• Interior with Green Stove

    Interior with Green Stove

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    A serene mid-century interior scene that captures a quiet moment in a Scandinavian home, painted in oil onto canvas and dated 1944.

    The composition is anchored by a pale green tiled masonry stove  – a traditional element of Nordic domestic architecture. A blue pitcher perched atop the stove adds a pop of contrast, while a single wooden chair with a blue upholstered seat invites the viewer into the space.

    The composition leads the eye across a striped woven rug into an adjacent sunlit room, creating a gentle sense of depth and domestic continuity. Executed in a naturalistic yet subtly stylised manner, the painting reflects the mid-20th-century Scandinavian aesthetic of simplicity, functionality, and calm.

    The palette is soft and harmonious, dominated by muted greens, warm browns, powdery blues, and hints of red in the rug. Brushstrokes are smooth and controlled, lending a quiet clarity to the scene, while the treatment of light – softly diffused through the unseen window – imbues the work with a tranquil, timeless atmosphere.

    This piece is both a nostalgic record of interior life and a meditative study of colour, form, and balance.

    This oil on canvas is housed in a complementary distressed cream wood frame with inner gilt windows. Both the painting and frame are in excellent vintage condition. 

    Size: 59 x 51 cm (including frame)

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  • Lemon & Fish

    Lemon & Fish

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    A striking and brilliantly executed mid-century still life rendered in a bold, semi-abstract style, painted in oil onto canvas.

    The composition depicts a fish laid across a platter beside a lemon, glass, and bowl: objects arranged within a geometrically fragmented space. The artist has simplified form into planes of colour and texture, transforming everyday objects into rhythmic patterns of line and contrast.

    The palette combines muted greys, whites, and earthy browns punctuated by deep blues, black, and sharp accents of red and green. The juxtaposition of the lemon’s acid hue and the fish’s reddish tones creates a visual tension that energises the otherwise subdued background.

    The brushwork is layered yet controlled, with areas of smooth paint application set against textured, block-like sections. The interplay of flatness and depth, together with the abstracted cubist influences, lends the work a distinctly modern sensibility: a refined balance between structure and spontaneity that captures the quiet drama of the still life genre.

    This oil on canvas is presented in a complementary slim wood frame with an inner white border. There is some scattered craquelure and paint loss on the glass cup but this does not detract from the overall appearance and the painting is otherwise in good condition overall. 

    Size: 56 x 72.5 cm (including frame)

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  • Maris

    Maris

    £555

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    A enigmatic figurative oil painting that presents a striking, abstracted portrait of a lone figure, executed in oil onto canvas and dated 1978.

    The subject is rendered with elongated, geometric features, their pale face standing starkly against a moody, layered background. The figure’s hair, painted in a deep, earthy rust-red, frames the face and flows downward, anchoring the composition.

    The style is boldly modernist, with an emphasis on simplified forms and blocks of colour rather than fine detail. The palette is restrained yet atmospheric: muted blue-greys dominate the ground, offset by the ochre-yellow of the garment and the rusty red of the hair. Subtle tonal variations and visible brushstrokes add texture and depth, giving the surface a raw, tactile quality.

    The brushwork is expressive and confident, with layered strokes that reveal the artist’s hand. Shadows and planes of colour are suggested rather than fully defined, creating a sense of mystery and introspection. The overall impression is one of quiet strength and contemplative stillness, in keeping with the aesthetics of mid-century abstraction.

    This oil on canvas is presented in a complementary slim wood frame. Both painting and frame are in good vintage condition.

    Size:  42.5 x 33.5 cm (including frame)

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  • Rhythms of the Wind

    Rhythms of the Wind

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    A vibrant mid-century modernist abstract painting that captures the essence of a dynamic landscape through expressive colour and bold, gestural form, executed in oil onto canvas.

    Angular hills in deep burgundy, forest green, and charcoal anchor the composition, while slender white tree trunks stretch vertically across a kaleidoscopic backdrop.

    The trees, with their loosely rendered, wind-blown canopies of green, sway dramatically, suggesting motion and energy. The background unfolds in blocks of pastel and saturated hues – blue, lavender, peach, lemon yellow, and vivid cyan – creating a sense of fragmented light and spatial ambiguity.

    Executed in lively, expressive brushstrokes and confident swaths of colour, the work evokes both the emotional resonance of nature and the structural experimentation of modernist form. The artist’s bold palette and rhythmic composition echo the influence of abstraction while retaining a distinctly personal and poetic sensibility.

    This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has scuffing. 

    Size: 48 x 57.5 cm (including frame)

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  • Seaside Conversation

    Seaside Conversation

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    A beautifully pared-back mid-century coastal scene oil painting by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

    The painting captures two figures seated on a bench overlooking a tranquil waterfront. In the distance, a solitary lighthouse rises against the horizon, acting as a quiet focal point within the composition. The painting evokes a sense of stillness and companionship, with the figures absorbed in the calm atmosphere of the shoreline.

    Executed in a distinctly modernist style, the composition is reduced to simplified geometric forms and broad areas of colour. The artist prioritises shape, balance, and mood over fine detail, creating an image that feels both spontaneous and carefully structured.

    The palette is warm and harmonious, combining sunlit browns, sandy terracottas, soft creams, and cool blues. Deep olive greens and charcoal tones anchor the composition, while the expansive blue sea and sky introduce a sense of openness and light.

    Brushwork is confident with flat, deliberate applications of paint defining forms through blocks of colour rather than line. Visible brushstrokes add texture and vitality, while subtle shifts in tone create depth within the simplified landscape. The result is a striking balance between abstraction and representation, conveying the essence of a coastal moment with remarkable clarity.

    This oil on board is presented in a complementary ridged gilt frame. The painting is in excellent vintage condition, and the frame has some small areas of paint loss but this does not detract from the overall appearance.

    Size: 30 x 54.5 cm (including frame)

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  • Sunlit Balcony

    Sunlit Balcony

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    A vibrant and joyfully expressive mid-century painting that captures the view from a sunlit balcony overlooking a blue sea, executed in oil onto canvas.

    In the foreground, terracotta pots overflowing with pink flowers rest upon a richly hued red-orange floor, while a delicately curved white wrought-iron chair invites the viewer to sit and take in the scene. Beyond the golden railing, a cluster of white sailboats glides gracefully across the deep indigo waters, with the warmth of a distant shoreline and a serene sky above completing this idyllic Mediterranean vista.

    Painted in a bold, modernist style, the work features lively, gestural brushstrokes that build texture and movement throughout the composition. The artist’s palette brims with complementary contrasts – vivid reds and oranges against cooling blues and greens –  evoking both warmth and breeze. The loose, painterly handling create a sense of spontaneity and immediacy, lending the piece a distinctly Fauvist energy and charm.

    A delightful and uplifting coastal scene that radiates summer light and the carefree spirit of mid-century modern painting.

    This oil on canvas is presented in a complementary simple wooden frame. Both the painting and frame are in excellent vintage condition.

    Size: 66 x 56 cm (including frame)

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  • The Exchange

    The Exchange

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    A captivating and expressive mid-century figurative painting depicting two stylised figures standing in quiet dialogue, executed in oil onto canvas.

    Their forms are abstracted yet expressive – one slender and upright, the other broader with a gently tilted head, creating an intimate sense of interaction without relying on facial detail. The figures feel sculptural, almost totemic, evoking mood through posture rather than realism.

    Rendered in a bold modernist style, the composition embraces simplified shapes and a strong graphic presence. The palette is warm and earthy, dominated by orange, rust, deep umber, charcoal, and muted mustard yellows. These tones are set against a pale, softly luminous background that enhances the painting’s sense of warmth and immediacy.

    The brushwork is confident and textural, with broad, gestural strokes that give the figures weight and movement. Layered passages of paint create subtle ridges and variations, while the looser background wash keeps the scene airy and light. There is a raw, expressive quality to the application – intentional yet spontaneous.

    A striking piece with strong presence, emotional ambiguity, and a wonderful interplay of colour and form.

    This oil on canvas is presented in a complementary rich, dark wood frame. The painting is in excellent vintage condition. The frame has slight widening to the corners, some scuffs, as well as four small drill holes present  in each corner of the frame.

    Size: 56 x 66 cm (including frame)

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  • The Reflection

    The Reflection

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    A striking semi geometric landscape composition, painted in oil onto canvas.

    This brilliantly executed oil transforms a waterside scene into a playful arrangement of colour and shape. Trees become sharp triangles, buildings are reduced to blocks, and their reflections fragment into an almost abstract pattern across the water below.

    The palette is particularly joyful: vivid lime and forest greens sit alongside brilliant yellow and cool blues, giving the painting a wonderful freshness and energy. Yet despite the bold colour, there’s a pleasing sense of order to the composition, with the strong horizontal shoreline balancing the cluster of angular forms above and below it.

    Somewhere between landscape and abstraction, it’s the sort of painting that can be enjoyed simply for its shapes and colours and then, almost suddenly, resolves itself back into a place.

    This oil on canvas is presented in a very well suited silver painted floater frame.  The painting is in excellent vintage condition. The frame has some very minor scuffing.

     

    Size: 64 x 54 cm (including frame)

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  • The Waiting Place

    The Waiting Place

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    A compelling mid-century abstract figurative painting that presents a gathering of elongated figures arranged in quiet proximity, executed in oil onto board.

    The forms appear engaged in a shared moment: perhaps at a waiting place or a gathering, but their identities remain deliberately obscured.

    Rendered in a distinctly modernist style, the composition balances abstraction with figuration. The figures are reduced to essential silhouettes and planar shapes, their coats and hats suggested through angular geometry and softened contours. There is a subtle architectural structure anchoring the composition, with vertical elements lending a sense of stillness and gravitas.

    The palette is restrained and sophisticated, dominated by muted greys, smoky charcoals, warm browns, and off-whites, punctuated by accents of crimson, burnt sienna, and soft rose. These warmer notes glow subtly from the centre, creating a quiet internal luminosity that draws the viewer inward. The tonal contrasts between light and dark figures create rhythm and spatial depth while maintaining an atmospheric cohesion.

    The brushwork is expressive yet controlled, combining thin washes with dry, textured passages. Edges dissolve and re-emerge, allowing forms to hover between presence and absence. Vertical strokes emphasise the standing figures, while softer blended areas create a sense of movement and ambiguity. This interplay between structure and dissolution is characteristic of mid-century abstraction, lending the painting both emotional resonance and formal sophistication.

    This oil on board is housed in a complementary grey painted wood frame with an inner white border. The painting is in excellent vintage condition, and the frame has a white mark to the bottom right corner of the outer frame but this does not detract from the overall composition.

     

    Size: 49 x 56.5 cm (including frame)

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  • Under the Desert Sky

    Under the Desert Sky

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    A compelling abstract landscape with figure oil composition, painted in 1961 by the established Swedish artist Ivar Morsing (1919-2009), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Kalmar Museum, and Jönköping Museum.

    The painting captures a quiet moment of communal gathering in what appears to be a sun-drenched desert setting. A group of robed figures, seated in a loose circle, are rendered in simplified forms that emphasise posture and gesture rather than facial detail – inviting the viewer to focus on atmosphere and collective presence over individual identity.

    The style is modernist and pared-back, with strong influences of mid-century abstraction. The artist distils the scene into broad planes of colour: a soft blue sky meeting a warm band of yellow horizon, and earthy tones of russet, sand and umber defining the ground. The figures themselves appear as sculptural blocks of white, cream, black and deep brown, forming a rhythmic arrangement across the composition.

    Brushstrokes are thick, confident, and deliberately visible, with the paint applied in textured swathes that give the work a grounded, tactile quality. The artist’s expressive technique conveys a sense of stillness and the intimate social rituals of desert life.

    This oil on board is presented in a complementary ridged gilt frame.  The painting is in excellent vintage condition, and the frame has some wear to its corners as shown.

    Size: 28.5 x 47.5 cm (including frame)

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  • Unnoticed

    Unnoticed

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    An expressive mid-century nude figurative portrait, executed in oil onto canvas.

    A standing nude figure, with their back turned to the viewer and unaware of the observer’s presence, punctuates the center of the composition. The figure’s graceful silhouette is set against a backdrop of soothing green walls and a home setting adorned with intricate patterns.

    The artist has worked in an expressive manner, using loose and scribble-like brushstrokes to convey the raw emotion and fleeting nature of the scene.

    Furthermore, by leaving areas of the canvas exposed, the artist’s creative use of negative space accentuates the shapes of the figure and objects, drawing our attention to their distinct form.

    This oil on canvas is housed in a complementary wood frame with an inner linen border. The painting is in excellent vintage condition, and the frame has scuffing present.

    Size: 68 x 48 cm (including frame)

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  • Afternoon Conversation

    Afternoon Conversation

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    A very pleasant mid-century figurative composition, executed in oil onto canvas.

    The painting depicts 2 figures seated on wooden chairs outside a minimalist white house, who appear to be in conversation.

    The scene is serene and conveys a sense of lightheartedness. The brushstrokes are gentle and delicate, emphasising a subtle softness in the scene. The outlines of the various forms are drawn with fine darker lines, lending the composition with a delicate, illustrative quality.

    This oil on canvas is housed in a complementary wood frame painted a very light sky blue. Both the painting and frame are in excellent vintage condition. 

    Size: 44.5 x 44.5 cm (including frame)

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  • Autumn Streetwalk

    Autumn Streetwalk

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    A vibrant mid-century modernist street scene composition, executed in oil onto canvas.

    The artwork portrays a pathway with autumnal trees, their foliage bursting with deep oranges, reds, and yellows. The background features blues and greys, likely representing distant mountains under a pale sky.

    Modernist in its ethos with semi-abstract qualities, there is a focus on form, colour, and movement, as opposed to realistic details. The various forms have been simplified into angular, geometric shapes, and the composition has a dynamic feel.

    The colour palette is bold and harmonious, as the warm autumn tones contrast against the cooler blues and greys, creating visual tension.

    The loose and expressive brushwork have been confidently executed. Its gestural applications adds depth and energy to the scene.

    This oil on board is housed in a complementary wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

    Size: 55 x 49 cm (including frame)

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  • Back Home

    Back Home

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    A warm and evocative landscape that captures the emotional essence of returning to a familiar place, executed in oil onto board.

    Rather than focusing on precise detail, the artist distils the scene into interlocking planes of colour, allowing memory and atmosphere to take centre stage.

    Soft lilacs, warm golds, pale turquoise blues, and delicate pinks bathe the scene in a gentle light. The colours feel remembered rather than observed, suggesting the emotional landscape of “home” rather than a literal location. Thick, confident brushstrokes and layers of paint add texture and movement, giving the work a vibrant, tactile presence.

    The painting balances abstraction and representation beautifully. Houses, water, hills, and pathways are all recognisable, yet they dissolve into a harmonious arrangement of colour and shape.

    This oil on board is presented in a custom made wood frame. Both painting and frame are in excellent condition.

    Size: 46.5 x 51 cm (including frame)

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  • Bouquet in Afternoon Light

    Bouquet in Afternoon Light

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    A striking mid-century still life that captures a delicate bouquet of pink, blue, and white flowers arranged in a rounded ceramic vase, placed atop a bold, geometric tablecloth, executed in oil onto canvas and dated 1957.

    The composition radiates warmth and domestic intimacy, as slanting beams of golden light suggest a late afternoon interior illuminated by natural sunlight filtering through blinds.

    The style is clean and structured, yet painterly, with evident brushstrokes that lend a tactile quality to the petals and textiles. The artist has juxtaposed organic floral forms with sharp-angled background planes and a checkered tablecloth, creating a subtle tension between softness and structure.

    The colour palette is both earthy and vibrant – olive greens, ochres, and mustard tones set a calm backdrop for the vivid magentas, cobalt blues, and whites of the flowers. The folds of the tablecloth and the reflected light on the vase are rendered with sensitivity to form and texture, giving the work a composed yet inviting atmosphere.

    This oil on canvas is housed in a complementary hessian-lined frame with an inner gilt window.  Both the painting and frame are in excellent vintage condition. 

    Size: 60 x 69 cm (including frame)

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  • Chair by the Archway

    Chair by the Archway

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    A large mid-century painting that presents a loosely abstracted scene of an arched doorway with a simple chair set before it, executed in oil onto canvas.

    The subject matter is reduced to essential outlines and shifting planes of colour, creating a sense of suggestion rather than literal depiction.

    The style leans towards post-impressionist abstraction, with forms softened and fractured through expressive brushwork. The artist plays with spatial ambiguity – lines of the chair, arch, and surrounding walls overlap and dissolve into one another, giving the composition a dreamlike and fleeting quality.

    The colour palette is dominated by cool blues and violets, balanced with soft orange, greens, and hints of coral pinks and yellows. These tones are applied in broad, translucent layers, often broken with linear accents, suggesting both architectural structure and natural surroundings.

    The brushstrokes are loose, gestural, and exploratory, with an emphasis on rhythm and energy over precision. The interplay of quick vertical and diagonal strokes with washes of blended colour creates both depth and movement, evoking a meditative interior-exterior space.

    This oil on canvas is presented in an elegant gilt frame complemented by an inner band of reddish-brown wood grain that adds warmth and depth. Both painting and frame are in excellent vintage condition.

    Size:  70 x 59 cm (including frame)

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  • Chasing After the Wind

    Chasing After the Wind

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    A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.
    This evocative abstract seascape captures the raw energy and movement of a rugged coastline in shifting weather. Painted in layered tones of deep indigo, slate blue, charcoal and soft whites, the composition suggests waves surging and breaking over dark rocks beneath a vast, unsettled sky.

    Rather than describing the scene in literal detail, Frances distils the landscape into sweeping brushstrokes and expressive marks. Broad, gestural strokes create a sense of constant motion, as if wind and water are reshaping the shoreline before our eyes. The interplay of light and dark conveys the dramatic contrast between the foaming sea and the solid, enduring presence of the rocks.

    There is a wonderful sense of atmosphere in the painting. Pale creams and misty whites open up the sky, allowing light to filter through the clouds, while the rich blues and greys below evoke the weight and power of the ocean. The result is both dramatic and meditative, capturing that familiar coastal feeling where nature feels untamed, yet deeply calming.

    Though abstract in style, the work remains strongly connected to the natural world, inviting the viewer to imagine crashing waves, shifting weather and the rhythmic pulse of the sea. It is a piece that rewards repeated viewing, with new details and emotional nuances emerging over time.

    Elegant and atmospheric, this painting would bring a sense of depth, movement and tranquillity to any interior, making it an ideal choice for those drawn to coastal landscapes and expressive contemporary abstraction.

    The painting is beautifully presented in a custom made Trescoll slab frame, which allows you to see the edges of the painting. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

    Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

     

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    Size: 40.8 x 46 cm (including frame)

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  • Coastal Curve

    Coastal Curve

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    A serene and uplifting mid-century modernist coastal landscape painting, executed in oil onto board.

    The painting captures a sweeping coastal road as it bends gently toward the sea. Modernist in its ethos, the composition is defined by its bold simplification of form – trees, path, and shoreline reduced to expressive, geometric shapes in contrasting colour.

    The brushwork is confident and flat, with areas of solid colour laid down in deliberate blocks, creating a sense of stylised stillness. Trees appear as abstracted vertical forms, their trunks and canopies subtly suggested rather than rendered in detail.

    Muted tones of green, grey, and earthy taupe dominate the land, while the sea is rendered in serene blues punctuated by white sails, adding rhythm and motion to the horizon. The sky, a dusty olive-grey, creates a harmonious counterbalance to the grounded palette below.

    This oil on board is housed in very well suited wood frame. there is some wear on the left edge of the painting where it meets the frame, but the painting is in good vintage condition overall. The frame has very minor scuffing. 

    Size: 44 x 59 cm (including frame)

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  • Coral Sunset

    Coral Sunset

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    A vibrant and highly expressive mid century modern coastal scene, painted in oil by the established Swedish artist Uno Vallman (1913-2004) whose works are included in the Swedish National Museum and The Swedish Modern Museum, to name a few. His works are also included in the collections of Lyndon Johnson, Jimmy Carter, and the Tessin Institute in Paris.

    The painting captures a lively beach bathed in the glow of a dramatic setting sun. Stylised bathers and scattered logs animate the shoreline, while rocky outcrops frame a shimmering sea beneath a radiant coral-pink sky.

    Rendered in a distinctly modernist manner, the artist has reduced forms to bold silhouettes and expressive outlines, favouring emotional impact over realism as colour, atmosphere, and gesture take precedence over fine detail. The result is energetic and playful.

    The palette is dominated by luminous coral pinks, salmon reds, and warm orange-red tones, contrasted by cool blue-grey rocks and touches of black linework. The vibrant red sun acts as the visual anchor of the composition, while the pale beach and sparkling sea create a dynamic interplay between warmth and coolness.

    Bold, confident brushwork animates every surface of the painting. The sky is constructed with vigorous directional strokes radiating outward from the setting sun, creating a sense of light and movement. Across the water, thick dabs and broken passages of paint suggest sparkling reflections, while the figures and rocks are rendered with brisk, gestural marks and expressive outlines. The visible impasto and energetic handling of paint contribute to the work’s immediacy and charm.

    This oil on canvas is presented in a beautiful gilt frame with a layered profile that adds character to the painting. Both the painting and frame are in excellent vintage condition. 

    Size: 55 x 63 cm (including frame)

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  • Dance the Night Away

    Dance the Night Away

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    A lively, cubist-inspired depiction of a dance scene, painted in oil onto board.
    Bursting with movement, music, and social energy, the artist has stylised the human figures into angular, geometric forms, using dynamic composition and vivid colour to capture the joy and motion of a moment frozen in time.

    The palette is warm and rich, dominated by reds, oranges, yellows, and earthy browns, contrasted with purples, greens, and soft greys. Movement is conveyed not just through the figures but through the background, which is fractured into diagonal planes, giving the scene energy and rhythm.

    The dance, the music, and the expressive poses suggest a night of uninhibited fun. This painting is a beautiful example of how modernist geometry and vibrant social scenes can merge into something timeless and full of spirit.

    This oil on board is housed in a wood frame with a linen border. The painting is in excellent vintage condition. There is some very light scuffing to the frame but it is  good condition overall.

    Size: 43 x 45.5 cm (including frame)

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  • Fruit & Lilac Jug

    Fruit & Lilac Jug

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    A charming mid-century modernist still life that presents a carefully arranged tabletop composition featuring a stylised lilac jug, a bowl filled with green fruit, and a sliced fruit resting alongside, executed in oil onto canvas and dated 1950.

    Containing elements of abstraction, the artist reduces each object to simplified geometric forms, creating a harmonious balance between shape, colour, and space.

    The painting is executed in a restrained modernist style, with flattened forms and an emphasis on pattern and structure over detail. The objects are outlined by soft, irregular white contours that lend the work a playful, almost collage-like quality. The arrangement is thoughtfully composed, with each element occupying a distinct visual rhythm across the elongated horizontal format.

    The colour palette is fresh and understated, combining soft aqua blues, pale mint greens, dusty pinks, and muted lavender tones. These gentle hues are balanced against creamy off-white passages, creating an atmosphere of calm and light. The subtle contrasts between cool and warm colours add depth while maintaining the painting’s serene, airy character.

    Brushwork is confident yet restrained, with visible, broad strokes applied in thin layers. The paint surface reveals the artist’s hand through softly textured applications and lightly brushed passages, allowing edges to remain slightly imperfect and organic.

    This oil on canvas is presented in a complementary gilt frame that features a stepped profile. The panting is in excellent vintage condition. The frame has some minor scuffing.

    Size: 30 x 51 cm (including frame)

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  • Garden Parasol

    Garden Parasol

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    A joyful mid-century expressive landscape that captures a garden setting bathed in warm summer sunshine, executed in oil onto canvas onto board and dated 1964.

    A colourful outdoor table and chairs sit beneath a large parasol, surrounded by lush trees and flourishing greenery that fill the composition with life and movement. Rather than focusing on grand scenery, the artist celebrates an intimate outdoor retreat, evoking leisurely afternoons, conversation, and the simple pleasures of the season.

    Executed in an expressive modernist style, the painting embraces bold simplification and energetic mark-making over fine detail. The composition is built from confident shapes and rhythmic forms, lending the scene a lively, almost spontaneous quality. The elevated viewpoint and cropped composition draw the viewer directly into the garden, creating a sense of immediacy and immersion.

    The palette is vibrant and uplifting, dominated by a rich spectrum of emerald, lime, olive, and turquoise greens contrasted with sky blues and refreshing aqua tones. Warm accents of crimson and burgundy in the chairs and table introduce a striking focal point, while touches of soft cream, browns, and pale lavender balance the composition with subtle warmth. Together, the colours convey the brilliance of sunlight filtering through dense foliage.

    The artist’s brushwork is loose, confident, and highly expressive. Broad, visible oil strokes sweep across the canvas, layering colour with remarkable energy and texture. Thick applications of paint define the foliage with gestural movement, while shorter, deliberate strokes describe the furniture and parasol with clarity. This tactile handling of paint allows light and colour to take precedence over precise realism, resulting in a work that feels fresh, spontaneous, and full of the optimism.

    This oil on canvas is presented in a complementary wood frame with a warm gilt finish. There are some light surface marks to the top and bottom of the painting, consistent with age. The original frame also shows light age-related wear, including some surface marks particularly along the bottom edge of the linen inner slip. 

    Size: 55 x 67 cm (including frame)

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  • Gathered Apples

    Gathered Apples

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    A charming mid-century modernist abstract still life oil composition dated 1954, and painted by the established Swedish artist Ture Fabiansson (1910-1994), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, The Museum of Art in Gothenburg, Jönköping Museum, Borås Art Museum, and many others.

    The painting depicts an abundant arrangement of rounded fruits or apples scattered loosely across a warm earthen ground. Rather than presenting the objects in a conventional tabletop arrangement, the artist allows them to overlap and drift across the composition, creating a wonderfully rhythmic pattern of organic forms. Their simplified shapes give the work an almost abstract quality while retaining the warmth and familiarity of a traditional still life.

    Painted in a distinctly mid-century modernist manner, the work favours simplification, shape and colour over precise naturalistic detail. The fruits are reduced to broad, softly defined forms, with their overlapping contours creating a playful sense of movement throughout the composition.

    The palette is beautifully muted and harmonious, dominated by soft sage, olive and celadon greens alongside warm apricot, ochre and buttery yellow. These gentle tones are set against a dusty terracotta and rose-brown ground, lending the painting an earthy, autumnal warmth. Occasional touches of grey, cream and deeper moss green provide subtle contrast and definition.

    The paint has been applied with loose brushwork, with visible strokes following the rounded contours of the fruit. Areas of colour are softly layered rather than heavily modelled, allowing the texture of the canvas to remain visible beneath the paint. Small flashes of lighter pigment along the edges act as highlights, while broader, slightly dry strokes give the surface a wonderfully tactile, time-worn character.

    This oil on canvas is presented in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

    Size: 57 x 42 cm (including frame)

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  • Geometric Gathering

    Geometric Gathering

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    A striking mid-century modernist semi-abstract figurative painting, executed in oil onto board and dated 1964.

    The composition captures a dynamic and abstracted scene of three figures engaged in daily activities. It suggests a communal or domestic setting, possibly depicting women preparing food or engaged in household chores. The artist has used geometric forms and angular lines to construct the figures, giving them an expressive presence.

    Rendered in a bold, textured technique, the painting showcases an earthy, muted palette dominated by yellows, deep blues, browns, and warm neutrals. The brushstrokes are heavily applied, creating a layered, almost sculptural surface that enhances the raw energy of the composition. The background features a loosely defined architectural or patterned element, adding depth while maintaining the abstract nature of the piece.

    Strongly influenced by Cubist and modernist traditions, this work exemplifies the mid-century aesthetic with its fusion of abstraction and figurative storytelling, making it a compelling addition to any collection of modernist art.

    This oil on board is housed in a complementary gilt frame with an inner linen and gilt border. Both the painting and frame are in excellent vintage condition. 

    Size: 43 x 72 cm (including frame)

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  • Golden Drift

    Golden Drift

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    A  serene and atmospheric abstract landscape that captures the quiet poetry of an open horizon rendered through expressive texture and colour, executed in oil onto board and dated 1994.

    The composition is anchored by a band of deep browns, charcoals and soft whites that suggest distant landforms or shifting terrain, while the foreground dissolves into warm ochres, honeyed yellows and sandy neutrals. Above, a vast expanse of pale sky – softly blended in tones of white, cream and frosted blue evokes a sense of calm, openness, and gentle movement.

    Executed in an abstract, modernist style, the painting relies on suggestion rather than literal detail. Broad, confident brushstrokes move horizontally across the canvas, creating a sense of depth and natural flow. Areas of impasto add tactile richness, with strokes layered and textured to mimic geological or weather-worn surfaces. The overall effect is both soothing and energetic, a landscape distilled to its essential mood and rhythm.

    This oil on board is presented in a complementary silver wood frame. The painting is in excellent vintage condition, and the frame has scuffs present. 

    Size:  42 x 42 cm (including frame)

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  • Hanging Sloth

    Hanging Sloth

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    A contemporary painting that presents a whimsical depiction of a sloth suspended upside down from a gently curving tree branch , painted in a naïve style in oil onto panel by British artist Matt Rix.

    The composition is pared back, allowing the single figure to become both the focal point and the emotional anchor of the work. Sparse foliage punctuates the scene, floating around the sloth like pauses in thought, reinforcing a sense of stillness and calm.

    The style is deliberately simplified, with a subtle nod to folk art and modern naïve painting. Flattened forms and soft contours give the subject an emblematic rather than literal presence, while the sloth’s rounded body and elongated limbs create a gentle rhythm across the board, anchored by the horizontal branch.

    A restrained, soothing palette of warm brown and taupe contrasts with a muted blue-grey background, accented by soft green leaves. Smooth, matte brushstrokes and a lightly textured surface enhance the contemplative mood of the piece.

    This oil on board is housed in a black painted wood frame . Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 44 x 54 cm (including frame)

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  • Hillside Pathway

    Hillside Pathway

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    A joyful and pleasant mid-century landscape that captures the essence of a bright day, painted in oil onto canvas.

    The composition centres on a winding path that gently curves upward between two softened, block-like structures – suggesting houses – positioned on either side. Lush, expressive greenery flanks the path, giving the scene a sense of movement and breezy energy.

    Rendered in a modernist style, the painting favours simplified forms, bold shapes, and confident, gestural brushwork over fine detail. The palette is uplifting and crisp: vivid turquoise skies, velvety greens, sandy browns, and touches of warm terracotta on the rooftops.

    Broad, sweeping strokes convey the foliage with speed and spontaneity, while the smooth, curved brushwork of the path introduces calmness and flow. The overall effect is fresh and  optimistic, and captures the simple pleasure of a hillside walk.

    This oil on canvas is housed in a beautiful champagne wood frame with an inner border. Both the painting and frame are in excellent vintage condition.

    Size: 46 x 50 cm (including frame)

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  • Light Over the Valley

    Light Over the Valley

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    A serene mid-century modern semi-abstract landscape that distils the countryside into a harmonious arrangement of colour, shape, and light, executed in oil onto board.

    Rolling fields unfold across the foreground, leading the eye towards a tranquil body of water and a scattering of farm buildings nestled beneath distant blue-grey hills. A small stand of stylised trees anchors the composition, lending both rhythm and balance to the expansive scene.

    Executed in a distinctly Scandinavian modernist manner, the painting favours simplification over detail, reducing the landscape to broad geometric forms and carefully calibrated planes of colour.

    The palette is soft and restrained, dominated by creamy whites, muted sage greens, pale yellows, and layered blues that recede gently into the horizon. Subtle touches of lavender-grey and warm earth tones add depth and atmosphere, while the luminous sky bathes the entire scene in a delicate, diffused light.

    Brushwork is controlled, with smooth, flattened areas of paint creating a velvety surface. Gentle layering and subtle tonal shifts provide depth without disrupting the composition’s calm simplicity.

    This oil on board is presented in a complementary wood frame with a wide white-painted inner mount. Both the painting and frame are in excellent vintage condition. 

    Size: 48.5 x 56.5 cm (including frame)

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  • Mediterranean Escape

    Mediterranean Escape

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    A well executed mid century modernist landscape, painted in oil onto canvas.

    This sun-drenched Mediterranean landscape is rendered in broad, expressive brushstrokes with a modern, impressionistic touch. It captures a seaside scene full of warmth, movement, and coastal charm.

    The foreground is dominated by lush green foliage, painted with bold, confident strokes. The greens vary in hue, creating depth and rhythm.

    A whitewashed building with an orange-tiled roof is partially obscured by greenery. This architectural touch gives the scene a sense of place, suggesting somewhere Southern Europe.

    Behind the building, a sliver of deep blue sea stretches across the canvas, meeting the sky and separated by rocky coastal formations and windswept trees, their simplified, curved forms bending toward the sea.

    The brushwork is loose, gestural, and painterly, favouring emotion and movement over precision. The artist uses a limited but harmonious palette of greens, creams, ochres, blues, and terracotta, invoking the feel of a hot, breezy afternoon.

    This oil on canvas is set in an elegant linen and silver frame, lightly textured, which adds a touch of refinement while echoing the sun-bleached tones of the scene. The painting is excellent vintage condition, and the frame has some age marks to the linen border.

    Size: 55.5 x 64 cm (including frame)

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  • Modernist Ballerinas

    Modernist Ballerinas

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    An outstanding mid-century figurative composition, executed in oil onto canvas by the established Swedish artist Fabian Lundqvist (1913-1989), whose works have been represented in many public collections in Sweden.

    The painting captures a scene of two ballerinas surrounded by an abstract background. On the ballerinas, rhe artist’s brushstrokes are gentle and soft, reflecting a careful attention to detail. Intentionally working with a limited colour palette, the artist has reduced the area around the ballerinas to angular planes in different gradients of brown.. Details such as the small but striking red lips of the figures, as well as the layout of flat shapes and planes are typical of Lundqvist’s style.

    This oil on canvas is housed in a complementary silver frame with an inner linen-lined border. The painting is in excellent vintage condition, and the frame has some scuffs as shown in the close ups

    Size: 59.5 x 51 cm (including frame)

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