• Mountain Monastery

    Mountain Monastery

    £550

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    A large and captivating mid-century modernist geometric abstract painting, executed in oil onto canvas.

    The composition features three nuns dressed in black and with triangular orange faces, walking down from an abstracted mountainous landscape. Their simplified geometric forms give them a strong sense of movement, guiding the viewer’s eye toward the background, which consists of rolling green hills, a blue sky, and a large, stark white and black architectural structure on the right.

    Containing elements of geometric abstraction and cubism, the painting emphasises bold, angular forms and a structured composition. The artist has skilfully used a simplified, almost stained-glass-like approach to render the scene, with thick black outlines segmenting each shape.

    The brushwork appears smooth and controlled, lending the painting a polished and deliberate aesthetic. The combination of geometric stylisation and minimal detail creates a contemplative yet dynamic composition that is visually engaging.

    This large oil on canvas is housed in a complementary wood frame. Both painting and frame are in excellent vintage condition.

    Size: 74 x 52.5cm (including frame)

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  • Quiet Commune

    Quiet Commune

    £1,015

    Available

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    A minimalist and serene mid-century modernist style composition, executed in oil onto canvas by the established Swedish artist Fabian Lundqvist (1913-1989), whose works have been represented in many public collections in Sweden.

    The focal point of the composition are three figures in black attire, each depicted in an enigmatic stance. They are depicted against abstracted architectural buildings that has been simplified into white cubic structures of differing heights, stretching out into the distance.

    The palette is restrained, dominated by soft, neutral tones of white and beige. These soft colours create a subdued atmosphere, evoking a sense of tranquillity.The black silhouettes of the figures create a stark visual contrast, grounding the composition.

    The brushwork is smooth and deliberate, with an emphasis on flat, even application of paint to create clean lines, imbuing  a sense of calmness throughout the artwork.

    This oil on canvas is housed in a complementary frame with an inner cream border. Both the painting and frame are in excellent vintage condition.

    Size: 49 x 56 cm (including frame)

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  • Basket Carriers

    Basket Carriers

    £435

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    A wonderful mid century modernist composition, painted in oil onto canvas.

    Two figures with baskets on their heads are depicted through the use of broad and distinct brushstrokes. The artist has omitted realistic detailing, opting instead to focus on the forms, shape and colour of the figures and their surroundings. The palette is muted, with the use of darker blues and purple set against areas of white. The vertical orientation of this painting makes it ideal for narrow spaces, and its distinctive modernist style of painting and frame will certainly make it a statement piece.

    This oil on canvas is housed in a complementary wood frame with an inner gilt and linen window. The painting is in excellent vintage condition, and the linen border has some slight wear and age toning present.

    Size: 74 x 43.5 cm (including frame)

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  • Pedestrians

    Pedestrians

    £530

    Available

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    A small yet very impactful modernist street scene composition, executed in oil onto board.

    This composition presents a bustling street scene where pedestrians  are walking amidst tall coloured buildings. Painted in a semi-abstract manner, the artist has used the expressive qualities of rich and saturated colour as well as energetic and textured brushstrokes to capture the liveliness of this scene.

    This oil on board is housed in a stunning deep-profiled cream frame that pairs wonderfully with the painting.  Both painting and frame are in excellent vintage condition.

    Size: 35 x 30 cm (including frame)

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  • Chimneys

    Chimneys

    £395

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    A very well executed mid century modernist winter street scene composition in oil, painted onto canvas.

    This charming streetscape features a very textured surface, with several areas of impasto where the artist has worked the surface with thick, blended colours in oil. There is a beautiful juxtaposition between the earthy colours of the houses against the white of the snow. Little chimneys with bellowing smoke peek out along the tops of the houses, creating this very quaint and homely scene.

    The painting is housed in a light wood frame with an inner linen lined border. Both painting and frame are in good vintage condition.

    Size: 31 x 66 cm (including frame)

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  • City Tour

    City Tour

    £650

    Available

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    A lively and energetic city street scene composition, executed in oil onto canvas and dated 1998 by Swedish artist Uno Vallman (1913-2004) whose works are included in the Swedish National Museum, the Swedish Modern Museum, and also in the collections of Lyndon Johnson, Jimmy Carter, and the Tessin Institute in Paris.

    Containing elements of fauvism and expressionism,  this striking painting presents a bustling street filled with people strolling the sidewalk. Behind them lies a street with blue cars, followed by a view of the city skyline.

    An array of rich and uplifting colours as well as distinct energetic and intuitive brushstrokes fill the canvas, imbuing the work with a sense of dynamism. The artist has also used black outlines that provide a sketch-like quality that emphasises the silhouettes of the buildings, cars, and figures.

    This oil on canvas is housed in a complementary robust frame with gold leaves, and with an inner linen border. The painting is in excellent vintage condition, and the frame has some scuffs to its edges.

    Size: 64.5 x 56 cm (including frame)

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  • Off to School

    Off to School

    £265

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    A lovely and endearing miniature oil on canvas depicting a scene of a pedestrian walkway on a fine summer’s day.

    A woman in the foreground can be seen walking with her 2 children to drop them off at school. They are holding flowers in their hands, that they’ve picked along their journey.

    Rich and saturated colours fill this energetic painting; and the short and textured brushstrokes imbue the work with a sense of liveliness and joy.

    What’s special too is that the artist has uniquely enhanced the greenery portion by adding graphite detailing in a ‘scribbled’ manner, adding a sense of three-dimensionality to the trees.

    The painting is housed in a white card mount, and a green stained wood frame with a blue and gold inner wood border. The colours of the frame pick up on the colours within the painting beautifully, making it stand out even more. The work is glazed (there is a layer of plexiglass between the frame and the painting) to ensure its longevity.

    Both painting and frame are in excellent vintage condition.

    Size: 32 x 25.5 cm (including frame)

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  • Balcony Garden

    Balcony Garden

    £420

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    A richly textured and charming mid-century painting, executed in oil onto canvas.

    Small yet impactful in its composition, the composition presents a lively and scenic view of a balcony window, surrounded by a lush garden of vibrant flowers in bloom.

    There is an explosion of colours on the canvas – with bold and rich hues imbuing the painting with liveliness. The artist has also skillfully applied thick and textured brushstrokes – using the impasto technique to create a visually tactile and expressive surface, resulting in a three-dimensional quality.

    This oil on canvas is housed in a deep and ridged gilt frame with an inner white border. Both the painting and frame are in excellent vintage condition.

    Size: 32 x 26 cm (including frame)

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  • City Stroll

    City Stroll

    £775

    Available

    Free shipping to UK, Europe and Singapore.

    A very pleasant modernist oil street scene composition, painted by the established Swedish artist Stig Wernheden (1921-1997), whose works have been represented at public collections in Sweden including the Moderna Museet, Malmö Museum, Snuff & Match Museum, Ystad Art Museum and Malmö City Hall.

    The painting features a scenic and charming city surrounded by lush greenery. In the foreground, a group of figures are depicted on a pathway walking towards the city.

    Painted with a modernist ethos, the artist reconstructed the buildings into flat blocks of contrasting colours to create a sense of space and depth.

    The painting evokes a soothing and relaxing quality, brought through the use of soft and precise brushstrokes, as well as a gentle palette of predominant cool light tones.   

    This oil on canvas is housed in a very well-suited wood frame with an inner silver window that pairs wonderfully with the painting. Both painting and frame are in very good vintage condition.

    Size: 44 x 66cm (including frame)

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  • Houses at Midnight

    Houses at Midnight

    £575

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    A delightful modernist-style composition, executed in oil onto canvas and dated 1998.

    This picturesque composition presents a night scene of a quiet neighborhood filled with houses. The scene is set under a beautiful blue sky, and a luminous crescent moon graces the night sky.

    The artist has used very fine brushstrokes to create a smooth, even finish, imbuing the painting with a sense of playfulness, yet skilfully capturing the stillness of the night. There is a sincerity to the painting’s simplicity, both in vision and in execution. Its ‘Naïve’ character captures what many modernists seek –  to move away from what they see as the insincere sophistication of art created within the traditional system.

    This oil on canvas is housed in a complementary deep and ridged silver frame that suits the painting very well. Both the painting and frame are in excellent vintage condition.

    Size: 40 x 65 cm (including frame)

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  • Abbey Remains

    Abbey Remains

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    A striking mid-century modernist painting that captures the elegance of the remains of a Gothic abbey, rendered in angular, abstracted forms, executed in oil onto board and dated 1955.

    The artist has deconstructed the architecture into bold geometric shapes and intersecting planes, offering a stylised, almost cubist interpretation of the structure. The skeletal remains of arched windows, pointed gables, and weathered stone towers are set against a pale, faceted sky and softly undulating hills.

    The palette is restrained yet evocative, with cool greys, browns, and muted greens dominating the composition. Subtle highlights of light blue and off-white suggest shifting daylight, lending a fragile luminosity to the scene. Thick, confident brushstrokes applied in mosaic-like patches give the surface a textured, tessellated effect, echoing the crumbling but enduring nature of the abbey itself.

    This oil on board  is housed in a beautiful distressed wood frame that pairs wonderfully with the painting. The painting is in excellent vintage condition, and the frame has minor scuffs.

    Size: 33.5 x 43 cm (including frame)

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  • The Green Gate

    The Green Gate

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    A charming mid-century street scene depicting a secluded entrance framed by whitewashed pillars and a deep green gate, executed in oil onto canvas.

    Beyond, lush foliage rises above and around the entrance, loosely rendered in overlapping forms that give the impression of a verdant garden hidden from view. The central gateway draws the eye into the composition, lending the scene a wonderful sense of intimacy and intrigue.

    Painted in a distinctly modernist, semi-abstract style, the artist simplifies the architectural elements and surrounding foliage into expressive blocks of colour and loosely defined shapes. The strong geometry of the gate and pillars contrasts beautifully with the softer, more organic forms of the nature above.

    The palette combines chalky whites, forest and olive greens, yellow, earthy terracotta and muted brown, with touches of dusty pink and mauve. The deep green gate provides a strong visual anchor, while the varied greens and warmer tones suggest abundant foliage catching the light.

    The paint has been applied with a wonderfully tactile and expressive hand. Broad, directional brushstrokes and generous passages of impasto build up the foliage, creating a richly textured surface, while looser, thinner strokes define the architecture and foreground. This contrast in handling gives the work a lively, spontaneous quality.

    This oil on canvas is presented in a complementary slender warm-toned wooden frame. Both the painting and frame are in excellent vintage condition. 

    Size: 39.5 x 32 cm (including frame)

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  • Houses with Red Roofs

    Houses with Red Roofs

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    A mid-century painting that presents a semi-abstracted urban scene with houses, executed in oil onto canvas.

    Angular rooftops in bold terracotta tones dominate the composition, intersecting with planes of pale green, lavender, and cream. A suggestion of a tree in soft green stands alongside the houses, its form simplified into blocky, geometric shapes. The sun, a muted pink disc, hovers subtly in the background, adding a sense of atmosphere.

    The palette balances warm hues with muted pastels, giving the work both vibrancy and restraint. The brushstrokes are textured and expressive, with areas where the paint has been applied more thickly, creating surface depth and variation. The overall effect is a harmonious interplay of abstraction and representation, where familiar architectural forms are distilled into their essential planes of colour and shape.

    This oil on canvas is presented in a solid wooden frame with a rich, warm brown finish. The painting shows some areas of paint loss and craquelure across the surface, characteristic of age. However, the paint layer remains stable. The frame is in good vintage condition.

    Size:  54 x 49 cm (including frame)

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  • Interior Looking Out

    Interior Looking Out

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    A compelling mid-century painting that explores the relationship between an intimate interior and the exterior world beyond, painted in oil in 1958 by the established Swedish artist Richard Björklund (1897–1974), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Malmo Museum, Ystads Art Museum, and others.

    The viewer appears positioned within an enclosed room, looking outward through a doorway or architectural opening towards a fragmented exterior landscape.

    The composition reveals clear influences of Cubism and geometric abstraction, with both the interior and exterior reduced to overlapping planes, angular forms and blocks of colour. Rather than relying on conventional perspective, the artist constructs space through intersecting shapes and shifting viewpoints, allowing the boundaries between foreground, interior architecture and the world outside to subtly dissolve.

    Within the foreground, broad passages of red, burgundy, mustard, forest green and deep blue suggest the interior through abstracted fragments of flooring, furnishings and shadow. Tall vertical planes of powder blue, grey and creamy white frame either side of the composition, creating the impression of walls or a doorway and directing the eye towards the exterior.

    Beyond this opening, the outside world becomes increasingly fragmented. Geometric arrangements of blue, brown, olive, grey and black loosely evoke buildings, rooftops and windows, while small golden-yellow forms towards the upper centre suggest structures illuminated by light. The exterior remains recognisable without ever becoming literal, hovering beautifully between architecture and pure abstraction.

    The palette is rich and confidently balanced, with saturated reds and blues offset by earthy browns, muted greens, cool greys and whites. Dark passages of charcoal and near-black provide structure, while flashes of yellow and orange bring warmth and rhythm to the composition.

    Paint is applied in broad, assured strokes, with visible brushwork and deliberately softened, irregular edges preventing the geometric construction from feeling overly rigid. Areas of dense, opaque pigment contrast with thinner and more loosely worked passages, giving the surface a wonderfully tactile quality

    This oil on canvas is presented in an elegant gilt wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

    Size: 71.5 x 49 cm (including frame)

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  • Autumn Streetwalk

    Autumn Streetwalk

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    A vibrant mid-century modernist street scene composition, executed in oil onto canvas.

    The artwork portrays a pathway with autumnal trees, their foliage bursting with deep oranges, reds, and yellows. The background features blues and greys, likely representing distant mountains under a pale sky.

    Modernist in its ethos with semi-abstract qualities, there is a focus on form, colour, and movement, as opposed to realistic details. The various forms have been simplified into angular, geometric shapes, and the composition has a dynamic feel.

    The colour palette is bold and harmonious, as the warm autumn tones contrast against the cooler blues and greys, creating visual tension.

    The loose and expressive brushwork have been confidently executed. Its gestural applications adds depth and energy to the scene.

    This oil on board is housed in a complementary wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

    Size: 55 x 49 cm (including frame)

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  • Chair by the Archway

    Chair by the Archway

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    A large mid-century painting that presents a loosely abstracted scene of an arched doorway with a simple chair set before it, executed in oil onto canvas.

    The subject matter is reduced to essential outlines and shifting planes of colour, creating a sense of suggestion rather than literal depiction.

    The style leans towards post-impressionist abstraction, with forms softened and fractured through expressive brushwork. The artist plays with spatial ambiguity – lines of the chair, arch, and surrounding walls overlap and dissolve into one another, giving the composition a dreamlike and fleeting quality.

    The colour palette is dominated by cool blues and violets, balanced with soft orange, greens, and hints of coral pinks and yellows. These tones are applied in broad, translucent layers, often broken with linear accents, suggesting both architectural structure and natural surroundings.

    The brushstrokes are loose, gestural, and exploratory, with an emphasis on rhythm and energy over precision. The interplay of quick vertical and diagonal strokes with washes of blended colour creates both depth and movement, evoking a meditative interior-exterior space.

    This oil on canvas is presented in an elegant gilt frame complemented by an inner band of reddish-brown wood grain that adds warmth and depth. Both painting and frame are in excellent vintage condition.

    Size:  70 x 59 cm (including frame)

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  • Coastal Descent

    Coastal Descent

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    A very soothing mid-century modernist painting that captures a sun-drenched coastal village, executed in oil onto canvas.

    The viewer is positioned atop a steep stone path that winds between whitewashed walls, terracotta roofs, and geometric stone facades, descending toward the vivid blue sea. Three figures clad in dark robes – possibly local women carrying items on their heads – add a quiet human rhythm to the otherwise architectural scene.

    Rendered in flattened planes and simplified forms, the painting embraces a distinctly modernist approach. The brushwork is thick and confident, with textures and scumbled surfaces lending weight to the cobbled path and sky alike. The palette is subdued yet radiant: earthy browns and clay reds contrast with greys, chalky whites, and Mediterranean blues, invoking both warmth and distance.

    This oil on canvas is housed in a complementary distressed style wood frame. The painting has small areas of craquelure present, but the paint layer is stable and it is in good condition overall. 

    Size:  64 x 79.5 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

     

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  • Old Town Passage

    Old Town Passage

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    An expressive mid-century street scene that capture an old European laneway, where tall weathered buildings rise on either side to create a narrow corridor of light and shadow, executed in oil onto board.

    The composition naturally draws the eye towards a softly illuminated archway in the distance, where two silhouetted figures lend a sense of scale and quiet narrative. A third figure, distinguished by a vivid yellow garment, introduces a welcome focal point and a subtle moment of everyday life within the otherwise muted streetscape.

    Executed in an expressive modernist style with strong impressionistic influences, the artist favours atmosphere over architectural precision. The buildings are simplified into broad geometric forms, while the converging lines of staircases, windows and facades create an engaging sense of depth and perspective.

    The palette is beautifully restrained, composed of soft sage greens, muted blues, warm browns, stone greys and touches of dusty rose. These earthy hues are punctuated by crisp white window highlights and the striking accent of bright yellow, while the glowing light beneath the archway creates a compelling contrast against the cooler shadows of the surrounding buildings.

    Confident, painterly brushstrokes animate every surface, with layers of broken colour and visible texture suggesting weathered stone, aged plaster and reflections across the cobbled street. Loose, energetic applications of paint give the work vitality without sacrificing structure, allowing the architectural forms to emerge organically from the interplay of colour and light.

    This oil on board is presented in a beautiful distressed wood frame with a warm gilt inner slip. Both the painting and frame are in excellent vintage condition.

    Size: 60 x 52 cm (including frame)

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  • Echoes of the Street

    Echoes of the Street

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    An atmospheric modernist style mid-century cityscape painting that captures a quiet urban street running alongside a canal, painted in oil onto canvas.

    Executed in a restrained modernist style, the artist has used broad, simplified forms and minimal detail to emphasise mood over realism. The palette is composed of muted greys, earthy browns, and beige, softened by pale green reflections in the canal water. The brushstrokes are loose yet deliberate, with visible textures and layered tonal variations that add depth to the otherwise stark geometry.

    There is a quiet melancholy to the work, evoking a sense of solitude and introspection within the starkness of the urban landscape.

    This oil on canvas is presented in a complementary ridged white-painted wood frame. The painting is in excellent vintage condition, and the frame has some scuffs along its edges as shown.

     

    Size: 76 x 86.5 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Silent Conversation

    Silent Conversation

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    An evocative mid-century modernist painting, executed in oil onto canvas by the established Swedish artist Fabian Lundqvist (1913-1989), whose works have been represented in many public collections in Sweden.

    The painting captures two solitary figures standing within the hushed streets of a whitewashed village. Simplified architectural forms, a single telegraph pole, and an expansive muted sky create a scene that feels both timeless and deeply contemplative. The figures, dressed in dark garments, provide a quiet human presence against the geometric simplicity of the surrounding buildings, inviting the viewer to imagine an unspoken exchange or fleeting encounter.

    Executed in a restrained modernist style, the composition balances architectural abstraction with subtle narrative. Large, simplified planes of colour and carefully considered negative space reflect the influence of mid-century European painting, where atmosphere and emotional resonance take precedence over fine detail. The crisp geometry of the buildings contrasts beautifully with the softened silhouettes of the figures, creating a harmonious tension between structure and humanity.

    The colour palette is exceptionally understated, comprising warm greys, soft taupes, creamy whites, muted browns and charcoal blacks. These earthy, neutral tones are gently modulated, lending the painting a tranquil, almost dreamlike quality. The subdued palette evokes the fading light of dusk or the gentle haze of an overcast afternoon.

    Brushwork is delicate and controlled throughout. Thin, smoothly blended layers create velvety transitions across the sky and architectural forms, while subtle tonal variations prevent the broad areas of colour from appearing flat. The restrained handling of paint reinforces the painting’s calm, meditative atmosphere, allowing composition, light and mood to become the primary focus.

    This oil on canvas is presented in a beautiful dark wood frame with and inner gilt window and linen border. The painting is in excellent vintage condition, and the frame has some scuff marks. 

    Size: 57 x 65 cm (including frame)

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  • Snowy Rooftops

    Snowy Rooftops

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    A small yet evocative mid-century abstract painting that presents an interpretation of a wintry urban landscape, executed in oil onto board.

    Likely viewed from an elevated vantage point, the composition depicts snow-covered rooftops and architectural forms simplified into bold planes and tonal contrasts, hinting at chimneys, dormers, and stone facades under a muted sky.

    Rendered in a restrained palette of cold greys, browns, and beiges, the painting evokes the quietude of a snow-blanketed city. The brushwork is dynamic yet deliberate – broad, textured strokes create rhythmic abstractions of built forms, while impasto accents add depth and tactile intensity. The work borders on abstraction but retains enough figuration to suggest a real, lived environment – familiar yet stylised.

    This oil on board is housed in a complementary gilt. Both the painting and frame are in excellent vintage condition. 

    Size: 32.5 x 32.5 cm (including frame)

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  • The White Doors

    The White Doors

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    A mid-century painting that presents a quietly striking view of a barn facade,  painted in oil onto canvas board.

    The composition is front-facing and architectural, reducing the subject to its essential planes and proportions. White doors – each slightly misaligned and marked by age – create a rhythmic sequence across the surface, punctuated by hinges, latches, and subtle irregularities in the wood.

    Stylistically, the work reflects a mid-century modern sensibility, where everyday vernacular architecture is treated with restraint and formal clarity. The artist balances realism with a gently abstracted approach, emphasising geometry, repetition, and surface texture over narrative detail.

    The colour palette is warm yet grounded: rich reds dominate the background, softened by the chalky whites and pale greys of the doors. Muted shadows and earthy undertones add depth, while the roofline introduces a darker band that anchors the composition.

    Brushstrokes are deliberate and tactile, particularly visible in the vertical planks and the layered paint on the doors. The handling of paint suggests careful observation: neither loose nor overly polished, allowing the texture of wood and the passage of time to subtly emerge. Overall, the painting conveys a sense of stillness and quiet endurance, capturing beauty in the functional and the worn.

    This oil on canvas board is mounted onto a complementary silver painted wood frame with an inner wood border.  Both the painting and frame are in excellent vintage condition.

    Size: 28.5 x 36.5 cm (including frame)

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  • Sunlit Terraces

    Sunlit Terraces

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    A charming painting that captures a clustered arrangement of buildings, their rooftops stepping gently across the composition in a rhythmic, almost conversational way, executed in oil onto canvas and dated 1974.

    Balconies, chimneys, and terraces overlap in a layered architectural tapestry, while a softly rendered tree in the foreground adds a sense of life and movement. The scene feels intimate and still, suggestive of a warm afternoon where time slows and light lingers.

    Executed in a distinctly mid-century modern style, the work leans toward a stylised realism with subtle abstraction. Forms are simplified and slightly geometric, yet retain enough detail to anchor the scene in familiarity. The perspective is intentionally flattened, allowing the buildings to stack decoratively rather than recede deeply into space, giving the composition a pleasing, almost tapestry-like quality.

    The colour palette is warm and sun-drenched, dominated by terracotta oranges, sandy beiges, and soft creams, contrasted with muted greys and a cool, textured sky. Pops of turquoise and green in the windows and foliage provide freshness and balance, enlivening the otherwise earthy tones.

    Brushstrokes are confident and visible, with a slightly dry, textured application that allows the canvas to breathe through in places. Edges are softly defined rather than sharply outlined, lending the piece a gentle, atmospheric cohesion. The handling of paint – particularly in the sky and foliage – creates a subtle vibrancy, as if the entire scene is lightly shimmering under the sun.

    This oil on canvas is presented in a beautiful wood frame finished in a soft, warm cream. Both the painting and frame are in excellent vintage condition. 

    Size: 47.5 x 55.5 cm (including frame)

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  • Harbour Promenade

    Harbour Promenade

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    A charming and expressive street-and-harbour scene painting that  captures a lively moment along the waterfront, executed in oil onto board and dated 1976.

    Several figures stroll casually along the promenade: some walking in pairs, others heading toward a moored sailboat – while a small dog trots alongside its owner. Across the water, soft-edged buildings form a pastel skyline, giving the piece a distinctly coastal atmosphere. The scene feels leisurely and sunlit, evoking the quiet rhythm of everyday life by the marina.

    Rendered in a light, impressionistic hand, the artist has used loose, confident brushstrokes to suggest movement and light without over-defining forms. The palette consists of lively pastels: sky blues, coral pinks, yellows, greens – layered in translucent strokes that create a luminous, breezy mood. The brushwork is relaxed and painterly, allowing the underlying texture of each stroke to remain visible and enhancing the sense of spontaneity.

    This oil on board is presented in a well-suited textured linen-covered matting paired with a slim gilt inner window. The painting is in excellent vintage condition, and the frame has some light surface marks present to its inner frame on the left side.

    Size: 41.5 x 49.5 cm (including frame)

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  • Mediterranean Rooftops

    Mediterranean Rooftops

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    A mid-century painting that captures the sunlit charm of a coastal Mediterranean village, where whitewashed houses rise in layered planes against the calm backdrop of the sea, executed in oil onto canvas and dated 1968.

    The subject matter focuses on architectural forms – flat rooftops, arched facades, and shaded recesses – simplified into interlocking blocks of light and shadow. A few dark accents of trees break the uniformity of white, grounding the composition with contrast.

    Painted in a modernist style, the work emphasizes structure and atmosphere over detail, with an almost abstract quality to the geometry of the buildings. The palette is restrained, dominated by soft whites, pale greys, and cool sky blues, punctuated by deep green-blacks that suggest foliage.

    The brushstrokes are broad, fluid, and confident, applied in sweeping motions that suggest light glancing across plaster walls. Layers of paint overlap loosely, creating a sense of immediacy and spontaneity, while still retaining a balance of form and rhythm. The overall effect is serene yet dynamic – an evocative study of place through shape, tone, and atmosphere.

    This oil on canvas is presented in a complementary gilt frame. There is a small indentation to the canvas on the top half, otherwise the painting is in good vintage condition. The frame has some scuffs.

    Size: 49 x 56 cm (including frame)

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  • The Joyful Passage

    The Joyful Passage

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    A vibrant and animated mid century street scene composition, painted in oil in 1965 by the established Swedish artist Uno Vallman (1913-2004) whose works are included in the Swedish National Museum and The Swedish Modern Museum, to name a few. His works are also included in the collections of Lyndon Johnson, Jimmy Carter, and the Tessin Institute in Paris.

    The scene unfolds beneath a sweeping sky, where a cluster of buildings with striking red rooftops anchors the composition. In the foreground, a lively crowd moves in rhythmic procession: figures walking, conversing, and carrying bags – evoking the energy of a bustling moment. Tall, slender trees punctuate the scene, their sparse, expressive branches adding vertical tension against the horizontal flow of people and architecture.

    Executed in an expressive, naïve style with strong Fauvist influences, the painting embraces bold colour, simplified form, and an intuitive, energetic handling of paint. Figures are loosely defined with elongated limbs and minimal facial detail, giving precedence to movement and atmosphere over realism. The perspective is flattened, with elements stacked and layered in a playful, intuitive manner.

    The colour palette is bold and uplifting, dominated by sky blues, leafy greens, warm ochres, and vivid reds that draw the eye across the rooftops and through the crowd. These colours are applied with a sense of immediacy, often juxtaposed in unexpected yet harmonious combinations that enhance the painting’s joyful, almost celebratory tone.

    Brushstrokes are energetic and unrefined, with visible, gestural marks that bring a sense of motion and life to the composition. Outlines in darker tones loosely define forms, while dabs and sweeps of paint suggest figures and foliage with an expressive touch. The overall effect is one of warmth and vitality: a charming snapshot of everyday life rendered with personality and flair.

    This oil on canvas is presented in a warm-toned wood frame with a richly grained finish and an inner gilt border. Both the painting and frame are in excellent vintage condition. 

    Size: 52 x 60 cm (including frame)

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  • Village Courtyard

    Village Courtyard

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    A mid-century painting that captures the quiet charm of a rustic village scene, executed painted in oil onto canvas.

    A cluster of brown and cream houses with sloping, dark roofs are nestle into the landscape, their forms framed by a lush green hillside under a muted blue sky. In the courtyard, a lone figure in a deep blue dress stands near a building, while a line of laundry – vivid in red, blue, and white, sways gently between posts. A slender tree with textured, leafy strokes adds rhythm and movement to the composition, while a burst of orange flowers brightens the earthy tones.

    Executed in a modernist style, the work uses simplified, almost blocky architectural forms, contrasting with the more expressive handling of foliage and sky. The palette blends warm ochres, terracottas, and earthy browns with cool greens and blues, creating a balanced, atmospheric harmony. Brushstrokes are confident and varied – broad and textured for buildings and ground, more gestural and layered in the tree and sky –  giving the piece a tactile, painterly quality that evokes both structure and spontaneity.

    This oil on canvas is housed in a complementary wood frame that has a warm, earthy golden-brown finish that complements the painting’s rustic palette. The painting is in good vintage condition. The frame has some light marks but is in good condition overall. 

    Size:  46 x 54.5 cm (including frame)

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  • Winter Lane

    Winter Lane

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    A evocative mid-century composition that captures a quiet winter street scene in a rustic village, where figures bundled in coats wander along a snow-laden path, executed in oil onto canvas.

    Flanked by bare trees and modest cottages with pitched roofs, the composition evokes the stillness of a cold day softened by human presence—two women chatting along a fence, and solitary figures making their way through the slush-covered street.

    Executed in a loose, impressionistic style, the painting features dynamic, swift brushstrokes that build up the texture of snow, branches, and garments with expressive confidence. The palette is dominated by restrained tones – icy whites, blues, muted greys – with subtle warm accents from ochres and reds found in rooftops and clothing details. The artist’s technique imparts a palpable sense of movement and chill, capturing both the beauty and quietude of a mid-century winter’s day. There are areas of heavy impasto, giving the piece a very painterly feel.

    This oil on canvas is housed in a complementary silver frame. Both painting and frame are in excellent vintage condition.

    Size: 33 x 43 cm (including frame)

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  • The Long Way Home

    The Long Way Home

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    A charming and highly evocative 1969 oil on board depicting a quiet urban street scene rendered in a delightfully naïve, expressive style. The composition draws the viewer down a gently winding road flanked by pastel-toned buildings in warm shades of peach, cream and terracotta, their simplified forms giving the scene a dreamlike quality.

    In the foreground, a solitary female figure in a striking red coat walks through the street, becoming an immediate focal point and adding a strong sense of narrative and human presence. Nearby, a bright red car echoes her coat, creating a pleasing visual rhythm across the painting. Bare winter trees and softly suggested architectural details hint at a northern European town, while the muted palette of pale greens, blues and greys lends the work a calm, atmospheric feel.

    This oil on board is housed in a lovely wood frame. The painting is in excellent vintage condition. The frame has a very small loss to the upper right corner as shown.

    Size: 44 x 35.5 cm (including frame)

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  • Courtyard in Soft Light

    Courtyard in Soft Light

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    A tranquil mid-century modern painting that beautifully captures a moment of everyday life, executed in oil onto canvas by Swedish artist Reuben Hedin (1905-1985), whose artworks have been represented in the Växjö Museum, Vetlanda Museum, Kalmar Museum of Art, and Småland Art Archive in Sweden.

    The composition depicts a row of geometric sunlit houses with warm terracotta roofs, arranged in a quiet courtyard-like space. In the foreground, a solitary figure stands beneath a clothesline, arms raised as she hangs freshly washed garments to dry. The small human presence adds a gentle narrative moment, bringing warmth and life to the otherwise architectural setting.

    Painted in a distinctly mid-century modern style, the scene emphasises simplified forms and strong architectural geometry. The houses are constructed from clean planes and angular shapes, with stepped walls, chimneys, and rooflines forming an almost abstract rhythm across the composition. Perspective is flattened and stylised, allowing the interplay of shapes and light to become the central visual language of the work.

    The colour palette is soft yet striking. Terracotta reds and warm peach tones dominate the rooftops and upper facades, while creamy whites and muted beige walls catch the sunlight. Cool greens and soft blue-greys define the courtyard ground and shaded areas, creating a pleasing contrast between warmth and shadow. The subtle shifts in tone suggest late afternoon light drifting across the buildings.

    Brushwork is controlled and smooth, with carefully blended surfaces that give the painting a calm, contemplative atmosphere. Edges are crisp yet softened by delicate transitions of light and shade, allowing architectural forms to appear solid yet serene. The artist uses gentle tonal gradients rather than heavy texture, reinforcing the quiet stillness of the scene.

    This oil on canvas is housed in a complementary gilt frame with an inner linen border. Both the painting and frame are in excellent vintage condition. 

     

    Size: 53 x 61.5 cm (including frame)

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