Framed – Page 13 – The Discerning Palette

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Autumn Streetwalk

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A vibrant mid-century modernist street scene composition, executed in oil onto canvas.

The artwork portrays a pathway with autumnal trees, their foliage bursting with deep oranges, reds, and yellows. The background features blues and greys, likely representing distant mountains under a pale sky.

Modernist in its ethos with semi-abstract qualities, there is a focus on form, colour, and movement, as opposed to realistic details. The various forms have been simplified into angular, geometric shapes, and the composition has a dynamic feel.

The colour palette is bold and harmonious, as the warm autumn tones contrast against the cooler blues and greys, creating visual tension.

The loose and expressive brushwork have been confidently executed. Its gestural applications adds depth and energy to the scene.

This oil on board is housed in a complementary wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

Size: 55 x 49 cm (including frame)

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Back Home

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A warm and evocative landscape that captures the emotional essence of returning to a familiar place, executed in oil onto board.

Rather than focusing on precise detail, the artist distils the scene into interlocking planes of colour, allowing memory and atmosphere to take centre stage.

Soft lilacs, warm golds, pale turquoise blues, and delicate pinks bathe the scene in a gentle light. The colours feel remembered rather than observed, suggesting the emotional landscape of “home” rather than a literal location. Thick, confident brushstrokes and layers of paint add texture and movement, giving the work a vibrant, tactile presence.

The painting balances abstraction and representation beautifully. Houses, water, hills, and pathways are all recognisable, yet they dissolve into a harmonious arrangement of colour and shape.

This oil on board is presented in a custom made wood frame. Both painting and frame are in excellent condition.

Size: 46.5 x 51 cm (including frame)

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Bouquet in Afternoon Light

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A striking mid-century still life that captures a delicate bouquet of pink, blue, and white flowers arranged in a rounded ceramic vase, placed atop a bold, geometric tablecloth, executed in oil onto canvas and dated 1957.

The composition radiates warmth and domestic intimacy, as slanting beams of golden light suggest a late afternoon interior illuminated by natural sunlight filtering through blinds.

The style is clean and structured, yet painterly, with evident brushstrokes that lend a tactile quality to the petals and textiles. The artist has juxtaposed organic floral forms with sharp-angled background planes and a checkered tablecloth, creating a subtle tension between softness and structure.

The colour palette is both earthy and vibrant – olive greens, ochres, and mustard tones set a calm backdrop for the vivid magentas, cobalt blues, and whites of the flowers. The folds of the tablecloth and the reflected light on the vase are rendered with sensitivity to form and texture, giving the work a composed yet inviting atmosphere.

This oil on canvas is housed in a complementary hessian-lined frame with an inner gilt window. Both the painting and frame are in excellent vintage condition.

Size: 60 x 69 cm (including frame)

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Chair by the Archway

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A large mid-century painting that presents a loosely abstracted scene of an arched doorway with a simple chair set before it, executed in oil onto canvas.

The subject matter is reduced to essential outlines and shifting planes of colour, creating a sense of suggestion rather than literal depiction.

The style leans towards post-impressionist abstraction, with forms softened and fractured through expressive brushwork. The artist plays with spatial ambiguity – lines of the chair, arch, and surrounding walls overlap and dissolve into one another, giving the composition a dreamlike and fleeting quality.

The colour palette is dominated by cool blues and violets, balanced with soft orange, greens, and hints of coral pinks and yellows. These tones are applied in broad, translucent layers, often broken with linear accents, suggesting both architectural structure and natural surroundings.

The brushstrokes are loose, gestural, and exploratory, with an emphasis on rhythm and energy over precision. The interplay of quick vertical and diagonal strokes with washes of blended colour creates both depth and movement, evoking a meditative interior-exterior space.

This oil on canvas is presented in an elegant gilt frame complemented by an inner band of reddish-brown wood grain that adds warmth and depth. Both painting and frame are in excellent vintage condition.

Size: 70 x 59 cm (including frame)

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Chasing After the Wind

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A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

This evocative abstract seascape captures the raw energy and movement of a rugged coastline in shifting weather. Painted in layered tones of deep indigo, slate blue, charcoal and soft whites, the composition suggests waves surging and breaking over dark rocks beneath a vast, unsettled sky.

Rather than describing the scene in literal detail, Frances distils the landscape into sweeping brushstrokes and expressive marks. Broad, gestural strokes create a sense of constant motion, as if wind and water are reshaping the shoreline before our eyes. The interplay of light and dark conveys the dramatic contrast between the foaming sea and the solid, enduring presence of the rocks.

There is a wonderful sense of atmosphere in the painting. Pale creams and misty whites open up the sky, allowing light to filter through the clouds, while the rich blues and greys below evoke the weight and power of the ocean. The result is both dramatic and meditative, capturing that familiar coastal feeling where nature feels untamed, yet deeply calming.

Though abstract in style, the work remains strongly connected to the natural world, inviting the viewer to imagine crashing waves, shifting weather and the rhythmic pulse of the sea. It is a piece that rewards repeated viewing, with new details and emotional nuances emerging over time.

Elegant and atmospheric, this painting would bring a sense of depth, movement and tranquillity to any interior, making it an ideal choice for those drawn to coastal landscapes and expressive contemporary abstraction.

The painting is beautifully presented in a custom made Trescoll slab frame, which allows you to see the edges of the painting. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 40.8 x 46 cm (including frame)

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Coastal Curve

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A serene and uplifting mid-century modernist coastal landscape painting, executed in oil onto board.

The painting captures a sweeping coastal road as it bends gently toward the sea. Modernist in its ethos, the composition is defined by its bold simplification of form – trees, path, and shoreline reduced to expressive, geometric shapes in contrasting colour.

The brushwork is confident and flat, with areas of solid colour laid down in deliberate blocks, creating a sense of stylised stillness. Trees appear as abstracted vertical forms, their trunks and canopies subtly suggested rather than rendered in detail.

Muted tones of green, grey, and earthy taupe dominate the land, while the sea is rendered in serene blues punctuated by white sails, adding rhythm and motion to the horizon. The sky, a dusty olive-grey, creates a harmonious counterbalance to the grounded palette below.

This oil on board is housed in very well suited wood frame. there is some wear on the left edge of the painting where it meets the frame, but the painting is in good vintage condition overall. The frame has very minor scuffing.

Size: 44 x 59 cm (including frame)

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Coastal Descent

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A very soothing mid-century modernist painting that captures a sun-drenched coastal village, executed in oil onto canvas.

The viewer is positioned atop a steep stone path that winds between whitewashed walls, terracotta roofs, and geometric stone facades, descending toward the vivid blue sea. Three figures clad in dark robes – possibly local women carrying items on their heads – add a quiet human rhythm to the otherwise architectural scene.

Rendered in flattened planes and simplified forms, the painting embraces a distinctly modernist approach. The brushwork is thick and confident, with textures and scumbled surfaces lending weight to the cobbled path and sky alike. The palette is subdued yet radiant: earthy browns and clay reds contrast with greys, chalky whites, and Mediterranean blues, invoking both warmth and distance.

This oil on canvas is housed in a complementary distressed style wood frame. The painting has small areas of craquelure present, but the paint layer is stable and it is in good condition overall.

Size: 64 x 79.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Coral Sunset

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A vibrant and highly expressive mid century modern coastal scene, painted in oil by the established Swedish artist Uno Vallman (1913-2004) whose works are included in the Swedish National Museum and The Swedish Modern Museum, to name a few. His works are also included in the collections of Lyndon Johnson, Jimmy Carter, and the Tessin Institute in Paris.

The painting captures a lively beach bathed in the glow of a dramatic setting sun. Stylised bathers and scattered logs animate the shoreline, while rocky outcrops frame a shimmering sea beneath a radiant coral-pink sky.

Rendered in a distinctly modernist manner, the artist has reduced forms to bold silhouettes and expressive outlines, favouring emotional impact over realism as colour, atmosphere, and gesture take precedence over fine detail. The result is energetic and playful.

The palette is dominated by luminous coral pinks, salmon reds, and warm orange-red tones, contrasted by cool blue-grey rocks and touches of black linework. The vibrant red sun acts as the visual anchor of the composition, while the pale beach and sparkling sea create a dynamic interplay between warmth and coolness.

Bold, confident brushwork animates every surface of the painting. The sky is constructed with vigorous directional strokes radiating outward from the setting sun, creating a sense of light and movement. Across the water, thick dabs and broken passages of paint suggest sparkling reflections, while the figures and rocks are rendered with brisk, gestural marks and expressive outlines. The visible impasto and energetic handling of paint contribute to the work’s immediacy and charm.

This oil on canvas is presented in a beautiful gilt frame with a layered profile that adds character to the painting. Both the painting and frame are in excellent vintage condition.

Size: 55 x 63 cm (including frame)

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Dance the Night Away

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A lively, cubist-inspired depiction of a dance scene, painted in oil onto board.

Bursting with movement, music, and social energy, the artist has stylised the human figures into angular, geometric forms, using dynamic composition and vivid colour to capture the joy and motion of a moment frozen in time.

The palette is warm and rich, dominated by reds, oranges, yellows, and earthy browns, contrasted with purples, greens, and soft greys. Movement is conveyed not just through the figures but through the background, which is fractured into diagonal planes, giving the scene energy and rhythm.

The dance, the music, and the expressive poses suggest a night of uninhibited fun. This painting is a beautiful example of how modernist geometry and vibrant social scenes can merge into something timeless and full of spirit.

This oil on board is housed in a wood frame with a linen border. The painting is in excellent vintage condition. There is some very light scuffing to the frame but it is good condition overall.

Size: 43 x 45.5 cm (including frame)

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Dancing Waves

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A unique abstract monotype by contemporary British artist Frances Daws, dated 2021 and beautifully presented in a white card mount and framed behind glass.

The composition features a mini seascape, using a rich Prussian blue against handmade papers and finished with gold. Dancing Waves is a small monotype, exploring how the process of monotype and particularly the removing and layering of ink can form semi recognisable seascapes. Although not based on a specific place, the movement of the ink makes this imaginary seascape remind you of dancing waves. This monotype is 1/1 , making it entirely unique.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

The monotype is framed behind glass. Both artwork and frame are in excellent condition.

Size: 23 x 17 cm (including frame)

Click here to watch a video where Saira, co-founder of The Discerning Palette, talks about her connection with this collection of paintings by Frances Daws.

The sculptures seen in the photos are also available to purchase and details can be viewed here.

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Fields Beyond the Viaduct

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A charming mid-century modern composition that presents a serene landscape scene viewed from an elevated vantage point, executed in oil onto canvas.

A cluster of white farm buildings with distinctive red roofs nestles among gently undulating fields, while a graceful arched viaduct traverses the middle ground, guiding the eye through the composition. Scattered trees punctuate the rolling terrain, lending rhythm and balance to the peaceful agricultural setting.

Executed in a modernist, semi-abstract style, the painting simplifies the landscape into broad geometric forms and carefully balanced shapes. The composition captures the essence of the countryside rather than its precise details, where structure, colour, and mood take precedence over realism.

The palette is beautifully restrained, comprising muted sage greens, dusty blues, soft browns, warm browns, pale creams, and gentle greys. The small accents of terracotta red on the rooftops provide a focal point and introduce warmth against the otherwise subdued tones.

Brushwork is loose yet deliberate, with thinly applied paint and broad, confident strokes defining the contours of the fields and hillsides. Soft blending and layered washes create a sense of depth and atmosphere, while visible directional brushstrokes lend movement and texture to the cultivated landscape. The result is a composition that feels both tranquil and thoughtfully constructed.

This oil on canvas is presented in wood frame with attractive grain detailing and a complementary gilt inner slip. The painting is in excellent vintage condition, and the frame has some scuffs.

Size: 70.5 x 81.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Floral & Figurine

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An elegant and serene mid-century still life interior scene, executed in oil on board.

The composition presents a window sill adorned with an assortment of vibrant yet delicate flowers. Each petal and leaf is meticulously rendered, radiating with life and vitality. Behind the floral arrangement stands a figurine, its form partially obscured yet intriguingly present.

A gentle and delicate brownish hue envelops the space in the backdrop, providing a soft and unobtrusive setting for the floral display. The subtle tonal variations lend depth to the scene, allowing the flowers and figurine to emerge as focal points while maintaining a sense of harmony within the composition.

This oil on board is housed in a really lovely wood frame. The painting has some light marks to its surface as shown in the close ups. The frame has some scuffs, commensurate with age.

Size: 50 x 71 cm (including frame)

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Fruit & Lilac Jug

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A charming mid-century modernist still life that presents a carefully arranged tabletop composition featuring a stylised lilac jug, a bowl filled with green fruit, and a sliced fruit resting alongside, executed in oil onto canvas and dated 1950.

Containing elements of abstraction, the artist reduces each object to simplified geometric forms, creating a harmonious balance between shape, colour, and space.

The painting is executed in a restrained modernist style, with flattened forms and an emphasis on pattern and structure over detail. The objects are outlined by soft, irregular white contours that lend the work a playful, almost collage-like quality. The arrangement is thoughtfully composed, with each element occupying a distinct visual rhythm across the elongated horizontal format.

The colour palette is fresh and understated, combining soft aqua blues, pale mint greens, dusty pinks, and muted lavender tones. These gentle hues are balanced against creamy off-white passages, creating an atmosphere of calm and light. The subtle contrasts between cool and warm colours add depth while maintaining the painting’s serene, airy character.

Brushwork is confident yet restrained, with visible, broad strokes applied in thin layers. The paint surface reveals the artist’s hand through softly textured applications and lightly brushed passages, allowing edges to remain slightly imperfect and organic.

This oil on canvas is presented in a complementary gilt frame that features a stepped profile. The panting is in excellent vintage condition. The frame has some minor scuffing.

Size: 30 x 51 cm (including frame)

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Garden Parasol

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A joyful mid-century expressive landscape that captures a garden setting bathed in warm summer sunshine, executed in oil onto canvas onto board and dated 1964.

A colourful outdoor table and chairs sit beneath a large parasol, surrounded by lush trees and flourishing greenery that fill the composition with life and movement. Rather than focusing on grand scenery, the artist celebrates an intimate outdoor retreat, evoking leisurely afternoons, conversation, and the simple pleasures of the season.

Executed in an expressive modernist style, the painting embraces bold simplification and energetic mark-making over fine detail. The composition is built from confident shapes and rhythmic forms, lending the scene a lively, almost spontaneous quality. The elevated viewpoint and cropped composition draw the viewer directly into the garden, creating a sense of immediacy and immersion.

The palette is vibrant and uplifting, dominated by a rich spectrum of emerald, lime, olive, and turquoise greens contrasted with sky blues and refreshing aqua tones. Warm accents of crimson and burgundy in the chairs and table introduce a striking focal point, while touches of soft cream, browns, and pale lavender balance the composition with subtle warmth. Together, the colours convey the brilliance of sunlight filtering through dense foliage.

The artist’s brushwork is loose, confident, and highly expressive. Broad, visible oil strokes sweep across the canvas, layering colour with remarkable energy and texture. Thick applications of paint define the foliage with gestural movement, while shorter, deliberate strokes describe the furniture and parasol with clarity. This tactile handling of paint allows light and colour to take precedence over precise realism, resulting in a work that feels fresh, spontaneous, and full of the optimism.

This oil on canvas is presented in a complementary wood frame with a warm gilt finish. There are some light surface marks to the top and bottom of the painting, consistent with age. The original frame also shows light age-related wear, including some surface marks particularly along the bottom edge of the linen inner slip.

Size: 55 x 67 cm (including frame)

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Gathered Apples

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A charming mid-century modernist abstract still life oil composition dated 1954, and painted by the established Swedish artist Ture Fabiansson (1910-1994), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, The Museum of Art in Gothenburg, Jönköping Museum, Borås Art Museum, and many others.

The painting depicts an abundant arrangement of rounded fruits or apples scattered loosely across a warm earthen ground. Rather than presenting the objects in a conventional tabletop arrangement, the artist allows them to overlap and drift across the composition, creating a wonderfully rhythmic pattern of organic forms. Their simplified shapes give the work an almost abstract quality while retaining the warmth and familiarity of a traditional still life.

Painted in a distinctly mid-century modernist manner, the work favours simplification, shape and colour over precise naturalistic detail. The fruits are reduced to broad, softly defined forms, with their overlapping contours creating a playful sense of movement throughout the composition.

The palette is beautifully muted and harmonious, dominated by soft sage, olive and celadon greens alongside warm apricot, ochre and buttery yellow. These gentle tones are set against a dusty terracotta and rose-brown ground, lending the painting an earthy, autumnal warmth. Occasional touches of grey, cream and deeper moss green provide subtle contrast and definition.

The paint has been applied with loose brushwork, with visible strokes following the rounded contours of the fruit. Areas of colour are softly layered rather than heavily modelled, allowing the texture of the canvas to remain visible beneath the paint. Small flashes of lighter pigment along the edges act as highlights, while broader, slightly dry strokes give the surface a wonderfully tactile, time-worn character.

This oil on canvas is presented in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 57 x 42 cm (including frame)

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Geometric Collage 16 Squares

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A very unique original artwork by contemporary British artist Dave Boyd, which has been constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards), and mounted on a wooden panel in a solid wood float frame.

At the centre rests a compact grid of sixteen coloured squares, arranged with quiet precision like a carefully balanced colour study. Deep crimson, burgundy, dusty rose, coral, warm brown, charcoal, soft ivory, and blush tones are thoughtfully interwoven, creating a rhythmic interplay of warm hues and subtle tonal contrasts. The symmetrical arrangement lends the work a sense of order, while the varied textures within each square preserve its handmade character.

The surrounding reclaimed materials lend the work remarkable depth and character, as it provides a tactile counterpoint to the crisp geometry of the coloured grids. The generous negative space lends the work a sense of calm, while the contrast between the orderly geometry and the organic imperfections of the reclaimed surface creates a quiet yet compelling tension.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

To view more artworks from this collection, click here.

Size: 32.5 x 28 cm (including frame)

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Geometric Collage 20 squares

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A very unique original artwork by contemporary British artist Dave Boyd, which has been constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards), and mounted on a wooden panel in a solid wood float frame.

Two horizontal bands of coloured squares sit quietly against the weathered surface, each resembling a carefully considered palette study. Shades of crimson, burgundy, blush, ivory, charcoal, and soft grey are arranged with measured precision, creating subtle variations between the upper and lower compositions while maintaining an understated sense of balance.

The reclaimed materials lend the work remarkable depth and character, as it provides a tactile counterpoint to the crisp geometry of the coloured grids. The dialogue between the structured arrangement of colour and the organic imperfections of the salvaged materials creates a quiet but compelling visual tension.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

To view more artworks from this collection, click here.

Size: 32.5 x 28 cm (including frame)

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Geometric Gathering

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A striking mid-century modernist semi-abstract figurative painting, executed in oil onto board and dated 1964.

The composition captures a dynamic and abstracted scene of three figures engaged in daily activities. It suggests a communal or domestic setting, possibly depicting women preparing food or engaged in household chores. The artist has used geometric forms and angular lines to construct the figures, giving them an expressive presence.

Rendered in a bold, textured technique, the painting showcases an earthy, muted palette dominated by yellows, deep blues, browns, and warm neutrals. The brushstrokes are heavily applied, creating a layered, almost sculptural surface that enhances the raw energy of the composition. The background features a loosely defined architectural or patterned element, adding depth while maintaining the abstract nature of the piece.

Strongly influenced by Cubist and modernist traditions, this work exemplifies the mid-century aesthetic with its fusion of abstraction and figurative storytelling, making it a compelling addition to any collection of modernist art.

This oil on board is housed in a complementary gilt frame with an inner linen and gilt border. Both the painting and frame are in excellent vintage condition.

Size: 43 x 72 cm (including frame)

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Golden Drift

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A serene and atmospheric abstract landscape that captures the quiet poetry of an open horizon rendered through expressive texture and colour, executed in oil onto board and dated 1994.

The composition is anchored by a band of deep browns, charcoals and soft whites that suggest distant landforms or shifting terrain, while the foreground dissolves into warm ochres, honeyed yellows and sandy neutrals. Above, a vast expanse of pale sky – softly blended in tones of white, cream and frosted blue evokes a sense of calm, openness, and gentle movement.

Executed in an abstract, modernist style, the painting relies on suggestion rather than literal detail. Broad, confident brushstrokes move horizontally across the canvas, creating a sense of depth and natural flow. Areas of impasto add tactile richness, with strokes layered and textured to mimic geological or weather-worn surfaces. The overall effect is both soothing and energetic, a landscape distilled to its essential mood and rhythm.

This oil on board is presented in a complementary silver wood frame. The painting is in excellent vintage condition, and the frame has scuffs present.

Size: 42 x 42 cm (including frame)

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Hanging Sloth

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A contemporary painting that presents a whimsical depiction of a sloth suspended upside down from a gently curving tree branch , painted in a naïve style in oil onto panel by British artist Matt Rix.

The composition is pared back, allowing the single figure to become both the focal point and the emotional anchor of the work. Sparse foliage punctuates the scene, floating around the sloth like pauses in thought, reinforcing a sense of stillness and calm.

The style is deliberately simplified, with a subtle nod to folk art and modern naïve painting. Flattened forms and soft contours give the subject an emblematic rather than literal presence, while the sloth’s rounded body and elongated limbs create a gentle rhythm across the board, anchored by the horizontal branch.

A restrained, soothing palette of warm brown and taupe contrasts with a muted blue-grey background, accented by soft green leaves. Smooth, matte brushstrokes and a lightly textured surface enhance the contemplative mood of the piece.

This oil on board is housed in a black painted wood frame . Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 44 x 54 cm (including frame)

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Hillside Pathway

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A joyful and pleasant mid-century landscape that captures the essence of a bright day, painted in oil onto canvas.

The composition centres on a winding path that gently curves upward between two softened, block-like structures – suggesting houses – positioned on either side. Lush, expressive greenery flanks the path, giving the scene a sense of movement and breezy energy.

Rendered in a modernist style, the painting favours simplified forms, bold shapes, and confident, gestural brushwork over fine detail. The palette is uplifting and crisp: vivid turquoise skies, velvety greens, sandy browns, and touches of warm terracotta on the rooftops.

Broad, sweeping strokes convey the foliage with speed and spontaneity, while the smooth, curved brushwork of the path introduces calmness and flow. The overall effect is fresh and optimistic, and captures the simple pleasure of a hillside walk.

This oil on canvas is housed in a beautiful champagne wood frame with an inner border. Both the painting and frame are in excellent vintage condition.

Size: 46 x 50 cm (including frame)

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Light Over the Valley

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A serene mid-century modern semi-abstract landscape that distils the countryside into a harmonious arrangement of colour, shape, and light, executed in oil onto board.

Rolling fields unfold across the foreground, leading the eye towards a tranquil body of water and a scattering of farm buildings nestled beneath distant blue-grey hills. A small stand of stylised trees anchors the composition, lending both rhythm and balance to the expansive scene.

Executed in a distinctly Scandinavian modernist manner, the painting favours simplification over detail, reducing the landscape to broad geometric forms and carefully calibrated planes of colour.

The palette is soft and restrained, dominated by creamy whites, muted sage greens, pale yellows, and layered blues that recede gently into the horizon. Subtle touches of lavender-grey and warm earth tones add depth and atmosphere, while the luminous sky bathes the entire scene in a delicate, diffused light.

Brushwork is controlled, with smooth, flattened areas of paint creating a velvety surface. Gentle layering and subtle tonal shifts provide depth without disrupting the composition’s calm simplicity.

This oil on board is presented in a complementary wood frame with a wide white-painted inner mount. Both the painting and frame are in excellent vintage condition.

Size: 48.5 x 56.5 cm (including frame)

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Mediterranean Escape

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A well executed mid century modernist landscape, painted in oil onto canvas.

This sun-drenched Mediterranean landscape is rendered in broad, expressive brushstrokes with a modern, impressionistic touch. It captures a seaside scene full of warmth, movement, and coastal charm.

The foreground is dominated by lush green foliage, painted with bold, confident strokes. The greens vary in hue, creating depth and rhythm.

A whitewashed building with an orange-tiled roof is partially obscured by greenery. This architectural touch gives the scene a sense of place, suggesting somewhere Southern Europe.

Behind the building, a sliver of deep blue sea stretches across the canvas, meeting the sky and separated by rocky coastal formations and windswept trees, their simplified, curved forms bending toward the sea.

The brushwork is loose, gestural, and painterly, favouring emotion and movement over precision. The artist uses a limited but harmonious palette of greens, creams, ochres, blues, and terracotta, invoking the feel of a hot, breezy afternoon.

This oil on canvas is set in an elegant linen and silver frame, lightly textured, which adds a touch of refinement while echoing the sun-bleached tones of the scene. The painting is excellent vintage condition, and the frame has some age marks to the linen border.

Size: 55.5 x 64 cm (including frame)

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Modernist Ballerinas

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An outstanding mid-century figurative composition, executed in oil onto canvas by the established Swedish artist Fabian Lundqvist (1913-1989), whose works have been represented in many public collections in Sweden.

The painting captures a scene of two ballerinas surrounded by an abstract background. On the ballerinas, rhe artist’s brushstrokes are gentle and soft, reflecting a careful attention to detail. Intentionally working with a limited colour palette, the artist has reduced the area around the ballerinas to angular planes in different gradients of brown.. Details such as the small but striking red lips of the figures, as well as the layout of flat shapes and planes are typical of Lundqvist’s style.

This oil on canvas is housed in a complementary silver frame with an inner linen-lined border. The painting is in excellent vintage condition, and the frame has some scuffs as shown in the close ups

Size: 59.5 x 51 cm (including frame)

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Morning at the Window

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A expressive mid-century interior scene that captures a solitary figure standing beside an open window, absorbed in a moment of reflection, executed in oil onto board.

Beyond the window, the simple geometry of a neighbouring house roof cuts against a pale blue sky, while within the room a potted geranium and draped linens lend warmth and domestic intimacy. The composition balances interior and exterior worlds, creating a contemplative atmosphere that feels personal.

Executed in a distinctly modernist manner, the painting demonstrates the restrained sensibilities of mid-century art. Forms are simplified and gently abstracted, with the figure rendered through broad planes of colour rather than detailed modelling. The artist places emphasis on mood and structure, allowing light, shape, and spatial relationships to convey emotion.

The palette is soft and muted, comprising dusty greens, pale greys, warm creams, and chalky whites, punctuated by the rich terracotta reds of the flowers and the deep brown roofline outside. Subtle passages of pale blue sky bring freshness to the composition, while delicate pink undertones soften the interior light.

Brushwork is confident yet sensitive, with visible painterly strokes lending texture and movement across the surface. Layers of paint are applied loosely, creating an appealing interplay between solidity and atmosphere.

This oil on board is presented in an attractive gilt frame with a wide linen-covered mount and an inner white slip. Both the painting and frame are in excellent vintage condition.

Size: 55.5 x 47.5 cm (including frame)

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Old Town Passage

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An expressive mid-century street scene that capture an old European laneway, where tall weathered buildings rise on either side to create a narrow corridor of light and shadow, executed in oil onto board.

The composition naturally draws the eye towards a softly illuminated archway in the distance, where two silhouetted figures lend a sense of scale and quiet narrative. A third figure, distinguished by a vivid yellow garment, introduces a welcome focal point and a subtle moment of everyday life within the otherwise muted streetscape.

Executed in an expressive modernist style with strong impressionistic influences, the artist favours atmosphere over architectural precision. The buildings are simplified into broad geometric forms, while the converging lines of staircases, windows and facades create an engaging sense of depth and perspective.

The palette is beautifully restrained, composed of soft sage greens, muted blues, warm browns, stone greys and touches of dusty rose. These earthy hues are punctuated by crisp white window highlights and the striking accent of bright yellow, while the glowing light beneath the archway creates a compelling contrast against the cooler shadows of the surrounding buildings.

Confident, painterly brushstrokes animate every surface, with layers of broken colour and visible texture suggesting weathered stone, aged plaster and reflections across the cobbled street. Loose, energetic applications of paint give the work vitality without sacrificing structure, allowing the architectural forms to emerge organically from the interplay of colour and light.

This oil on board is presented in a beautiful distressed wood frame with a warm gilt inner slip. Both the painting and frame are in excellent vintage condition.

Size: 60 x 52 cm (including frame)

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Old Wall Patterns

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A lyrical landscape that captures the poetry of the countryside through colour, texture, and memory, painted in oil onto canvas.

A winding pale path or stone wall meanders through rolling fields, leading the eye gently into the distance. The landscape unfolds in layers of soft golds, muted greens, russet reds, and dusky mauves, creating a patchwork of fields and vegetation that feels both observed and imagined. A hillside rises across the middle ground, dotted with delicate tree forms rendered as decorative marks and textured clusters, giving the scene a tapestry-like quality.

The title suggests that the landscape is shaped by the enduring presence of old boundary walls—those subtle human interventions that become absorbed into the natural rhythms of the land over time. The pale, serpentine line crossing the composition acts as both a visual guide and a reminder of the history embedded in the terrain.

The artist’s handling of paint is expressive and atmospheric. Layers of translucent colour, scratching, and textured brushwork create a sense of depth and weathered age. Rather than describing every detail, she evokes the feeling of a landscape shaped by seasons, memory, and time.

This oil on canvas is framed in a custom made wide profile frame that suits it wonderfully. Both painting and frame are in excellent condition.

Size: 39 x 39 cm (including frame)

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Pitcher with Onions

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An energetic mid-century still life painting that depicts a bold arrangement of everyday objects rendered with expressive confidence, executed in oil onto board.

At the center stands a tall black pitcher with a sweeping handle, its form accentuated by patches of turquoise, white, and yellow that lend vibrancy and depth. In the foreground, two deep red onions and a bulb of garlic anchor the composition, their rounded shapes contrasting with the pitcher’s angular silhouette.

The artist has used a highly textured technique, layering thick strokes of oil paint that leave visible ridges across the surface. The palette is restrained yet powerful, dominated by black, grey, and white, with strategic bursts of colour to enliven the scene. The brushwork is vigorous and gestural, giving the objects a tactile, almost sculptural presence while retaining a sense of spontaneity and abstraction.

This oil on board is presented in a complementary silver painted wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

Size: 64.5 x 50.5 cm (including frame)

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Presence in Blue

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A mid-century figurative interior that presents a poised, contemplative woman in blue, seated within a softly structured domestic space, executed in oil onto canvas.

The figure sits slightly angled yet grounded, her form simplified and solid, conveying both stillness and quiet introspection. To her side, a table holds a warm-toned ceramic vessel, anchoring the composition and balancing the human presence with an object of everyday life. The checkered floor beneath introduces a subtle rhythm, guiding the eye through the composition while reinforcing the interior setting.

The style is distinctly mid-century modern, leaning toward a restrained, semi-abstract figuration. The artist reduces the figure and surroundings into flattened planes and geometric blocks, prioritising mood and structure over detail.

The colour palette is beautifully muted yet expressive -cool, dusty blues dominate the figure’s dress, contrasted with terracottas, and soft yellows in the background and still life elements. These tonal contrasts create a quiet dialogue between warmth and coolness, light and shadow.

Brushstrokes are confident and painterly, applied in broad, visible sweeps that give the work texture and life. Edges are softened rather than sharply defined, allowing forms to blend subtly into one another. The handling of paint feels intuitive and unforced, with areas of thicker application adding depth, particularly in the darker passages and along the patterned floor.

This oil on canvas is present in a beautiful wood frame with warm, natural wood grain and an inner linen lining. Both the painting and the frame are in excellent vintage condition.

Size: 75 x 55 cm (including frame)

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Quiet Fields

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A calm mid-century composition that presents a serene, pared-back landscape where open fields stretch toward a low horizon line punctuated by a small cluster of distant farm buildings, executed in oil onto board and dated 1959.

A solitary structure – possibly a barn or haystack – anchors the composition, subtly drawing the eye while preserving the painting’s overall sense of stillness and space. The foreground is rendered in darker, earthy tones, gradually giving way to lighter, muted fields that lead into an expansive, softly washed sky.

Stylistically, the work leans toward minimalism and tonal abstraction, characteristic of mid-century landscape painting. The artist has simplified forms and reduces detail, allowing atmosphere and composition to take precedence over realism. There is a quiet balance between geometry and softness – the fields are divided into gentle planes, yet edges remain blurred and understated.

The colour palette is restrained and harmonious, dominated by cool, pale blues in the sky and warm, sandy beiges and greys across the land. Subtle transitions between tones create depth without sharp contrast, evoking a calm, almost contemplative mood.

Brushstrokes are loose and have been applied with a light, confident touch. The paint is thinly layered in areas, allowing underlying tones to breathe through, while slightly thicker applications in the foreground add weight and texture. The overall handling feels intuitive and unforced, enhancing the painting’s quiet, meditative quality.

This oil on board is housed a beautiful wood frame with a layered profile and an inner white border. The painting is in excellent vintage condition, and the frame has some minor marks.

Size: 61.5 x 71.5 cm (including frame)

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