Showing 511–540 of 1296 results

  • Basket of Fruit

    Basket of Fruit

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    An expressive and charming mid century still life composition, executed in oil onto board.

    The painting captures a carefully arranged tabletop composition featuring a woven basket filled with onions and an orange, surrounded by rustic pottery, potted greenery, and a striking blue vase holding deep purple flowers. A rich green cloth drapes across the surface, adding depth and contrast to the arrangement.

    Executed in an expressive style, the painting showcases a harmonious blend of warm and cool tones, with earthy browns and greens balanced by soft blues and purples.

    The artist has used dynamic, visible brushstrokes, layering colour with a painterly approach that brings texture and movement to the scene. The background is rendered in a muted, abstract manner, allowing the still life elements to take center stage.

    This oil on board is housed in a complementary robust wood frame. The painting is in excellent vintage condition, and the frame has some scuffing present. 

    Size: 61 x 69.5 cm (including frame)

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  • Black Cat

    Black Cat

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    A small and engaging portrait composition, painted in a naïve style in oil onto panel, by British artist Matt Rix.

    This painting features a black cat reclining in a relaxed position, set against a minimalist two-tone background. The work is framed in a round black frame, enhancing its folk-art charm and giving it a portrait-like quality.

    The black cat is shown lying down with its front legs extended and tail curled around. It has a calm, observant expression. Vivid green eyes stand out against the black fur, giving the cat an alert and slightly mystical appearance.

    The painting has a serene and slightly mysterious atmosphere. The strong color contrasts and centered composition make the cat the focal point, while the circular frame adds a unique, almost medallion-like quality. It’s both whimsical and elegant—perfectly capturing the quiet power and grace of a black cat.

    This oil on board is housed in a black oval frame. The painting is in excellent condition, and the frame has some light marks but is in good condition overall.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 35 X 29 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Chimneys & Cypress

    Chimneys & Cypress

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    A serene and very pleasant large mid-century modernist painting that presents a distilled suburban scene rendered in confident, simplified forms,  executed in oil onto board and dated 1955.

    A row of neatly ordered conifers frames the background, echoing the vertical rhythm of white chimneys rising from geometric rooftops. The houses are flattened into clean, angular planes, their shadows creating a dynamic interplay between structure and space.

    The artist has used a controlled, muted palette – dusty olive greens, blues, and soft greys – punctuated by gentle pops of yellow and red flowers in the foreground. the brushwork is smooth and deliberate, favouring blocks of colour over texture, evoking a sense of calm and order. The composition masterfully balances abstraction and representation, capturing a tranquil, idealised view of domestic architecture.

    This large oil on board is housed in a very well-suited wood frame with visible grain and an inner linen lining. Both the painting and frame are in excellent vintage condition. 

    Size: 64 x 84 cm (including frame)

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  • Cityscape in Motion

    Cityscape in Motion

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    A striking mid century cityscape that wonderfully captures the dynamic energy and structured beauty of a city, painted in oil onto canvas.

    In the foreground, a road curves toward a bridge, leading the viewer’s eye into the heart of the cityscape which portrays a dense cluster of buildings.

    The composition is dominated by geometric forms and bold straight black lines, giving the city a structured appearance.

    The artist has used a monochrome palette, punctuated by subtle hints of colour on selected buildings. This restrained palette contributes to a somber atmosphere.

    The artist has used thick, angular strokes to define the buildings and architecture. The brushstrokes are swift and bold, conveying the dynamic energy of the scene.

    This oil on canvas is housed in a complementary wood frame. Both the painting and frame are in excellent vintage condition. 

    Size: 43 x 84 cm (including frame)

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  • Courtyard Harvest

    Courtyard Harvest

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    An expressive and naïve style mid-century figurative painting, executed in oil onto canvas.

    The composition captures a courtyard scene where a group of figures, dressed in dark clothing and wide-brimmed hats, are engaged in harvesting and transporting produce. Two trees with delicate red blossoms stand in the center, adding vibrancy to the composition, while a figure in blue pushes a wooden cart filled with fruit.

    The painting is executed in a naïve or folk-art style, characterised by simplified forms, a lack of precise perspective, and a slightly flattened spatial composition. The figures are stylised, with minimal detail.

    The artist has used loose, expressive brushstrokes with light texture, contributing to the painting’s lively and dynamic quality. 

    This oil on board is housed in a complementary frame with an inner linen border. The painting is in excellent vintage condition, and the frame has very minor scuffing. 

    Size: 64.5 x 75 cm (including frame)

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  • Entwined

    Entwined

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    A striking mid-century geometric abstract painting that captures an intimate embrace between three figures, executed in oil onto canvas.

    The painting is a wonderful representation of family, unity and protection.

    Rendered in flattened planes and intersecting blocks of earthy tones, the composition reduces the human forms to a series of angular, overlapping shapes, evoking both geometric abstract and cubist influences. The figures are entwined in a moment of tender closeness, with a child nestled next to the female figure.

    The artist has used a limited, harmonious palette: muted greens, rich browns, warm tans, and terracotta dominate the canvas. The colour blocking is methodical yet organic, suggesting warmth and intimacy through tonal contrast. Black outlines define the contours, giving clarity to the abstracted forms.

    The brushstrokes have been largely concealed beneath the smooth, flat application of paint, emphasising the painting’s graphic quality and compositional balance.

    This oil on canvas is presented in a complementary linen lined wood frame with an inner gilt window. The painting has a very tiny spot of paint loss along its upper edge as shown in close up, but is in very good condition otherwise. The frame has some discolouration on the right side of its linen border. 

    Size: 65.5 x 59.5 cm (including frame)

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  • Evening Embrace

    Evening Embrace

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    A romantic and emotive mid-century figurative landscape that captures a tender moment between a couple seated on a white bench amidst a lush garden setting executed in oil onto canvas and dated 1965.

    The figures are rendered in broad, expressive strokes, with the woman in a light blue dress and the man in a dark suit, their bodies gently leaning toward one another in a quiet show of intimacy.

    The scene is set against a dramatically painted backdrop – towering trees, a dusky sky, and a lake or body of water in the distance evoke a sense of twilight. The palette is rich and earthy: deep greens, stormy blues, muted pinks, and flashes of warm reds animate the landscape, while the brushwork is loose, textured, and instinctive, conveying both emotion and atmosphere.

    The overall composition is balanced yet dynamic, with the figures grounding the work while the surroundings pulse with expressive energy.

    A charming example of mid-century expressionist painting, this piece blends figuration and abstraction to capture the essence of a fleeting, intimate moment in nature.

    This oil on canvas  is housed in a complementary wood frame with an inner gilt window. The painting is in excellent vintage condition, and the frame has some scuffing.

    Size: 72 x 61 cm (including frame)

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  • Fields of Summer

    Fields of Summer

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    An expressive and idyllic mid-century landscape composition, executed in oil onto board.

    This scenic painting captures a vast countryside with fields, trees, and scattered farmhouses.

    The artist has used a rich and uplifting colour palette of greens, yellow, orange and blue, imbuing the work with a lively feel. The brushstrokes are expressive and loose, conveying a sense of movement.

    This oil on board is housed in a deep profile wood frame that pairs wonderfully with the painting. Both the painting and frame are in excellent vintage condition. 

    Size: 46 x 58 cm (including frame)

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  • Flowers & Checkers

    Flowers & Checkers

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    A well executed and vividly coloured mid century modernist still composition, painted in oil onto board.

    Reminiscent of the Modern British artist Mary Fedden (1915-2012), this painting also features a playful delight in the particularities of everyday objects, from stripes and checkers, to flattened perspective as well as bold use of colour. It elevates the beauty and particularity of everyday objects including lemons and flowers, and imbues them with significance and character.

    This oil on board is housed in a complementary wood frame. Both the painting and frame are in excellent vintage condition.

    Size: 71 x 88 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

    The sculpture seen in the photos is also available to purchase and details can be viewed here.

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  • Gathering in Motion

    Gathering in Motion

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    A striking mid-century abstract figurative painting that captures a dynamic group scene with bold, expressive brushstrokes and a rich, layered composition, executed in oil onto canvas.

    Abstract in nature, all realistic details have been omitted, and the figures, though loosely defined, appear to be engaged in a communal activity. Their forms are suggested rather than explicitly outlined, lending a sense of movement and depth to the composition.

    Executed in a rich palette of blues, purple, light yellow, brown and black, the painting consists of a harmonious contrast of darker and lighter tones.

    The artist has used a gestural and impasto technique, using heavy, angular strokes to render forms and suggest depth. The fragmented yet rhythmic brushwork adds spontaneity and raw energy to the piece, inviting the viewer to interpret the scene through its interplay of form and colour.

    This oil on canvas is housed in a very well suited wood frame with with an inner linen border. The painting has some areas of craquelure and paint loss present, as shown in the close ups. The frame has some scuffing. 

    Size: 68 x 79 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

     

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  • Golden Reflections

    Golden Reflections

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    A small and vibrant mid-century modernist landscape that captures an abstracted  luminous autumnal forest scene mirrored in a calm stream, executed in oil onto canvas.

    Stylised trees with simplified, angular trunks and bold, abstracted foliage dominate the composition, their leaves rendered in rich tones of orange, golden yellow, and muted olive green. Patches of soft blue peek through the canopy and reflect below, providing contrast and a sense of depth.

    Painted in expressive, confident brushstrokes, the work reflects the artist’s modernist approach -favouring form and feeling over strict realism. The palette is warm and harmonious, evoking the quiet radiance of a sunlit woodland in early fall. The broken brushwork and visible texture of the canvas lend movement and immediacy to the scene, pulling the viewer into a fleeting, golden moment in nature.

    This oil on board is housed in a complementary wood frame. Both the painting and frame are in excellent vintage condition.

    Size:  28 x 33 cm (including frame)

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  • Prize Black Ram

    Prize Black Ram

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    An engaging contemporary animal composition that features a black ram, painted in a naïve style in oil onto panel by British artist Matt Rix.

    Rendered in a simplified yet bold form, the ram stands confidently against an undulating landscape of golden-yellow dunes. The ram’s dark, voluminous body is almost cloud-like, contrasting dramatically with the pale grey sky and ochre hills behind it.

    Executed in a flat, graphic style reminiscent of folk art and naïve modernism, the painting uses a muted yet rich colour palette – matte black, warm browns, soft greys, and luminous yellow. The brushstrokes are smooth and controlled, with minimal texture, allowing the clean contours and deliberate forms to dominate. Subtle gradations in the sky and background create depth while maintaining the work’s minimalist charm.

    This oil on board is housed in unique green frame. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 30 x 40 cm (including frame)

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  • Quaint Interior

    Quaint Interior

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    A charming and intimate interior composition dated 1998 and painted in a naïve style, executed in oil onto canvas.

    The painting offers a delightful glimpse into a cosy room. The focal point is a wooden-framed window adorned with a bouquet of vibrant flowers in a vase placed on the windowsill. Through the window, a serene outdoor scene unfolds, with prominent buildings in the distance. Inside the room, the setting includes a chair with intricate curves, a polka-dotted dress hanging on a wall hook, and a decorative candle sconce. The flooring features a bold checkered pattern in red and blue tiles, adding structure and geometric interest to the scene.

    The painting leans toward a naïve art style, characterised by its flattened perspective, simplified forms, rich colours, and emphasis on decorative detail.

    The brushstrokes are smooth and meticulous, lending a clean feel to the artwork and showcasing the artist’s strong attention to detail.

    The colour palette is bright and vibrant, imbuing the painting with an uplifting feel.

    This oil on canvas is housed in a complementary wood frame. Both the painting and frame are in excellent vintage condition.

    Size: 60 x 51 cm (including frame)

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  • Red Thoughts

    Red Thoughts

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    An engaging and powerful abstract composition by British contemporary artist Lloyd Durling, painted in oil onto linen board. Signed, titled and dated 2024 on reverse.

    Central to this painting is an intense engagement with oil on linen that explore the interface between painting, drawing and collage. There is a balance between expressive play and tight control and with this comes an expanse of associations that push beyond simple categorisations of abstraction or scale. The information in each painting, given by gesture or mark, is reduced to a fleeting register on the surface, as if each mark has to count. 

    The idea of topography is of central importance and is explored through continuing walking projects. These serve as opportunities to gather diverse source material through physical and emotional interactions with whichever environment chosen to traverse. It amounts to a kind of urban and rural wandering where the information gathered is reinterpreted or reimagined feeding into a deep connection with landscape, arrangements of ancient monuments, light, shadow and forgotten histories – all of these elements find a way into the work.

    This oil on linen board is housed in a complementary walnut stained oak frame. Both painting and frame are in excellent condition.

    Size: 50 x 40 cm (including frame)

    To purchase the pair of oils seen in the photo at a group price, click here.

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  • Rolling Greens

    Rolling Greens

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    A mid-century modernist landscape painting that features a serene rural scene characterised by geometric simplicity and muted tones, executed in oil onto board and dated 1953.

    The composition highlights a cluster of cottages nestled within softly undulating hills and winding paths. The background reveals a gradient of forested hills and a distant mountainous horizon, conveying depth and tranquillity.

    The painting embodies the principles of modernist abstraction, focusing on the essential forms of the landscape rather than intricate detail. The geometric approach creates a structured yet harmonious visual experience.

    The palette is dominated by soft earthy tones. The subdued, pastel-like quality of the colours adds a sense of calm to the composition. The artist has used broad, smooth brushstrokes, emphasising shape and form rather than texture. The application is controlled and deliberate, reinforcing the structured yet organic nature of the landscape.

    This oil on board is housed in a very well-suited white painted wood frame and an inner ridged gilt moulding. The painting is in excellent vintage condition. There is some general wear and paint loss to frame, but it is stable overall.

    Size: 60 x 66cm (including frame)

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  • Shoreline with Red Roof

    Shoreline with Red Roof

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    A large mid-century modernist landscape depicting a minimalist coastal scene rendered with bold, abstracted forms and expressive brushwork, executed in oil onto canvas and dated 1950.

    The scene is constructed from interlocking bands of earthy brown, olive green, slate blue, and creamy beige, suggesting sand, water, and distant terrain in an almost abstract arrangement. Thick, visible brushstrokes sweep across the surface, adding energy and rhythm to the otherwise still composition.

    The artist’s modernist sensibility is evident in the stylised forms and reductive palette, which strip the landscape to its essential elements while retaining a strong sense of place. The work conveys a mood of solitude and atmospheric tension, encapsulating the quiet drama of nature through structure and tone.

    This large oil on canvas  is housed in a complementary wood frame with an inner cream border. Both the painting and frame are in excellent vintage condition.

    Size: 75.5 x 88 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Solitude by the Sea

    Solitude by the Sea

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    A large and tranquil modernist figurative landscape that captures a quiet moment of introspection by the water’s edge, executed in oil onto canvas and dated 1976.

    In this evocative composition, a lone figure sits on a white chair beside a simple table, gazing toward the vast expanse of a blue sea. A delicate tree to the left stretches its light foliage across the scene, while gentle brushstrokes hint at distant waves and a faint sailboat on the horizon.

    Painted in a soft, sun-drenched palette of blues, sandy orange, and muted purples, the work exudes a breezy Mediterranean atmosphere. The artist has used loose, expressive brushwork that balances impressionistic spontaneity with emotional subtlety. The handling of paint – particularly in the foreground grasses and foliage – is gestural and free, lending the piece an immediacy that feels both nostalgic and serene.

    This large oil on canvas is housed in a complementary gilt frame. Both the painting and frame are in excellent vintage condition. 

    Size: 75.5 x 79 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • The Letter Writer

    The Letter Writer

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    A contemplative and rhythmic mid-century abstract figurative painting captures a quiet, intimate moment of reflection, executed in oil onto canvas and dated 1957.

    The central figure – suggested through simplified, sculptural forms – rests their head on one hand while writing or drawing on a blank page, immersed in thought. The face and body are deliberately obscured, inviting the viewer to project their own narrative onto the scene.

    Executed in a muted yet warm palette of mustard, brick red, and soft peach, the work is layered with earthy tones and bold linear accents. The artist has used broad, expressive brushstrokes and lightly textured brushstrokes, contrasting with smoother, pale passages of light to create rhythm and emotional weight.

    This oil on canvas is housed in a complementary white painted wood frame. The painting has a small bit of paint loss at its top edge, as well as some craquelure present (as shown) but the paint layer is stable overall. The frame has minor scuff marks. 

    Size: 40.5 x 48.5 cm (including frame)

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  • The Long Walk Home

    The Long Walk Home

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    A charming mid-century modernist street scene that captures a quiet winter’s day in a small town, executed in oil onto canvas.

    At the base of the canvas, a solitary figure in a dark suit walks up a winding snow-covered path, subtly dwarfed by the weight of the hillside and the architectural sprawl above. The rooftops are blanketed in white, their geometric shapes stacking rhythmically up the hill, leading the viewer’s gaze toward a large domed structure and ship masts silhouetted against the grey winter sky.

    Executed in loose, confident brushstrokes, the artist evokes the crisp chill of the season with a subdued palette of slate grey, muted blues, olive green, and off-white. Dabs of subdued yellow and soft creams break the monotony of snow. The style is distinctly modernist, favouring mood and form over precise detail, with just enough figuration to anchor the scene in reality.

    This oil on canvas is housed in a complementary wood frame with an inner linen border. The frame has some minor scuffing but this is in keeping with its vintage style.

    Size: 62 x 46 cm (including frame)

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  • Twilight Fjordscape

    Twilight Fjordscape

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    A moody and atmospheric mid-century landscape painting that captures the rugged beauty of a mountainous fjord scene, executed in oil onto board and dated 1965.

    The composition features a series of tiered hills and waters that stretch into the distance, with a restrained palette of greys, blues, and muted ivory tones that dominate the canvas. The painting suggests a moment of stillness, likely twilight or dawn, as light glimmers faintly on the water’s surface.

    Executed in a distinctly expressive style, the brushwork is vigorous and tactile, with bold and confident horizontal and vertical strokes that create texture and depth. The artist’s technique gives the work a sculptural quality, with ridges of texture lending weight and physicality to the landforms.

    This oil on board is presented in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

    Size: 58 x 68.5 cm (including frame)

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  • Under Cotton Skies

    Under Cotton Skies

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    A quiet and introspective mid-century modernist figurative painting, executed in oil onto canvas by the established Swedish artist Fabian Lundqvist (1913-1989), whose works have been represented in many public collections in Sweden.

    The composition presents two female figures in patterned garments standing before a village house. Their stylised, geometric forms – with elongated necks and angular facial features – evoke a sense of solemn stillness, as if frozen in a moment of contemplation. Behind them, two seated figures rest in shadow near the darkened structure, their presence subtle and understated.

    The style is distinctly modernist, with a focus on abstraction and flattened perspective. The figures are rendered with minimal detailing but strong graphic patterns – each dress covered in repeated circular motifs that lend rhythm and cohesion to the composition.

    The palette is earthy yet refined: warm browns and rust dominate the architecture and ground, contrasted by the soft powder blue of the sky dotted with cloud forms in pale white. The figures’ garments incorporate muted blues, greys, and browns, harmonising with the background while still offering visual interest through texture and repetition.

    The brushwork is smooth and deliberate, leaning towards a matte finish with fine, consistent application. There’s a quiet harmony in the restrained execution – subtle yet impactful, evoking the stillness of village life.

    This oil on canvas is housed in a complementary gilt frame with an inner linen border. Both the painting and frame are in excellent vintage condition. 

    Size: 46 x 54.5 cm (including frame)

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  • Via Appia

    Via Appia

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    A serene depiction of the historic Via Appia, one of Rome’s most storied ancient roads, painted by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

    A towering tree with deep green foliage stands prominently in the foreground, casting dappled shadows across the ground. Scattered stone ruins, softened by time and framed by distant cypress trees, dot the rolling landscape, guiding the viewer’s gaze along the gently curving path.

    Executed in a semi-abstract modernist style, the painting simplifies forms into bold, geometric shapes while maintaining an organic flow. The palette is a harmonious blend of soft blues, yellow, earthy greens, and muted beiges, evoking a soothing atmosphere.  Confident yet expressive brushstrokes lend texture and depth, creating a sense of both stillness and quiet movement.

    This oil on board is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has very minor scuffing.

    Size: 51.5 x 61.5 cm (including frame)

     

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  • White Cat

    White Cat

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    A small and engaging portrait composition, painted in a naïve style in oil onto panel, by British artist Matt Rix.

    This painting features a  white cat sitting gracefully against a simple, flat background of earthy brown and muted green. The cat is the central figure, depicted in a front-facing pose with its body in profile and head turned toward the viewer. Its curled tail is tucked neatly around its body, adding a sense of balance and symmetry. The cat’s facial features are minimal but expressive, with light blue eyes, a small pink nose, and faint whiskers.

    The painting exudes a quiet elegance and calm, capturing the essence of a cat’s poised demeanor with minimalist charm. Its simplicity and balance make it visually striking and emotionally soothing.

    This oil on board is housed in a simple black wood frame which suits it perfectly. The painting is in excellent condition. The frame has some light marks but is in very good condition overall.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 28 x 28 cm (including frame)

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  • The Vibrant Terrace

    The Vibrant Terrace

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    A vibrant and lively mid-century figurative painting that captures an intimate moment on a sun-drenched Mediterranean balcony, executed in oil onto canvas and dated 1948.

    The central figure, a woman draped in a soft blue garment, stands with quiet poise amidst a dreamlike coastal backdrop. The scene overlooks rolling green hills and an abstracted village, rendered in whimsical forms of pastel blues, lavenders, and white.

    Executed in a Fauvist-inspired style, the painting delights with expressive colour contrasts and simplified forms. The artist has used loose, confident brushstrokes and rhythmic linework – most notably in the curving red balcony rails and the mosaic-like flooring beneath the figure’s feet. The palette is warm and exuberant: coral, cerulean, lemon yellow, and mint green blend harmoniously in an almost musical composition.

    The brushwork is deliberately free and gestural, lending the piece a sense of spontaneity and emotional immediacy. This work evokes both the joy of summer and the gentle introspection of solitude.

    This oil on canvas is housed in a very well-suited wood frame. The painting is in excellent vintage condition, and the gold paint on the outer edge of the frame is flaking. 

    Size: 57.5 x 49.5 cm (including frame)

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  • The White Boat

    The White Boat

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    A compelling minimalist coastal landscape painting that captures a moment of quiet isolation from a high vantage point, executed in oil onto canvas and dated 2006.

    At the heart of the composition, a lone white boat gently floats in a muted blue-grey body of water, its tilted angle adding a sense of drifting movement. The scene is bordered above by a dense expanse of deep greens – evoking rich, overgrown coastal foliage – which dramatically meets the waterline in a jagged edge, suggesting a tree-lined cliff or forested headland.

    The painting is executed in a modernist style with thick, textured brushwork. The artist has applied broad, horizontal strokes to the water, allowing tonal shifts of grey, blue, and muted green to emerge. The foliage is rendered in expressive, layered swathes of dark greens, creating a weighty contrast against the  pale expanse on the left – possibly a suggestion of open sand.

    Despite its minimal detailing, the work conveys a powerful narrative of solitude.

    This oil on canvas is housed in a complementary white frame. The painting has minor craquelure present at its upper right area, but the paint layer is very stable and it is only noticeable upon close inspection.

    Size: 57 x 63.5 cm (including frame)

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  • Twilight Flowers

    Twilight Flowers

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    A small and visually impactful semi-abstract composition in oil, painted by British artist Lloyd Durling,

    The surface is thick with textured impasto, giving the work a tactile, almost sculptural presence. The composition is divided into vivid colour blocks—warm corals, sunny yellows, soft aquas, and hints of mint—intersected by expressive black and blue marks that suggest floral forms.

    Lloyd’s use of thick paint application invites a physical response—you can almost feel the surface just by looking at it. This rich texture adds depth and dynamism, engaging the senses beyond the visual.

    The loosely defined forms gives us viewers just enough to begin imagining flowers or figures without being literal. Its small size encourages close, personal viewing. It feels like a private experience—something to be studied and absorbed in a quiet moment. A perfect example of how small artworks can carry a big impact.

    This impasto painting is mounted a dark stained oak frame. Both painting and frame are in excellent condition.

    Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

    To view the other paintings in this series, please click here.

    Size: 14.5 x 19.5 cm (including frame)

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  • Welsh Lady in Purple

    Welsh Lady in Purple

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    A small and engaging portrait composition , painted in a naïve style in oil onto panel, by British artist Matt Rix.

    This painting is a folk-art style portrait of a woman wearing traditional Welsh attire, set against a solid, dark grey background. The composition is simple and symmetrical, with the subject facing forward.

    Her face is simply rendered with almond-shaped eyes, a small nose, and neutral lips. She has a composed, almost stoic expression with neatly parted brown hair visible under the bonnet.

    This piece is a charming, minimalist portrait that captures a sense of quiet dignity and historical reference. Its simplicity and stylisation give it a timeless quality, making it feel both decorative and narrative.

    This oil on board is housed in a wood frame with gold trim which suits it perfectly. Both painting and frame are in good vintage condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 20.5 X 25.5 cm (including frame)

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  • When I Dream, No One is Home

    When I Dream, No One is Home

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    A captivating and enigmatic urban dreamscape painted in a surrealist style, executed in oil onto board and dated 2007.

    The painting unfolds where rows of identical arched windows form undulating red facades that seem to stretch endlessly under a restless sky. A lone man in a tan suit stands solemnly in the lower foreground, his pallid expression contrasting against the architectural rhythm that engulfs him. A towering streetlamp looms large, nearly intrusive, disrupting the visual symmetry and deepening the sense of alienation.

    The style leans toward Surrealism, with echoes of de Chirico in its spatial disquiet and uncanny atmosphere. The artist uses bold outlines and flat planes of colour to render the buildings, giving them a graphic, almost theatrical quality. The colour palette is dominated by deep reds, burnt siennas, ochres, and stark whites, under a blue sky dotted with stylised clouds.

    Brushstrokes are precise and deliberate, creating smooth surfaces and crisp contours, particularly in the architecture and sky. The textures of the suit and hair of the figure are more softly layered, offering subtle contrast. The overall effect is dreamlike and contemplative.

    This oil on board is housed in a complementary black frame. Both the painting and frame are in excellent vintage condition. 

    Size: 57 x 63 cm (including frame)

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  • Black & White House

    Black & White House

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    A brilliantly executed and richly textured modernist oil composition, painted by the established Swedish artist Max Gregor Carlsson (1914-1996), whose works have been exhibited in public collections including the Malmö Museum, Eskilstuna Art Museum, Ystads Museum, Norrköping City Collection, the Landskrona Konsthall.

    Containing elements of abstraction, we can discern a house setting that has been simplified and reduced to blocks of contrasting colours and outlines that help define the contours of the surrounding environment and objects.

    The artist has deliberately used a restrained palette that allows for a harmonious and balanced color scheme – with predominantly black and white hues with subtle hints of purple undertones in certain areas.

    The masterful use of the impasto technique adds depth and dimension to the painting as well as a textile quality. Each textured and powerful stroke is imbued with a palpable sense of movement and emotion, inviting viewers to immerse themselves in the scene.

    This oil on canvas is housed in a complementary slim black painted wood frame. Both the painting and frame are in excellent vintage condition.

    Size: 47 x 52 cm (including frame)

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  • Echoes of the Land

    Echoes of the Land

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    A striking mid-century modernist abstract landscape painting, executed in oil onto canvas.

    The composition presents a stylised interpretation of nature through bold form and gestural brushwork. Two dark, vertical trees anchor the composition, their forms fragmented into thick, angular blocks of olive green, mustard yellow and inky black. The landscape is rendered as interlocking planes of colour – deep green hills, brown patches of earth, and a slate-toned pathway – leading the eye toward a serene body of pale blue water, all beneath a moody, indigo sky.

    Executed in a distinctly modernist style, the work distills the natural environment into geometric abstraction. The brushstrokes are broad and intentional, layered with visible texture that suggests movement and depth. The palette is earthy and subdued, yet infused with a quiet vibrancy, reflecting the artist’s affinity for structure and form over literal representation.

    This oil on canvas is housed in a complementary wood frame. There are some minor marks at the top central top of painting, but it is otherwise in very good vintage condition. 

    Size: 39.5 x 42 cm (including frame)

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