Contemporary Modernist – Page 4 – The Discerning Palette

Showing 91–120 of 137 results

Still Life Coral Ochre

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An engaging and powerful abstract composition by British contemporary artist Lloyd Durling, executed in graphite, oil pastel, and oil stick on Arches paper, and dated 2022.

This painting embodies a sense of balance and quiet elegance. The arrangement of objects, subdued colours, and textured surface create a contemplative mood, drawing attention to the beauty of simplicity. Its minimalist and abstract nature invites the viewer to reflect on form, space, and harmony, making it a refined and poetic work.

Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

This painting is mounted and presented in a light wood frame, behind glass. Both painting and frame are in excellent condition.

To view the other paintings in this series, please click here.

Size: 39 x 46.5 cm (including frame)

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Submarine and Sperm Whale

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A very engaging nautical whale scene, painted in a naïve style in oil onto canvas, by British artist Matt Rix.

This painting features a stylised sperm whale in a whimsical, folk art style. Painted in a flat, matte black, the whale has a massive rectangular head and a curled, expressive tail. The whale’s mouth is open, revealing a row of sharp, exaggerated triangular red teeth, adding a touch of humour. It has a prominent white eye that gives it a quirky, alert expression.

Near the top of the painting, a small grey submarine floats on the ocean surface. It has a simple form with yellow-lit portholes, a periscope, and a rotating propeller indicated by motion lines. The inclusion of the submarine adds a playful narrative element, possibly hinting at a humorous or surreal underwater encounter.

This is a whimsical and narrative-driven artwork that juxtaposes a majestic sperm whale with a tiny submarine in a humorous and imaginative way. The flat, graphic quality and minimal detail suggest a light-hearted tone, while the bold shapes and clear composition make it visually striking.

This oil on canvas is housed in a black frame which suits it well. Both painting and frame are in very good condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 53 x 43.5 cm (including frame)

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Three Painted Forms II

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An engaging and powerful abstract composition by British contemporary artist Lloyd Durling, executed in graphite, oil pastel, and oil stick on Arches paper, and dated 2022.

This painting embodies a sense of tranquillity and balance through its thoughtful composition, muted tones, and textured surface. The abstracted forms, reminiscent of stones or play objects, evoke a quiet, contemplative mood. Its minimalist style invites the viewer to appreciate the beauty of simple shapes and subtle variations in colour and texture, making it a poetic and meditative piece.

This painting is a beautifully restrained and contemplative work, blending abstract and minimalist elements. The soft colour palette, organic textures, and balanced composition create a peaceful, introspective atmosphere. Its simplicity invites viewers to engage with the subtle details and textures, making it a quietly compelling piece.

Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

This painting is mounted and presented in a light wood frame, behind glass. Both painting and frame are in excellent condition.

To view the other paintings in this series, please click here.

Size: 32 x 39 cm (including frame)

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Walks Over Fields

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An engaging abstract composition by contemporary British artist Frances Daws, executed in acrylic onto board and dated 2024.

This painting captures the colours and feelings of walking through the English village of Lacock, a walk Frances does regularly, past the darting house martins down east street, onto the ford and adjacent stream, tops dipping into the water, many attempting to walk over the slippery stones, up the hill and over the top field with views of lush countryside ahead.

This acrylic on canvas board is framed within a ‘St Ives’ style white wooden frame to capture the complexity of the colours within. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

Size: 32 x 37 cm (including frame)

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Welsh Lady in Yellow

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A small and engaging portrait composition , painted in a naïve style in oil onto panel, by British artist Matt Rix.

This painting is a folk-art style portrait of a woman wearing traditional Welsh attire, set against a solid, dark grey background. The composition is simple and symmetrical, with the subject facing forward.

Her face is simply rendered with almond-shaped eyes, a small nose, and neutral lips. She has a composed, almost stoic expression with neatly parted brown hair visible under the bonnet.

This piece is a charming, minimalist portrait that captures a sense of quiet dignity and historical reference. Its simplicity and stylisation give it a timeless quality, making it feel both decorative and narrative.

This oil on board is housed in a wood frame with gold trim which suits it perfectly. Both painting and frame are in good vintage condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 18.5 X 18.5 cm (including frame)

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Brown Pigeon

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A small and engaging bird composition, painted in a naïve style in oil onto panel, by British artist Matt Rix.

This painting features a brown and white pigeon standing in profile against a gentle countryside backdrop. The pigeon has a brown body and white wing markings, standing on pinkish feet. The eye is wide and round, outlined in white with a dark pupil, giving it a curious expression. The beak is short and sharply defined, painted in black and white.

The painting captures a tranquil, almost storybook-like moment. The pigeon is presented with a sense of quiet dignity and clarity. Its stylized form and soft colour palette create a comforting, rustic charm—making it both whimsical and elegant.

The painting is housed in a black wood frame with gold trim which suits it wonderfully. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 29.5 X 21 cm (including frame)

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Ewe on Pasture

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A very engaging animal composition, painted in a naïve style in oil onto panel, by British artist Matt Rix.

This painting depicts a grey ewe standing in a tranquil, minimalist countryside scene. The ewe is plump and woolly, with a smooth, rounded body rendered in soft grey tones. Its head and legs are black, creating a gentle contrast with the light body. The ewe is in profile view, facing left, with a calm and wide-eyed expression.

The painting is highly stylized, with minimal detail and flat areas of colour, emphasizing shape and form over realism. Subtle shading and texture suggest woolliness without overwhelming visual complexity.

This is a charming and gentle portrait of a ewe, created with affection and simplicity. The folk-art style lends it a timeless quality, evoking pastoral life and domestic calm. Its clean design, muted palette, and balanced composition make it both decorative and endearing.

This oil on board is housed in a very complementary wood frame with gilt frame. Both painting and frame are in very good condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 41 x 41 cm (including frame)

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Grey Pigeon

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A small and engaging bird composition, painted in a naïve style in oil onto panel, by British artist Matt Rix.

This painting depicts a black and grey pigeon in profile, rendered in a folk art style. The pigeon stands on light pink feet against a gently undulating green landscape, with a soft grey sky and subtle white clouds in the background.

The bird’s body is painted in deep grey and black, with a bold black oval on its breast and a stylized wing pattern featuring a scalloped white stripe. It has a white-ringed orange eye, giving it a striking, alert expression. The beak is sharply defined, with a tiny white marking at the tip.

The painting presents a serene and charming view of a pigeon, combining clarity with stylized elegance. Its muted background contrasts nicely with the bird’s strong black and white markings, making it visually compelling yet soothing—a celebration of humble beauty in a timeless, traditional style.

This oil on board is housed in a black wood frame with gold trim, which suits it perfectly. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 29.5 X 21 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Ram on Pasture

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A very engaging animal composition, painted in a naïve style in oil onto panel, by British artist Matt Rix.

This painting features a grey ram standing on a green, rolling landscape beneath a soft, cloudy sky. The ram is painted in a light grey tone with a rounded, bulky wool coat, giving it a soft, puffy appearance. A curved cream-coloured horn spirals from the side of its head, clearly identifying it as a ram.

The composition is centred and symmetrical, with the ram standing in profile facing right. The lines are clean and shapes are simplified. The brushwork is smooth, with subtle shading on the ram’s wool to add dimension without overcomplicating the form.

This painting is a charming and serene portrayal of a ram, rendered with clarity and affection. Its stylized approach and muted earth tones evoke a timeless, rural aesthetic—ideal for conveying the quiet dignity of farm life through a minimalist yet expressive visual language.

This oil on board is housed in a wood frame with a gilt trim, which illuminates the painting beautifully. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 41 x 41 cm (including frame)

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Billy Goat

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A very engaging animal composition, painted in a naïve style in oil onto panel, by British artist Matt Rix.

This is a charming and stylized portrayal of a billy goat, celebrating rural or pastoral life. Its clean composition, soft tones, and expressive subject give it a warm and approachable feel.

The goat has prominent curved horns, black ears, and white facial features, with a calm and slightly bemused expression. Its legs are short and black, adding to the squat, sturdy appearance. The painting uses a limited and earthy color palette that gives it a rustic charm.

The painting is housed in a wood frame with gold trim. Both painting and frame are in very good condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 41.5 x 41.5 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Nanny Goat

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A very engaging animal composition, painted in a naïve style in oil onto panel, by British artist Matt Rix.

This is a charming, characterful portrait of a nanny goat. The nanny goat is depicted in profile, with her head turned toward the viewer, creating a slight three-quarter pose. Her head is narrower, with large expressive eyes, a prominent chin beard, and curved, asymmetrical horns that sweep outward in an exaggerated, whimsical fashion.

The setting is simple and pastoral, with green rolling hills and a softly textured grey sky. Two stylized white clouds float gently overhead, emphasizing the calm, rustic atmosphere.

The quirky horns and direct gaze give it a personality beyond a simple animal depiction, evoking storytelling and rural life with a playful, timeless appeal.

The painting is housed in a wood frame with gold trim. Both painting and frame are in very good condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 41.5 x 41.5 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Potbelly Pig

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A small and engaging animal composition, painted in a naïve style in oil onto panel, by British artist Matt Rix.

This painting portrays a large pink pig standing on a patch of earth, with a soft rolling green landscape and a muted sky with a few wispy white clouds in the background. The pig is depicted in a folk-art style, characterized by its simplified, rounded form, gentle expression, and minimal yet expressive details.

The pig’s plump body is painted in warm peachy-pink tones, with subtle shading that adds depth and texture to its form. It has small, pointy ears, a curled tail, and short, sturdy legs with dainty hooves. The facial features are minimal but effective, with a tiny black eye, a snout with small nostrils, and a calm, content expression.

The background is soft and understated, with earthy tones that complement the pig without distracting from it. The grass and sky are painted with a slightly weathered texture, giving the painting a rustic, timeless feel.

The artwork is framed in a rustic black wooden frame. Both painting and frame are in excellent vintage condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 28 x 23 cm (including frame)

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Narwhal

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A small and engaging nautical whale composition, painted in a naïve style in oil onto panel, by British artist Matt Rix.

This painting features a charming, folk-art-style depiction of a narwhal swimming in the ocean, with a steamship sailing above the waves in the background. The narwhal, known as the “unicorn of the sea,” is painted in soft, muted beige tones, with a long, straight tusk extending from its head. Its tail curls gracefully, adding a whimsical touch to the composition. The narwhal’s small, round eye gives it an expressive and peaceful demeanour.

The ocean is depicted in layered shades of blue, creating a simple yet effective sense of movement in the water. Above the waves, a small black steamship with a red-flagged smokestack is seen puffing grey smoke into the sky. The sky is a soft, aged beige, lending the painting a weathered, nostalgic feel.

The artwork is framed in a black wood frame, which contrasts nicely with the lighter tones of the painting. Both painting and frame are in excellent vintage condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 33.5 x 28.5 cm (including frame)

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Study XXXV

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A fun and playful contemporary modernist style painting on wood, dated 2023.

With a focus on bold colours and shapes, this graphic composition features a variety of circles and semi circles arranged on a mustard yellow surface. Over these painted shapes, the artist has created further lines that cross and intersect over the shapes, adding to the textural effect. Further to this, the wooden panels are a combination of 2 separate two pieces that have been fitted together, adding a constructed sculptural element to the artwork.

Painted with emulsion and varnished, the panels are presented in a tray frame, appearing to ‘float’ within, giving the painting its modern feel. The painted panels and frame are in excellent condition.

Size: 36 x 26.5 cm (including frame)

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This Ground I’ve Walked, I’ve Walked Before (Very Large)

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A very large abstract painting by contemporary British artist Frances Daws, executed in acrylic onto canvas and dated 2024.

This Ground I’ve Walked, I’ve Walked Before is a reflection of a known landscape for Frances – the distinct yellow fields and green hills of England in summer. The painting has a beautifully composed complimentary poem (see below), which talks about how places stick within your very being. You may walk through places you never have before and yet find and feel a very real connection to the place and it’s steeped history.

‘This ground I’ve walked, I’ve walked before. I know it’s oddities, it’s dangling limbs, It’s buried roots, it’s ancient trees. Oak, elder, pine, we are all friends. I breathe it’s forests, eyes closed, hands open. I soak in it’s seas and run down it’s hills. It’s rooted within me, a lived history within every new step. I know this ground, I’ve walked it before.’

Painted on stretched canvas and with its edges painted in soft yellow, it is beautifully presented in a white tray frame. The painting and the frame are in excellent condition. It comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ – a form of mapping the landscape through the emotive language of colour.

Size: 105 x 105 cm

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Geometric Abstract in Cinammon

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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

The grid consists of six distinct blocks in a mix of muted blues, whites, grays, and earthy reds, contrasting subtly against the warm, burnt sienna or rust-colored background. The grid arrangement is asymmetrical, giving the piece a sense of modernist abstraction while maintaining an organic, handmade feel.

The rough, textured background and carefully arranged geometric shapes suggest an aesthetic influenced by wabi-sabi, Bauhaus, or modernist minimalism, emphasizing simplicity, imperfection, and material presence. The painting has a calm, meditative quality, inviting contemplation of form, texture, and colour relationships.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang,

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

Size: 25 X 30 cm (including frame)

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Sheep on Pasture

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A small and engaging animal composition, painted in a naïve style in oil onto panel, by British artist Matt Rix.

This painting features a black sheep standing on a grassy hill, with a softly textured sky in the background. The composition is simple and uncluttered, capturing the folk-art style with a focus on form and texture.

The sheep’s woolly body is large and rounded, painted in a deep black hue with subtle variations in shading to suggest texture and depth. Its head and legs are slender in contrast to its thick fleece, giving it a distinctive and charming presence. The sheep’s eye is small and expressive, conveying a calm, slightly watchful demeanour.

The background consists of a gentle green field beneath a soft greyish-blue sky, both painted with a slightly weathered, textured quality that adds to the rustic charm of the piece.

The painting is presented in a cream frame. Both painting and frame are in excellent vintage condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 29 x 24 cm (including frame)

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Confusion

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A fun and edgy one-off original monoprint presented in a coloured frame, by British artist Olivia Bouzyk.

This monoprint is created from three different layers of colours with different paper stencils. The lighter green layer is more translucent, allowing for more subtle dialogues to engage the viewer on closer inspection.

Olivia works with contrasts in line, colour and form and a sense of harmony is achieved by balancing this series of juxtapositions.

This monoprint is housed in a vivid blue frame ( two edges are dark blue, and two are light blue) that further enhances the artwork within. There is a layer of glass protecting the artwork. Both frame and artwork are in excellent condition.

Size: 52 x 72 cm (including frame)

To view the other paintings in this collection, please click here.

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Mountain Sheep

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A small and engaging animal composition , painted in a naïve style in oil onto panel, by British artist Matt Rix.

This painting features a black sheep standing against a minimalistic rural backdrop, painted in a folk-art style. The sheep’s large, rounded body is covered in a thick, textured wool coat, giving it a slightly exaggerated, almost whimsical appearance. Its small head peeks out from the dense fleece, with a calm, neutral expression and light-coloured eyes that subtly contrast against its dark face.

The background is simple and muted, with a pale cream-colored sky featuring faint, wispy clouds, and a gently sloping greenish pasture beneath the sheep. The artist uses a restrained color palette, allowing the bold black form of the sheep to be the central focus.

The painting is framed in a rustic black wooden frame, complementing the dark wool of the sheep and enhancing the vintage, traditional feel of the artwork. The piece exudes a timeless, charming simplicity, celebrating rural life with a warm, understated elegance.

The painting is in excellent vintage condition. The frame has some minor scuffing.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 25.5 x 22cm (including frame)

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Ship and Humpback Whale

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A very engaging nautical whale scene, painted in a naïve style in oil onto panel, by British artist Matt Rix.

This painting is a folk-art-style maritime scene, depicting a large black whale and a sailing ship, using a simple and stylized composition.

The whale appears calm and serene, possibly symbolizing the grandeur and mystery of the ocean. The ship’s forward motion and red flags contrast with the whale’s stillness, possibly suggesting themes of human exploration versus nature’s quiet power.

The artwork uses a muted, earthy colour palette of blues, blacks, and browns, giving it a vintage, weathered look. The sea and sky are painted in soft gradients, creating a subtle atmospheric effect. The ship and whale are rendered in a flat, graphic style, typical of folk or naïve art, which prioritizes storytelling over realism.

The painting is set in a simple, rustic off-white wooden frame, enhancing its folk-art aesthetic and vintage appeal. Both painting and frame are in excellent vintage condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 52.5 x 52.5 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Ship and Sperm Whale

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A very engaging nautical whale scene, painted in a naïve style in oil onto panel, by British artist Matt Rix.

This painting is a folk-art-style maritime scene, depicting a sperm whale and a sailing ship in a simple, stylized manner.

The whale, depicted with a large, boxy head and small eye, seems to have a playful yet ominous presence. The ship’s full sails and forward movement contrast with the whale’s calm, drifting pose, possibly hinting at the relationship between humans and nature, or exploration.

The artwork uses a muted, earthy colour palette of blues, blacks, and browns, giving it a vintage, weathered look. The sea and sky are painted in soft gradients, creating a subtle atmospheric effect. The ship and whale are rendered in a flat, graphic style, typical of folk or naïve art, which prioritizes storytelling over realism.

The painting is set in a simple, rustic off-white wooden frame, enhancing its folk-art aesthetic and vintage appeal. Both painting and frame are in excellent vintage condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 52.5 x 52.5 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Polruan Quayside

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A large and very well executed contemporary harbourside composition, painted in acrylic onto canvas and presented in a very well suited lime-waxed wood tray frame, by British artist Elaine Allender.

This painting depicts a picturesque view of Polruan Quayside, capturing the charm of the coastal village with a soft, serene atmosphere. We see a layering of the harbourside houses with their gables and slate roofs, painted in a palette of blues, neutrals and terracottas, with pops of orange. A stone quay runs horizontally across the lower part of the painting, connecting the village to the water.

The water reflects the buildings and sky above in soft, blurred strokes, creating a mirror-like effect. Several small boats, including black and orange ones, are moored near the quay, adding a touch of activity and maritime character.

The sky features a gentle gradient of light blue and soft peach, adding warmth to the scene.

The painting has a semi-abstract, impressionistic style with visible brushstrokes, especially in the water and sky. This work beautifully captures the tranquility and charm of Polruan, emphasizing its connection to the sea and its quaint, timeless character.

This large acrylic on canvas is housed in a well crafted lime-waxed wood tray frame which gives it a contemporary feel. Both the painting and frame are in excellent condition.

Size: 55 x 80 cm (including frame)

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Bottle & Pears in Window

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A brilliantly executed contemporary still life composition in oil, painted onto canvas and presented in a white floater frame that suits it impeccably.

This painting is a still life with a minimalist, introspective mood, characterized by simplicity and muted tones, reminiscent of the still lifes of Modernist painter Giorgio Morandi.

A tall, dark glass bottle is centrally placed, with its subtle translucence hinting at texture. Three pears, varying in size and positioned around the bottle, add organic shapes to the otherwise geometric scene. The objects rest on a ledge or tabletop, which extends diagonally and leads the viewer’s eye toward the back of the space.

The setting is framed by a window or plain wall, with soft natural light illuminating the objects. The background is painted in light blue and grey tones, contrasting with the darker colours of the objects.

The painting is made up of a subdued colour palette of earthy greens, browns, blues, and greys. The lighting emphasizes subtle gradations in tone, enhancing the quiet and reflective atmosphere.

The brushwork is smooth and controlled, giving the painting a serene, balanced feeling. The style is reminiscent of classical still-life traditions but simplified for a modern aesthetic.

This work conveys a contemplative atmosphere, focusing on the interplay of light, shadow, and space.

This oil on canvas is housed in a complementary floater frame. Both the painting and frame are in excellent condition.

Size: 46.5 x 46.5 cm (including frame)

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A Snake in the Grass

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A fun and edgy one-off original digitally manipulated monoprint sandwiched between a custom perspex frame, by British artist Olivia Bouzyk.

This is a digital monoprint (only one exists, it is original and one-of-a-kind) of a scanned in monoprint, which was digitally edited and manipulated. Through the digital editing process Olivia is able to have greater control over the specific colours and textures, emphasising the textural quality of the ink, increasing the scale and saturating the colours, creating a more dynamic dialogue between the lines, forms and colours.

The light qualities of the perspex frame (a frosted green back panel and a tinted clear yellow front) work with the colours within the piece, making the image seem different in every lighting condition. The coloured perspex frames reflect the playful approach Olivia takes when creating each piece. Everything she does is completely unique and different every time.

This composition explores juxtapositions, both formally and conceptually, between two different environments – the urban city and the rural countryside. The straight and angled lines allude to the urban cityscape, while the curved and more organic forms are remiscnent of the rolling countryside. Olivia works with contrasts in line, colour and form and a sense of harmony is achieved by balancing this series of juxtapositions.

This digitally manipulated monoprint is presented within two layers of coloured perspex that are part of the artistic process. The perspex frames are custom made to accompany the print that is in them – the colours of the front and back panels are chosen to compliment and work with the colours in the print. Spilt batons are on the reverse so it is easily attachable to the wall and they are positioned in all four directions on the reverse, so that you can choose the direction it is hung. Both frame and artwork are in excellent condition.

Size: 44.2 x 61.9 cm (including frame)

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Shapes of Things

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An engaging and powerful abstract composition by British contemporary artist Lloyd Durling, executed in graphite, oil pastel, and oil stick on Arches paper.

Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

This painting is mounted and presented in a light wood frame, behind glass. Both painting and frame are in excellent condition.

To view the other paintings in this series, please click here.

Size: 46 x 37 cm (including frame)

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Deliberately Absent

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A fun and edgy one-off original digitally manipulated monoprint sandwiched between a custom perspex frame, by British artist Olivia Bouzyk.

This is a digital monoprint (only one exists, it is original and one-of-a-kind) of a scanned in monoprint, which was digitally edited and manipulated. Through the digital editing process Olivia is able to have greater control over the specific colours and textures, emphasising the textural quality of the ink, increasing the scale and saturating the colours.

The light qualities of the perspex frame (a frosted yellow back panel and a tinted clear yellow front) work with the colours within the piece, making the image seem different in every lighting condition. The coloured perspex frames reflect the playful approach Olivia takes when creating each piece. Everything she does is completely unique and different every time.

This composition explores juxtapositions, both formally and conceptually, between two different environments – the urban city and the rural countryside. The straight and angled lines allude to the urban cityscape, while the curved and more organic forms are remiscnent of the rolling countryside. Olivia works with contrasts in line, colour and form and a sense of harmony is achieved by balancing this series of juxtapositions.

This digitally manipulated monoprint is presented within two layers of coloured perspex that are part of the artistic process. The perspex frames are custom made to accompany the print that is in them – the colours of the front and back panels are chosen to compliment and work with the colours in the print. Spilt batons are on the reverse so it is easily attachable to the wall and they are positioned in all four directions on the reverse, so that you can choose the direction it is hung. Both frame and artwork are in excellent condition.

Size: 44.2 x 61.7 cm (including frame)

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Different Sides of the Same Coin

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A mounted one-off, original screenprint in a custom perspex frame, by British artist Olivia Bouzyk.

The light qualities of the perspex frame work with the colours within the screenprint, making the image seem different in every lighting condition. The coloured perspex frame reflects the playful approach that Olivia takes when creating each piece.

This piece of work is inspired and a reflection of the combination of Olivia’s surroundings and environments, as she equally splits her time between the English rural countryside and the geometric cityscape of London. Working with contrasts in line, colour and form, a sense of harmony is achieved by balancing this series of juxtapositions.

This original screenprint (1 of 1) is sandwiched between two pieces of perspex, one yellow and one blue, which adds an additional element of colour when viewed from an angle.

The perspex comes with spilt batons on the reverse so it is easily attachable to the wall. The artwork is in very good condition.

Size: 43.5 x 31 cm (including frame)

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Interrupted

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A fun and edgy one-off original monoprint presented in a coloured frame, by British artist Olivia Bouzyk.

This monoprint is created from two individual stencils, layered to create a dynamic interaction of line, form and colour. Where the shapes overlap, the rich, oil-based inks merge to produce unique hues, adding depth and vibrancy. Variations in the transparency and thickness of ink contribute texture, enhancing the layered conversation between the materials and the composition’s visual elements.

This composition explores juxtapositions, both formally and conceptually, between two different environments – the urban city and the rural countryside. The straight and angled lines allude to the urban cityscape, while the curved and more organic forms are remiscnent of the rolling countryside. Olivia works with contrasts in line, colour and form and a sense of harmony is achieved by balancing this series of juxtapositions.

This monoprint is housed in a vivid yellow frame that further enhances the artwork within. Both frame and artwork are in excellent condition.

Size: 44 x 32 cm (including frame)

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Movement

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A fun and edgy one-off original monoprint presented in a coloured frame, by British artist Olivia Bouzyk.

This monoprint is created from three stencils layered on top of one another, each in a different colour and of different forms. When examined closely, there is a lovely complexity to the artwork as the thickness of the ink of the final layer (dark blue) almost has a three dimensional quality, yet it is more transparent compared to the green opaque layer beneath. The mixture of the curved and straight lines accentuate one another through their contrasts.

This composition explores juxtapositions, both formally and conceptually, between two different environments – the urban city and the rural countryside. The straight and angled lines allude to the urban cityscape, while the curved and more organic forms are remiscnent of the rolling countryside. Olivia works with contrasts in line, colour and form and a sense of harmony is achieved by balancing this series of juxtapositions.

This monoprint is housed in a vivid blue frame that further enhances the artwork within. Both frame and artwork are in excellent condition.

Size: 44 x 32 cm (including frame)

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Opening

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A fun and edgy one-off original digitally manipulated monoprint sandwiched between a custom perspex frame, by British artist Olivia Bouzyk.

This is a digital monoprint (only one exists, it is original and one-of-a-kind) of a scanned in monoprint, which was digitally edited and manipulated. Through the digital editing process Olivia is able to have greater control over the specific colours and textures, emphasising the textural quality of the ink, increasing the scale and saturating the colours, creating a more dynamic dialogue between the lines, forms and colours.

The light qualities of the perspex frame (a frosted a frosted orange back panel and a tinted blue front) work with the colours within the piece, making the image seem different in every lighting condition. The coloured perspex frames reflect the playful approach Olivia takes when creating each piece. Everything she does is completely unique and different every time.

This composition explores juxtapositions, both formally and conceptually, between two different environments – the urban city and the rural countryside. The straight and angled lines allude to the urban cityscape, while the curved and more organic forms are remiscnent of the rolling countryside. Olivia works with contrasts in line, colour and form and a sense of harmony is achieved by balancing this series of juxtapositions.

This digitally manipulated monoprint is presented within two layers of coloured perspex that are part of the artistic process. The perspex frames are custom made to accompany the print that is in them – the colours of the front and back panels are chosen to compliment and work with the colours in the print. Spilt batons are on the reverse so it is easily attachable to the wall and they are positioned in all four directions on the reverse, so that you can choose the direction it is hung. Both frame and artwork are in excellent condition.

Size: 61.4 x 43.7 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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