Large Artworks – Page 12 – The Discerning Palette

Showing 331–360 of 1192 results

Geometric Collage in Blues

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A very unique original artwork by contemporary British artist Dave Boyd, which has been constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards), and mounted on a wooden panel in a solid wood float frame.

At the heart of the artwork is a carefully balanced four-part composition, divided into squares, each containing a small vertical pairing of rectangular blocks. These central forms: composed of soft off-white, deep indigo, slate grey, and muted charcoal – echo one another subtly across the surface, creating a quiet rhythm and sense of repetition. The woven textures of the salvaged book cloth are beautifully visible within each element, offering gentle variation and tactility against the broader fields of colour.

The background is composed of softly shifting panels of various blues, each section bearing the marks of time through delicate abrasions, faint horizontal striations, and areas of tonal wear. Vertical and horizontal seams subtly divide the surface, reinforcing the constructed, assemblage nature of the work while adding depth and structure.

The composition feels contemplative and architectural: where repetition, balance, and materiality come together in a restrained yet deeply textural expression. There is a quiet dialogue between the squares, each echoing the other while retaining its own subtle tonal identity.

The artwork is presented in a warm-toned solid wood float frame with a rich grain that complements the cooler hues of the piece. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang. Both artwork and frame are in excellent condition.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

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Size: 43 x 43 cm (including frame)

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Green Vessels & House Form

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A brilliantly executed and richly textured modernist still life oil composition that balances domestic familiarity with a subtle sense of abstraction, painted by the established Swedish artist Max Gregor Carlsson (1914-1996), whose works have been exhibited in public collections including the Malmö Museum, Eskilstuna Art Museum, Ystads Museum, Norrköping City Collection, and the Landskrona Konsthall.

At the centre, a pair of elongated green vessels: a bottle and a handled jug, stand side by side on a tabletop, their simplified silhouettes echoed by a stylised white house form rising behind them. A small red circular object rests in the foreground, offering a gentle focal contrast and anchoring the composition.

The arrangement feels both intimate and architectural, with the tabletop and surrounding planes constructed in flattened, geometric blocks. There’s a careful interplay between interior and exterior elements – the house motif blurs the boundary between still life and landscape.

The palette is restrained yet expressive: muted greens and teal tones dominate, softened by warm off-whites and earthy browns, with touches of terracotta and a single note of deep red adding warmth and rhythm. The colours are slightly desaturated, lending the work a calm, contemplative mood.

Brushwork is deliberate and textural, with visible, layered strokes that give the surface a tactile, almost sculptural quality. Edges are gently defined rather than sharply outlined, allowing forms to breathe within the composition. The paint handling suggests confidence and restraint, with subtle variations in tone and thickness bringing depth to otherwise simplified forms.

Overall, this is a thoughtfully balanced piece that captures the essence of mid-century still life through its harmony of form, colour, and structure.

This oil on canvas is presented in a charming, rustic wooden frame that has a gently distressed, whitewashed finish. The painting has some light craquelure due to the thickness of the paint, but it remains in very stable condition overall.

Size: 63 x 68 cm (including frame)

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Haystacks by the Gate

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A charming mid-century landscape that captures a quiet rural scene under an expansive sky, executed in oil onto board.

To the left, several golden haystacks rise against the horizon, their rounded forms accented by loosely placed poles, hinting at agricultural life and seasonal rhythms. A road leads the viewer’s eye into the middle distance, where a simple wooden gate opens toward a countryside beyond.

Executed in a restrained and muted palette, the composition reflects a serene pastoral atmosphere. The brushwork is gentle and impressionistic, with visible textures in the sky and fields that lend the painting a sense of movement and authenticity. Delicate textures in areas such as the haystacks and road adds tactile interest without overwhelming the tranquil mood.

This oil on board is housed in a complementary linen-lined wood frame with and inner and outer gilt border. The painting is in excellent vintage condition. The frame has light scuffing, as well as a chip at its bottom edge.

Size: 37 x 46 cm (including frame)

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Hillside Rhythm

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A vibrant mid-century modernist landscape composition that captures an undulating terrain rendered in bold, sculptural brushstroke, and executed in oil onto canvas.

The scene is abstracted into rhythmic forms where rounded hilltops and faceted slopes are expressed through confident sweeps of the brush, giving the land a sense of movement and tactile energy.

The colour palette is rich – cool sage, olive, and moss greens intersect with muted stone greys and soft sky blues, creating a harmonious balance between earth and air. The sky is painted in a smooth gradient of pale blue, acting as a calm contrast to the dynamic, textured land below. Each stroke is deliberate and expressive, laid down with visible directionality, giving the impression of wind pushing across the hillsides.

Painted with an almost sculptural quality, the brushwork creates volume and light without relying on fine detail – typical of the mid-century Scandinavian modernist approach, where form and rhythm take precedence over realism.

This oil on canvas is presented in a complementary gilt frame with an inner cream border. The painting itself is in very good vintage condition. The frame shows some age-related marks and has a section missing on the right side.

Size: 48.5 x 64.5 cm (including frame)

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Interior with Desk

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A warm and inviting mid-century painting that captures a quiet charm of an interior scene, executed in oil onto canvas and dated 1964.

The scene is centred around a wooden writing desk topped with a pitcher of fresh blue blossoms. A simple wooden chair sits before it, while a delicate armchair with intricate circular patterns is placed to the left. On the wall, framed artworks, a glowing table lamp, and a glimpse of a mirror or window reflecting a vase of pink flowers create layers of visual interest. The arrangement captures a lived-in, thoughtful space, quietly animated by the presence of everyday objects.

Painted in a mid-century modern style, the work emphasises form, colour, and structure over strict realism. The composition is built from large, blocky shapes and softened outlines, giving the scene a warm, slightly abstracted quality.

The palette is muted yet very balanced. The brushwork is loose and painterly, applied in visible, layered strokes that build texture and rhythm. Broad, confident applications of paint define surfaces, while smaller, more delicate strokes capture details such as the wicker chair pattern and the clustered petals of the flowers. The overall handling gives the painting an impressionistic intimacy, evoking both structure and atmosphere.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has minor scuffs.

Size: 63.5 x 55.5 cm (including frame)

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Lemon & Literature

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A lively and expressive mid-century still life that captures a vibrant table scene where fruit, bottles, and books converge in a symphony of colour and texture, executed in oil onto board.

A blue tablecloth stretches across the foreground, holding a scattering of apples, oranges, and a lemon alongside two dark bottles and a pair of books rendered in bold red and black. The scene glows against a luminous yellow backdrop, infusing the composition with a sense of warmth and vitality.

The artist’s palette is bold and confident: sunny yellows, blues, deep blacks, and accents of warm orange and crimson create a dynamic interplay that brings life to the static composition. The brushwork is expressive and heavily impastoed, with thick, deliberate strokes that lend a tactile energy to the painting. The use of contrasting colours and broad application of paint give the piece a sense of rhythm and immediacy characteristic of mid-century modernist expression.

The painting balances structure and spontaneity beautifully – each object is simplified yet full of presence, and the scene hums with quiet intensity. A wonderful example of post-war European still-life painting, celebrating the everyday through bold colour and painterly confidence.

This oil on board is presented in a complementary gilt frame with red undertones, and an inner white border The painting is in excellent vintage condition, and the frame has scuffing.

Size: 56 x 72.5 cm (including frame)

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Olive Passage

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A striking mid-century modernist abstract composition, painted in oil onto canvas by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

This composition unfolds through sweeping gestures and layered passages of colour, balancing movement with spacious calm. Broad arcs of cream and white drift across fields of olive, sage, and muted khaki, while flashes of cobalt blue, burnt ochre, and deep black cut through the composition with energetic contrast. The painting carries a strong sense of rhythm and spontaneity, evoking shifting landscapes, weather patterns, or fragments of memory rather than a fixed subject.

Executed in a gestural modernist style, the work embraces the expressive freedom associated with post-war abstraction. Thick impasto passages and palette-knife textures create a richly tactile surface, with paint applied in sweeping crescents, scraped layers, and heavily worked sections that reveal the artist’s process. The interplay between dense texture and open negative space gives the composition both tension and balance, allowing the eye to travel fluidly across the canvas.

The colour palette is particularly refined – earthy olive and moss tones anchor the work, softened by warm ivory and cream, while vivid interruptions of blues and yellow introduce vitality and movement. The brushwork feels instinctive yet controlled, combining confident gestural sweeps with textured, almost sculptural applications of paint.

This oil on canvas is presented in an elegant champagne-toned timber frame. The painting is in excellent vintage condition, and the frame has some scuffs.

Size: 36 x 93 cm (including frame)

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Reclining Figure in Red

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A compelling mid-century modernist abstract figurative composition, painted in oil onto canvas by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The painting captures the essence of the human form through a language of bold reduction and tactile surface. A reclining figure emerges from the composition, its contours simplified into rounded, interlocking shapes that suggest the curve of a shoulder, the bend of a hip, and the quiet weight of a resting body. The figure feels both present and elusive – more sensed than precisely defined – inviting the viewer to complete the form through perception.

The style is distinctly modernist, leaning into abstraction while retaining a strong figurative anchor. There is a confident balance between structure and spontaneity: broad planes of colour establish the composition, while energetic, almost impulsive marks disrupt and animate the surface. The artist’s hand is evident throughout, giving the work a raw, expressive immediacy.

The palette is warm and striking, dominated by rich vermilion reds, burnt orange, and deep maroon tones that form a saturated backdrop. Against this, the figure is rendered in creamy, off-white hues, punctuated by flashes of cobalt blue and teal. These cooler accents create visual tension and rhythm, guiding the eye across the composition and adding depth to the otherwise flattened space.

Brushwork is thick and textural, with areas of heavy impasto that catch the light and emphasise the physicality of the paint. Scraped passages and layered strokes contribute to a richly worked surface, where traces of earlier marks remain visible beneath. This layering gives the painting a sense of history and movement, as though the figure has been gradually revealed through successive gestures.

Overall, the piece is a powerful study in form, colour, and material – intimate yet bold, gestural yet composed.

This oil on canvas is presented in a complementary gilt frame that has a gently stepped profile. The painting is in excellent vintage condition, and the frame has light scuffs.

Size: 73.5 x 53.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Silent Conversation

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An evocative mid-century modernist painting, executed in oil onto canvas by the established Swedish artist Fabian Lundqvist (1913-1989), whose works have been represented in many public collections in Sweden.

The painting captures two solitary figures standing within the hushed streets of a whitewashed village. Simplified architectural forms, a single telegraph pole, and an expansive muted sky create a scene that feels both timeless and deeply contemplative. The figures, dressed in dark garments, provide a quiet human presence against the geometric simplicity of the surrounding buildings, inviting the viewer to imagine an unspoken exchange or fleeting encounter.

Executed in a restrained modernist style, the composition balances architectural abstraction with subtle narrative. Large, simplified planes of colour and carefully considered negative space reflect the influence of mid-century European painting, where atmosphere and emotional resonance take precedence over fine detail. The crisp geometry of the buildings contrasts beautifully with the softened silhouettes of the figures, creating a harmonious tension between structure and humanity.

The colour palette is exceptionally understated, comprising warm greys, soft taupes, creamy whites, muted browns and charcoal blacks. These earthy, neutral tones are gently modulated, lending the painting a tranquil, almost dreamlike quality. The subdued palette evokes the fading light of dusk or the gentle haze of an overcast afternoon.

Brushwork is delicate and controlled throughout. Thin, smoothly blended layers create velvety transitions across the sky and architectural forms, while subtle tonal variations prevent the broad areas of colour from appearing flat. The restrained handling of paint reinforces the painting’s calm, meditative atmosphere, allowing composition, light and mood to become the primary focus.

This oil on canvas is presented in a beautiful dark wood frame with and inner gilt window and linen border. The painting is in excellent vintage condition, and the frame has some scuff marks.

Size: 57 x 65 cm (including frame)

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Still Life in Angles

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A mid-century still life painting that presents an abstract yet structured arrangement of everyday objects, painted in oil onto board.

A white pitcher, a brass candleholder with a partially burned candle, and a blue-handled pan are depicted resting atop a dark wooden table. The background is muted green, providing a subdued contrast to the bold, simplified forms.

The painting embraces a Cubist-inspired style, characterised by geometric abstraction and angular distortions. The objects are deconstructed into sharp-edged planes, lending the composition a sculptural quality.

The colour palette is earthy and restrained, featuring shades of green, beige, blue, and brown, with accents of gold in the candleholder. The brushstrokes are expressive, adding depth and a sense of movement to the otherwise still arrangement.

This oil on board is housed in a complementary slim wood frame. Both painting and frame are in very good vintage condition.

Size: 39.5 x 47.5 cm (including frame)

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Still Life with White Chair

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A soothing mid-century modernist style still life composition, executed in oil onto canvas.

The painting presents an interior scene that centers around a white chair, with an assortment of objects including a flower vase, a lemon, and an apple resting upon it.

The backdrop has been abstracted into blocks of light muted pastel hues, creating a harmonious interplay of colours that also intensifies the vibrancy of the objects due to its lighter shades.

The dynamic and expressive diagonal brushstrokes in the background imbues the scene with a sense of energy, and the gentle muted pastel colours add an uplifting quality.

This oil on canvas is housed in a complementary gilt frame with multiple windows. The painting is in excellent vintage condition, and the frame has very minor scuffs.

Size: 64 x 74 cm (including frame)

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Sunlight & Table

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A gentle and poetic mid-century interior still life that captures a moment of quiet radiance, executed in oil onto canvas.

The scene centres on a teal table, upon which rests a small earthen pot of pink flowers, bathed in a cascade of soft morning light filtering through tall windows. The painter transforms a humble domestic corner into a study of atmosphere: where form dissolves into light and shadow.

Executed in a loose, impressionistic style, the artist has used delicate, feathery brushstrokes and thin layers of paint to build an airy, almost translucent composition. Muted mauves, lilacs, pale yellows, and soft greys create a dreamlike haze, while the turquoise of the table provides a striking counterpoint of solidity within the diffused glow. The brushwork is confident yet restrained – the marks suggesting more than defining, allowing the viewer’s imagination to fill in the forms.

The overall effect is one of serenity and light: a meditation on stillness and the subtle poetry of the everyday interior.

This oil on canvas is presented in a complementary wood frame with a rich and warm oak tone, and with an inner gilt window. The painting is in excellent vintage condition, and the frame has some scuffing.

Size: 62 x 53.5 cm (including frame)

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Sunset by the Pines

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A captivating modernist landscape that captures a serene winter evening in a town, painted with a whimsical yet sophisticated hand., executed in oil onto canvas and dated 2004.

The composition is anchored by slender, trees stretching vertically across the canvas, their trunks etched in expressive, confident brushstrokes. Beyond the trees, a snow-covered red cottage stands bathed in the glow of a pink and amber sunset, with a fiery sun gently sinking into the horizon.

The artist has used a vivid yet harmonious palette- rosy pinks, icy blues, yellows, and earthy browns. Snow is rendered in light texture, while delicate dabs of white and gold depict the last leaves of autumn clinging to frosted branches. A few scattered birds and a ladder leaning against the cottage hint at daily life amidst stillness.

Executed in a stylised, semi-naïve manner, the work evokes the warmth of memory at of seasonal transition.

This oil on canvas is housed in a complementary champagne painted wood frame. Both the painting and frame are in excellent vintage condition.

Size: 65.5 x 75 cm (including frame)

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The Last Pine

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An atmospheric mid-century landscape painting that captures a serene alpine lakeside scene, where a solitary windswept pine stands against a vast expanse of calm blue water and distant snow-covered mountains, executed in oil onto board.

The composition balances openness and quiet drama, with the lone tree acting as both focal point and anchor within the expansive natural setting. Dark rocky forms along the shoreline contrast beautifully against the crisp mountain ridge and luminous sky, giving the work a contemplative and almost cinematic atmosphere.

Executed in a loose modernist style, the painting combines expressive brushwork with simplified forms typical of mid-century landscape painting. The artist uses confident, gestural strokes to suggest the rugged terrain and mountain contours, while softer blended passages in the sky create a sense of stillness and depth. The tree itself is rendered with elegant linearity, its sparse foliage painted in quick textured marks that lend movement and character.

The palette is rich yet restrained, dominated by cool tones of cerulean, deep lake blue, charcoal black, and snowy whites, offset by touches of earthy browns, moss green, and burnt sienna in the foreground vegetation. These warmer accents provide a subtle contrast to the crisp alpine backdrop and bring warmth to the composition.

This oil on board is presented in a complementary wood frame with an inner gilt inner trim. Both the painting and frame are in excellent vintage condition.

Size: 44 x 52 cm (including frame)

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The Pair

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A large and very unique mid century modernist oil composition of two figures, painted onto canvas by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The artist has flattened the surface, reducing the figures down into planes of pastel colour, that fit together like a puzzle. The palette is restrained, using a range of light blues, greys and browns. To add depth to the picture, the painting is filled with these vertical patterns, that are almost like seams that open up to reveal layers of colour underneath.

This very interesting composition is unframed but can be hung as is. The painting has some scattered craquelure, commensurate with age. The craquelure does not detract from the overall attractiveness of the piece.

Size: 80 x 60.5 cm

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The Piano

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A contemplative painting dated 1978 that presents an upright piano reduced to its essential forms, transforming a familiar domestic object into a study of mood and structure, and executed in oil onto canvas.

The instrument is shown front-on, its keyboard stretching horizontally across the composition, with an open book of sheet music hovering at the centre like a quiet focal point. Subtle hints of pedals below ground the piano in space, while the surrounding fields of colour dissolve the setting into something more psychological than literal.

The work favours simplification over detail and atmosphere over realism. The piano’s solid mass is rendered in broad, blocky shapes, lending it a sculptural presence, while the perspective is gently skewed, adding a sense of introspection and stillness rather than strict accuracy.

The colour palette is both restrained and expressive. Deep blacks and charcoal browns of the piano are softened by surrounding planes of olive green, moss, muted yellow, and a warm rust-red edge, creating a subtle tension between cool and warm tones. The white of the keys and sheet music emerges softly from the darker body, glowing rather than sharply contrasting.

Brushstrokes are visible and deliberate, applied in layered, matte passages that flatten the surface while retaining texture. Edges are softened and slightly blurred, allowing forms to bleed gently into one another. This painterly handling enhances the quiet, contemplative mood of the piece, suggesting not sound or performance, but the pause before music begins – a moment of silence filled with potential.

This oil on canvas is housed in a complementary slim wood frame. Both the painting and frame are in excellent vintage condition.

Size: 51.5 x 55 cm (including frame)

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The White Doors

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A mid-century painting that presents a quietly striking view of a barn facade, painted in oil onto canvas board.

The composition is front-facing and architectural, reducing the subject to its essential planes and proportions. White doors – each slightly misaligned and marked by age – create a rhythmic sequence across the surface, punctuated by hinges, latches, and subtle irregularities in the wood.

Stylistically, the work reflects a mid-century modern sensibility, where everyday vernacular architecture is treated with restraint and formal clarity. The artist balances realism with a gently abstracted approach, emphasising geometry, repetition, and surface texture over narrative detail.

The colour palette is warm yet grounded: rich reds dominate the background, softened by the chalky whites and pale greys of the doors. Muted shadows and earthy undertones add depth, while the roofline introduces a darker band that anchors the composition.

Brushstrokes are deliberate and tactile, particularly visible in the vertical planks and the layered paint on the doors. The handling of paint suggests careful observation: neither loose nor overly polished, allowing the texture of wood and the passage of time to subtly emerge. Overall, the painting conveys a sense of stillness and quiet endurance, capturing beauty in the functional and the worn.

This oil on canvas board is mounted onto a complementary silver painted wood frame with an inner wood border. Both the painting and frame are in excellent vintage condition.

Size: 28.5 x 36.5 cm (including frame)

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Tulips in a Blue Vase

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A very well executed floral still life composition, painted in oil onto board and dated 1947 on the reverse.

This painting is a still life depicting a bouquet of tulips in a blue vase. The flowers have dark red and purple petals with white edges, and their stems and leaves are long and curved. The background features broad, textured brushstrokes in muted browns, blues, and purples, creating a moody atmosphere. The table surface is painted in light tones of cream and greenish hues, contrasting the darker backdrop.

The colours in this painting don’t shout, they whisper, giving the painting a soft, contemplative silence. There’s a tangible calm, as if time has slowed down just long enough to notice the fleeting moment.

The brushwork is loose yet deliberate, with visible strokes that suggest movement and texture. The artist seems to use a technique where the individual strokes build form rather than smooth blending, adding a painterly quality.

Tulips, often associated with love and rebirth, are shown here slightly wilted and heavy—perhaps representing impermanence or the bittersweet nature of memory. The heavy lean of the stems feels like a surrender to gravity, a soft echo of time’s pull.

This oil on board is presented in very well made wood frame with an inner brown border, which suits the painting impeccably. Both painting and frame are in excellent vintage condition.

Size: 64 x 54.5 cm (including frame)

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What the Mirror Saw

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A quietly arresting figurative painting that captures a fleeting, introspective moment seen through a reflection of a mirror, executed in oil onto canvas and dated 1975.

A solitary figure stands before the mirror, partially obscured by reflection and shadow, dissolving into the textured surface of the paint. The viewer becomes part of the act of looking, drawn into the layered spatial tension between the real and the reflected.

The mirror reveals a richly hued interior behind the subject – a warm orange -toned room with a red chair tucked casually to one side – hinting at the domestic life unfolding just beyond view. The cool white wall outside the mirror’s edge contrasts with the golden glow within, creating a striking division between inner and outer worlds.

Executed in a bold, gestural style, the painting features expressive brushstrokes and texture. The palette balances cool with warmer earthy tones, while the confident abstraction of form imbues the scene with both intimacy and ambiguity.

This oil on canvas is housed in a complementary wood frame. Both the painting and frame are in excellent vintage condition.

Size: 53 x 52.5 cm (including frame)

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Where the Trees Gather

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An atmospheric mid-century landscape that captures a grove of trees rendered through a highly simplified and painterly lens, executed in oil onto canvas.

Here, the artist distills the scene into a series of interlocking organic forms, evoking the rhythm and character of the natural environment. The composition suggests a stand of trees, their rounded canopies and twisting trunks emerging from a sunlit clearing beneath an expansive sky.

Executed in a modernist, semi-abstract style, the painting balances representation with abstraction. The forms are reduced to broad, sculptural shapes, creating a sense of quiet monumentality while retaining the essence of the landscape. The composition feels contemplative and timeless, inviting the viewer to experience the landscape as a mood rather than a specific place.

A restrained palette of soft sage greens, muted blue-greys, pale creams, and warm sandy browns lends the work a serene and harmonious quality. Subtle passages of charcoal, olive, and earthy brown provide contrast and depth, while hints of sky blue illuminate the upper portion of the composition.

The brushwork is loose yet deliberate, characterised by broad sweeping strokes and layered applications of paint. Visible brush marks animate the surface, with curved gestures describing foliage and more angular strokes defining trunks and shadows. The resulting texture creates a gentle sense of movement, enhancing the painting’s lyrical interpretation of the landscape.

This oil on canvas is presented in a complementary silver painted wood frame. Both the painting and frame are in excellent vintage condition.

Size: 52 x 66 cm (including frame)

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White Roses

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A vibrant mid-century modernist still life oil painting by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

The composition captures a loose arrangement of white roses placed across a richly coloured tabletop and echoed in a tall cobalt-blue jug. The layered planes of colour – suggesting a tablecloth, interior wall, and surface – form a structured yet playful setting. The roses feel freshly placed, lending the scene an air of immediacy and intimacy.

The painting is executed in a bold modernist style, characterised by flattened perspective and simplified, almost abstracted forms. Rather than striving for realism, the artist emphasises composition and colour relationships. A vivid palette dominates: saturated reds and oranges energise the foreground, contrasted with deep greens, cool blues, and teal tones. The white roses, tinged with warm yellows, act as luminous focal points, softening the intensity of the surrounding colours.

Brushwork is confident and expressive. The roses are rendered with dynamic and painterly strokes, giving their petals a tactile quality. In contrast, the surrounding surfaces are built up with broader, flatter applications of paint, creating a balance between texture and structure. Edges remain intentionally loose, reinforcing the painting’s spontaneous, lively character.

This oil on canvas is housed complementary slim wood frame. The painting is in excellent vintage condition, and the frame has some scuffs present.

Size: 49 x 63 cm (including frame)

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Windowlight Mosaic

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A radiant mid-century composition that balances abstraction with suggestion, executed in oil onto canvas.

This painting evokes the feeling of light filtering through a window onto a lively garden. Fragmented planes and overlapping shapes hint at foliage, architectural lines and perhaps a vase or tabletop, yet the subject remains intentionally fluid – an interplay between interior and exterior, structure and nature.

Executed in a distinctly mid-century modern style, the work embraces geometric simplification and flattened perspective. Forms are broken into angular shards and soft-edged blocks, arranged in a rhythmic grid-like composition that feels both ordered and spontaneous. There is a gentle Cubist influence in the faceting of shapes, yet the palette keeps the mood light and optimistic rather than analytical.

The colour palette is fresh and luminous: powder blue and sky tones form a cool foundation, layered with warm buttery yellows and soft apricot hues. Accents of sage green, lavender, and deeper violet punctuate the composition, while subtle flashes of pink add vibrancy. The harmonious contrast between warm and cool tones creates a sense of depth without relying on traditional modelling.

Brushstrokes are confident yet restrained. Paint is applied in smooth, deliberate layers, with visible directional strokes that follow the geometry of each shape. The surface retains a soft, matte texture, enhancing the tactile quality of the canvas while maintaining clarity of form.

Overall, the piece captures the optimistic spirit of mid-century abstraction: light-filled, balanced, and quietly joyful.

This oil on canvas is housed in a complementary wood frame. Both the painting and frame are in excellent vintage condition.

Size: 38 x 44 cm (including frame)

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Abstract Pot

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A striking mid century Germany ceramic vessel, made in the 50s-70s.

Painted with an abstract pattern, this pot would make a lovely addition to a tabletop or shelf. The pattern is largely geometric in nature, with thick black lines and shapes set against a lighter speckled background. Reddish-orange patterning adds further interest to the vessel.

In good vintage condition.

Height: 19 cm
Width: 11 cm
Depth: 11 cm

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Arrangement by the Window

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A refined mid-century interior still life painting, executed in oil onto canvas.

This composition arranges everyday objects into a poised, almost architectural tableau. A bowl of brightly coloured fruit anchors the scene, set upon a warm brown tabletop alongside two citrus forms and a slender candlestick. Above, a dark mortar and pestle sits against a softly diffused window, where vertical strokes evoke sheer curtains and architectural buildings. Along the lower register, abstract floral or fruit-like motifs echo the colours above, creating a rhythmic visual balance.

Rendered in a modernist, reductive style, the painting favours simplified shapes and carefully weighted blocks of colour over fine detail. Softly scumbled brushstrokes and visible edges give the work a textural, atmospheric quality, while the artist’s palette – dusty blues, muted greys, warm ochres, soft greens, and small bursts of orange and yellow lends calmness punctuated by subtle vibrancy. The overall effect is contemplative and elegant, transforming a quiet domestic moment into a study of harmony, form, and mood.

This oil on canvas is housed in a complementary slim gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 80 x 53.5 cm (including frame)

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Bottle & Pear by the Window

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A brilliantly executed still life of a bottle and pear by a window, executed in oil onto board.

At the centre of the composition stand two familiar forms: a tall, dark bottle and a luminous green pear. Their contrasting shapes and colours create a simple yet compelling dialogue. The bottle rises vertically with a restrained, almost architectural presence, while the pear introduces softness, warmth, and organic vitality.

What truly animates the painting is the treatment of light. Sunlight streams through an unseen window, casting strong diagonal bands across the wall and tabletop. These geometric shafts of light create a dramatic framework around the objects, while long shadows stretch across the surface, giving the scene a sense of depth and permanence. The reflected window panes visible on the bottle’s glossy surface add a subtle note of realism and observation.

This oil on board is presented in a wood frame painted black with inner gilt detail. Both painting and frame are in excellent condition.

Size: 47 x 37 cm (including frame)

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Comfort

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An emotive figurative composition capturing an intimate moment between two figures seated side by side on a bench, executed in oil onto canvas and dated 2000.

Through the exploration of abstract and expressive techniques in figurative art, the artwork captures the essence of human connection through gesture, colour, and brushstroke, rather than explicit representation.

The artist, using an expressive style, has purposefully omitted the facial details of the figures, drawing attention to the body language and the emotional connection between the two. One woman has her arm gently around the back of the other, suggesting a sense of comfort.

The painting is characterised by loose, energetic brushwork that brings a dynamic quality to the scene. The limited colour palette, dominated by shades of blue, green, and yellow, creates a harmonious yet vibrant atmosphere.

This oil on canvas is housed in a unique sage green frame with an inner gilt border. Both painting and frame are in excellent condition.

Size: 63 x 72 cm (including frame)

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Constructed Still Life

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A striking mid-century still life rendered through bold geometry and a masterful play of colour planes, executed in oil onto canvas.

On a faceted tabletop sit a tall red jug, a teal bottle, and two fruits: one rosy red, the other golden yellow – arranged in balanced asymmetry. The artist has abstracted the everyday into angular forms, each shape carved by light and shadow into sculptural precision.

Executed in a Cubist-inspired style, the composition uses intersecting planes and overlapping hues to suggest depth and rhythm. Deep blues and purples form the backdrop, while cool aquas, brick reds, and lemon yellows provide sharp, luminous contrast. The brushwork is confident and flat, with clean edges and opaque layers that emphasise structure over texture, giving the work a strong architectural presence.

This oil on canvas is presented in a complementary wood frame with a linen-lined inner border. The painting itself is in excellent vintage condition. The frame has some marks, but this does not detract from its overall presentation.

Size: 63 x 49 cm (including frame)

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Gentle Elephant

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A charming contemporary naïve style painting, executed in oil onto panel by British artist Matt Rix.

The composition presents a solitary elephant in profile, standing quietly within a softly rolling landscape. Set against a pale, muted sky, the figure rests upon gentle green hills, evoking a calm and grounded presence.

Rendered in a contemporary naïve style, the work embraces flat perspective and bold simplification. The elephant is defined by clean outlines and slightly softened proportions, with depth suggested through simple bands of colour, enhancing its graphic clarity and appeal.

The palette is subtle and harmonious. Cool grey tones of the elephant’s body are set against soft green hues of the hills, creating a gentle contrast. A small accent of soft pink at the mouth adds a quiet point of warmth.

Brushwork is smooth and controlled, with flat, even application that emphasises form over texture. The overall finish is clean and deliberate, capturing the quiet charm of the naïve aesthetic with a serene, contemplative presence.

This oil on board is housed in a black painted ridged wooden frame. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

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Size: 41 x 47.5 cm (including frame)

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Pears & Pitcher

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A vibrant contemporary still life that presents a simple arrangement of everyday objects: a dark earthenware pitcher, green pears and apples all set upon a loosely draped cloth, executed in oil onto board.

The composition balances solidity and spontaneity, transforming familiar domestic forms into a study of shape and colour. The objects are distilled to their essential silhouettes, creating a quiet yet engaging dialogue between positive and negative space.

Executed in a boldly expressive style, the painting draws upon modernist and post-impressionist influences. Rather than striving for realism, the artist emphasises form, colour relationships, and painterly energy. The pitcher anchors the composition with its strong, sculptural presence, while the pears introduce vibrant accents that enliven the foreground.

The palette is fresh and harmonious, combining deep chocolate browns, cool turquoise blues, soft creams, and greens punctuated by touches of red. These contrasts create a sense of visual rhythm and lend the work a lively, contemporary character. The interplay between warm and cool tones enhances both depth and atmosphere.

Brushwork is confident and direct, with broad, gestural strokes applied in a manner that remains visible across the surface. Areas of layered paint sit alongside thinner passages, allowing the artist’s hand to remain present throughout the composition. This energetic handling gives the painting a sense of immediacy and charm, capturing not only the objects themselves but also the fleeting quality of light and observation.

This oil on board is presented in a complementary wood frame with visible wood grain. The painting is in excellent vintage condition, and the frame has minor scuffs.

Size: 50.5 x 41 cm (including frame)

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Spatial Dialogue

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A captivating mid-century still life that reduces everyday objects to a carefully balanced arrangement of geometric forms and tonal relationships, painted in oil onto canvas and dated 1958.

A simple tabletop supports a solitary bottle and a small circular object, while dark vertical planes and architectural shapes rise behind them, creating a composition that feels both intimate and monumental. The scene hovers between representation and abstraction, inviting the viewer to focus on structure, rhythm, and atmosphere rather than narrative detail.

Executed in a distinctly modernist style, the painting reflects the influence of abstraction. Forms are flattened and distilled into bold blocks of colour, while strong verticals and angular planes create a sense of spatial tension. The composition is thoughtfully constructed, with the bottle acting as a quiet focal point amidst a series of intersecting shapes and muted surfaces.

The palette is restrained and sophisticated, dominated by soft greys, charcoal blacks, warm orange, and earthy browns, punctuated by subtle touches of rust red and pale blue. These understated colours lend the work a contemplative, atmospheric quality while enhancing its architectural character.

Brushwork is expressive yet controlled, with broad, confident applications of paint and visible palette-knife-like passages. Areas of scraped and exposed underpainting create texture and depth, while rough-edged forms and layered surfaces contribute to the painting’s tactile, lived-in presence.

This oil on canvas is presented in a complementary slim wood frame. The painting itself is in excellent vintage condition, and the frame displays some marks and scuffs consistent with age.

Size: 75.5 x 53.5 cm (including frame)

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