Street Scenes – Page 3 – The Discerning Palette

Showing 61–90 of 152 results

Moonlit Silhouettes

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An introspective mid-century modernist painting, executed in oil onto canvas by the established Swedish artist Fabian Lundqvist (1913-1989), whose works have been represented in many public collections in Sweden.

A serene and poetic scene unfolds beneath a pale blue evening sky, where two simplified figures stand in quiet conversation beside a cluster of whitewashed buildings. Rendered in a distinctly modernist style, the composition is reduced to pure geometric forms – the gabled roofs forming clean angular shapes against a flat expanse of blue.

The colour palette is restrained and atmospheric: powder blue for the sky, soft off-white for the buildings, deep charcoal for the ground and rooftops, and a delicate touch of brighter blue in the garment of the standing figure. A pale circular moon hangs in the sky, adding a gentle sense of stillness and introspection.

Brushwork is intentionally minimal and smooth, favouring broad, even planes of colour with softened edges that blur very slightly, giving the piece a dreamlike quality. The figures are reduced to silhouettes – faceless, quietly present – allowing the viewer to project their own story into the scene.

This oil on canvas is presented in a complementary frame linen lined frame with a silver border. The painting is in excellent vintage condition, and the frame has some scuffs.

Size: 51 x 59 cm (including frame)

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Passing Moments

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A mid-century painting that captures a fleeting atmospheric street scene, executed in oil onto canvas.

The composition is set against the backdrop of a large building. In the foreground, scattered figures in coats and hats move across an open square, their simplified forms rendered with brisk, confident brushstrokes. Leafless trees punctuate the composition, their dark linear trunks rising against the pale ground, while a lamp post anchors the right-hand side.

The artist has used a restrained yet evocative palette: earthy ochres and muted greens dominate the architecture and square, while deep blues, blacks, and touches of red provide contrast and rhythm throughout the work. The brushwork is bold and expressive, with textured strokes conveying movement and liveliness in the urban setting.

The scene has a strong narrative presence – figures cross paths under a dusky sky, hinting at the quiet routines of city life. The painting balances structure with spontaneity, embodying the modernist spirit of mid-century urban scenes.

This oil on board is presented in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 51 x 59.5 cm (including frame)

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Sunlit Facades

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A charming mid-century modernist painting that captures a quiet village street in Spain, executed in oil onto canvas and dated 1958.

The composition is anchored by whitewashed buildings with yellow and terracotta roofs, stacked geometrically against a bright sky. The perspective flattens the scene slightly, lending a graphic, almost cubist sensibility.

Rendered in oil, the artist has used confident, blocky brushstrokes to define shadows and forms. Angular planes and muted earth tones – sage green, charcoal grey, and hints of warm brown—contrast with brilliant whites and a crisp blue sky. The painting captures the play of sunlight on architecture, with simplified details like shuttered windows, steep stone steps, and doors suggested rather than articulated.

There is a distinct sense of rhythm in the repetition of rooftops and telegraph lines that echo across the canvas.

This oil on canvas is housed in a complementary and well made wood frame with an inner linen border. Both painting and frame are in excellent vintage condition.

Size: 32 x 42 cm (including frame)

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Village Pathway

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A striking mid-century modernist painting that captures a female figure walking along a village pathway, gracefully balancing a vessel on her head, executed in oil onto board.

The woman, dressed in a flowing blue skirt and dark top, is set against a backdrop of geometric, almost abstracted row of houses that recede rhythmically into the distance.

Modernist in its ethos, the artist has reduced the scene into bold, flattened forms and simplified shapes. There’s a more structured feel in the angular rooftops and the faceted treatment of architecture and landscape, while the figure maintains a sense of movement and gesture.

The colour palette is muted, with gentle contrasts between warm and cool tones. The bright blue of the skirt stands out as a focal point, anchoring the viewer’s eye.

The paint is applied with deliberate, confident strokes – thick and flat in some areas, with visible texture. The brushwork emphasises shape and form over fine detail, enhancing the painting’s graphic, almost mosaic-like quality.

This oil on board is housed in a complementary wood frame with an inner cream border. The painting is in excellent vintage condition, and the frame has very minor scuffs.

Size: 71 x 49.5 cm (including frame)

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After the Rain

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A nostalgic mid-century street scene painting that captures a moment of hushed movement after rainfall, executed in oil onto canvas.

The composition captures figures walking along a wet, reflective roadway beneath a pale, cloud-laden sky. A modest row of houses recedes into the distance, while bare winter trees punctuate the composition, their slender trunks guiding the eye along the street’s gentle perspective. The pedestrians are rendered with understated anonymity, suggesting everyday life unfolding quietly rather than a specific narrative.

Stylistically, the painting balances realism with painterly abstraction. Forms are simplified and slightly softened, favouring mood and atmosphere over fine detail. The colour palette is restrained and harmonious: cool greys, muted blues, and soft whites dominate the sky and pavement, contrasted by earthy browns, mossy greens, and deep charcoals in the buildings and figures.

The brushwork is loose yet controlled. Broad, horizontal strokes suggest the sheen of rain on the street, while lighter, scumbled layers in the sky create a sense of drifting cloud and damp air. Figures are defined with economical marks, giving them a quiet solidity without overstatement. Overall, the painting conveys calm introspection, capturing the poetic stillness of a street moment suspended between weather and movement.

This oil on canvas is housed in a well-suited wide-profile wood frame that complements the painting’s mid-century character. The artwork itself is in excellent vintage condition. The frame shows age-commensurate wear, including a few marks to its edges as shown, however this does not detract from its overall presentation.

Size: 51.5 x 55 cm (including frame)

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Old Town

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A charming, atmospheric street scene rendered in oil onto board, with a warm, nostalgic tone.

It captures a European old-town alleyway, showing a narrow, cobblestone street lined with tall ochre and terracotta-coloured buildings. The architecture features classic stone archways, multi-pane windows, and slanted rooftops with chimneys, evoking a sense of timelessness and quiet charm. Several small, loosely rendered human figures animate the scene, creating depth and movement.

The overall feel is calm and contemplative, bathed in soft natural light from a lightly clouded sky. There’s a slight coolness in the air, reflected in the pale blue and grey tones of the sky and shadows. Despite being sparsely populated, the street feels alive, suggesting the gentle hum of daily life. The brushwork is tight but expressive, with small, visible strokes in the sky and textured surfaces on the buildings, giving the painting a lived-in, tactile quality.

This is the kind of painting that tells a story of ordinary moments, old places, and the soft rhythms of daily life in a historic city.

This oil on board is housed in a grey painted wide bevelled wood frame which complements it perfectly. The painting is in excellent vintage condition. The frame has some scuffing as shown in the photos.

Size: 50 x 40 cm (including frame)

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Rooftops in Rhythm

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A lively mid-century oil painting that captures a tightly woven urban street scene, composed of overlapping rooftops and clustered facades, executed in oil onto board.

The artist has reduced the architecture into simplified geometric planes, creating a rhythmic patchwork of shapes that echo the rise and fall of a townscape. A crisp white house with a bold terracotta roof stands at the center, anchoring the composition, while a striking teal roof to the left provides a vibrant counterbalance.

Executed in a modernist, almost cubist-inspired manner, the piece emphasises flattened forms and spatial compression rather than strict realism. The brushstrokes are controlled yet textured, with clear delineations that carve out the roofs and walls in confident blocks of colour.

The palette blends earthy reds, deep browns, and muted greys with contrasting highlights of creamy whites and a vivid turquoise. The restrained use of pastel lilacs and dusky pinks softens the angular geometry, lending warmth to the architectural study.Broad, solid brushstrokes define the rooftops with minimal blending, creating sharp contrasts between each plane. The overall application feels deliberate and structured, reinforcing the sense of order within the crowded composition.

This oil on board is presented in a very well suited linen-lined frame with an outer and inner grey border. The painting is in excellent vintage condition. The frame has some age wear but it is in good stable condition.

Size: 72 x 44.5 cm (including frame)

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Riverside Boulevard (Very large)

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A vibrant and lively cityscape bursting with movement and colour, dated 1974 and painted in oil by the established Swedish artist Uno Vallman (1913-2004) whose works are included in the Swedish National Museum and The Swedish Modern Museum, to name a few. His works are also included in the collections of Lyndon Johnson, Jimmy Carter, and the Tessin Institute in Paris.

The scene centres around a pair of ornate towers rising from a bustling square, their facades animated with bright decorative motifs. Surrounding them, saturated-toned buildings with warm red roofs line the horizon, while to the right a gentle river curves through the city, complete with moored boats and strolling figures. Cars, pedestrians and flowing pathways fill the foreground, giving the scene an energetic, almost theatrical rhythm.

Rendered in a highly expressive and fauvist style, the work embraces bold contour lines and playful distortion to convey atmosphere rather than strict realism. The palette is vibrant and uplifting: lemon yellow, turquoise, sky blue, coral, and soft reds creating a sun-drenched glow across the composition. Brushstrokes are loose, gestural and almost calligraphic, with dashes, swirls and rhythmic marks animating every surface. The result is a joyful, kinetic interpretation of urban life, full of colour and charm.

This oil on canvas is housed in a complementary wood frame. Both the painting and frame are in excellent vintage condition

Size: 81 x 97 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Under the Evening Moon

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A serene mid-century street scene landscape composition, painted in oil onto board in 1943 by the established Swedish artist Richard Björklund (1897–1974), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Malmo Museum, Ystads Art Museum, and others.

A lone figure, dressed in pale tones, walks along a soft earthen path leading past whitewashed houses and verdant trees. The warm, golden orb of the moon sun hovers low in the sky, diffusing a gentle glow across the tranquil landscape.

Executed in a restrained yet expressive modernist style, the painting features simplified geometric forms and broad, confident brushstrokes that evoke mood over detail. The palette is harmonious and understated: soft mauves, sage greens, muted browns, and twilight blues – conjuring the serenity of evening light settling over the countryside.

The artist’s brushwork is smooth yet deliberate, with layered strokes that suggest texture and depth while maintaining a sense of calm minimalism. There’s a quiet intimacy to the composition: a tender moment of stillness suspended between day and night.

This oil on board is presented in a complementary gilt frame with a broad inner linen border. A few marks can be seen above the tree area of the painting, otherwise it is in very good vintage condition. Some age spots are visible on the linen border of the frame, along with light scuffs. These minor imperfections are consistent with age and definitely do not detract from the overall presentation.

Size: 51.5 x 59 cm (including frame)

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Market Day Under the Sun

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A mid-century modernist oil painting that captures the quiet charm of a sunlit village square on market day, executed in oil onto board.

In the foreground, a vendor stands beside a rustic wooden cart laden with fresh produce, partially shaded by a large parasol. Additional market stalls, some green canopies, dot the square, their displays adding splashes of red, orange, and green to the scene. Figures move leisurely among the stalls, their forms simplified yet expressive, lending an almost timeless quality to the market’s atmosphere.

The artist has used a modernist sensibility, with strong compositional contrasts between light and shadow. Sunlight spills across the cobblestones, casting deep angular shadows, while the muted facades of surrounding buildings form a subdued backdrop, allowing the market activity to take centre stage. The palette is warm and harmonious – sandy orange, terracotta, soft greys, and earthy greens – with vibrant bursts of colour in the produce.

Brushstrokes are confident and broad, with areas of flat, blended colour offset by more textured, visible strokes in the umbrellas and produce. The treatment is painterly – focusing on shape, light, and atmosphere rather than fine detail.

This oil on board is housed in a complementary hessian-lined wood frame with an inner cream border. Both the painting and frame are in excellent vintage condition.

Size: 45.5 x 64 cm (including frame)

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Terracotta Roofs

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A very well executed mid century modernist composition in oil, painted onto canvas.

This painting beautifully captures the essence of a peaceful village landscape through a modernist lens, reducing the scene to essential shapes and colours. The interplay of geometric forms, earthy tones, and textured brushwork creates a tranquil, structured composition that evokes a sense of timelessness and quiet beauty.

The scene is dominated by white and beige buildings with terracotta roofs, arranged in a way that creates depth and perspective. The foreground features a stone wall and a small courtyard, leading the viewer’s eye toward the central structures. In the background, rolling green and blue mountains provide contrast and a sense of scale.

The paint is applied with visible, textured brushstrokes, giving the scene a slightly rough, organic quality. The simplified shapes and slightly flattened perspective enhance the painting’s modernist approach.

The balance between abstraction and realism makes the scene feel both structured and timeless. The emphasis on light and shadow, though subtle, adds depth.

This oil on canvas is housed in a complementary natural wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

Size: 43 x 65 cm (including frame)

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The Quiet Road Home

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A soothing mid-century oil painting that captures a quiet street scene lined with houses and trees, bathed in the golden light of the setting sun., and executed in oil onto board.

A row of houses lines the street, their facades softened by warm tones of terracotta, and muted blue. Tall, bare trees rise dramatically against the pale evening sky, their stark branches casting long, angular shadows across the path. A figures on the right has been reduced to a simplified silhouette, move gently along the sunlit road, adding a quiet human presence without disturbing the stillness of the scene.

Executed in a modernist style, the painting emphasises simplified forms and a rhythmic interplay of light and shadow rather than intricate detail. The brushstrokes are bold yet controlled, with swift, directional strokes that echo the lines of the trees and the lengthening shadows.

The artist employs a harmonious balance of warm and cool tones to evoke the calm of twilight. The golden glow of the sunset contrasts with the cooler blue-greys of shaded areas, enhancing the depth of the composition. The mood is contemplative and serene, inviting viewers into a moment of quiet transition between day and night.

This oil on board is housed in a unique lightly toned wooden frame with natural grain patterns, and with an inner cream border. Both the painting and frame are in excellent vintage condition.

Size: 48 x 56 cm (including frame)

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Whispering White Walls

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A quiet and introspective mid-century modernist painting, executed in oil onto canvas by the established Swedish artist Fabian Lundqvist (1913-1989), whose works have been represented in many public collections in Sweden.

The composition presents a serene cluster of whitewashed buildings, stacked and softened into an abstracted architectural rhythm. The forms are simplified into clean geometric blocks, evoking a quiet hillside village or sun-bleached Mediterranean town. Two slender, almost silhouetted figures stand near the foreground, adding a subtle human presence and a sense of scale without interrupting the overall stillness of the scene.

The palette is beautifully restrained – cool whites, soft dove greys, and muted sage undertones merge gently into one another, creating a dreamlike haze. The brushwork is smooth and deliberate, with broad, flat planes of colour that minimise detail and heighten the modernist feel. Shadows and edges are suggested rather than defined, allowing the forms to appear as if they are dissolving gently into the light.

The composition, with its quiet tonal variations and refined abstraction, captures an outstanding balance between calm minimalism and poetic atmosphere.

This oil on canvas is presented in a complementary frame with a layered profile consisting of a soft champagne-gold outer moulding, paired with an inner border in silver. The painting remains in lovely vintage condition, with some light areas of craquelure that do not detract from the overall presentation.

Size: 52 x 60 cm (including frame)

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Memories by the Sea

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A serene figurative composition dated 1973 and painted in oil onto board by the established Swedish artist Ivar Morsing (1919-2009), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Kalmar Museum, and Jönköping Museum.

Depicted in this oil is a coastal scene with figures resting on a grassy hillside. The brushwork is loose and expressive, giving the piece a dreamlike, almost fleeting quality—as though it depicts a memory or a hazy summer afternoon.

In the foreground, four figures are painted in soft, warm tones of peach, cream, and ochre, their forms blending gently into the lush greens of the grass. Their postures suggest ease and leisure—some reclining, others seated upright—absorbing the warmth of the sun. The figures are not highly detailed but rather suggested through gestural strokes, allowing the viewer to feel their presence without being distracted by specifics.

Behind them, the landscape rolls into dark green hills and trees, leading the eye toward a stretch of calm blue sea and pale sky at the horizon. The colour palette balances cool greens and blues with warm highlights, evoking a harmonious, restful mood.

This oil on board is housed in a gilt and black frame. The painting is in excellent vintage condition. The frame has some scuffs and losses.

Size: 38.5 x 44 cm (including frame)

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Sunlit Passageway

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A charming mid-century modernist painting that captures a quiet street scene bathed in soft Mediterranean light, executed in oil onto canvas.

A lone figure, dressed in muted tones and carrying a bundle on her head, walks along an empty terracotta-hued pathway that leads into a cluster of geometric buildings. The architecture – flat-roofed houses, arched entrances, and clean-lined terraces—suggests a southern European or North African village, rendered with a sense of calm order and stillness.

The artist has used a restrained palette of warm browns, sandy beiges, pale blues, and soft whites, punctuated by accents of terracotta red on window shutters and rooftops. Each surface is painted in flat planes of colour, with minimal blending, giving the work a faceted, almost mosaic-like quality. Shadows fall in structured blocks, enhancing the geometry of the scene.

Brushstrokes are confident and deliberate, favouring smooth, even applications of paint that maintain the clarity of form rather than expressive texture. There is a quiet rhythm to the composition – the repeating rooflines, the verticals of the distant buildings, and the solitary figure grounding the scene with a gentle narrative presence. The overall atmosphere is one of stillness, heat, and understated elegance – an ode to everyday life rendered through a modernist lens.

This oil on canvas is beautifully presented in a well-suited linen-lined wooden frame. The painting is in good vintage condition overall, with just a tiny area of paint loss on the right-hand side – on the second building in from the right by the windows. This small detail does not detract from the artwork’s overall charm.

Size: 44 x 52 cm (including frame)

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The Parade

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A vibrant modernist figurative composition that captures a jubilant procession winding through a lively town scene, executed in oil onto canvas and dated 1969 in reverse.

A long line of figures, dressed in bright whites with touches of vivid red and orange, marches in rhythmic formation, creating a strong sense of movement and communal festivity. The crowd appears to weave through a landscape dotted with clustered houses and trees, with the architecture rendered in warm ochres and earthy reds against a soft blue-grey sky.

Painted in an expressive style, the work features thick, energetic brushstrokes that lend a tactile, almost sculptural quality to the surface. The artist applies paint in vigorous swirls and dashes, allowing the colours to intermingle directly on the canvas. Warm golds, muted greens, and slate blues dominate the palette, balanced by flashes of white that illuminate the procession like a ribbon threading through the landscape.

The overall impression is one of joyful chaos and human togetherness, captured with spontaneity and painterly confidence.

This oil on canvas is presented in a complementary wide profile frame. Both the painting and frame are in excellent vintage condition.

Size: 38.5 x 43 cm (including frame)

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House on the Hill

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A large and lively landscape painting that depicts a quiet suburban scene dominated by a white house set against lush greenery and an expansive blue sky, executed in oil onto canvas and dated 1985.

The composition is pared back to essential geometric forms – rectangular planes of house, hedge, and pavement, offset by rounded, block-like shapes of trees and bushes. A solitary vertical pole bisects the scene, adding structure and balance.

The style is characteristically modernist, emphasizing abstraction over fine detail. Colours are laid down in broad, flat fields: vivid cobalt blue for the sky, deep greens for the hedges, warm purples and greys for the street and hillside, punctuated by flashes of yellow and red that animate the composition.

The brushstrokes are bold, applied with confident, blocky movements that create a sense of solidity and rhythm rather than illusionistic depth. This restrained yet expressive handling distills the everyday view into a harmonious study of form, colour, and balance.

This oil on canvas is presented in a complementary slim wood frame. The painting is in good vintage condition – there is some light surface craquelure to the house areas as shown in close ups but the paint layer is very stable.

Size: 61 x 83 cm (including frame)

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Barn by Country Road

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A charming mid-century modernist street scene composition, executed in oil onto board.

The painting captures a quiet moment in the countryside, where a road leads past a barn house nestled among low trees. The structure, rendered in earthy red and brown tones, is softened by the hazy sky above and flanked by verdant green grass, evoking a serene rural atmosphere.

Painted in a bold, modernist style, the artist has deconstructed and simplified the scene down to blocks of contrasting colours.

Loose, expressive brushstrokes have been swiftly and confidently executed. The sky is composed of wide, horizontal strokes in soft blues and creams, contrasting with the dynamic diagonals of the road and grass below.

The colour palette is muted – with greens, browns, soft greys, and sky blues creating harmony and warmth throughout.

This oil on board is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some paint losses on its left side.

Size: 36 x 44 cm (including frame)

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Desert Geometry

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A striking modernist style landscape oil painting, by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

The painting presents a stylised desert architectural scene, rendered with crisp, geometric clarity. A row of low-slung buildings is depicted against a pale, arid sky, their forms distilled into minimalist blocks of colour and shape. Dominating the composition is a tall, rust-toned cylindrical structure – likely a water tower – flanked by low beige and ochre buildings with charcoal roofs. Two cactus-like forms punctuate the left of the frame, introducing a playful yet sparse nod to the desert landscape.

The palette is subdued and sandy: soft ochres, warm beige, muted browns, slate grey, and a whisper of terracotta. The artist has used broad, confident brushstrokes and thickly applied paint, lending texture and tonal variation to the otherwise flat expanses.

The work has a meditative stillness, with the flattened perspective and architectural rhythm evoking a quiet, sun-drenched afternoon in an empty town.

This oil on board is housed in a complementary wood frame with an inner linen border. Both painting and frame are in excellent vintage condition.

Size: 34 x 52.5 cm (including frame)

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Impression of a Town

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An expressive and dynamic mid-century modernist painting that captures a vibrant urban townscape street scene, executed in oil onto canvas and dated 1970.

The scene unfolds from an elevated perspective, looking down a narrow street flanked by terracotta rooftops, brown and sand coloured façades, and other architectural forms. A cluster of rooftops and chimneys gives way to a distant dome, while a tall crane looms subtly in the background.

Painted with vigorous, assured brushstrokes, the work blends figuration with abstraction, favouring impression over precision. The artist employs a warm, earthy palette – orange, mustard, slate, and burgundy – offset by cooler greys and whites that evoke a moody, overcast sky. Areas of thick, dry brushwork and layered paint convey the texture of old walls and cobbled ground, while vertical lines and angular forms lead the eye deep into the composition.

Lively yet grounded, this piece wonderfully captures the atmosphere and rhythm of everyday life in a city as it quietly unfolds.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has minor scuffing.

Size: 73.5 x 78.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Love Under the Trees

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A small but vibrant modernist oil composition, painted onto canvas.

The painting depicts a cosy outdoor scene with two people sitting on a bench under a lush tree.

The scene is set in what appears to be a courtyard or plaza, with a cobblestone ground, benches, and a doorway in the background. A black and white cat is resting in the foreground, adding a playful element to the piece.

The dominant green and yellow leaves of the tree contrast beautifully with the soft pink and blue hues of the background. The painting’s overall colour scheme is warm, inviting, and slightly whimsical, with a mix of pastel and bright shades.

The painting features thick, visible brushstrokes, giving it a textured, almost sculptural quality. The outlines are somewhat rough and expressive, enhancing the sense of spontaneity and movement.

This oil on canvas is enclosed in a simple white frame, which complements the bright colours and playful nature of the artwork without overpowering it. Both the painting and frame are in excellent vintage condition.

Size: 36.5 x 27.5 cm (including frame)

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Nocturne City Lights

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A striking mid-century cityscape that captures the shimmering energy of an urban night scene, translated into a rich tapestry of colour and geometric abstraction, executed in oil onto canvas.

The composition is structured with bold, interlocking blocks and angular shapes, suggesting the rhythm of buildings, windows, bridges, and reflections on water. A procession of glowing yellow-lit windows runs across the centre, evoking a row of houses or perhaps a train, cutting a luminous path through the darkness. Above, sharp angular rooftops and scaffolding-like forms rise into a deep indigo and violet sky, punctuated by hints of streetlamps and architectural details.

The artist’s palette is rich and vibrant, dominated by jewel tones of cobalt blue, violet, crimson, and emerald green, balanced with the warmth of orange, red, and brown. The glowing yellow windows add a brilliant contrast, animating the scene with a sense of movement and vitality.

The brushwork is expressive and textured, with bold, layered strokes that give depth and tactile richness to the surface. Each shape feels carefully constructed, yet retains the energy of the hand that painted it, merging structure with spontaneity.

This work is a celebration of the modern city at night – a mosaic of light, shadow, and human presence – rendered through the lens of mid-century abstraction.

This oil on board is presented in a beautiful wood frame that has a unique beaded detailing. Both the painting and frame are in excellent vintage condition.

Size: 49.5 x 90.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Town of Cadaqués

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A mid-century modernist painting that presents a strikingly abstracted view of the coastal town of Cadaqués in Spain, executed in oil onto board and dated 1956.

The artist has distilled the clustered houses into bold, geometric blocks, evoking the distinctive terracotta and ochre rooftops set against pale walls. The composition has layered these forms across the surface in rhythmic harmony, suggesting the tight-knit hillside architecture that characterises Mediterranean villages.

Executed in a restrained palette of earthy ochres, muted greys, soft whites, and warm clay tones, the work captures both the warmth of sunlit surfaces and the cool shadows of narrow streets. The brushstrokes are broad, textured, and deliberate, leaving visible traces of the painter’s hand and imbuing the scene with a raw, tactile energy.

The overall effect is both architectural and atmospheric, blending abstraction with place-specific memory. The painting overall has a focus on simplification, harmony of form and colour, as well as on structural essence rather than detail.

This oil on board is presented in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some marks.

Size: 43 x 59 cm (including frame)

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By the Arches

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A striking and very well executed mid century modernist composition in oil, painted onto board by by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

It depicts a stylized North African architectural scene, characterized by a row of arched windows and whitewashed buildings with flat roofs. The structure is rendered with bold, simplified shapes and thick black outlines, giving it a graphic, modernist quality.

The palette is warm and muted, dominated by creamy whites, ochres, deep blues, and burnt siennas, evoking a desert or sunlit townscape. The composition is horizontally oriented, emphasizing the linearity of the architecture and the contrast between the built environment and the figures.

The painting has a modernist, almost expressionistic style, with an emphasis on shape, shadow, and form over fine detail. The mood is contemplative and quiet, possibly evoking the heat and stillness of a midday scene. The use of flat perspective and colour blocking contributes to a sense of abstraction, while still grounding the image in recognizable, real-world elements.

The painting is well presented in a gilt frame which suits it impeccably. Both painting and frame are in excellent vintage condition.

Size: 36.5 x 76 cm (including frame)

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By the White Walls

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A simple yet sophisticated mid-century modernist style painting, executed in oil onto canvas by the established Swedish artist Fabian Lundqvist (1913-1989), whose works have been represented in many public collections in Sweden.

The composition focuses on a female figure set against an abstracted and minimalist architectural background. The buildings are rendered with clean, almost block-like forms which are devoid of intricate details and that evoke a Mediterranean aesthetic. The woman’s dark dress, adorned with small dots, contrasts with the otherwise monochromatic palette, adding a subtle focus on her presence.

The brushstrokes are soft and gentle, contributing to the smoothness of the surface. The painting predominantly uses muted tones of grey and white, accentuating the calm and contemplative mood. The woman’s dress introduces a slightly warmer tone, and her yellow handbag serves as the only bright accent, drawing the viewer’s attention and breaking the monochromatic harmony.

This oil on canvas is housed in a complementary silver frame with an inner linen border. The painting is in excellent vintage condition, and the frame has some scuffs at its edges as shown.

Size: 49 x 57 cm (including frame)

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Gathered by the Piano

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An intimate and lively mid-century semi-abstract composition that captures a dynamic group scene, painted in oil onto board.

The scene appears to depict a lively social gathering centred around music, with a man playing the piano on the right side of the composition and with a group of people behind him dancing around.

The artist has used minimal details on the figures, which have been simplified into abstract forms, focusing on colour and brushstrokes over realistic details.

The colour palette comprises of muted soft tones with hints of black. The brushstrokes are loose, gestural and expressive – adding to the sense of spontaneity. This encourages viewers to feel the energy of the scene rather than focus on precise details.

This oil on board is housed in a wood frame with an inner cream border. Both the painting and frame are in excellent vintage condition.

Size: 32 x 41 cm (including frame)

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Stairwell Passage

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An abstract mid-century painting that presents a loosely structured cityscape, likely depicting an alleyway or stairwell framed by urban architecture, executed in oil onto canvas.

The subject matter is suggested rather than precisely defined, with forms of stairs, walls, and a slender lamppost-like shape emerging through layered brushstrokes. The scene gives an impression of movement and transience, as if glimpsed quickly while passing through.

Executed in an abstract expressionist manner, the work balances between representation and abstraction. While there are hints of architectural elements, the focus is on atmosphere and painterly effect rather than literal detail. The composition is dynamic, with angled lines creating depth and perspective that draw the eye inward.

The brushwork is energetic and varied – broad, gestural sweeps contrast with more angular, deliberate marks to suggest structure. The layering of muted shades create texture and depth, with areas of raw canvas and loosely applied paint adding to the painting’s immediacy. The strokes appear spontaneous yet controlled, giving the composition a sense of rhythm and vitality.

This oil on canvas is housed in a complementary floater gilt frame. The painting is in very good vintage condition, and the frame has some paint marks at its left edge.

Size: 75 x 59.5 cm (including frame)

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The Queue

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A whimsical and bustling mid-century painting depicting a scene with a winding line of people, each captured in distinctive attire and posture, painted in oil onto board.

Capturing a lively cross-section of society as they wait in a winding queue, the figures are depicted in a delightful variety of attire from formal suits and military uniforms to bright dresses and patterned coats, as they snake across the snowy ground in an elegant S-curve and their colourful garments enlivening the cool, pale backdrop.

Executed in a naïve, narrative style, the work offers a playful yet observant glimpse into human behaviour and community life. The artist’s use of short, textured brushstrokes imparts an engaging sense of movement, while small dabs of colour suggest faces, gestures, and clothing details with economical charm. The light, neutral background allows the vibrant reds, yellows, blues, and greens of the crowd to sing, creating a joyful rhythm across the surface.

A particularly striking feature of this work is the way the composition subtly and playfully extends beyond the picture plane – figures at the lower right spill over into the surrounding rustic wooden frame. This unusual style blurs the boundary between artwork and frame, drawing the viewer further into the scene and giving the impression that the lively procession continues beyond the canvas itself.

This oil on board is housed in a wide-profiled distressed wooden frame which complements the painting’s vintage charm. Both painting and frame are in excellent vintage condition.

Size: 34.5 x 29.5 cm (including frame)

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Winter Corner

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A charming and lively winter street scene composition animated by everyday life, painted in a Naïve, expressive style, executed in oil onto canvas and dated 1975.

A lively cross-section of the town unfolds beneath a snowy sky, with bundled-up pedestrians and children, bustling traffic, and colourful facades of buildings. At the forefront, a group of figures walks across a snow-covered road, while a café scene to the left offers a warm interior contrast, its aqua-blue curtains framing diners mid-conversation.

Rendered in a naïve style, the work is rich in storytelling detail and communal warmth. The brushstrokes are expressive and confident, with thick applications of paint lending a textured, tactile quality to the icy streets and clothing folds. The palette is joyful and vivid – icy blues, moss greens, reds, and apricot tones come together to enliven the cold winter setting, while bold outlines and rhythmic patterns give the composition a whimsical structure.

This oil on canvas is housed in a complementary wood frame. The painting is in excellent vintage condition, and the frame has very minor scuffs.

Size: 50 x 54.5 cm (including frame)

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Spanish Dome

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A brilliantly executed cityscape oil composition, painted in 1958 by the established Swedish artist Ivar Morsing (1919-2009), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Kalmar Museum, and Jönköping Museum.

The composition features a cityscape of buildings including a tall church dome in Spain, set against a soothing clear blue sky.

Containing elements of abstraction and cubism, the artist has reduced the composition down to blocks of contrasting colours, and the deliberate omission of realistic details encourages viewers to focus on the overall structural highlights as well as on colour.

The dominant use of brown, black and cream shades create a warm and earthy atmosphere, and the contrasting tones help to create a sense of depth.

This oil on board is housed in a well-suited gilt frame with an inner linen border, that illuminates the painting. Both the painting and frame are in excellent vintage condition.

Size: 32 x 51 cm (including frame)

The vessel seen in the photos is also available to purchase and details can be viewed here.

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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