Large Paintings (>70cm) – Page 4 – The Discerning Palette

Showing 91–120 of 254 results

Woman in a Pink Blouse

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A contemplative modernist figurative painting that depicts a seated woman before a softly rendered natural backdrop, executed in oil onto canvas and dated 1975.

Her dark bob frames her lightly sketched expression, lending the composition an air of introspection and quiet distance. The figure’s mauve-pink blouse, trimmed with ruffled lace, contrasts subtly with the muted greens and browns of the forested landscape behind her.

The artist has used a delicate balance between precision and restraint: the background is softly diffused with translucent washes, while the figure’s form is more sharply delineated. The lower section of the painting introduces a striking geometric interruption: a striped band in cream, burgundy, and brown – that recalls textile or interior motifs, grounding the work in a unique aesthetic.

Brushstrokes are measured and matte, with thinly applied layers that allow the canvas texture to breathe through. The palette is subdued yet harmonious, evoking a faded photograph or memory : an image caught between presence and absence, realism and abstraction.

This oil on canvas is presented in a silver frame. The painting is in excellent vintage condition. The frame displays some signs of age wear with marks and scuffs, as shown in the photos.

Size: 66.5 x 80.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Geometric Pathway

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A bold and striking mid-century abstract landscape composition, painted in oil onto canvas and dated 1958.

The painting presents an interpretation of trees and a pathway, set against a backdrop of sky and fields. Containing elements of cubism as well as geometric abstraction, this landscape scene has been skilfully deconstructed and reduced into angular and geometric shapes, as well as bold lines.

The colour palette is restrained – with earthy shades of greens contrasting with cool tones of blues.

The brushstrokes are deliberate and flat, emphasising form and shape, and allowing the viewer’s eye to focus on the interplay of colour and geometry.

This oil on canvas is housed in a well-suited light blue painted wood frame. The painting has very small areas of paint loss on its left side as shown in the photos, but this is only noticeable upon close inspection. The frame has some general scuffing as shown in the close ups.

Size: 64 x 81 cm (including frame)

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Nude on Chair

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A large and striking mid-century modernist style nude figurative painting, executed in oil onto board.

A female nude figure seated on a chair punctuates the center of the composition. She is positioned in a relaxed pose, yet her lack of facial features lends an air of mystery. The background is striking, dominated by a large block of red, which contrasts harmoniously with smaller panels of blue and green that both have yellow undertones.

The artist has used short and expressive brushstrokes, creating a lightly textured surface. Colours are layered thoughtfully, blending the bold with the subdued, resulting in a painting that evokes a soothing quality amidst vibrant energy.

This large oil on board is housed in a complementary wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

Size: 73.5 x 68.5 cm (including frame)

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Pastoral Geometry

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A serene mid-century modernist landscape that captures a cluster of farmhouses nestled within a stylised patchwork of verdant fields, executed in oil onto canvas.

The composition evokes the stillness of the countryside, with a rhythmic interplay between architectural form and geometric land divisions. Rendered in a cool, muted palette of sage, grey and hints of dark brown, the scene exudes a meditative calm.

The artist’s brushwork is confident yet restrained – large flat planes and subtle tonal shifts create a softly abstracted effect, lending the landscape an almost dreamlike quality. The sky is rendered in pale washes, while the layered fields below suggest distance and depth through carefully constructed blocks of colour.

This oil on canvas is housed in a stunning frame with multiple profiles. The painting is in excellent vintage condition. The frame has very some scuffing, but this is in keeping with its vintage style.

Size: 51 x 91 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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St Ives Head I (Very Large)

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A very large and atmospheric abstract landscape painting, executed in oil onto board by contemporary British artist Ian Mood.

This abstract oil painting of St Ives Head conveys a powerful impression of the Cornish landscape through bold colour blocks and expressive brushwork. The composition is dominated by a strong horizontal division:

The lower portion features lush, vibrant greens, suggestive of the headland’s grassy terrain. These greens are layered and varied, with hints of dark shadows and occasional streaks of red and orange adding depth and movement. A sweeping form of deep black and charcoal arcs through the upper and middle sections, perhaps alluding to the rocky outcrop of St Ives Head or the moody Atlantic shadows. This shape anchors the piece and creates dramatic contrast. Surrounding these darker masses, icy blues and muted whites evoke the sky and sea, with the brushwork ranging from smooth to vigorously textured. Pops of pink and red in fine linear marks add visual interest and energetic tension across the central area.

The painting is both abstract and landscape-inspired, distilling the raw essence of the coastal headland into expressive colour fields and gestural marks. It reflects the elemental forces of land, sea, and weather typical of St Ives, rendered in a deeply personal, modernist style.

This very large oil on board is housed in a complementary light grey frame. Both painting and frame are in excellent condition.

Size: 100 x 100 cm (including frame)

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Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

About the artist:

Ian Mood is a contemporary artist with an international reputation, having shown work with Saatchi London, Brooklyn Art Library, Battersea Art Fair & Manchester Art Fair – as well as being represented by numerous established galleries in the UK and US. He recently held his first solo show in New York.

In 2019, he collaborated as artist in residence with The National Theatre (Madness of George III with Mark Gatiss) and The Royal Exchange Manchester (Mother Courage with Julie Hesmondhalgh).

Ian is a member of Manchester Academy of Fine Arts, Society Of Staffordshire Artists and the Artist Association of Nantucket (USA) where he regularly lectures as part of their summer arts programme. He was awarded the Artists Association of Nantucket Frank Swift Chase Plein Air Award in 2014.

Ian grew up in Stoke on Trent and studied Fine Art at the University of the West of England, Bristol.

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Harbour & Hillside

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A serene mid-century coastal landscape that captures the rhythmic order of a harbour scene rendered through a distinctly modernist lens, executed in oil onto canvas and dated 1963.

Clusters of geometric buildings and cranes line the waterfront, their angular forms carefully arranged to evoke both structure and serenity. The distant hills rise gently across the water, balancing the composition with soft undulating lines against the rigid shapes of the port.

The artist has used a palette of muted yet harmonious tones – brick red, sage green, browns, blush, and blue – creating a subdued but richly layered harmony of colour. Each hue appears thoughtfully modulated, suggesting light glancing off the industrial surfaces and calm waters below.

The brushwork is confident and deliberate, with flat, interlocking planes that give the painting an almost architectural rhythm. Despite the simplified forms, there is a deep sense of atmosphere and quietude, as though the bustling port has been momentarily stilled in contemplation.

This oil on canvas is beautifully presented in a linen-lined wooden frame. The painting itself is in very good vintage condition. The frame has some marks as well as some age spots to the linen section, consistent with age.

Size: 63 x 78 cm (including frame)

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Seated Woman with Letter

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A large and brilliantly executed mid-century modernist style figurative painting, executed in oil onto canvas.

The composition presents a contemplative female figure seated on a simple chair, her body angled gently to the side as she holds a folded piece of paper in her hand. The faceless portrayal lends the work a universal quality, allowing the figure to embody both anonymity and intimacy.

The style is distinctly modernist and abstracted, with simplified forms, flat planes, and carefully balanced geometric blocks of colour. The composition is built on interlocking shapes, where body, chair, and background meld seamlessly, reinforcing the quiet harmony of the scene.

The palette is warm and earthy, with shades of terracotta, brown, and sienna set against muted peach, pale creams, and soft blues. Darker tones in the figure’s dress contrast with the lighter background, creating depth while maintaining the painting’s restrained, introspective mood.

Brushstrokes are broad and deliberate, with smooth transitions that emphasise form rather than detail. The painter resists naturalism, instead favouring abstraction and tonal rhythm to evoke atmosphere and feeling.

This oil on canvas is presented in a wood frame with a white inner border. The painting has some light marks to its surface but nothing that detracts from its overall attractiveness. The frame has some areas of paint loss as shown, but is otherwise in good stable condition.

Size: 89 x 51.5 cm (including frame)

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Tide’s Return

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A large expressive and atmospheric mid-century modernist coastal landscape, executed in oil onto canvas and dated 1968.

This evocative oil painting captures a trio of boats beached on a windswept shore. Three figures stand nearby, anchoring the scene with a quiet human presence. The ocean churns with silvery greys, whites, and muted blues, reflecting the turbulent energy of an overcast day by the sea.

The artist has used broad, confident brushstrokes and a subdued, tonal palette dominated by stormy greys, whites, and earthy ochres. The water is rendered with rhythmic horizontal strokes, while the sky and sand are textured with layered impasto, imbuing the painting with a tactile, atmospheric quality. The composition speaks to the raw beauty of nature and the enduring relationship between humans and the sea.

This oil on canvas is housed in a complementary linen lined frame with an inner gilt border. There are some age spots present on the frame as well as along the upper edge of the painting. There is a mark on the left side of outer linen border of the frame.

Size: 78.5 x 91 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Cubist Tabletop

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A brilliantly executed and striking mid-century cubist still life that presents an arrangement of objects distilled into bold, geometric forms, painted in oil onto canvas.

At the centre, a single red rose rises sharply from a faceted brown vase, its angular green leaves echoing the crystalline structure of the surrounding elements. Beside it, a vivid blue jug rendered in interlocking planes stands with sculptural presence, while a small angular fruit or object rests upon a two-toned plate in the foreground.

The composition is a masterful exercise in cubist reduction, where natural forms are translated into prismatic shapes. The background is similarly fragmented into overlapping planes of muted lilac, teal, and yellow, lending the scene a sense of depth and dynamism while maintaining strict flatness.

The palette balances earthy browns and greys with vibrant accents of cobalt blue, emerald green, and a sharp pop of crimson. The brushstrokes are controlled and deliberate, applied in clean, even planes of colour without visible texture, emphasising structure over gesture.

This oil on canvas is housed in a very well-suited frame with an outer linen border and an inner cream window. The painting is in excellent vintage condition. The frame does have some scuffing but is in good vintage condition overall.

Size: 73 x 43 cm (including frame)

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Still Life with Green Apples

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A large and expressive mid-century modernist still life painting captures a simple yet effective arrangement of green apples resting on a loosely draped cloth, executed in oil onto board.

The composition exudes a sense of spontaneity, emphasising form and colour over precise realism. The apples are depicted in various shades of green and yellow, with broad, expressive brushstrokes giving them a sense of volume and natural imperfection.

The background features dark muted earthy tones, including deep blues, browns, and hints of red, creating contrast with the vibrancy of the fruit. The cloth, rendered in soft whites and beiges, provides a fluid, organic texture that balances the composition. The artist has used a gestural painting technique, with visible brushstrokes that enhance the dynamic energy of the piece.

This oil on board is housed in a complementary gilt frame with an inner white border. The painting is in excellent vintage condition, and the frame has some paint losses as shown

Size: 49.5 x 85 cm (including frame)

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Twilight Stream

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A atmospheric composition that captures the quiet drama of a winter landscape yielding to the subtle warmth of dusk setting, executed in oil onto canvas and dated 1987.

This expressive scene depicts a partially frozen stream meandering through snow-covered banks, framed by dark, leafless trees and a softly glowing sky. The distant treeline is rendered in deep purples, blues and black, while the sky behind it glows with streaks of peach, rose, and apricot – suggesting the final light of day.

The artist has used swift brushstrokes, especially in the forest and sky, that conveys movement and atmosphere. The snowbanks are painted with thick, angular swathes of white, grey, and pale pink, while the water is composed of smoother, horizontal strokes in blues and greys, lending a mirror-like stillness. The overall style merges impressionism with expressionist undertones, balancing realism with emotional depth.

This oil on board is presented in a complementary linen-lined wooden frame with a gilt inner edge. The painting is in excellent vintage condition, and the frame has some marks on its linen border as well as some small scuffs.

Size: 82 x 76 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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House on the Hill

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A large and lively landscape painting that depicts a quiet suburban scene dominated by a white house set against lush greenery and an expansive blue sky, executed in oil onto canvas and dated 1985.

The composition is pared back to essential geometric forms – rectangular planes of house, hedge, and pavement, offset by rounded, block-like shapes of trees and bushes. A solitary vertical pole bisects the scene, adding structure and balance.

The style is characteristically modernist, emphasizing abstraction over fine detail. Colours are laid down in broad, flat fields: vivid cobalt blue for the sky, deep greens for the hedges, warm purples and greys for the street and hillside, punctuated by flashes of yellow and red that animate the composition.

The brushstrokes are bold, applied with confident, blocky movements that create a sense of solidity and rhythm rather than illusionistic depth. This restrained yet expressive handling distills the everyday view into a harmonious study of form, colour, and balance.

This oil on canvas is presented in a complementary slim wood frame. The painting is in good vintage condition – there is some light surface craquelure to the house areas as shown in close ups but the paint layer is very stable.

Size: 61 x 83 cm (including frame)

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Serenade Still Life

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A soothing mid-century modernist still life painting that presents a carefully composed arrangement of objects, executed in oil onto canvas.

The scene features a potted plant with delicate white flowers, a woven basket, a small musician figurine with a blue guitar, and a green fruit, all set against a richly patterned background of intersecting planes.

Modernist in its ethos, the artist has skilfully deconstructed and simplified the scene into blocks of contrasting colour.

The colour palette is a harmonious mix of muted blues, warm reds, and earthy greens, punctuated by the bright yellow of the figurine’s hat and scarf. These hues create a sense of balance and vibrancy within the scene.

The brushstrokes are expressive and confident and the paint has been applied in broad, deliberate strokes – reinforcing the geometric nature of the composition while adding a sense of movement and depth.

This oil on canvas is housed in a very well-suited cream frame. The painting is in excellent vintage condition, and the frame has very minor scuffs.

Size: 81.5 x 58.5 cm (including frame)

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Whispers of Blue

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A very pleasant and soothing modernist abstract landscape oil composition dated 1964, and painted by the established Swedish artist Ture Fabiansson (1910-1994), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, The Museum of Art in Gothenburg, Jönköping Museum, Borås Art Museum, and many others.

The painting presents a lyrical abstraction of nature, rendered in a simplified, expressive manner. Dominating the canvas is a large, cloud-like form in soft sky blue, spreading across the surface in loose, swirling brushstrokes that suggest movement and depth. Around this central mass, smaller organic shapes in earthy olive-greens rise vertically, evoking trees or natural formations, while muted pink and cream passages peek through, softening the composition.

The style is minimalist yet painterly, leaning toward abstraction while still evoking landscape elements. The palette is restrained but harmonious: pale blue, moss green, muted pink, and warm beige. The brushwork is broad, textured, and somewhat gestural, creating a sense of spontaneity and rhythm.

Overall, the piece balances form and void, evoking the serenity of a landscape distilled into pure colour and shape.

This oil on canvas is presented in a complementary silver painted frame. Both the painting and frame are in excellent vintage condition.

Size: 56 x 75 cm (including frame)

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Apple Splendour

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An expressive and wonderfully coloured mid-century still life composition, executed in oil onto canvas.

Simple yet effective in its composition, the painting revolves around a group of luscious apples set against an expressive and abstract backdrop executed with gestural sweeping brushstrokes.

The artist has thoughtfully used an uplifting colour palette, drawing our attention to the form of the apples, as their striking richer shades of red and green with hints of blue contrasts against the lighter backdrop comprising a spectrum of yellow, and white and orange.

Through the masterful use of the contrasting shades, as well as seemingly unrestrained yet precise brushstrokes, the three-dimensional qualities of the fruits are enhanced and the overall composition is full of character.

This oil on canvas is housed in a complementary gilt frame. Both painting and frame are in excellent vintage condition.

Size: 61 x 75 cm (including frame)

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Cubist Figure & Fruits (Large)

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A very large and brilliantly executed mid-century cubist painting that presents a fragmented figure seated beside a simple pedestal table holding a cluster of rounded fruit forms, painted in oil onto board.

In this striking composition, the human form is reduced to angular planes and intersecting facets, the face and body articulated through a network of geometric shapes in pale cream, brown, and muted green tones, accented by deep blacks. The table and fruit echo this cubist language, with rounded grapes and apples broken into overlapping, flat colour areas.

The style is distinctly cubist, emphasising structural simplification and the interplay of light and shadow through geometric abstraction. The artist balances areas of dense black with softer sage greens, creating a rhythmic tension across the composition. Brushstrokes are firm, deliberate, and textured, with the layered paint adding subtle depth to the otherwise flat geometry.

The restrained palette – creams, greens, blacks, and teal-blues – contributes to the painting’s harmony, while the angular construction of the figure and still life demonstrates the artist’s focus on form and design rather than naturalistic representation.

This oil on board is housed in a complementary heavy solid wood frame with an oak-toned finish. Both the painting and frame are in excellent vintage condition.

Size: 95 x 79.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Geometric City

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An outstanding mid-century geometric abstract cityscape composition, executed in oil onto canvas.

The painting depicts a cityscape reimagined through a dynamic array of geometric shapes and blocks that intersect one another. The city has been skilfully deconstructed into shapes with clean lines and sharp angles, reminiscent of architectural forms but stripped to their essence.

The composition features a vibrant palette of rich and striking colours—jet black, fiery orange, bold red, deep blue, and sunny yellow. These hues contrast sharply, creating a sense of energy as well as demonstrating a sense of depth to the painting.

The smooth brushstrokes add a polished finish to the piece, enhancing the sharpness and clarity of each geometric form.

This oil on canvas is housed in a well-suited dark grey frame with an inner silver window. The painting has some scattered areas of craquelure as well as small areas of paint loss as shown in the close ups, but the paint layer is stable overall.

Size: 81 x 69 cm (including frame)

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Impression of a Town

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An expressive and dynamic mid-century modernist painting that captures a vibrant urban townscape street scene, executed in oil onto canvas and dated 1970.

The scene unfolds from an elevated perspective, looking down a narrow street flanked by terracotta rooftops, brown and sand coloured façades, and other architectural forms. A cluster of rooftops and chimneys gives way to a distant dome, while a tall crane looms subtly in the background.

Painted with vigorous, assured brushstrokes, the work blends figuration with abstraction, favouring impression over precision. The artist employs a warm, earthy palette – orange, mustard, slate, and burgundy – offset by cooler greys and whites that evoke a moody, overcast sky. Areas of thick, dry brushwork and layered paint convey the texture of old walls and cobbled ground, while vertical lines and angular forms lead the eye deep into the composition.

Lively yet grounded, this piece wonderfully captures the atmosphere and rhythm of everyday life in a city as it quietly unfolds.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has minor scuffing.

Size: 73.5 x 78.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Nocturne City Lights

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A striking mid-century cityscape that captures the shimmering energy of an urban night scene, translated into a rich tapestry of colour and geometric abstraction, executed in oil onto canvas.

The composition is structured with bold, interlocking blocks and angular shapes, suggesting the rhythm of buildings, windows, bridges, and reflections on water. A procession of glowing yellow-lit windows runs across the centre, evoking a row of houses or perhaps a train, cutting a luminous path through the darkness. Above, sharp angular rooftops and scaffolding-like forms rise into a deep indigo and violet sky, punctuated by hints of streetlamps and architectural details.

The artist’s palette is rich and vibrant, dominated by jewel tones of cobalt blue, violet, crimson, and emerald green, balanced with the warmth of orange, red, and brown. The glowing yellow windows add a brilliant contrast, animating the scene with a sense of movement and vitality.

The brushwork is expressive and textured, with bold, layered strokes that give depth and tactile richness to the surface. Each shape feels carefully constructed, yet retains the energy of the hand that painted it, merging structure with spontaneity.

This work is a celebration of the modern city at night – a mosaic of light, shadow, and human presence – rendered through the lens of mid-century abstraction.

This oil on board is presented in a beautiful wood frame that has a unique beaded detailing. Both the painting and frame are in excellent vintage condition.

Size: 49.5 x 90.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Sailboats in Still Waters

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A mid-century seascape that captures a serene harbour scene with a row of sailboats gently anchored, their tall masts mirrored in the calm water below, executed in oil onto board.

The artist has used a restrained palette of soft blues, sandy beiges, and muted whites, evoking the hazy atmosphere of a sunlit coastal morning. The forms are simplified and abstracted, emphasising shape and tonal harmony over fine detail.

Broad, confident brushstrokes define the sails and their reflections, while areas of the canvas are left with a loose, almost sketch-like quality, enhancing the painting’s quiet, contemplative mood. The surface shows a subtle layering of paint, where hints of underpainting peek through, adding depth and texture.

This work balances elegance and abstraction, offering both a sense of place and a timeless modernist aesthetic.

This oil on board is presented in a complementary gilt frame. Both painting and frame are in excellent vintage condition.

Size: 44.5 x 74.5 cm (including frame)

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The Shape of Thought (Very Large)

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A large and outstanding mid century modernist abstract figurative composition in oil, painted onto board by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The painting presents a bold and dynamic interpretation of the human form, fragmented into intersecting shapes and saturated blocks of colour. At the centre, a green torso-like shape anchors the composition, surrounded by gestural planes of midnight blue, ivory white, forest green, sky grey, and cerulean. Hints of yellow and red punctuate the palette with energy, while the heavy use of impasto and palette knife work brings a sense of raw physicality to the surface.

Though abstract, the overlapping forms and contours evoke the impression of a seated or contemplative figure, abstracted almost to the point of pure form. The figure emerges from and dissolves into the background, suggesting emotional introspection or transformation. The painter’s brushwork is assertive yet nuanced, blending thickly applied oil with moments of scraped texture and layered opacity.

In both its materiality and expressive ambiguity, the painting speaks to the search for identity through abstraction, emotion, and gesture.

Close to a metre in height, this painting will make a statement piece in any interior.

This oil on canvas is housed in a very well-suited hessian lined frame with an inner silver border. The painting is in excellent vintage condition, and the frame has minor scuffing.

Size: 99 x 78 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Veils of Grey

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A large mid-century abstract painting that explores an interplay of muted tones and layered forms, creating a composition that feels both architectural and atmospheric, executed in oil onto canvas.

The subject matter is non-representational, allowing the viewer to interpret shifting planes and subtle depths that suggest shadowed interiors or blurred landscapes without resolving into a fixed image.

Rendered in a restrained palette of whites, greys, silvers, and soft taupe, with occasional accents of darker brown and hints of blue, the work captures a cool, contemplative mood.

The brushstrokes are loose yet deliberate – some areas built up with dense, textured applications, while others are feathered, thinned, or softly blended to create a sense of translucency and motion. The overall effect is one of quiet dynamism, as if forms are emerging and dissolving within a luminous fog.

This oil on canvas is presented in a complementary gilt frame. The painting is in excellent vintage condition. The frame has some minor scuffing but this does not detract from its overall attractiveness.

Size: 65.5 x 75.5 cm (including frame)

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By the Arches

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A striking and very well executed mid century modernist composition in oil, painted onto board by by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

It depicts a stylized North African architectural scene, characterized by a row of arched windows and whitewashed buildings with flat roofs. The structure is rendered with bold, simplified shapes and thick black outlines, giving it a graphic, modernist quality.

The palette is warm and muted, dominated by creamy whites, ochres, deep blues, and burnt siennas, evoking a desert or sunlit townscape. The composition is horizontally oriented, emphasizing the linearity of the architecture and the contrast between the built environment and the figures.

The painting has a modernist, almost expressionistic style, with an emphasis on shape, shadow, and form over fine detail. The mood is contemplative and quiet, possibly evoking the heat and stillness of a midday scene. The use of flat perspective and colour blocking contributes to a sense of abstraction, while still grounding the image in recognizable, real-world elements.

The painting is well presented in a gilt frame which suits it impeccably. Both painting and frame are in excellent vintage condition.

Size: 36.5 x 76 cm (including frame)

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Sea Flowers

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A playful and organic one-off original monoprint presented in a sapele frame, by British artist Olivia Bouzyk.

Unlike most printmaking, where artists create an edition of identical prints, a monoprint produces just one final piece. Olivia works on a plate — inking, painting, and layering textures — and then transfers the image onto paper. But because of the process, it can never be repeated in the same way again.

This artwork is created from two layers of ink on purple card. There is a slight texture to the dark blue, as some of the purple background can be seen underneath. The yellow flowers are slightly translucent but with thicker, textured ink. The flowers are made from a paper stencil which was of a drawing from the Essex coastline.

Each work holds the spontaneity of the moment it was made — the way the ink spread, the pressure of the press, the marks left behind. No two are ever alike. When you own one of Olivia’s prints, you’re holding the only version that exists.

Olivia works with contrasts in line, colour and form and a sense of harmony is achieved by balancing this series of juxtapositions.

This artwork, as with the others, has no intended direction, so it can be hung to suit the viewer’s space/inclinations. The fixtures on the back of all the prints are on each side so that they can be hung in any direction, and the signature also has no intended direction.

It is mounted and housed in a high quality sapele wood frame with anti reflective UV glass. Both frame and artwork are in excellent condition.

Size: 61.5 x 86 cm (including frame)

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Stairwell Passage

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An abstract mid-century painting that presents a loosely structured cityscape, likely depicting an alleyway or stairwell framed by urban architecture, executed in oil onto canvas.

The subject matter is suggested rather than precisely defined, with forms of stairs, walls, and a slender lamppost-like shape emerging through layered brushstrokes. The scene gives an impression of movement and transience, as if glimpsed quickly while passing through.

Executed in an abstract expressionist manner, the work balances between representation and abstraction. While there are hints of architectural elements, the focus is on atmosphere and painterly effect rather than literal detail. The composition is dynamic, with angled lines creating depth and perspective that draw the eye inward.

The brushwork is energetic and varied – broad, gestural sweeps contrast with more angular, deliberate marks to suggest structure. The layering of muted shades create texture and depth, with areas of raw canvas and loosely applied paint adding to the painting’s immediacy. The strokes appear spontaneous yet controlled, giving the composition a sense of rhythm and vitality.

This oil on canvas is housed in a complementary floater gilt frame. The painting is in very good vintage condition, and the frame has some paint marks at its left edge.

Size: 75 x 59.5 cm (including frame)

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Coastal Road

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A large mid-century modernist landscape painting that captures a serene coastal scene where a quiet road runs parallel to a shoreline, executed in oil onto board.

The composition divides naturally into two sections: the vibrant blue of the sea on the left and the muted green of the grassy roadside on the right. In the foreground, a dry and sparse landscape is present, and a few scattered wooden planks rest on the ground. The distant horizon line reveals a subtle strip of land or an island against the vast expanse of sky.

The artist has used a distinctly modernist approach, characterised by loose, gestural brushstrokes that emphasise texture and spontaneity. The composition has a balanced yet asymmetrical feel. The painting’s rough and textured brushwork brings a sense of immediacy and movement, as if capturing a fleeting moment.

The palette is primarily composed of cool and earthy tones. The expressive brushstrokes wonderfully capture the windswept coastal atmosphere.

This large oil on board is housed in a very well-suited linen lined frame with an inner gilt and cream border. Both painting and frame are in excellent vintage condition.

Size: 47 x 70 cm (including frame)

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Hide and Seek

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A large and brilliantly executed figurative oil painting by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The painting is in excellent vintage condition. The frame has some light scuffing and a loss to the lower left corner under the signature.

Size: 84 x 64 cm (including frame)

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Industrial Abstraction

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A brilliantly composed mid century abstract composition in oil, painted onto canvas and dated 1957.

This painting is an abstract composition with a cubist influence, constructed from overlapping geometric shapes in a horizontal layout.

The artist has used a palette of muted earth tones—including shades of blue, olive green, mustard yellow, grey, brown, and black—with occasional pops of more vibrant hues like cobalt blue and ochre.

The forms resemble architectural or industrial elements—possibly buildings, machinery, or a cityscape—but remain non-representational. Thick, impasto brushstrokes give the surface a textured, tactile quality. The shapes interlock and layer, creating depth and rhythm across the canvas. Angled lines and blocks suggest both movement and structure, while negative space in pale grey balances the denser elements.

The rigid composition and strong use of form create a sense of architectural solidity, while still maintaining an expressive feel through painterly texture. The balance of order and spontaneity suggests an interest in form, design, and underlying harmony.

The painting is housed in a frame with a linen lined border. There is a small area of paint loss as shown in close up but the paint layer is stable overall. The painting and frame in good condition overall.

Size: 35.5 x 70 cm (including frame)

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Topography in Green

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A striking mid-century abstract composition painted in oil onto canvas, by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

This abstract composition evokes a coastal or industrial landscape through a series of bold geometric forms and a restrained, earthen palette. The composition is anchored by a solid horizontal band of deep olive and brown, suggesting a distant shoreline or structure, while above it, angular bursts of cobalt blue, lemon yellow, and white hint at rooftops or sails catching the light. The lower half is dominated by cool, muted greens and greys, with subtle layering and visible palette knife marks that add a tactile quality.

The painting features a mix of smooth and textured brushstrokes, with areas of impasto lending weight and structure. The deliberate abstraction flattens perspective, creating a sense of quiet tension between land, form, and space.

This oil on canvas is presented in a beautifully suited gilt frame with an inner linen border and gilt window. There is some craquelure present mainly on the top section of the painting, but the paint layer is stable overall and this does not detract from the overall composition. The frame is in very good vintage condition.

Size: 61 x 70 cm (including frame)

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Topography in Red

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A striking mid-century abstract composition painted in oil onto canvas, by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

In this composition, we can discern that the artist has abstracted a landscape into a dynamic interplay of geometry, texture, and tone. Horizontal planes in earthy reds, browns, and beige suggest a stylised terrain – possibly evoking farmland or desert formations – interrupted by sharp, angular forms that hint at distant structures or dwellings.

The composition is boldly architectural, grounded in the principles of mid-century modernist abstraction. The artist has applied oil paint in dense, tactile layers, with expressive impasto and areas of scraped-back texture. Pops of cobalt blue, yellow, and a crisp white triangle create points of visual tension and balance, lifting the palette from its otherwise grounded tonality.

A striking example of mid-century abstraction, the painting balances structure with expressive vitality, offering a modernist meditation on land, form, and space.

This oil on canvas is presented in a beautifully suited gilt frame with an inner linen border and gilt window. There is some craquelure present as shown in the close ups, but the paint layer is stable overall and this does not detract from the overall composition. The frame is in very good vintage condition.

Size: 61 x 70 cm (including frame)

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