Sold – Page 9 – The Discerning Palette

Showing 241–270 of 915 results

Flowers & Tomatoes

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A charming mid-century interior still life painting that captures a quiet domestic scene rendered with warmth and texture, executed in oil onto board and dated 1948.

At the heart of the composition, a simple white plate holding three ripe tomatoes sits atop a table draped with an emerald-green cloth. To the side, a blue vase overflows with delicate white daisies, their soft forms contrasting against the bold backdrop of rich green drapery. Behind, a glimpse of an interior window or framed opening deepens the spatial complexity of the piece.

The brushwork is expressive and textured, with visible strokes that build a tactile surface. The colour palette is earthy yet vibrant: deep greens, muted whites, warm reds, and blues create a harmonious yet dynamic visual rhythm. The artist skilfully balances structure and spontaneity, infusing the everyday with a timeless, almost contemplative beauty.

This oil on board is housed in complementary frame. Both the painting and frame are in excellent vintage condition.

Size: 77.5 x 67 cm (including frame)

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Geometric Abstract Collage in Brown

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A very unique original artwork by British artist Dave Boyd constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

The work seeks to utilise the subtle marks inherent in objects that have been used and handled over many years.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang,

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

Size: 29 x 23.5 cm (including frame)

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Geometric Abstract in White

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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

The checkerboard design is asymmetrically positioned, drawing attention to its placement within the larger composition. The use of muted greens and neutral tones adds a natural, organic feel, bringing attention to the age of the fabric.

This piece reflects influences from Bauhaus design, wabi-sabi aesthetics, and modernist abstraction, celebrating simplicity, balance, and the beauty of imperfection. Its quiet elegance makes it a contemplative and visually soothing work.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang,

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

Size: 30 x 25 cm (including frame)

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Landscape Light

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A beautifully textured and soothing mid-century landscape composition, executed in oil onto board and dated 1950.

This panoramic landscape painting presents a view of a meadow barn nestled amidst lush greenery. The scene is imbued with a subtle touch of evening light, delicately portrayed by a patch of light yellow gently illuminating the field.

The colour palette chosen is muted, primarily consisting of soft shades of green, hints of yellow, and accents of red. These hues seamlessly blend to create a harmonious and tranquil atmosphere.

What’s also captivating is the painting’s textural quality brought forth through the skilled use of short and swift expressive brushstrokes, combined with the application of a palette knife.

This oil on board is housed in a painted wood frame that pairs wonderfully with the painting. The painting is in good vintage condition. The frame has paint losses and age wear, but this does suit its vintage distressed style.

Size: 43.5 x 55 cm (including frame)

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Lithia I

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An engaging abstract composition by contemporary British artist Frances Daws, executed in acrylic onto board and dated 2024.

This painting is part of a series of mini abstracts responding to the colours of particular times of the year based on the Celtic calendar. Lithia’s soft blues and pinks, wistful greens are all reminiscent of the sweetness in the air and the suns warmth, of flowers in full bloom and resting under the coolness of the shade from the trees.

This acrylic on canvas board is framed within a ‘St Ives’ style white wooden frame to capture the complexity of the colours within. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

Size: 32 x 37 cm (including frame)

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Low Horizon

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A mid century modernist landscape composition in oil, painted onto board and dated 1958.

This painting is a minimalist landscape, capturing a solitary figure walking down a wide, pale path—possibly a country road—toward a low horizon.

The solitary figure, painted in dark tones, is central and walking away from the viewer, creating a sense of distance, journey, or introspection. The path is a broad, almost white expanse that dominates the foreground and narrows toward the horizon, drawing the eye into the depth of the scene. On either side of the path, blocks of green fields and light brown earth subtly divide the composition. The horizon line is low, with a few small, dark farm buildings or trees silhouetted against a pale blue-grey sky.

The style is impressionistic and minimalist, with loose, broad brushstrokes and a limited colour palette. The use of soft blending and lack of sharp detail gives the painting an atmospheric, serene mood. The ambiguity of the figure’s form adds to the emotional and poetic quality of the scene.

This is a quiet, evocative painting that suggests solitude, rural simplicity, and the passage of time. The lone figure on a vast path invites viewers to ponder themes of journey, memory, or homecoming, all conveyed through understated yet emotive brushwork.

This oil on board is housed in a very well suited distressed gilt frame, with a linen inner border. enhancing its classic and contemplative feel. The painting is in excellent vintage condition. There are some paint losses to the frame as shown in the photos.

Size: 30 x 47 cm (including frame)

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Mackerel & Lemon

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A bold and striking mid-century still life composition, executed in oil onto canvas.

The painting presents two mackerel laid on a plate, accented with a lemon wedge and a backdrop of simplified, abstracted elements, and a stark blue tabletop. The fish are rendered in vibrant blues and greys, with expressive yellow eyes that draw immediate attention.

There is a strong emphasis on simplified forms and expressive brushwork. The palette is restrained but impactful, dominated by cool tones—deep navy, cobalt blue, teal—offset by earthy beige and a pop of lemon yellow. Thick, confident brushstrokes and impasto application give the surface a rich texture, adding dimensionality and dynamism to the otherwise static subject.

This oil on canvas is housed in a very well-suited wood frame with an inner green and gilt border. Both the painting and frame are in excellent vintage condition.

Size: 51.5 x 68.5 cm (including frame)

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Marie

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A contemplative mid-century portrait rendered in an expressive style, painted in oil onto canvas.

Rendered in a distinctly expressive style, the artist pares back detail in favour of emotive resonance. The elongated neck and stylised face evoke the influence of Modigliani, while the abstracted features and bold colour accents nod toward early Expressionism.

The artist uses a softened yet emotive palette of dusty mauves, pale blues, creamy whites, and warm blush tones, giving the composition a hushed, almost tender atmosphere. The brushwork is broad and gestural, particularly in the background, where smudges of colour dissolve into one another, creating an ambient sense of space. On the face, the strokes are more delicate, lending a quiet intensity to her expression.

This oil on canvas is housed in a complementary silver frame. The painting is in excellent vintage condition, and the frame has some scuff marks.

Size: 44.5 x 48.5 cm (including frame)

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Naval Steamship

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A very characterful naval steamship composition, painted in a naïve style in oil onto panel, by British artist Matt Rix.

This painting depicts a historic steam-powered paddle ship sailing on calm blue waters under a soft, muted sky. The ship is painted in a folk art style, with simplified forms and a restrained colour palette dominated by black, beige, and soft blues.

A small red flag with a Union Jack in the corner is flown at the stern, suggesting that this ship may be of British origin. Thin black lines illustrate the ship’s rigging, adding to its structured appearance.

The sky is painted in soft, washed-out tones of beige and pale blue, giving the scene a weathered, vintage aesthetic. A few wispy clouds add depth, while the sea is a flat, uniform blue, reinforcing the folk art style’s simplicity.

Presented in a thin gilt frame, the painting has a nautical, old-world charm. The painting is in excellent vintage condition. The frame has some minor scuffing but this is in keeping with its vintage style.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 42.5 x 32.5 cm (including frame)

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Nestled Village

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A mid century modernist landscape composition in oil, painted onto board.

This painting depicts a stylized landscape with a village nestled among rolling hills and trees. The composition is characterized by bold, expressive brushstrokes and a rich earthy colour palette dominated by deep greens, browns, and blues, creating a sense of depth and structure.

The use of thick, confident strokes and dark outlines around elements lends the painting a strong structural quality, while the earthy hues evoke a warm, rustic atmosphere. The artist’s expressive technique captures the essence of the village and its surrounding landscape in an abstract yet evocative manner.

The painting is housed in a wood frame that has a faint silvery tint to it. The painting is in excellent vintage condition. The frame has some slight wear but in keeping with vintage style.

Size: 44.5 x 67 cm (including frame)

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Parisian Street Life

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A charming and vibrant mid-century Parisian street scene composition, executed in oil onto canvas by the established Swedish artist Max Gregor Carlsson (1914-1996), whose works have been exhibited in public collections including the Malmö Museum, Eskilstuna Art Museum, Ystads Museum, Norrköping City Collection, the Landskrona Konsthall.

The painting captures a lively Parisian street with bustling vendors and shoppers set against a backdrop of historic European architecture. The composition is rich with movement, as figures in bright attire interact amidst street stalls.

Rendered in an expressive and semi-impressionist style, the painting employs loose, expressive brushstrokes that create a sense of dynamism and spontaneity. The artist has used a bold yet harmonious colour palette, with warm yellow, deep blues, and lively reds enhancing the energetic street atmosphere. Thick, textured impasto application adds depth and movement, allowing light and shadow to dance across the canvas.

This oil on canvas is housed in a well-suited wood frame with visible grain. Both the painting and frame are in excellent vintage condition.

Size: 60.5 x 65.5 cm (including frame)

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Paths Forged in Spring

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An engaging abstract composition by contemporary British artist Frances Daws, executed in acrylic onto board and dated 2024.

This abstract artwork is a response to the paths made over fields walked countlessly by many, the sameness of the route but each time the nature changes around, new plants appearing, new colours emerging.

This acrylic on canvas board is framed within a ‘St Ives’ style white wooden frame to capture the complexity of the colours within. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

Size: 32 x 37 cm (including frame)

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Resting Rowboat

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A large and tranquil modernist painting that features a solitary rowboat resting on the shore, with a calm and expansive sea stretching out to the horizon, executed in oil onto board and dated 1981.

The rowboat, painted in muted whites and blues with earthy brown wooden supports, lies on a patch of grass, hinting at a moment of stillness and quiet reflection.

The painting is executed in a modernist style, employing geometric simplification and flat planes of colour to depict the scene. The brushstrokes are textured and deliberate, creating a tactile quality that enhances the sense of depth despite the otherwise flattened perspective.

The artist has used a restrained colour palette dominated by soft blues, pale whites, and earthy browns, evoking a serene coastal atmosphere. The subtle blending of sky and sea, contrasted with the distinct white of the boat, draws attention to the central subject while maintaining a harmonious balance.

Overall, this artwork beautifully captures the nostalgic essence of a quiet coastal moment.

This large oil on board is housed in a complementary cream frame with an inner cream border. The painting has some light marks on its outer border, but is in good vintage condition overall. The frame has minor scuffs.

Size: 57 x 74.5 cm (including frame)

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Serene Expanse

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A serene and tranquil mid-century abstract landscape painting that captures a natural scene through a restrained yet expressive palette, executed in oil onto board.

Abstract in nature, all realistic details have been omitted and the composition suggests a vast, open terrain, possibly a coastal or rural setting, with layered horizontal bands of colour representing land, water, and sky.

The artist has used a soft, earthy colour scheme dominated by muted greens, yellows, browns, and greys, blending harmoniously to evoke a tranquil atmosphere. The sky is rendered in pale off-whites and beige, adding to the overall subdued and reflective mood.

The brushwork is loose and gestural, with visible, confident strokes that suggest form without rigid definition, while the layering of colours creates a dynamic yet understated movement across the board.

This oil on board is housed in a very well-suited gilt frame with red undertones. Both the painting and frame are in excellent vintage condition.

Size: 36 x 43.5 cm (including frame)

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Still Life Antique White

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An engaging and powerful abstract composition by British contemporary artist Lloyd Durling, executed in graphite, oil pastel, and oil stick on Arches paper, and dated 2022.

This painting embodies a sense of balance and quiet elegance. The arrangement of objects, subdued colours, and textured surface create a contemplative mood, drawing attention to the beauty of simplicity. Its minimalist and abstract nature invites the viewer to reflect on form, space, and harmony, making it a refined and poetic work.

Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

This painting is mounted and presented in a light wood frame, behind glass. Both painting and frame are in excellent condition.

To view the other paintings in this series, please click here.

Size: 39 x 46.5 cm (including frame)

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Still Life Blue Pale

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An engaging and powerful abstract composition by British contemporary artist Lloyd Durling, executed in graphite, oil pastel, and oil stick on Arches paper, and dated 2022.

This painting embodies a quiet elegance, using abstraction and simplicity to convey a still-life scene with a sense of balance and calm. The muted colors, soft textures, and minimalist approach create a meditative, timeless quality, inviting viewers to appreciate the beauty of everyday objects in a stripped-down, essential form.

Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

This painting is mounted and presented in a light wood frame, behind glass. Both painting and frame are in excellent condition.

To view the other paintings in this series, please click here.

Size: 39 x 46.5 cm (including frame)

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Still Life Coral Ochre

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An engaging and powerful abstract composition by British contemporary artist Lloyd Durling, executed in graphite, oil pastel, and oil stick on Arches paper, and dated 2022.

This painting embodies a sense of balance and quiet elegance. The arrangement of objects, subdued colours, and textured surface create a contemplative mood, drawing attention to the beauty of simplicity. Its minimalist and abstract nature invites the viewer to reflect on form, space, and harmony, making it a refined and poetic work.

Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

This painting is mounted and presented in a light wood frame, behind glass. Both painting and frame are in excellent condition.

To view the other paintings in this series, please click here.

Size: 39 x 46.5 cm (including frame)

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Submarine and Sperm Whale

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A very engaging nautical whale scene, painted in a naïve style in oil onto canvas, by British artist Matt Rix.

This painting features a stylised sperm whale in a whimsical, folk art style. Painted in a flat, matte black, the whale has a massive rectangular head and a curled, expressive tail. The whale’s mouth is open, revealing a row of sharp, exaggerated triangular red teeth, adding a touch of humour. It has a prominent white eye that gives it a quirky, alert expression.

Near the top of the painting, a small grey submarine floats on the ocean surface. It has a simple form with yellow-lit portholes, a periscope, and a rotating propeller indicated by motion lines. The inclusion of the submarine adds a playful narrative element, possibly hinting at a humorous or surreal underwater encounter.

This is a whimsical and narrative-driven artwork that juxtaposes a majestic sperm whale with a tiny submarine in a humorous and imaginative way. The flat, graphic quality and minimal detail suggest a light-hearted tone, while the bold shapes and clear composition make it visually striking.

This oil on canvas is housed in a black frame which suits it well. Both painting and frame are in very good condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 53 x 43.5 cm (including frame)

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Sunlit Garden

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A vibrant and lively mid-century modernist style landscape oil painting by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

The composition captures a serene garden scene bathed in warm sunlight. A female figure in a flowing orange dress tends to the lush greenery with a gentle rake, while dappled shadows from towering trees create a dynamic interplay of light and shade. A white chair sits invitingly in the foreground, adding a quiet moment of rest to the composition.

The painting is executed in a modernist style, and there is a strong focus on saturated colours as well as bold, expressive brushstrokes.

The artist has used a rich palette dominated by fresh greens, contrasted with pops of orange, cream and browns.

The foliage is depicted with loose, rounded strokes, giving the trees a rhythmic, almost abstract quality. The brushwork is confident and textured, capturing the movement of light across the landscape.

This oil on board is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffing.

Size: 71 x 59 cm (including frame)

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Three Painted Forms II

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An engaging and powerful abstract composition by British contemporary artist Lloyd Durling, executed in graphite, oil pastel, and oil stick on Arches paper, and dated 2022.

This painting embodies a sense of tranquillity and balance through its thoughtful composition, muted tones, and textured surface. The abstracted forms, reminiscent of stones or play objects, evoke a quiet, contemplative mood. Its minimalist style invites the viewer to appreciate the beauty of simple shapes and subtle variations in colour and texture, making it a poetic and meditative piece.

This painting is a beautifully restrained and contemplative work, blending abstract and minimalist elements. The soft colour palette, organic textures, and balanced composition create a peaceful, introspective atmosphere. Its simplicity invites viewers to engage with the subtle details and textures, making it a quietly compelling piece.

Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

This painting is mounted and presented in a light wood frame, behind glass. Both painting and frame are in excellent condition.

To view the other paintings in this series, please click here.

Size: 32 x 39 cm (including frame)

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Through the Shed

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A wonderful mid-century modernist composition that captures a fleeting moment of perspective, framed by the stark architecture of outbuildings, painted in oil onto board.

The composition draws the viewer’s gaze through a tunnel-like corridor formed by dark grey and off-white structures, leading toward a glimpse of a sunlit field and red-roofed house in the distance.

Painted with flat planes of colour and confident, purposeful brushstrokes, the work exemplifies the modernist embrace of simplicity and spatial tension. The palette moves from earthy greens in the foreground to muted greys, and soft whites, anchoring the viewer in a quiet, contemplative rural scene.

The brushwork is expressive yet controlled, evoking solidity and stillness, yet hinting at life just beyond the frame.

This oil on board is housed in a complementary wood frame with an inner cream border. Both painting and frame are in excellent vintage condition.

Size: 63.5 x 44.5 cm (including frame)

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Walks Over Fields

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An engaging abstract composition by contemporary British artist Frances Daws, executed in acrylic onto board and dated 2024.

This painting captures the colours and feelings of walking through the English village of Lacock, a walk Frances does regularly, past the darting house martins down east street, onto the ford and adjacent stream, tops dipping into the water, many attempting to walk over the slippery stones, up the hill and over the top field with views of lush countryside ahead.

This acrylic on canvas board is framed within a ‘St Ives’ style white wooden frame to capture the complexity of the colours within. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

Size: 32 x 37 cm (including frame)

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Welsh Lady in Yellow

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A small and engaging portrait composition , painted in a naïve style in oil onto panel, by British artist Matt Rix.

This painting is a folk-art style portrait of a woman wearing traditional Welsh attire, set against a solid, dark grey background. The composition is simple and symmetrical, with the subject facing forward.

Her face is simply rendered with almond-shaped eyes, a small nose, and neutral lips. She has a composed, almost stoic expression with neatly parted brown hair visible under the bonnet.

This piece is a charming, minimalist portrait that captures a sense of quiet dignity and historical reference. Its simplicity and stylisation give it a timeless quality, making it feel both decorative and narrative.

This oil on board is housed in a wood frame with gold trim which suits it perfectly. Both painting and frame are in good vintage condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 18.5 X 18.5 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Whispering Trees

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A minimalistic and atmospheric mid-century oil painting that presents a serene landscape scene with a row of loosely defined trees standing against a muted sky, possibly near a body of water.

The style is an abstracted interpretation of nature, and there is a focus on form and mood over realistic detail. The colour palette consists of subdued earth tones, including muted greens, soft greys, warm beige, and hints of yellow, creating a harmonious, natural aesthetic.

The brushwork is expressive yet restrained, with visible, layered strokes that add texture and depth. The trees are depicted in simplified, organic forms, allowing the viewer to interpret the landscape subjectively. The slightly blurred and softened edges contribute to the dreamlike quality of the scene.

This oil on board is housed in a complementary wood frame with an inner linen border. The painting is in excellent vintage condition. The frame has some age wear marks to its linen border and scuffing to its frame edges.

Size: 43 x 39 cm (including frame)

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Whispers of Autumn

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A mid-century abstract landscape painting that captures the essence of a fleeting autumn moment through expressive, bold brushstrokes and a rich, earthy colour palette, executed in oil onto canvas and dated 1963.

The composition centres on a striking, stylized tree with vibrant orange foliage, leaning slightly as if swayed by the wind. The background features deep green and muted brown hues, creating a sense of depth and grounding the scene in a natural setting. A hint of light cream in the centre suggests sunlight filtering through the foliage, adding a subtle glow.

The artist has used loose, expressive brushstrokes that give the painting a dynamic and raw quality. The juxtaposition of vibrant orange against deep forest greens evokes a sense of contrast between movement and stillness, warmth and tranquillity. The use of muted earth tones in the foreground and background enhances the natural, organic feel of the composition, while the layered application of paint gives it depth.

The painting’s abstracted form and expressive colour choices reflect a contemplative interpretation of the landscape, focusing on mood and atmosphere rather than realistic details.

This oil on canvas is housed in a complementary silver leaf wood frame. There is some v slight wear to bottom edge of canvas, but the painting is in good condition overall. There are some losses to the silver leaf on the frame, as shown.

Size: 41 x 56 cm (including frame)

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A Lived-In Space

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An evocative mid-century painting that captures the essence of a quiet, lived-in interior space, executed in oil onto canvas and dated 1959.

The composition centers on a wooden table, positioned prominently in the foreground, with architectural elements such as open windows, a doorway, and a sofa adding depth and intrigue to the scene. A red triangular detail on the wall, along with a small framed artwork, introduces a subtle focal point amidst the muted tones.

Executed in an expressionist style, the painting features a restrained yet dynamic palette of earthy browns, greys, and subdued blues, with hints of greens and reds adding contrast. The brushstrokes are expressive and textured, lending a raw, almost unfinished quality that enhances the painting’s character. The artist has used bold, visible strokes and a layered approach, suggesting movement and the passage of time within this domestic setting.

This oil on board is housed in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 58.5 x 69 cm (including frame)

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Brown Pigeon

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A small and engaging bird composition, painted in a naïve style in oil onto panel, by British artist Matt Rix.

This painting features a brown and white pigeon standing in profile against a gentle countryside backdrop. The pigeon has a brown body and white wing markings, standing on pinkish feet. The eye is wide and round, outlined in white with a dark pupil, giving it a curious expression. The beak is short and sharply defined, painted in black and white.

The painting captures a tranquil, almost storybook-like moment. The pigeon is presented with a sense of quiet dignity and clarity. Its stylized form and soft colour palette create a comforting, rustic charm—making it both whimsical and elegant.

The painting is housed in a black wood frame with gold trim which suits it wonderfully. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

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Size: 29.5 X 21 cm (including frame)

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Coastal Village

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A large and captivating mid-century modernist oil painting that captures a serene coastal village landscape with an expressive, semi-abstract approach, executed in oil onto canvas and dated 1969.

The composition is structured with simplified forms of houses, trees, and waterways, conveying an atmospheric sense of place rather than a literal representation.

The colour palette is dominated by cool and muted earth tones – soft blues and greys for the sky and water, gentle greens and beige for the land, and contrasting dark navy and deep brown for architectural elements. Pops of white and terracotta red add warmth and vibrancy to the rooftops, subtly guiding the eye across the scene.

Executed with broad, gestural brushstrokes, the artist has used an impressionistic yet geometric approach, using thick layers to create texture and depth. The brushwork remains loose and spontaneous, allowing colours to blend dynamically while maintaining a structured composition.

This oil on canvas is housed in a complementary wood frame with an inner gilt window. Both painting and frame are in excellent vintage condition.

Size: 55 x 75.5cm (including frame)

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Cubist Study

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A large, striking and brilliantly executed mid-century cubist figurative oil portrait, painted by the established Swedish artist Max Gregor Carlsson (1914-1996), whose works have been exhibited in public collections including the Malmö Museum, Eskilstuna Art Museum, Ystads Museum, Norrköping City Collection, the Landskrona Konsthall.

The painting depicts a simplified human figure dressed in an orange attire, in a seated position with her hands clasped in front.

Drawing inspiration from elements of cubism and geometric abstraction, the artist has masterfully flattened and fragmented the composition down to distinct geometric planes and angular shapes that interact with one another. Each respective shape seems to occupy its own distinct space, yet together they form a cohesive and harmonious whole.

The colour palette is consists of bold orange and a mix of muted shades including light terracotta, beige, and grey-blue, with occasional accents of black and cream. The blocks of colour are cleanly defined, yet they transition fluidly into one another, avoiding harsh contrasts. The contrasting darker and lighter tones highlights the three-dimensional qualities of the figure and surrounding, whilst simultaneously emphasising the two-dimensional flatness of the canvas.

The brushstrokes are smooth with subtle textural variations. Each stroke is deliberate and calculated, reinforcing the angular, segmented forms of the composition.

This large oil on canvas is housed in a complementary wood frame that has been painted white. The painting has a very small area of paint loss at its lower left, as shown in close up. The frame has areas of paint loss.

Size: 82 x 67.5 cm (including frame)

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Diedre

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A tender and contemplative composition of a nude portrait, painted in oil onto canvas.

The artist explores the serene presence of a nude female figure, delicately placed against a light and soft toned backdrop.

The figure’s face, devoid of facial features, is turned to the left, unaware of the observer’s presence.

Black outlines gently define her form and the contours of her body. The use of gentle colours and brushstrokes speaks to the tenderness and serenity within the work.

This oil on canvas is housed in a complementary distressed style white painted wood frame. Both the painting and frame are in excellent vintage condition.

Size: 34.5 x 29.5 cm (including frame)

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