated and harmonious, dominated by cool greys, soft blues, and muted whites, with occasional warmer undertones in the faces and background. The central figure’s darker tones create a striking contrast, drawing the eye and grounding the composition.

    Brushstrokes are loose and expressive, with visible layering that give the surface a tactile quality. Areas of thinly applied paint sit alongside more gestural passages, contributing to the work’s atmospheric softness and quiet emotional resonance.

    This oil on canvas is housed a complementary slim wood frame. Both the painting and frame are in excellent vintage condition. 

    Size: 57.5 x 48 cm (including frame)

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