• Candlesticks

    Candlesticks

    £495

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    A very well executed mid century still life composition, painted in oil onto canvas.

    Featuring two candlesticks against a patterned background, the artist has played with light and shadow to create depth and interest. The palette is restrained and on-naturalistic, with mostly blue, yellow and green present, creating a subtlety that encourages us viewers to focus on the forms. The myriad of patterns and textures creates lots of interesting optical details to explore.

    This oil on canvas is housed in a complementary wood frame. The painting has very light craquelure present to its upper half portion, but this is only noticeable upon very close inspection. Otherwise, it is in good vintage condition. The frame has small area of paint loss at its left border as shown.

    Size: 59 x 42 cm (including frame)

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  • Fruit & Red Mug

    Fruit & Red Mug

    £405

    Available

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    An expressive and beautifully textured mid-century still life oil composition, executed in oil onto board.

    The painting revolves around a brown tabletop setting that features a plate of 3 fruit, a red mug, and a tray.

    The artist has thoughtfully used  a warm palette of reds and yellows with hints of green and white. Through the masterful use of the colour gradient technique employing contrasting shades, as well as expressive and textured brushstrokes, the three-dimensional qualities of the objects are enhanced and the overall composition is full of character.

    This oil on board is housed in a complementary wide profiled gilt frame  The painting is in excellent vintage condition, and the frame has very minor scuffs but this does not detract from the overall appearance.

    Size: 39.5 x 39.5 cm (including frame)

    The vessel seen in the photos is also available to purchase and details can be viewed here.

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  • Brown & Black

    Brown & Black

    £745

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    A striking original mid century modernist composition, painted onto board and dated 1968 by the established Swedish artist Gunnar HÃ¥llander (1915-1980), whose artworks have been represented in public collections including the National Museum and Moderna Museet in Stockholm, the Sundsvall Museum, and the Institut Tessinin in Paris.

    A group of mostly unidentifiable objects in a very restrained palette sit against a grey background. This still life leans towards abstraction, with the artist focusing on the forms of the objects and how the elements interact with one another. There is an invisible tension between the objects, as they push and pull against one another. However, there is a very balanced rhythm through the picture, encouraging us viewers to weave our view in and out, up and down and around the composition to explore the form of each object. The artist uses a restrained palette – the picture is almost monochrome, except for the pops of orange and pink, which draws our eyes to the centre of the picture. There is a wonderful depth to the composition, as well as a very satisfying matte finish to the overall surface.

    This original oil on board is wonderfully presented in a distressed frame with an inner linen border. The painting is in excellent vintage condition, and the frame has slight wear but this suits its overall distressed style.

    Size: 65.6 x 74.5 cm (including frame)

    The sculpture seen in the photos is also available to purchase and details can be viewed here.

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  • Stacked Objects

    Stacked Objects

    £845

    Available

    Free shipping to UK, Europe and Singapore.

    A striking original mid century modernist composition, painted onto board and dated 1968 by the established Swedish artist Gunnar HÃ¥llander (1915-1980), whose artworks have been represented in public collections including the National Museum and Moderna Museet in Stockholm, the Sundsvall Museum and the Institut Tessinin in Paris.

    A group of mostly unidentifiable objects are stacked on each other, set against a grey background. This still life leans towards abstraction, with the artist focusing on the forms of the objects and how the elements interact with one another. There is an invisible tension between the objects, as they push and pull against one another. However, there is a very balanced rhythm through the picture, encouraging us viewers to weave our view in and out, up and down and around the composition to explore the form of each object. The artist uses a restrained palette – the picture is almost monochrome, except for the green in the middle, which draws our eyes to the centre of the picture. There is a wonderful depth to the composition, as well as a very satisfying matte finish to the overall surface.

    This oil on board is wonderfully presented in a distressed style frame with ridge detail and an inner gilt window. Both the painting and frame are in excellent vintage condition.

    Size: 61 x 77 cm (including frame)

    The sculpture seen in the photos is also available to purchase and details can be viewed here.

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  • Fish on a Plate

    Fish on a Plate

    £425

    Available

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    A fun and playful painting on canvas, executed in a modernist style, framed and ready to hang.

    Featuring three fish on a round plate, the simplicity of the subject and colour palette of this painting is what makes it stand out. The blue and white palette is reminiscent of the coast, bringing to mind the sea and all its delights. This painting would make such a lovely addition to a dining or kitchen setting.

    This acrylic on canvas is edges in a complementary slim pine wood frame. Both the painting and frame are in excellent vintage condition.

    Size: 43.5 x 60.5 cm (including frame)

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  • Still Life with Vegetables

    Still Life with Vegetables

    £455

    Available

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    A brilliantly executed modernist style still life composition, executed in oil onto canvas and dated 1965.

    The artwork depicts a tabletop setting featuring an assortment of vegetables including carrots, radish, tomatoes, and a cabbage.

    Working with a modernist ethos in mind, the artist has intentionally chosen not to focus on realistic details, and instead explores the use of colours, brushstrokes, form and shapes to create a sense of depth and space.

    Expressive  and lightly textured brushstrokes fill the canvas and we are able to identify distinct areas of colours, where the artist has skilfully used contrasting flat areas of patches of colour to give rise to the various forms within this composition.

    This oil on canvas is housed in a complementary wood frame with an inner linen border. Both painting and frame are in excellent vintage condition.

    The sculpture seen in the photos is also available to purchase and details can be viewed here.

    Size: 59 x 74 cm (including frame)

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  • Bouquet in Afternoon Light

    Bouquet in Afternoon Light

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    A striking mid-century still life that captures a delicate bouquet of pink, blue, and white flowers arranged in a rounded ceramic vase, placed atop a bold, geometric tablecloth, executed in oil onto canvas and dated 1957.

    The composition radiates warmth and domestic intimacy, as slanting beams of golden light suggest a late afternoon interior illuminated by natural sunlight filtering through blinds.

    The style is clean and structured, yet painterly, with evident brushstrokes that lend a tactile quality to the petals and textiles. The artist has juxtaposed organic floral forms with sharp-angled background planes and a checkered tablecloth, creating a subtle tension between softness and structure.

    The colour palette is both earthy and vibrant – olive greens, ochres, and mustard tones set a calm backdrop for the vivid magentas, cobalt blues, and whites of the flowers. The folds of the tablecloth and the reflected light on the vase are rendered with sensitivity to form and texture, giving the work a composed yet inviting atmosphere.

    This oil on canvas is housed in a complementary hessian-lined frame with an inner gilt window.  Both the painting and frame are in excellent vintage condition. 

    Size: 60 x 69 cm (including frame)

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  • Fruit & Lilac Jug

    Fruit & Lilac Jug

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    A charming mid-century modernist still life that presents a carefully arranged tabletop composition featuring a stylised lilac jug, a bowl filled with green fruit, and a sliced fruit resting alongside, executed in oil onto canvas and dated 1950.

    Containing elements of abstraction, the artist reduces each object to simplified geometric forms, creating a harmonious balance between shape, colour, and space.

    The painting is executed in a restrained modernist style, with flattened forms and an emphasis on pattern and structure over detail. The objects are outlined by soft, irregular white contours that lend the work a playful, almost collage-like quality. The arrangement is thoughtfully composed, with each element occupying a distinct visual rhythm across the elongated horizontal format.

    The colour palette is fresh and understated, combining soft aqua blues, pale mint greens, dusty pinks, and muted lavender tones. These gentle hues are balanced against creamy off-white passages, creating an atmosphere of calm and light. The subtle contrasts between cool and warm colours add depth while maintaining the painting’s serene, airy character.

    Brushwork is confident yet restrained, with visible, broad strokes applied in thin layers. The paint surface reveals the artist’s hand through softly textured applications and lightly brushed passages, allowing edges to remain slightly imperfect and organic.

    This oil on canvas is presented in a complementary gilt frame that features a stepped profile. The panting is in excellent vintage condition. The frame has some minor scuffing.

    Size: 30 x 51 cm (including frame)

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  • Gathered Apples

    Gathered Apples

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    A charming mid-century modernist abstract still life oil composition dated 1954, and painted by the established Swedish artist Ture Fabiansson (1910-1994), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, The Museum of Art in Gothenburg, Jönköping Museum, Borås Art Museum, and many others.

    The painting depicts an abundant arrangement of rounded fruits or apples scattered loosely across a warm earthen ground. Rather than presenting the objects in a conventional tabletop arrangement, the artist allows them to overlap and drift across the composition, creating a wonderfully rhythmic pattern of organic forms. Their simplified shapes give the work an almost abstract quality while retaining the warmth and familiarity of a traditional still life.

    Painted in a distinctly mid-century modernist manner, the work favours simplification, shape and colour over precise naturalistic detail. The fruits are reduced to broad, softly defined forms, with their overlapping contours creating a playful sense of movement throughout the composition.

    The palette is beautifully muted and harmonious, dominated by soft sage, olive and celadon greens alongside warm apricot, ochre and buttery yellow. These gentle tones are set against a dusty terracotta and rose-brown ground, lending the painting an earthy, autumnal warmth. Occasional touches of grey, cream and deeper moss green provide subtle contrast and definition.

    The paint has been applied with loose brushwork, with visible strokes following the rounded contours of the fruit. Areas of colour are softly layered rather than heavily modelled, allowing the texture of the canvas to remain visible beneath the paint. Small flashes of lighter pigment along the edges act as highlights, while broader, slightly dry strokes give the surface a wonderfully tactile, time-worn character.

    This oil on canvas is presented in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

    Size: 57 x 42 cm (including frame)

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  • Pitcher with Onions

    Pitcher with Onions

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    An energetic mid-century still life painting that depicts a bold arrangement of everyday objects rendered with expressive confidence, executed in oil onto board.

    At the center stands a tall black pitcher with a sweeping handle, its form accentuated by patches of turquoise, white, and yellow that lend vibrancy and depth. In the foreground, two deep red onions and a bulb of garlic anchor the composition, their rounded shapes contrasting with the pitcher’s angular silhouette.

    The artist has used a highly textured technique, layering thick strokes of oil paint that leave visible ridges across the surface. The palette is restrained yet powerful, dominated by black, grey, and white, with strategic bursts of colour to enliven the scene. The brushwork is vigorous and gestural, giving the objects a tactile, almost sculptural presence while retaining a sense of spontaneity and abstraction.

    This oil on board is presented in a complementary silver painted wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition. 

    Size:  64.5 x 50.5 cm (including frame)

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  • Tabletop Forms

    Tabletop Forms

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    A refined mid-century modernist still life composition depicting an arrangement of abstracted fruit forms on a tabletop and set against a softly illuminated background, executed in oil onto canvas.

    The artist has reduced the objects into expressive, sculptural shapes, creating a composition that feels intimate in its restraint. Rendered in a subdued palette of charcoal, warm ivory, dusty blush, muted taupe, pale sage, and soft ochre, the painting possesses a calm and sophisticated atmosphere. The tonal balance between the dark draped surface and the airy background gives the work a striking sense of depth while maintaining its minimalist aesthetic.

    The brushwork is confident and textural, with visible palette-knife application and thick impasto strokes adding movement and dimensionality across the surface. Sweeping directional marks and layered paint handling lend the composition an energetic yet balanced quality typical of mid-century abstraction.

    This oil on canvas is presented in a complementary and elegant layered frame with linen border detailing. The painting is in excellent vintage condition, and there some scuffs to the inner silver frame.

    Size: 53.5 x 90.5 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • The Reader's Bouquet

    The Reader’s Bouquet

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    A charming mid-century modern still life that presents an arrangement of flowers in a vase, resting among neatly stacked books, executed in oil onto canvas onto board and dated 1968.

    A single crimson tulip and delicate yellow blooms provide a lively focal point, while the surrounding books introduce a quiet narrative of contemplation and everyday domestic life. The composition feels intimate and unpretentious, celebrating the beauty found in ordinary objects.

    Executed in a distinctly modernist manner, the painting embraces simplified forms and an intentionally loose composition. Rather than striving for realism, the artist captures atmosphere through expressive colour relationships and confident abstraction, allowing the objects to emerge through suggestion rather than precise definition.

    The palette is wonderfully restrained, combining dusty blush pinks, muted sage and blue-greens, soft slate blues, warm creams and touches of earthy browns. These harmonious colours are punctuated by the rich red of the tulip, which enlivens the composition without overwhelming its tranquil mood.

    Thick, impasto brushstrokes animate the surface, with generous applications of paint creating a richly textured finish. Broad palette-knife-like passages and visible directional strokes lend the work an appealing tactile quality, while areas of exposed canvas and layered paint reinforce its spontaneous, painterly character.

    This oil on canvas board is presented in an elegant wood frame with an inner white border. Both the painting and frame are in excellent vintage condition. 

    Size: 51 x 41 cm (including frame)

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  • The Waiting Bicycle

    The Waiting Bicycle

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    A contemplative mid-century painting captures a tranquil domestic interior, where the viewer looks through a tall sash window towards a lone bicycle resting outside, executed in oil onto canvas.

    Rather than making the bicycle the central focus, the artist celebrates the interplay between interior and exterior spaces. Long bands of sunlight stretch dramatically across the window frame and sill, transforming an everyday scene into a study of light, shadow, and quiet observation. The composition evokes a sense of calm, inviting the viewer to pause and appreciate the beauty found in an ordinary moment.

    Executed in a refined mid-century realist style with subtle modernist influences, the painting balances careful observation with simplified forms and a restrained sense of geometry. The strong verticals and horizontals of the window create an architectural structure that contrasts beautifully with the organic silhouette of the bicycle beyond.

    A harmonious palette of honey yellows, olive greens, soft creams, and muted browns gives the composition a gentle, sunlit warmth. The golden exterior light is offset by the cooler grey-brown shadows within the room, while touches of muted blue on the bicycle provide a subtle focal point. The restrained colour scheme enhances the painting’s peaceful, timeless character.

    The brushwork is measured and controlled, with smooth, even applications of paint that reinforce the stillness of the scene. Soft blending creates convincing transitions between light and shadow, while delicate variations in texture subtly animate the grassy foreground and weathered surfaces outside. Fine, confident detailing defines the bicycle and window frames without becoming overly precise, allowing the composition to retain its painterly elegance.

    This oil on canvas is presented in a complementary dark wood frame with an inner stepped silver profile. Both the painting and frame are excellent vintage condition. 

    Size: 63 x 46 cm (including frame)

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  • Watermelon & Pot

    Watermelon & Pot

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    A wonderfully textured mid-century still life composition that presents a vibrant arrangement of everyday objects rendered with bold character, painted in oil onto board and dated 1973.

    At the heart of the composition is a sliced watermelon, surrounded by ripe green pears, a rustic earthenware jug, and a warm-toned plate. These elements are laid out on a richly textured white cloth, draped dramatically to heighten the sense of depth and realism.

    fusing realism with expressive, impasto brushwork, there is an emphasis on form and materiality rather than fine detail. The brushstrokes are thick and confident, creating dynamic surface movement and a palpable sense of texture.

    The artist has used a warm and earthy colour scheme, and the stark contrast between the dark background and the light cloth enhances the visual impact of the fruit and vessels.

    This oil on canvas is presented in a complementary wood frame with an inner silver window. The painting has some scattered craquelure present but paint layer is very stable overall. There is also some paint loss around the signature area at the bottom left. The frame has some losses to its outer edges, but this is not noticeable from the front.

    Size: 68.5 x 81.5 cm (including frame)

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  • Yellow Posies

    Yellow Posies

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    This 1976 textile artwork is a warm, handwoven tapestry that captures the quiet beauty of nature through a distinctly 1970s Scandinavian modernist sensibility.

    Depicting a cluster of stylised yellow and ochre blossoms, the piece radiates a gentle autumnal glow. The flowers — rendered in tonal variations of golden yellow, mustard, and amber — are scattered rhythmically across a richly textured brown background. Subtle greens emerge from below, suggesting stems and foliage, grounding the composition with natural balance.

    The artist’s approach is both abstract and organic: the blooms are simplified to essential rounded forms, their soft edges blending harmoniously into the earthy backdrop. The interplay between light and dark tones gives the flowers a quiet luminescence, as though illuminated by late afternoon sunlight.

    Mounted neatly on a neutral linen border, the tapestry exudes an understated elegance. Its palette of browns, yellows, and greens evokes a deep connection to the natural world — a hallmark of Scandinavian textile art from the era, where craftsmanship and nature coexisted seamlessly.

    Peaceful and contemplative, this 1976 work feels like a woven ode to the changing seasons — warm, tactile, and full of quiet life.

    This vintage tapestry remains in very good condition. It is mounted onto fabric lined board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

    Size: 19 x 16 cm 

     

    To view more vintage textiles in our collection, click here. The rug clamps as seen in this photo will be removed before delivery. If you would like to purchase these bronze clamps you can do so here.

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  • Afternoon Lesson

    Afternoon Lesson

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    A large and outstanding mid-century modernist abstract figurative composition in oil, painted onto canvas by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

    The painting captures a tender moment between two figures, likely an adult and a child, engaged in a shared activity – perhaps reading – on a pale yellow surface held between them. The figures are rendered with bold black contour lines and simplified geometric forms, evoking a quiet intimacy and emotional restraint characteristic of modernist abstraction.

    The palette is soft yet expressive, with cool mint green and powder blue balanced against pale yellow, white, and black. Textural brushwork adds depth, especially in the background and garment areas, where layers of impasto reveal the artist’s hand. The faceless figures and stylized forms invite universal interpretation, evoking themes of mentorship, learning, and companionship without prescribing a specific narrative.

    Executed with a controlled yet expressive brush, this work speaks to the elegance of restraint – where every shape and colour block carries emotional weight.

    This oil on canvas is housed in a complementary slim gilt frame. The painting is in excellent vintage condition, and the frame has scuffs. 

    Size:  82 x 70 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

     

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  • Autumn Branch

    Autumn Branch

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    This 1971 textile artwork is a beautifully understated handwoven tapestry that captures the quiet elegance of nature through a refined modernist lens.

    The composition centres on an arching branch adorned with elongated leaves in a radiant autumnal palette—burnt orange, rust, amber, and ochre—balanced by softer greens, olives, and hints of yellow. The branch stretches diagonally across the weave, creating a gentle sense of movement and rhythm, as if caught mid-fall in a soft breeze.

    The background is a textured grey wool, its natural tones lending warmth and subtle depth that allow the vivid leaves to stand out in rich contrast. The tactile weave enhances the sense of organic softness, inviting both visual and physical appreciation. Mounted neatly on a neutral linen backing, the piece has a restrained, naturalistic harmony.

    Though simple in subject, the artwork demonstrates a sophisticated command of colour and form. The stylised leaves and rhythmic composition reflect a distinctly Scandinavian modern aesthetic—one that celebrates craftsmanship, seasonal change, and the quiet poetry of the natural world.

    It’s a serene and timeless 1970s textile piece—calm, contemplative, and beautifully evocative of autumn’s fleeting beauty.

    This vintage tapestry remains in very good condition. It is mounted onto fabric lined board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

    Size: 24 x 30cm 

    To view more vintage textiles in our collection, click here.

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  • Cubist Breakfast

    Cubist Breakfast

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    A striking mid-century modern still life that presents a carefully arranged tabletop scene set against what appears to be a balcony or waterfront outlook, executed in oil onto canvas.

    A faceted silver coffee pot rises at the centre of the composition, accompanied by a bowl overflowing with grapes and pale green fruit all placed upon an orange tabletop. Behind, the suggestion of railings and shimmering turquoise water beyond creates a subtle dialogue between interior and exterior space.

    Executed in a distinctly modernist style, the painting combines elements of Cubism and post-war European abstraction. Forms are simplified into geometric planes and intersecting shapes, with objects fragmented and reassembled through an expressive architectural structure. Rather than striving for realism, the artist focuses on balance, pattern, and the interplay of light and form.

    The palette is fresh and luminous, dominated by aqua blue, warm orange, muted sage green, dove grey, and earthy brown. The vibrant orange tablecloth provides a striking contrast to the cool blues of the fruit and background, creating a lively yet harmonious visual tension.

    Brushwork is confident and painterly, with visible strokes and layered applications of paint that lend texture and vitality to the surface. Fine linear accents outline and divide forms, reinforcing the composition’s geometric character, while areas of loosely applied colour allow the painting to retain a spontaneous and expressive quality.

    This oil on canvas is presented in a complementary slim wood frame. Both the painting and frame are in excellent vintage condition. 

    Size: 72.5 x 45 cm (including frame)

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  • Daylilies in Sunlight

    Daylilies in Sunlight

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    A bright and serene mid-century still life that captures a cluster of orange daylilies basking in sunlight, executed in oil onto canvas and dated 1955.

    The artist captures a fleeting, luminous moment with sunlight filtering through leaves and petals, transforming the everyday sight of blooming daylilies into something almost transcendent. There’s a sense of calm vitality here: the blooms, rendered in warm tones of orange and gold with touches of coral and crimson, rise dynamically from the cool greens of their leaves, their upward gesture bringing movement and energy to the composition.

    Rendered with thick, expressive brushstrokes, the work feels both spontaneous and deeply considered. It invites the viewer not only to look but to feel the warmth of the sun and the peaceful rhythm of a day slowly unfolding.

    This oil on canvas is presented in a complementary frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

    Size: 55 x 46.5 cm (including frame)

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  • Green Vessels & House Form

    Green Vessels & House Form

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    A brilliantly executed and richly textured modernist still life oil composition that balances domestic familiarity with a subtle sense of abstraction, painted by the established Swedish artist Max Gregor Carlsson (1914-1996), whose works have been exhibited in public collections including the Malmö Museum, Eskilstuna Art Museum, Ystads Museum, Norrköping City Collection, and the Landskrona Konsthall.

    At the centre, a pair of elongated green vessels: a bottle and a handled jug, stand side by side on a tabletop, their simplified silhouettes echoed by a stylised white house form rising behind them. A small red circular object rests in the foreground, offering a gentle focal contrast and anchoring the composition.

    The arrangement feels both intimate and architectural, with the tabletop and surrounding planes constructed in flattened, geometric blocks. There’s a careful interplay between interior and exterior elements – the house motif blurs the boundary between still life and landscape.

    The palette is restrained yet expressive: muted greens and teal tones dominate, softened by warm off-whites and earthy browns, with touches of terracotta and a single note of deep red adding warmth and rhythm. The colours are slightly desaturated, lending the work a calm, contemplative mood.

    Brushwork is deliberate and textural, with visible, layered strokes that give the surface a tactile, almost sculptural quality. Edges are gently defined rather than sharply outlined, allowing forms to breathe within the composition. The paint handling suggests confidence and restraint, with subtle variations in tone and thickness bringing depth to otherwise simplified forms.

    Overall, this is a thoughtfully balanced piece that captures the essence of mid-century still life through its harmony of form, colour, and structure.

    This oil on canvas is presented in a charming, rustic wooden frame that has a gently distressed, whitewashed finish. The painting has some light craquelure due to the thickness of the paint, but it remains in very stable condition overall. 

    Size: 63 x 68 cm (including frame)

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  • Lemon & Literature

    Lemon & Literature

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    A lively and expressive mid-century still life that captures a vibrant table scene where fruit, bottles, and books converge in a symphony of colour and texture, executed in oil onto board.

    A blue tablecloth stretches across the foreground, holding a scattering of apples, oranges, and a lemon alongside two dark bottles and a pair of books rendered in bold red and black. The scene glows against a luminous yellow backdrop, infusing the composition with a sense of warmth and vitality.

    The artist’s palette is bold and confident: sunny yellows, blues, deep blacks, and accents of warm orange and crimson create a dynamic interplay that brings life to the static composition. The brushwork is expressive and heavily impastoed, with thick, deliberate strokes that lend a tactile energy to the painting. The use of contrasting colours and broad application of paint give the piece a sense of rhythm and immediacy characteristic of mid-century modernist expression.

    The painting balances structure and spontaneity beautifully – each object is simplified yet full of presence, and the scene hums with quiet intensity. A wonderful example of post-war European still-life painting, celebrating the everyday through bold colour and painterly confidence.

    This oil on board is presented in a complementary gilt frame with red undertones, and an inner white border The painting is in excellent vintage condition, and the frame has scuffing.

     

    Size: 56 x 72.5 cm (including frame)

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  • Still Life in Angles

    Still Life in Angles

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    A mid-century still life painting that presents an abstract yet structured arrangement of everyday objects, painted in oil onto board.

    A white pitcher, a brass candleholder with a partially burned candle, and a blue-handled pan are depicted resting atop a dark wooden table. The background is muted green, providing a subdued contrast to the bold, simplified forms.

    The painting embraces a Cubist-inspired style, characterised by geometric abstraction and angular distortions. The objects are deconstructed into sharp-edged planes, lending the composition a sculptural quality.

    The colour palette is earthy and restrained, featuring shades of green, beige, blue, and brown, with accents of gold in the candleholder. The brushstrokes are expressive, adding depth and a sense of movement to the otherwise still arrangement.

    This oil on board is housed in a complementary slim wood frame. Both painting and frame are in very good vintage condition.

    Size: 39.5 x 47.5 cm (including frame)

     

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  • Still Life with White Chair

    Still Life with White Chair

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    A soothing mid-century modernist style still life composition, executed in oil onto canvas.

    The painting presents an interior scene that centers around a white chair, with an assortment of objects including a flower vase, a lemon, and an apple resting upon it.

    The backdrop has been abstracted into blocks of light muted pastel hues, creating a harmonious interplay of colours that also intensifies the vibrancy of the objects due to its lighter shades.

    The dynamic and expressive diagonal brushstrokes in the background imbues the scene with a sense of energy, and the gentle muted pastel colours add an uplifting quality.

    This oil on canvas is housed in a complementary gilt frame with multiple windows. The painting is in excellent vintage condition, and the frame has very minor scuffs. 

    Size: 64 x 74 cm (including frame)

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  • Sunlight & Table

    Sunlight & Table

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    A gentle and poetic mid-century interior still life that captures a moment of quiet radiance, executed in oil onto canvas.

    The scene centres on a teal table, upon which rests a small earthen pot of pink flowers, bathed in a cascade of soft morning light filtering through tall windows. The painter transforms a humble domestic corner into a study of atmosphere: where form dissolves into light and shadow.

    Executed in a loose, impressionistic style, the artist has used delicate, feathery brushstrokes and thin layers of paint to build an airy, almost translucent composition. Muted mauves, lilacs, pale yellows, and soft greys create a dreamlike haze, while the turquoise of the table provides a striking counterpoint of solidity within the diffused glow. The brushwork is confident yet restrained – the marks suggesting more than defining, allowing the viewer’s imagination to fill in the forms.

    The overall effect is one of serenity and light: a meditation on stillness and the subtle poetry of the everyday interior.

    This oil on canvas is presented in a complementary wood frame with a rich and warm oak tone, and with an inner gilt window. The painting is in excellent vintage condition, and the frame has some scuffing.

    Size: 62 x 53.5 cm (including frame)

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  • The Piano

    The Piano

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    A contemplative painting dated 1978 that presents an upright piano reduced to its essential forms, transforming a familiar domestic object into a study of mood and structure, and executed in oil onto canvas.

    The instrument is shown front-on, its keyboard stretching horizontally across the composition, with an open book of sheet music hovering at the centre like a quiet focal point. Subtle hints of pedals below ground the piano in space, while the surrounding fields of colour dissolve the setting into something more psychological than literal.

    The work favours simplification over detail and atmosphere over realism. The piano’s solid mass is rendered in broad, blocky shapes, lending it a sculptural presence, while the perspective is gently skewed, adding a sense of introspection and stillness rather than strict accuracy.

    The colour palette is both restrained and expressive. Deep blacks and charcoal browns of the piano are softened by surrounding planes of olive green, moss, muted yellow, and a warm rust-red edge, creating a subtle tension between cool and warm tones. The white of the keys and sheet music emerges softly from the darker body, glowing rather than sharply contrasting.

    Brushstrokes are visible and deliberate, applied in layered, matte passages that flatten the surface while retaining texture. Edges are softened and slightly blurred, allowing forms to bleed gently into one another. This painterly handling enhances the quiet, contemplative mood of the piece, suggesting not sound or performance, but the pause before music begins – a moment of silence filled with potential.

    This oil on canvas is housed in a complementary slim wood frame. Both the painting and frame are in excellent vintage condition.

    Size: 51.5 x 55 cm (including frame)

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  • Tulips in a Blue Vase

    Tulips in a Blue Vase

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    A very well executed floral still life composition, painted in oil onto board and dated 1947 on the reverse.

    This painting is a still life depicting a bouquet of tulips in a blue vase. The flowers have dark red and purple petals with white edges, and their stems and leaves are long and curved. The background features broad, textured brushstrokes in muted browns, blues, and purples, creating a moody atmosphere. The table surface is painted in light tones of cream and greenish hues, contrasting the darker backdrop.

    The colours in this painting don’t shout, they whisper, giving the painting a soft, contemplative silence. There’s a tangible calm, as if time has slowed down just long enough to notice the fleeting moment.

    The brushwork is loose yet deliberate, with visible strokes that suggest movement and texture. The artist seems to use a technique where the individual strokes build form rather than smooth blending, adding a painterly quality.

    Tulips, often associated with love and rebirth, are shown here slightly wilted and heavy—perhaps representing impermanence or the bittersweet nature of memory. The heavy lean of the stems feels like a surrender to gravity, a soft echo of time’s pull.

    This oil on board is presented in very well made wood frame with an inner brown border, which suits the painting impeccably. Both painting and frame are in excellent vintage condition.

    Size: 64 x 54.5 cm (including frame)

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  • White Roses

    White Roses

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    A vibrant mid-century modernist still life oil painting by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

    The composition captures a loose arrangement of white roses placed across a richly coloured tabletop and echoed in a tall cobalt-blue jug. The layered planes of colour – suggesting a tablecloth, interior wall, and surface – form a structured yet playful setting. The roses feel freshly placed, lending the scene an air of immediacy and intimacy.

    The painting is executed in a bold modernist style, characterised by flattened perspective and simplified, almost abstracted forms. Rather than striving for realism, the artist emphasises composition and colour relationships. A vivid palette dominates: saturated reds and oranges energise the foreground, contrasted with deep greens, cool blues, and teal tones. The white roses, tinged with warm yellows, act as luminous focal points, softening the intensity of the surrounding colours.

    Brushwork is confident and expressive. The roses are rendered with dynamic and painterly strokes, giving their petals a tactile quality. In contrast, the surrounding surfaces are built up with broader, flatter applications of paint, creating a balance between texture and structure. Edges remain intentionally loose, reinforcing the painting’s spontaneous, lively character.

    This oil on canvas is housed complementary slim wood frame. The painting is in excellent vintage condition, and the frame has some scuffs present. 

    Size: 49 x 63 cm (including frame)

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  • Arrangement by the Window

    Arrangement by the Window

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    A refined mid-century interior still life painting, executed in oil onto canvas.

    This composition arranges everyday objects into a poised, almost architectural tableau. A bowl of brightly coloured fruit anchors the scene, set upon a warm brown tabletop alongside two citrus forms and a slender candlestick. Above, a dark mortar and pestle sits against a softly diffused window, where vertical strokes evoke sheer curtains and architectural buildings. Along the lower register, abstract floral or fruit-like motifs echo the colours above, creating a rhythmic visual balance.

    Rendered in a modernist, reductive style, the painting favours simplified shapes and carefully weighted blocks of colour over fine detail. Softly scumbled brushstrokes and visible edges give the work a textural, atmospheric quality, while the artist’s palette – dusty blues, muted greys, warm ochres, soft greens, and small bursts of orange and yellow lends calmness punctuated by subtle vibrancy. The overall effect is contemplative and elegant, transforming a quiet domestic moment into a study of harmony, form, and mood.

    This oil on canvas is housed in a complementary slim gilt frame. Both the painting and frame are in excellent vintage condition.

    Size: 80 x 53.5 cm (including frame)

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  • Bottle & Pear by the Window

    Bottle & Pear by the Window

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    A brilliantly executed still life of a bottle and pear by a window, executed in oil onto board.

    At the centre of the composition stand two familiar forms: a tall, dark bottle and a luminous green pear. Their contrasting shapes and colours create a simple yet compelling dialogue. The bottle rises vertically with a restrained, almost architectural presence, while the pear introduces softness, warmth, and organic vitality.

    What truly animates the painting is the treatment of light. Sunlight streams through an unseen window, casting strong diagonal bands across the wall and tabletop. These geometric shafts of light create a dramatic framework around the objects, while long shadows stretch across the surface, giving the scene a sense of depth and permanence. The reflected window panes visible on the bottle’s glossy surface add a subtle note of realism and observation.

    This oil on board is presented in a wood frame painted black with inner gilt detail. Both painting and frame are in excellent condition. 

    Size: 47 x 37 cm (including frame)

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  • Constructed Still Life

    Constructed Still Life

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    A striking mid-century still life rendered through bold geometry and a masterful play of colour planes, executed in oil onto canvas.

    On a faceted tabletop sit a tall red jug, a teal bottle, and two fruits: one rosy red, the other golden yellow – arranged in balanced asymmetry. The artist has abstracted the everyday into angular forms, each shape carved by light and shadow into sculptural precision.

    Executed in a Cubist-inspired style, the composition uses intersecting planes and overlapping hues to suggest depth and rhythm. Deep blues and purples form the backdrop, while cool aquas, brick reds, and lemon yellows provide sharp, luminous contrast. The brushwork is confident and flat, with clean edges and opaque layers that emphasise structure over texture, giving the work a strong architectural presence.

    This oil on canvas is presented in a complementary wood frame with a linen-lined inner border. The painting itself is in excellent vintage condition. The frame has some marks, but this does not detract from its overall presentation.

    Size: 63 x 49 cm (including frame)

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