Abstract – The Discerning Palette

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Coastal Paths
£490
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A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

Coastal Paths evokes memories of rolling hills and open landscapes with a distant view of the ocean. Muted greens and warm browns blend seamlessly while the expressive brushstrokes suggest a emotive natural landscape. Framed and ready to hang, it makes a striking focal point and brings warmth and depth to any space.

The painting is presented in a custom made tray frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 33 x 43 cm (including frame)

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Holding Space II

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A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

Holding Space is a small intimate abstract with a gentle softness, its name suggests a contemplative approach to viewing the painting, ‘ holding space’ to appreciate how the colours sit in conversation with each other. How the gentle yet bold lines suggest a variety of forms some recognisable.

It is a gentle and calming piece retaining its strength of presence amongst the crisp white border of the St Ives frame.

The painting is presented in a custom made St Ives frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 32 x 37 cm (including frame)

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Muddy Walks

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A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

Muddy walks is an intimate abstract painting which uses warm earthy tones of ochre, umber and soft cream alongside bold curved forms to create a dynamic composition.

Its movement and depth is highlighted against the crisp white of the St Ives frame it is set within.

The painting is presented in a custom made St Ives frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 32 x 37 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Quiet Whispers
£450
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A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

Quiet Whispers’ adopts subtle pinks with contrasting greens and dancing blues. It quietly whispers memories of green rolling hills, boats rocking in harbours, buoys in the water and sunsets mixed with dreamy nostalgia. Framed and ready to hang, the subtle but eclectic colour palette can compliment many spaces.

The painting is presented in a custom made tray frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 28.5 x 33cm cm (including frame)

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Stormy Mountains

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A brilliantly executed contemporary abstract composition, executed in acrylic onto canvas, by British artist Frances Daws.

Stormy Mountains is a modern landscape which captures both the drama and serenity of the open horizon. The strong gestural brushstrokes suggests a landscape of rolling hills, or sand dunes while the warm earthy tones bring about a sense of depth and movement, contrasting with the cool, blue and grey sky.

Whilst under the understanding this is an imagined landscape it invites the viewer to slow down and draw on their own memories of place.

Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 63 x 63 cm (including frame)

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Summer Song for the Birds I
£420
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A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

Summer song for the Birds’ is a gentle, expressive abstract that captures the quiet rhythm of nature in the peak of summer.

Layered brushstrokes in warm peach, clay, soft sages move across the surface like leaves stirred by a summer breeze. Organic, leaf-like forms emerge and dissolve, creating a sense of calm movement and light.

The palette is both earthy and uplifting, bringing warmth without overwhelming a space.

The painting is presented in a custom made St Ives frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 35 x 35 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Summer Song for the Birds II
£420
Available

Free shipping to UK, Europe and Singapore.

A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

Summer song for the Birds’ is a gentle, expressive abstract that captures the quiet rhythm of nature in the peak of summer.

Layered brushstrokes in warm peach, clay, soft sages move across the surface like leaves stirred by a summer breeze. Organic, leaf-like forms emerge and dissolve, creating a sense of calm movement and light.

The palette is both earthy and uplifting, bringing warmth without overwhelming a space.

The painting is presented in a custom made St Ives frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 35 x 35 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Geometric Collage in Green

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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

A vertical grid of nine rectangles is perfectly centred. The blocks are painted or stained in muted natural tones—sage green, forest green, golden yellow, off-white, slate blue, and pale grey-green. Each block has a slightly different surface texture, reminded us of its textile origins.

The grid is precisely placed against a horizontal division line running through the middle of the board. This intersection anchors the composition, giving it a feeling of structural harmony. There’s a sense of order meeting time-worn imperfection—a modernist grid laid over a surface that tells a more ancient, weathered story.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang, Both artwork and frame are in excellent condition.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

To view more artworks from this collection, click here.

Size: 30.5 x 24.5 cm(including frame)

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Geometric Collage in Raw Sienna
£380
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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

Centred in the upper half is a soft pinkish-orange circle, and in the lower half, a deep maroon or burgundy circle, both crisply defined but softly textured. The background is a heavily textured rust-brown surface, almost like oxidized metal or aged earth. It’s speckled with natural-looking marks, scuffs, and tonal variation, creating a sense of history and suggesting time, wear, and process.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang, Both artwork and frame are in excellent condition.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

To view more artworks from this collection, click here.

Size: 24.5 x 21 cm(including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Sliced Lemons
£765
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A cubist inspired still life composition, painted in oil onto canvas and dated 1956.

The focal point is a pair of sliced lemons, painted in thick, creamy strokes of yellow, white, and peach, giving them a fresh, tactile presence. Beside the fruit is a green pear-like form, adding another organic shape and hue. These items rest on a dark surface, perhaps a tabletop, which is painted in large, angular blocks of navy and black.

A small brown table or cabinet with short legs sits in the upper right quadrant. It appears simplified and stylised, reinforcing the abstracted, geometric quality of the whole scene.

This piece is heavily influenced by Cubism and early modernism. Forms are reduced to flat planes and hard-edged shapes and the brushwork is confident but restrained. There is a visible grid-like structure as if the artist constructed the composition like a puzzle.

The painting feels studied, measured, and designed, like an artist exploring how to deconstruct the familiar (fruit and furniture) into new visual language. It invites the viewer to slow down, observe form over realism, and enjoy the way light and space are broken into segments. The fractured composition gives it a slightly modern, mosaic-like effect, almost architectural in nature.

The painting is housed in a light grey wood with a weathered patina and a gently bevelled design. Both painting and frame are in excellent vintage condition.

Size: 33.5 x 42.5 cm (including frame)

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Still Life Elements
£580
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A bold and stylised mid century still life in oil, painted onto board and dated 1955.

Blending cubist and modernist influences, the composition is defined by strong, simplified shapes and vivid colour blocking, creating a playful yet structured visual experience. The painting features an arrangement of classic still life elements including a pitcher, a teapot, bottles, a cup, and several round red fruits. Bright green leaves sprawl across the foreground, adding organic curves against the sharper forms behind them.

These pops of vibrant red in the fruit and rich green in the leaves create striking contrast. A triangular beam of yellow light or background wall shape adds dynamic energy and depth to the scene.

The shadows are bold and geometric, not naturalistic, adding a graphic design-like quality that emphasises form over realism.

This painting embraces a modernist abstraction of still life, similar in spirit to the work of Fernand Léger or early Picasso. It feels both playful and calculated, as if each shape is carefully placed like pieces in a visual puzzle. It also has a slightly theatrical feel, as if lit from stage lights, enhancing its sense of constructed drama.

This oil on canvas is presented in a beautifully distressed vintage wood frame. The painting has some areas of craquelure as shown in the photos but it is very stable overall. The frame has some scuffing, commensurate with age.

Size: 61.5 x 74 cm (including frame)

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The Exchange
£475
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A captivating and expressive mid-century figurative painting depicting two stylised figures standing in quiet dialogue, executed in oil onto canvas.

Their forms are abstracted yet expressive – one slender and upright, the other broader with a gently tilted head, creating an intimate sense of interaction without relying on facial detail. The figures feel sculptural, almost totemic, evoking mood through posture rather than realism.

Rendered in a bold modernist style, the composition embraces simplified shapes and a strong graphic presence. The palette is warm and earthy, dominated by orange, rust, deep umber, charcoal, and muted mustard yellows. These tones are set against a pale, softly luminous background that enhances the painting’s sense of warmth and immediacy.

The brushwork is confident and textural, with broad, gestural strokes that give the figures weight and movement. Layered passages of paint create subtle ridges and variations, while the looser background wash keeps the scene airy and light. There is a raw, expressive quality to the application – intentional yet spontaneous.

A striking piece with strong presence, emotional ambiguity, and a wonderful interplay of colour and form.

This oil on canvas is presented in a complementary rich, dark wood frame. The painting is in excellent vintage condition. The frame has slight widening to the corners, some scuffs, as well as four small drill holes present in each corner of the frame.

Size: 56 x 66 cm (including frame)

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Intersecting Rhythm

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A dynamic mid-century abstract painting characterised by bold shapes, layered textures, and a rhythmic interplay of form and colour, executed in oil onto canvas by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The composition is built from intersecting blocks and curved segments, suggesting movement and an underlying figurative tension while remaining firmly non-representational.

Executed in a robust modernist style, the work embraces the era’s embrace of spontaneity and materiality. The palette features earthy orange, muted greys, olive green, off-white, deep charcoal and small flashes of cobalt blue, brick red, and sunny yellow, creating a grounded yet energetic contrast. Thick, tactile impasto passages bring a sculptural quality to the surface, where dragged strokes, textured ridges, and deliberate scoring reveal the artist’s physical engagement with the medium.

Overall, the painting exudes strength and mid-century sophistication – a striking statement piece that celebrates form, texture, and movement.

This oil on canvas is presented in a complementary black painted wood frame. There is a small perforation to the canvas as shown in the photos ( this is only visible from the back, and not from the front), but it remains stable and does not detract from the work’s overall attractiveness.

Size: 72.5 x 62 cm (including frame)

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Golden Drift
£430
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A serene and atmospheric abstract landscape that captures the quiet poetry of an open horizon rendered through expressive texture and colour, executed in oil onto board and dated 1994.

The composition is anchored by a band of deep browns, charcoals and soft whites that suggest distant landforms or shifting terrain, while the foreground dissolves into warm ochres, honeyed yellows and sandy neutrals. Above, a vast expanse of pale sky – softly blended in tones of white, cream and frosted blue evokes a sense of calm, openness, and gentle movement.

Executed in an abstract, modernist style, the painting relies on suggestion rather than literal detail. Broad, confident brushstrokes move horizontally across the canvas, creating a sense of depth and natural flow. Areas of impasto add tactile richness, with strokes layered and textured to mimic geological or weather-worn surfaces. The overall effect is both soothing and energetic, a landscape distilled to its essential mood and rhythm.

This oil on board is presented in a complementary silver wood frame. The painting is in excellent vintage condition, and the frame has scuffs present.

Size: 42 x 42 cm (including frame)

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Sunlit Forms
£585
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A richly textured and uplifting abstract painting, executed in oil onto canvas and dated 1970.

The painting unfolds as a rhythmic interplay of geometric and organic forms, arranged in a loosely interlocking composition that suggests shifting landscapes or architectural fragments without ever settling into literal depiction. The artist has layered broad, rounded shapes against more angular blocks, creating a dynamic sense of balance and movement that keeps the eye travelling across the canvas.

Executed in a distinctly modernist style, the work embraces bold simplification, flat planes, and an intuitive arrangement of colour. The palette is warm and radiant: mustard yellow, ochre, amber, and soft olive green mingle with muted grey and off-white, giving the painting both energy and groundedness. These colours sit side by side in harmonious tension, guided by a thoughtful arrangement of stripes and subtle tonal shifts.

The brushwork is expressive and tactile, with visible texture and confident strokes that bring a sculptural quality to the paint surface. Areas of impasto catch the light softly, revealing the artist’s hand and the physicality of the medium.

This oil on canvas is presented in a complementary gold painted wood frame. There is some craquelure as shown in the close up photos, and the canvas is slight uneven. Overall, the painting is in stable condition, and these characteristics do not impact the visual appeal of the work.

Size: 48.5 x 40.5 cm (including frame)

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Intersecting Planes
£995
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A large and very striking mid-century geometric abstract composition, painted in oil in 1955 by the established Swedish artist Bror Ingemar Fröberg (1921-1999), whose artworks have been represented in the Moderna Museum in Stockholm and the Sörmland Museum.

The painting is built from a dynamic network of interlocking shapes and angled planes. Triangles, diamonds, and irregular quadrilaterals converge and diverge across the canvas, creating a sense of movement that feels architectural. Though non-representational, the arrangement evokes rhythm, structure, and balance.

Executed in a geometric abstract style, the work relies on strong linear boundaries and clearly defined colour fields. The composition feels meticulously plotted, yet there is a softness to some of the edges that lends a human, hand-painted warmth. The overlapping forms create layers of depth and subtle spatial tension, typical of mid-century abstraction.

The colour palette is earthy and muted, and these grounded tones harmonise beautifully together. The balance of darker masses against lighter areas adds contrast and energy.

The brushwork is confident and deliberate, with solid blocks of colour applied in smooth, even strokes. Slight variations in texture and faint visible brush trails keep the surface engaging

This oil on canvas is housed in a complementary slim wood frame. The painting has some light surface marks but overall, the surface still presents well, and these characteristics do not detract from the artwork’s visual impact.

Size: 64 x 91.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Fading Horizon
£535
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An atmospheric mid-century landscape that presents a sweeping, almost abstracted view of land meeting sky, executed in oil onto canvas.

The composition is defined by a broad diagonal plane that draws the viewer’s eye into the distance, suggesting an open field or coastal terrain softened by mist. The forms are intentionally understated, allowing mood and atmosphere to take precedence over literal detail.

Painterly and expressive in style, the work leans toward modernist abstraction while still conveying a sense of place. The artist uses minimal definition, instead relying on tonal shifts and layered colour to evoke depth and quiet movement. The result is a calm, contemplative image imbued with a quintessential mid-century sensibility.

The palette is beautifully muted, composed of warm yellows, earthy browns, and deep moss greens that gradually transition into soft blue-greens, misty greys, and a luminous off-white sky. These colours blend seamlessly, creating the impression of early morning light or distant haze dissolving into the horizon.

The brushwork is gentle and fluid, with broad, blended strokes that form natural gradients across the landscape. Softer applications near the top of the canvas create a diffused, atmospheric quality, while more textured strokes in the foreground add a grounded sense of terrain. The overall effect is meditative and serene, inviting the viewer into a quiet, expansive space.

This oil on canvas is housed in a complementary slim gilt frame. There is a small mark visible in the light section of the sky and some areas of craquelure present, but the painting is in good vintage condition overall.

Size: 59 x 63.5 cm (including frame)

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Geometry in Grey
£540
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A mesmerising mid-century geometric abstract painting composed of layered angular forms that appear to float and overlap within a carefully balanced composition, executed in oil onto canvas.

The artist explores spatial tension through a series of intersecting planes – rectangles, trapezoids, and irregular polygons – that shift in opacity and tone, creating a rhythmic sense of movement and depth.

Rendered in a restrained monochromatic palette of cool greys, whites, and deep charcoal, the work exudes a quiet architectural precision. The translucent layering of shapes introduces a sense of transparency and lightness, while the hard-edged forms retain a strong graphic clarity.

The brushwork is smooth and deliberate, with even application of paint that emphasises the structural purity of the design rather than gestural expression. The artist’s refined control of tone and balance reflects the mid-century fascination with form, proportion, and visual harmony.

This oil on canvas comes unframed, and is in excellent vintage condition. It is on stretched canvas so is ready to hang but if you would like us to help you with framing, you can contact us here.

Size: 63.5 x 53 cm (including frame)

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Farmyard Geese
£70
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This 1972 textile artwork is a charming and vibrant handwoven tapestry that captures a stylised pastoral scene with a distinctly mid-century folk-art feel.

At the forefront, a small group of white geese with orange beaks and feet stand together on patterned ground rendered in blocks of green, orange, grey, and ochre. Behind them, a traditional half-timbered thatched cottage is depicted in a highly geometric and simplified way—its yellow roof and blue-paned windows contrasting sharply against a bright cobalt-blue sky filled with rhythmic vertical strokes.

The composition is bordered by a narrow red frame and set against a neutral linen backing, giving it a crisp and contained presentation. The overall design is bold yet playful, with an emphasis on pattern, symmetry, and texture rather than realism.

Typical of the 1970s Scandinavian and Northern European textile aesthetic, this piece blends warmth and modernity—balancing homely rural imagery with strong graphic abstraction. The craftsmanship, use of colour blocking, and tactile quality of the woven surface all contribute to its charmingly naive yet sophisticated appeal.

This vintage tapestry remains in very good condition. It is mounted onto fabric lined board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

Size: 32.5 x 27 cm

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The Fruit Tree
£70
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This 1976 textile artwork is a beautifully expressive handwoven tapestry that captures the spirit of Scandinavian modernist design with a touch of whimsy and surrealism.

At the centre stands a stylised tree with branching limbs rendered in deep shades of indigo, teal, and plum. Instead of natural foliage, the branches bear striking, eye-like fruit in vivid oranges, pinks, reds, and purples — each orb outlined with black and white stripes or concentric shapes, giving them an almost mystical or watchful quality. Beneath, smaller tulip-like forms in turquoise, violet, and magenta rise like decorative ground flora, adding a rhythmic base to the composition.

The backdrop is composed of vertical bands of blue — from light azure to midnight — creating a sense of depth and twilight atmosphere. The entire woven section is bordered by a neutral linen mount, giving it a clean, contemporary presentation that contrasts beautifully with the saturated hues.

The piece exudes both harmony and imagination: its bold abstraction and graphic patterning are softened by the tactile warmth of wool. The artist transforms a simple motif — a tree — into something symbolic and joyous, evoking themes of growth, mystery, and interconnectedness.

It’s a quintessential example of 1970s Scandinavian textile art — modernist yet folk-inspired, decorative yet poetic, bursting with colour and life.

This vintage tapestry remains in very good condition. It is mounted onto fabric lined board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

Size: 26.5 x 23.5

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Hillside Houses
£1,055
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A mid-century modernist painting presents a vibrant yet soothing interpretation of houses by a hillside, depicted in a bold, semi-abstract style, executed in oil onto canvas.

The composition features clusters of houses with angular rooftops nestled among lush greenery, painted in deep blues, rich reds, and warm earth tones. The background sky is rendered in a muted, soft grey, allowing the vivid hues of the houses to stand out.

The artist has used thick, expressive brushstrokes, giving the painting a dynamic, textured quality. The foliage appears sculpted through impasto techniques, while the simplified geometric forms of the buildings lend a sense of structure amidst the organic movement of the landscape.

This oil on canvas is housed in a very well-suited gilt frame. The painting is in excellent vintage condition, and the frame has a small area of paint loss but is in good condition overall.

Size: 66.5 x 82 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Memory of a Landscape
£560
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A bold and abstract mid-century composition, painted in oil onto board.

This painting is composed of large, solid blocks of colour and thick, expressive brushstrokes. While not realistic, it suggests a natural scene, perhaps a sunset or sunrise over hills or a valley.

The upper half of the canvas is dominated by a clear, bright blue that could represent the sky. There is a large red circle positioned in the top right quadrant – this striking element resembles the sun or moon, radiating a powerful visual presence, anchoring the composition. Below the red circle is a sweeping shape in green, possibly representing a grassy hill or field, surrounded by brown, beige, and ochre, evoking earth or terrain.

There are small red marks scattered to the green and brown area, which add interest and detail and encourage you to look deeper at the painting, drawing you in.

Despite its boldness, the horizontal layering and balanced composition give a sense of calm and order. This is the kind of painting that invites multiple interpretations—sunset over a landscape, a memory, or even an abstract metaphor for time and place.

This oil on board is presented in a simple wood frame that suits it well. Both painting and frame are in excellent vintage condition.

Size: 41 x 48 cm (including frame)

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Difficult Tableau
£350
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A small and visually impactful abstract composition in oil, painted by British artist Lloyd Durling,

This painting showcases Durling’s distinctive abstract vocabulary—tactile, spatially quiet, and emotionally charged through texture and colour. It feels like a visual diary entry composed of silences punctuated by vivid moments.

Durling introduces small blocks of intense, saturated colours including jet black, fiery orange, acidic yellow, and forest green, scattered throughout the pale background like thoughts breaking through quietude. Thick, painterly textures dominate the surface. The paint is almost sculpted, making the canvas a physical object as much as a visual one. This adds emotional depth—you sense that each mark carries intention and presence.

This impasto painting is mounted a dark stained oak frame. The dark wooden frame again complements the painting beautifully—earthy and solid, grounding the delicate and expressive content within.

Both painting and frame are in excellent condition.

Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

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Size: 19.5 x 14.5 cm (including frame)

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Things Far and Near
£350
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A small and visually impactful abstract composition in oil, painted by British artist Lloyd Durling,

This painting showcases Durling’s hallmark abstract language—minimal yet emotionally charged, textured yet airy. It’s a small piece that feels quiet but confident, introspective and balanced, like a private rhythm unfolding in colour and texture.

As with much of Durling’s work, the surface is highly textured, with thick layers of paint that create a tactile, almost geological quality. The canvas feels worked, scraped, and layered, like time embedded in paint.

The background is dominated by a soft minty green and pale pink base, giving the work a calm and gentle tone. Accents of bold black, vibrant orange-red, buttery yellow, and bright white interrupt the softness in bursts.

Despite its abstraction, this piece feels personal and evocative. There’s a delicate tension between order and spontaneity, between soft space and strong marks.

This impasto painting is mounted a dark stained oak frame. The dark wooden frame is a perfect match for this kind of subtle abstraction. It provides a visual anchor without stealing any attention, and its rustic quality echoes the organic textures in the painting itself.

Both painting and frame are in excellent condition.

Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

To view the other paintings in this series, please click here.

Size: 20.5 x 15.5 cm (including frame)

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Angel Marshes
£350
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A small and visually impactful abstract composition in oil, painted by British artist Lloyd Durling,

This painting showcases Durling’s signature abstract style—textured, atmospheric, and intuitively composed. It feels like a landscape in dream fragments, full of soft mystery and emotional undercurrents.

Thick, expressive brushstrokes dominate the surface. The impasto technique (built-up paint) adds a tactile richness, inviting you not just to see the painting, but to almost feel it.

Muted creams, cool greys, and powdery blues provide a soft base, broken by bold accents—a vivid orange shape, a lemon yellow, and patches of deep forest green. These pops of color create visual rhythm, like beats in a calm but layered melody.

This impasto painting is mounted a dark stained oak frame. The dark wooden frame adds earthiness and grounding to the otherwise ethereal composition. It contrasts beautifully with the soft light tones, allowing the painting’s subtle dynamism to stand out.

Both painting and frame are in excellent condition.

Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

To view the other paintings in this series, please click here.

Size: 15.5 x 20.5 cm cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Fragments of a Day
£805
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A striking modernist work that presents a scene fragmented into angular planes and interlocking blocks of colour, evoking figures and structures emerging within an imagined landscape, executed in oil onto canvas and dated 1972.

Though abstracted, one can sense the suggestion of human presence and architectural forms – perhaps a house, a figure, and surrounding terrain reduced to their essential geometric components.

Rendered in a modernist style, the composition is built from flat, faceted shapes that tessellate across the canvas, creating a rhythmic mosaic. The artist has employed a harmonious yet lively palette of muted peach, terracotta, sage green, browns, dusty pink, teal, and pale blues. These tones shift softly across the surface, creating subtle contrasts and spatial tension without harsh division.

The brushstrokes are controlled yet visible, giving texture to each block of colour while maintaining an overall crispness in form. Edges are softly defined, hinting at the hand of the painter beneath the structure of the geometry. The result is a composition that feels both architectural and lyrical – an exploration of form and colour that balances abstraction with a whisper of narrative.

This oil on canvas is presented in a complementary simple wood frame. Both the painting and frame are in excellent vintage condition

Size: 59.5 x 74 cm (including frame)

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Hillside Rhythm
£520
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A vibrant mid-century modernist landscape composition that captures an undulating terrain rendered in bold, sculptural brushstroke, and executed in oil onto canvas.

The scene is abstracted into rhythmic forms where rounded hilltops and faceted slopes are expressed through confident sweeps of the brush, giving the land a sense of movement and tactile energy.

The colour palette is rich – cool sage, olive, and moss greens intersect with muted stone greys and soft sky blues, creating a harmonious balance between earth and air. The sky is painted in a smooth gradient of pale blue, acting as a calm contrast to the dynamic, textured land below. Each stroke is deliberate and expressive, laid down with visible directionality, giving the impression of wind pushing across the hillsides.

Painted with an almost sculptural quality, the brushwork creates volume and light without relying on fine detail – typical of the mid-century Scandinavian modernist approach, where form and rhythm take precedence over realism.

This oil on canvas is presented in a complementary gilt frame with an inner cream border. The painting itself is in very good vintage condition. The frame shows some age-related marks and has a section missing on the right side.

Size: 48.5 x 64.5 cm (including frame)

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In the Moment
£495
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A very well executed contemporary coastal composition, painted onto canvas by British artist Nicky Knill Jones.

This painting portrays a vast, windswept beach under a dramatic, cloud-streaked sky. The horizon is low and dark, with rolling hills framing the edge of the sea, while the expansive sky dominates the upper half of the canvas in shifting tones of blue and grey.

Scattered across the wet sand are small, loosely rendered figures, their reflections faintly mirrored on the glistening surface. The central figure draws the viewer’s eye and lends a quiet narrative to the scene. The broad, gentle brushstrokes and subdued palette evoke a fleeting, introspective mood — capturing the stillness and solitude of a moment suspended in time.

The painting conveys the feeling of being immersed in nature’s vastness, where human presence is small but meaningful, and the world unfolds slowly in light and shadow.

This painting is unframed, but can be hung as is. Both painting and frame are in excellent condition.

To view more paintings in this series, click here.

Size: 40 x 40 cm (comes unframed)

Born in 1974, Nicky Knill Jones is a passionate artist whose work celebrates the dynamic interplay of light, colour, and the natural world. Through her photography and paintings, she captures the beauty and energy of ever-changing landscapes, focusing on the dramatic coastlines of Cornwall and Devon. Fascinated by the sea, weather fronts, cloud formations, and expansive skies, Nicky’s art reflects her deep connection to nature. Her work conveys the raw power and fleeting moments of the natural world, where bold, fresh, and instinctual brushstrokes bring her vision to life. Each painting is characterful, imbued with the emotion and vitality of her surroundings. A graduate of Kingston University, where she studied Art, Nicky has been painting since her early years. Over time, she has honed her skills and developed a distinctive style, working both from her studio and en plein air, immersing herself in the landscapes she loves to portray. With a keen eye for detail and a unique ability to convey movement and atmosphere, Nicky Knill Jones creates works that resonate deeply with her audience, offering a glimpse into the untamed beauty of the British coastline.

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The Hidden Cove
£510
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A very atmospheric and expressive costal composition, painted onto canvas by British artist Nicky Knill Jones.

The painting captures a serene and intimate stretch of coastline, where a rugged cliff descends into a secluded bay. The composition leads the viewer’s eye from the grassy, windswept foreground down to the white surf curling against the rocks, and out across the vivid turquoise sea.

The brushwork is loose and expressive, giving movement to the sea and texture to the land. Shades of teal, sea green, and cobalt blue dominate the palette, evoking freshness and clarity, while subtle earthy tones add contrast and depth to the coastal terrain.

The painting evokes a sense of discovery and peaceful isolation, as though stumbling upon a quiet, unspoiled corner of nature. It’s a contemplative, windswept scene that invites viewers to pause and take in the rhythm of the sea.

This painting is beautifully presented in a white tray frame. Both painting and frame are in excellent condition.

To view more paintings in this series, click here.

Size: 34 x 34 cm (including frame)

Born in 1974, Nicky Knill Jones is a passionate artist whose work celebrates the dynamic interplay of light, colour, and the natural world. Through her photography and paintings, she captures the beauty and energy of ever-changing landscapes, focusing on the dramatic coastlines of Cornwall and Devon. Fascinated by the sea, weather fronts, cloud formations, and expansive skies, Nicky’s art reflects her deep connection to nature. Her work conveys the raw power and fleeting moments of the natural world, where bold, fresh, and instinctual brushstrokes bring her vision to life. Each painting is characterful, imbued with the emotion and vitality of her surroundings. A graduate of Kingston University, where she studied Art, Nicky has been painting since her early years. Over time, she has honed her skills and developed a distinctive style, working both from her studio and en plein air, immersing herself in the landscapes she loves to portray. With a keen eye for detail and a unique ability to convey movement and atmosphere, Nicky Knill Jones creates works that resonate deeply with her audience, offering a glimpse into the untamed beauty of the British coastline.

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Cornish Coast
£745
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A serene and expressive landscape composition, painted onto canvas by British artist Nicky Knill Jones.

This calming landscape captures a view of the Cornish shoreline. The composition leads the viewer’s eye along a soft, winding path that cuts through verdant green headlands, drawing attention to the expansive, pale sea in the distance. Broad, painterly brushstrokes and a palette dominated by cool greens, soft blues, and muted whites evoke the brisk, fresh atmosphere of the coast. The hazy sky and gentle gradation of light across the canvas suggest a calm, overcast day, adding a contemplative and tranquil mood to the scene. The overall impression is both dynamic and peaceful, capturing the natural beauty of Cornwall’s rugged coastline.

This painting is unframed, but can be hung as is. Both painting and frame are in excellent condition.

To view more paintings in this series, click here.

Size: 50 x 50 cm (including frame)

Born in 1974, Nicky Knill Jones is a passionate artist whose work celebrates the dynamic interplay of light, colour, and the natural world. Through her photography and paintings, she captures the beauty and energy of ever-changing landscapes, focusing on the dramatic coastlines of Cornwall and Devon. Fascinated by the sea, weather fronts, cloud formations, and expansive skies, Nicky’s art reflects her deep connection to nature. Her work conveys the raw power and fleeting moments of the natural world, where bold, fresh, and instinctual brushstrokes bring her vision to life. Each painting is characterful, imbued with the emotion and vitality of her surroundings. A graduate of Kingston University, where she studied Art, Nicky has been painting since her early years. Over time, she has honed her skills and developed a distinctive style, working both from her studio and en plein air, immersing herself in the landscapes she loves to portray. With a keen eye for detail and a unique ability to convey movement and atmosphere, Nicky Knill Jones creates works that resonate deeply with her audience, offering a glimpse into the untamed beauty of the British coastline.

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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