Latest Additions – Page 10 – The Discerning Palette

Showing 271–300 of 396 results

A Moment to Herself
£495
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A mid-century figurative painting painted in 1955 that captures a contemplative figure absorbed in quiet work, seated near a sunlit window, executed in oil onto canvas.

The subject is cloaked in soft whites and muted yellows. Her back is turned, head bowed slightly, hands poised at a table – offering a moment of private introspection or perhaps diligent creation.

Executed in a restrained, modernist style, the composition flattens and abstracts the figure and environment into planes of diffused light and soft geometry. The painting evokes a hushed, almost spiritual atmosphere, reinforced by the play of cool blues and dusky purples that mingle with the warm earth tones of the interior.

The artist’s brushwork is loose yet deliberate, layering paint in broad, textural strokes that blur the lines between body and space. The window, though suggested rather than rendered in full detail, casts a cool radiance into the room, lending a structural balance and emotional focal point.

This is a quietly moving piece – imbued with the kind of everyday poetry that typified mid-century figurative painting, where solitude, domesticity, and light become the true subjects.

This oil on canvas is housed in a complementary wood frame with an inner gilt border. Both the painting and frame are in excellent vintage condition.

Size: 82 x 69.5 cm (including frame)

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Facade in Focus
£495
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A striking street scene that depicts a neighbourhood with robust, urban buildings rendered in bold linear rhythm, executed in oil onto canvas and dated 1974.

The façades are portrayed in a schematic and stylised manner, as strong black outlines segment the pale grey and white surfaces. Set against a smooth grey street with cobblestone detailing, the scene is framed by brick pillars and a wrought-iron fence, suggesting a modest residential area. A lone tree, ablaze with orange and green leaves, punctuates the structured composition and introduces a vivid contrast—perhaps hinting at early autumn.

Executed in a modernist style, the work is characterised by its simplified forms, matte application, and confident brushwork. There is little modulation or blending – colours are laid down decisively, giving the piece a graphic, almost print-like clarity. The result is a striking yet quiet depiction of place, both grounded in reality and filtered through a stylised, personal lens.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has minor scuffs, particularly at its top left corner.

Size: 73 x 86 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Structural View
£530
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A compelling mid-century modernist urban landscape composition, executed in oil onto canvas and dated 1956.

The painting captures a quiet residential street scene as observed from behind a structural steel framework – perhaps the interior of a train, or a station canopy. The painting offers a fragmented urban perspective, with rooftops, chimneys, and facades clustered together under a brooding sky. The central teal-blue support beam divides the composition, creating a dynamic interplay between structure and scenery.

Bold, sculptural brushstrokes and an expressive use of impasto lend a tactile richness to the scene. The palette leans cool, dominated by blue-greens and dusky greys, punctuated by muted maroons, browns, and pale yellows that bring warmth to the architectural forms.

This oil on canvas is housed in a complementary silver frame. The painting is in excellent vintage condition. There is some light scuffing to the frame, but it is in good condition overall.

Size: 45 x 51.5 cm (including frame)

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Apple Reflection
£405
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A refined mid-century still life that captures a crisp moment of domestic simplicity with photorealistic precision, executed in oil onto canvas.

At the centre, a knife rests diagonally on a highly polished surface, its reflection rendered with meticulous attention. Flanking it are three apple segments – one halved, one whole, and one freshly cut – each painted with soft transitions of red, yellow, and green, evoking ripeness and freshness.

The artist employs a naturalistic style with subtle tonal gradations and a restrained palette. The composition is grounded in realism, but the clean backdrop and stark contrast between object and reflection give the work a modernist sharpness. The brushwork is smooth and controlled, with a finish so refined it nearly conceals the hand of the painter – typical of mid-century realism.

This oil on canvas is housed in a complementary wood frame . The painting is in excellent vintage condition, and the frame has some paint peeling off on its inner section as shown in the photos.

Size: 34.5 x 39 cm (including frame)

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Crimson Apples
£950
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A striking and characterful still life composition executed in oil on board, by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

The painting captures a bold composition of four red apples nestled in a pale ceramic bowl, as it channels a sense of rustic intimacy through its simplified forms and earthy palette. Set against a loosely-rendered, wood-textured tabletop with blues and greens framing the background, the work evokes both structure and spontaneity.

Executed in a heavily impastoed style, the artist builds texture through deliberate, sculptural brushstrokes. The surface is rich with ridges of oil paint, applied thickly and expressively, lending dimensionality and movement to the otherwise still composition. Deep reds, moss greens, ochres, and navy blues dominate the palette, unified by the creamy whites of the bowl and accented by the textured backdrop.

This oil on board is housed in a complementary gilt frame with an inner linen border. The painting is in excellent vintage condition, and the frame has some marks at the bottom of its linen section.

Size: 51.5 x 64.5 cm (including frame)

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Fruit & Brushes
£445
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A painterly and expressive mid-century still life composition, executed in oil onto board.

This expressive composition offers a window into the artist’s studio through a rhythmic arrangement of objects – a terracotta vase, a lilac-toned pitcher, a cobalt dish of orange fruit, and a pair of blue tumblers holding delicate paintbrushes.

What sets this piece apart is the dynamic interplay of brushstroke and line. Thick, impasto layers are energetically applied, while the artist employs sgraffito – scratching into the wet paint with the back of a brush to reveal underlying tones and carve gestural lines into the surface. This technique adds both texture and movement, amplifying the painting’s sense of immediacy and spontaneity.

The palette is a sophisticated interplay of soft mauves, deep greens, and muted blues, set against a textured backdrop that shifts from diagonal to vertical strokes – echoing the tension between structure and freedom.

This oil on board is housed in a complementary hessian lined frame. Both the painting and frame are in excellent vintage condition. .

Size: 51.5 x 59.5 cm (including frame)

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Market Day in the Square
£450
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A charming mid-century Naïve style street scene that captures the rhythm and warmth of a local European town square on market day, executed in oil onto board and dated 1957.

The composition presents a bustling yet orderly gathering of figures amid open stalls and sunlit awnings, set against the backdrop of a grand building with a steep red roof and tall chimney that anchors the composition.

Executed in a naïve, folk-modernist style, the figures are rendered with simplified forms and minimal detail. The artist has used flat, blocky colour planes with earthy ochres, deep forest greens, navy blues, and brick reds, punctuated by soft greys and muted yellows in the cobbled square and overcast sky.

Brushstrokes are direct and purposeful, with little blending. A defining feature of this work is the use of deep blue outlines – used not only to demarcate figures, umbrellas, and building edges, but also to bring coherence and rhythm to the composition. These cobalt contours give the scene an illustrative quality, emphasising form over detail.

Overall, this work balances architectural geometry with the spontaneity of human life and community.

This oil on board is housed in a complementary wood frame with an inner linen border. The painting is in excellent vintage condition. The frame has minor scuffs.

Size: 50.5 x 58.5 cm (including frame)

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Resting in Green
£620
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A brilliantly executed contemporary abstract composition, executed in acrylic onto canvas, by British artist Frances Daws.

The paintings in this series respond to the calming presence of the colour green. Frances consciously spends as much time as she can outside. She lives close to woodlands and fields, making it easy to be immersed within greenery. Resting in Green seeks to capture the varying shades of greens within a snapshot of plants and how the relationship of these colours can form interesting compositions.

This fluid, abstract composition immerses the viewer in a serene, verdant atmosphere. Dominated by various shades of green, interwoven with hints of olive, moss, turquoise, and muted ochre, the work evokes the sensation of being enveloped by nature.

Organic, curvilinear forms ripple across the canvas, overlapping and intertwining in a way that mimics the foliage that Frances is inspired by. She employs layered brushwork and soft transitions between tones, creating a gentle rhythm that guides the eye across the piece.

There’s a meditative stillness in the work, capturing the quiet energy of an abstracted garden. Despite its abstraction, the composition feels balanced and harmonious, with light and dark greens playing off each other in a soothing visual dialogue.

Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

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Size: 40.5 x 50.5 cm (including frame)

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Light at the End
£450
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A very atmospheric and peaceful woodland scene, executed in oil onto board.

The composition draws the viewer’s eye into the distance, where sunlight breaks through a dense canopy of tall, straight pine trees. The path, dappled with light and shadow, winds gently forward, inviting contemplation and exploration.

The foreground is shaded, with rich, dark greens and earthy browns suggesting the coolness of the woods. As the eye travels along the path, the scene brightens, culminating in a radiant burst of light filtering through the trees in the background — the “light at the end” referenced in the title.

The artist uses careful gradations of light and realistic detailing in the foliage and tree trunks to create a tranquil, immersive atmosphere. The painting evokes a sense of peace, hope, and quiet movement toward clarity or resolution.

This oil on board is housed in a very light mint green frame, which suits it beautifully. Both painting and frame are in excellent condition.

Size: 47 x 37 cm (including frame)

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Cobalt Collision
£445
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A striking abstract composition that explores depth and tension through bold, jagged forms that evoke architectural silhouettes or fragmented memories, painted in oil onto canvas and dated 1992 on reverse.

Rendered in a palette dominated by cobalt blue, mustard yellow, black, and fiery orange, the painting crackles with energetic contrast. Dense, vertical planes in near-black anchor the work, while layers of scraped and scratched pigment reveal underlying tones, adding texture and movement.

The brushwork is expressive and layered – some areas thick with impasto, others scumbled – suggesting both spontaneity and deliberate structure. The interplay of shadow and saturated colour creates a visual rhythm that pulls the viewer inward, echoing the emotional intensity of late 20th-century abstraction.

This oil on canvas is housed in a complementary grey painted wood frame. Both the painting and frame are in excellent vintage condition.

Size: 32 x 42 cm (including frame)

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Red Roofs
£480
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A mid century modernist village street scene, painted in oil onto board.

The composition is symmetrical and well-balanced, featuring a pathway that leads the viewer’s eye through a quiet village street flanked by buildings and tall trees.

The colour palette is composed of soft, muted tones—primarily earthy reds, blues, and greens. The red-roofed buildings on the left and the larger structure on the right frame the scene, while the trees provide vertical balance and a touch of organic softness. The sky is lightly clouded, contributing to a calm and tranquil atmosphere.

The style is precise and illustrative, with clean lines and simplified forms that maintain depth and perspective. Overall, the painting conveys a quiet charm and a sense of order, likely capturing a European rural or small-town setting with architectural elements suggesting Northern or Central European influences.

The painting is beautifully presented in a wood frame with gilt detail and an inner linen lined border. Both painting and frame are in good vintage condition.

Size: 45 x 53 cm (including frame)

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Still Life with Green Bottles
£445
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A charming modernist still life painting that captures a domestic tabletop scene with pared-down elegance and geometric order, executed in oil onto canvas.

Two green bottles, a cluster of green apples, and a white bowl of leafy greens sit alongside a robust earthenware pot, all arranged on a grey placemat against a backdrop of vertical yellow stripes. In the distance, two halved eggs rest symmetrically on a narrow shelf, contributing to the balanced composition.

The style is distinctly modernist, marked by flattened forms, strong outlines, and a harmonious structure. The artist has reduced everyday objects to simplified, almost architectural shapes – echoing the mid-century preoccupation with abstraction and clarity of form.

The colour palette is rich and warm, dominated by yellows, olives, and soft blues, with accents of terracotta and cream. Brushstrokes are smooth and controlled, lending a calm, deliberate rhythm to the surface. This is a quiet composition that celebrates order, stillness, and the formal beauty of the mundane.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffing.

Size: 49.5 x 58.5 cm (including frame)

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Ancient Whispers
£485
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A surreal and richly symbolic painting, executed in oil onto canvas and dated 1991.

The painting presents an enigmatic architectural interior scene that feels suspended between the past and the surreal. At the lower left lies a creature with piercing blue eyes, emerging and integrated into the patterned textile ground. Scattered elements including a large clay pot, transparent orbs, and an engraved oval tablet evoke archaeological relics, rituals, and memory.

Rendered in a meticulous, linear texture, the architectural backdrop features soft arches and doorways. The entire composition is enclosed within a dominant arch motif, adding a quiet rhythm and continuity. The colour palette blends warm earth tones – terracotta and sandy neutrals – offset with accents of blue and silver-grey.

The brushwork is tight and deliberate, with fine lines etched almost like woven threads, giving the surface a tapestry-like quality. The result is a layered and contemplative piece that blurs the boundaries between memory, myth, and architecture.

This oil on canvas is housed in a complementary frame. The painting has a very small area of paint loss (as shown), but the paint layer is very stable overall. The frame has minor scuffing.

Size: 68 x 68 cm (including frame)

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The Rail Yards at Dusk
£565
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An evocative modernist cityscape captured at dusk, executed in oil onto canvas and dated 1975.

As dimming light softens the urban edges, the artist has reduced architectural forms into geometric planes – warehouses, blocky high-rises, and rows of parked railcars — giving the scene a rhythmic, almost abstracted structure. The visual repetition of lampposts, silhouetted trees, and building facades hints at both the order and the monotony of this cityscape.

Rendered in a subdued palette of dusky blues, muted greys, burnt orange, and deep maroons, the painting conveys the quiet atmosphere of a city settling into evening. A band of still water in the foreground reflects the urban glow and breaks up the composition with cool, shimmering blues.

The brushwork is deliberate and textured, with blocky applications of paint that build the scene from tonal shifts rather than fine detail. This confident handling of light and shape suggests a moment observed from a distance – contemplative, grounded, and imbued with quiet power.

This oil on canvas is housed in a complementary slim wood frame. The painting is in excellent vintage condition, and the frame has some loss as shown.

Size: 66 x 79 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Still Life with Binoculars
£435
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An intimate interior still life painting that presents a quiet tableau of everyday objects, rendered in a restrained yet evocative modernist style, executed in oil onto canvas and dated 1974.

A pair of vintage binoculars and dark-lensed sunglasses rest casually on a softly draped white cloth atop a warm wooden surface. Above the table hangs a minimalist line drawing of a vase, framed within the composition to add visual balance and conceptual layering.

The artist has used a muted palette of cream, olive, and greyish lavender tones, lending the piece a contemplative atmosphere. The brushwork is deliberate and refined, with soft gradations in the background that contrast against the sharper, sculptural treatment of the objects. Shadows and textures are subtly modulated, evoking both stillness and presence.

This oil on canvas is housed in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 45 x 44 cm (including frame)

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Enclosure
£890
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A large, rich and vivid abstract composition, executed in oil onto board by contemporary British artist Ian Mood.

This vivid abstract composition is defined by bold colour fields and energetic gesture, evoking the sensation of boundary, structure, and containment within nature or memory.

It is dominated by a large central mass of deep red, bordered by a sharp vertical white line on the left and a curved pale blue line sweeping across the middle. To the right, a vibrant orange block contrasts with cooler greens and earth tones in the lower and left portions. The composition is off-center and dynamic, with the eye pulled toward the intersection of curves and edges.

The brushstrokes are expressive and textural, with areas of scraped paint, blending, and layering giving a sense of physical depth.

The painting could allude to land boundaries, personal space, or emotional states—open to interpretation but rich in atmosphere. There’s a sense of tactile exploration and spatial ambiguity, making the piece both visceral and contemplative.

This oil on board is housed in a complementary white frame. Both painting and frame are in excellent condition.

Size: 70 x 70 cm (including frame)

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About the artist:

Ian Mood is a contemporary artist with an international reputation, having shown work with Saatchi London, Brooklyn Art Library, Battersea Art Fair & Manchester Art Fair – as well as being represented by numerous established galleries in the UK and US. He recently held his first solo show in New York.

In 2019, he collaborated as artist in residence with The National Theatre (Madness of George III with Mark Gatiss) and The Royal Exchange Manchester (Mother Courage with Julie Hesmondhalgh).

Ian is a member of Manchester Academy of Fine Arts, Society Of Staffordshire Artists and the Artist Association of Nantucket (USA) where he regularly lectures as part of their summer arts programme. He was awarded the Artists Association of Nantucket Frank Swift Chase Plein Air Award in 2014.

Ian grew up in Stoke on Trent and studied Fine Art at the University of the West of England, Bristol.

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Southern Shore
£740
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A very atmospheric and expressive abstract landscape painting, executed in oil onto board by contemporary British artist Ian Mood.

It captures the emotional essence of a coastal environment rather than a literal depiction, using abstract forms and a painterly style to evoke the energy, complexity, and richness of the scene.

Earthy tones of red, brown, black, and orange dominate the central form, possibly alluding to rock formations, cliffs, or human structures. The bottom area is awash with cool greys, off-whites, and hints of gold, possibly representing a beach or tidal flat.

The atmosphere is introspective yet vigorous, echoing nature’s forces—wind, water, erosion—while remaining grounded in abstract expressionism.

The style is gestural and semi-abstract, reminiscent of mid-20th-century European modernism, where landscape becomes a conduit for emotional expression.

This oil on board is housed in a complementary white frame. Both painting and frame are in excellent condition.

Size: 65.5 x 65.5 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

About the artist:

Ian Mood is a contemporary artist with an international reputation, having shown work with Saatchi London, Brooklyn Art Library, Battersea Art Fair & Manchester Art Fair – as well as being represented by numerous established galleries in the UK and US. He recently held his first solo show in New York.

In 2019, he collaborated as artist in residence with The National Theatre (Madness of George III with Mark Gatiss) and The Royal Exchange Manchester (Mother Courage with Julie Hesmondhalgh).

Ian is a member of Manchester Academy of Fine Arts, Society Of Staffordshire Artists and the Artist Association of Nantucket (USA) where he regularly lectures as part of their summer arts programme. He was awarded the Artists Association of Nantucket Frank Swift Chase Plein Air Award in 2014.

Ian grew up in Stoke on Trent and studied Fine Art at the University of the West of England, Bristol.

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Zennor
£890
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A large and very atmospheric landscape painting, painted onto board by contemporary British artist Ian Mood.

This semi-abstract landscape powerfully captures the wild, changeable atmosphere of the Cornish coast, likely inspired by the moody environment near the village of Zennor in southwest England.

The sky dominates the composition with a bold expanse of turquoise blue, suggesting a clearing or break in weather. A large, dark grey cloud mass occupies the centre, rendered with sweeping, smudged strokes that create a sense of motion and tension. Deeper greens, browns, and black at the bottom evoke moorland or rugged earth, painted with energetic brushwork and scraped textures.

The painting exudes a dramatic, elemental energy, evoking the feeling of standing exposed to the sky on coastal high ground, just before or after a storm. It feels both expansive and intimate, caught between serenity and threat—hallmarks of Cornwall’s raw natural beauty.

This painting is housed in a complementary white frame. Both painting and frame are in excellent condition.

Size: 70 x 70 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

About the artist:

Ian Mood is a contemporary artist with an international reputation, having shown work with Saatchi London, Brooklyn Art Library, Battersea Art Fair & Manchester Art Fair – as well as being represented by numerous established galleries in the UK and US. He recently held his first solo show in New York.

In 2019, he collaborated as artist in residence with The National Theatre (Madness of George III with Mark Gatiss) and The Royal Exchange Manchester (Mother Courage with Julie Hesmondhalgh).

Ian is a member of Manchester Academy of Fine Arts, Society Of Staffordshire Artists and the Artist Association of Nantucket (USA) where he regularly lectures as part of their summer arts programme. He was awarded the Artists Association of Nantucket Frank Swift Chase Plein Air Award in 2014.

Ian grew up in Stoke on Trent and studied Fine Art at the University of the West of England, Bristol.

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Chair by the Wall
£765
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A striking mid-century modernist style composition of an interior scene, executed in oil onto canvas and dated 1948 by the established Swedish artist Rune Janson (1918-2004), who’s artworks have been displayed at the National Museum in Stockholm, Moderna Museet in Stockholm, Gothenburg Art Museum and other museums in Sweden and the National Gallery in Oslo and the Centre Georges Pompidou Paris.

The painting captures a simplified interior scene anchored by a solitary wooden chair, rendered in bold, gestural strokes. Positioned against a backdrop of abstracted architectural forms, the composition distills a domestic setting into its essential shapes and tones.

Modernist in its ethos and executed in an expressive style, the artist has used wide, confident brushstrokes and a palette of muted shades including purple, orange and blue. The chair – angular and minimally detailed – is positioned diagonally, its presence both grounded and abstract, inviting the viewer into a contemplative space.

The painting’s flat planes and rhythmic blocks of colour speak to the influence of European modernism, where figuration merges seamlessly with abstraction. The brushwork is raw and tactile, allowing the texture of the paint and canvas to resonate with emotional immediacy.

This oil on canvas is housed in a complementary wood frame. Both painting and frame are in excellent vintage condition.

Size: 42 x 35cm (including frame)

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Village Across the Water
£550
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A very atmospheric mid century modernist landscape composition, painted in oil onto board and dated 1957.

This painting features an abstracted coastal village scene, likely seen from across a body of water. The forms are geometric and simplified, with visible palette knife texture and thick impasto paint application, giving the surface a tactile quality.

The rooftops are rendered in soft peach and pinkish tones, contrasted against cooler shades of grey, blue, and violet that suggest the sky and sea. The artist uses layered horizontal bands and angular structures to define the architecture and landscape, while the brushwork and impasto emphasize a modernist, impressionistic abstraction. The buildings are mostly blocky and flat, but their arrangement and the subtle changes in colour imply depth and perspective.

The overall mood is tranquil and muted, evoking a foggy or overcast day in a quiet seaside village. Despite the abstraction, there’s a clear sense of structure and place, with the rooftops forming a cosy cluster amidst the misty surroundings.

This is a serene and sophisticated landscape, abstracted to emphasize form, tone, and texture over realism, likely by an artist influenced by modernist and post-impressionist sensibilities.

The painting is housed in a very well made and complementary frame. Both painting and frame are in excellent vintage condition.

Size: 40.5 x 59 cm (including frame)

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Interior & View
£695
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A vibrant mid-century modernist still life oil painting that captures a calm interior moment with a strong sense of geometry and structure, by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

The composition depicts a sculptural white chalice and a cluster of green apples arranged on a deep-set window ledge, overlooking a lush countryside scene.

The composition is both minimal and expressive, with bold simplifications of form and an emphasis on flat planes of colour. The palette is rich and harmonious – cool greens and blues dominate the landscape beyond the window, while warm yellows and lime greens bring depth and contrast to the foreground. The sky is rendered in a serene powder blue, adding an atmosphere of quiet clarity.

The brushwork is confident and textured, with visible strokes that provide a tactile quality to the foliage and surfaces. The artist has used broad, sweeping motions for the background trees, and more sculptural, deliberate application for the chalice and fruit. The overall effect is one of elegant stillness, where the boundary between inside and outside is both physical and painterly.

This oil on board is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs and marks present.

Size: 47.5 x 61 cm (including frame)

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The Bustling Market
£445
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A charming and lively 20th century modernist composition, painted in oil onto canvas and dated 1994.

This painting is a lively, stylised market scene. The composition is structured with clear spatial organization and bold colour blocks, using a bird’s-eye view to depict the bustling activity.

Market stalls and vans are arranged throughout the square, painted in vivid colours like green, red, and orange. Figures of vendors and shoppers are loosely rendered with minimal detail, emphasizing movement and atmosphere over realism. At the centre is a small circular fountain, anchoring the composition. The paved plaza is painted in cool shades of blue and white, contrasting with the warm, saturated tones of produce and vehicles.

Brushwork is loose and expressive, with a soft handling of light and shadow.

The scene conveys a sense of sunny midday energy and community life, blending structure with spontaneity. Despite the simplified style, it captures the essence of a busy open-air market, full of colour, activity, and everyday charm.

The painting is presented in a very well made gilt frame. Both painting and frame are in excellent vintage condition.

Size: 46.5 x 54 cm (including frame)

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Afternoon Stroll
£495
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A vibrant and charming mid-century modernist style landscape oil painting by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

The composition captures a quiet moment in the countryside. Two loosely rendered figures stroll down a path, flanked by a rustic cart and surrounded by cottages within a landscape setting.

Painted in an expressive style, the composition is constructed with broad, confident brushstrokes and an emphasis on blocks of colour rather than intricate detail. The palette is soft yet vibrant, blending pastel pinks, greens, blues, and browns.

The simplified forms give the painting a nostalgic, almost storybook quality – evoking the rhythm of slow village life under a pale, serene sky.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs.

Size: 50 x 59 cm (including frame)

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Procession of Shadows
£580
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A striking and richly textured mid-century abstract composition, executed in oil onto canvas.

Although abstract in nature, the painting captures a densely clustered mass of vertical forms that suggest a gathering of figures in motion.

The artist has used thick impasto and gestural, almost sculptural brushstrokes to create a palpable sense of depth and emotional intensity. Faces and bodies seem to emerge from the paint, rendered with a raw immediacy that is both haunting and poetic.

The palette is earthy and muted – browns, greys and beige – with punctuations of orange, evoking both the solemnity and vitality of the human condition. The work feels deeply emotive, bordering on the surreal, and invites contemplation on themes of community, anonymity, and collective memory.

This oil on canvas is housed in a complementary distressed style wood frame. Both the painting and frame are in excellent vintage condition.

Size: 39.5 x 53 cm (including frame)

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Seaside Stroll
£445
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A small and very impactful mid-century figurative painting that captures a serene moment by the sea, executed in oil onto canvas and dated 1976.

The composition features two figures set against a vast, tranquil backdrop of sky and ocean. The central figure, dressed in a flowing white garment, carries a patterned bag, exuding a sense of calm and contemplation. A smaller figure, rendered in lighter hues, walks nearby, emphasising a sense of companionship or familial connection.

The painting’s style is distinctly modernist, characterised by minimalistic forms and a textured, almost naïve approach to rendering figures. The use of a muted, pastel colour palette – predominantly soft blues, whites, and sandy beiges – enhances the ethereal quality of the piece.

The brushstrokes are loose and expressive, with visible texture and layering, imparting a sense of movement to the otherwise quiet scene.

This oil on canvas is creatively housed in a white painted rustic wood frame. The painting is in good vintage condition. There is some age wear to backing frame panel but this is in keeping with its style.

Size: 28.5 x 24.5cm (including frame)

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Rural Abstraction
£525
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A large and captivating mid-century landscape painting that presents a dynamic interplay between abstraction and representation, executed in oil onto canvas.

The painting presents a rural landscape dominated by an angular, white structure – likely a house or barn – set against rugged terrain. The composition balances organic and geometric forms, emphasising the contrast between man-made and natural elements.

The piece embodies elements of abstract expressionism, blending gestural and textured brushstrokes with semi-representational forms. The fragmented, layered approach to the structure hints at collage techniques, while the landscape itself is rendered through broad, sweeping gestures.

Earthy tones dominate the palette, with yellows, browns, and deep greens forming the background and landscape. The structure itself is highlighted with whites and light greys, accented by touches of muted blue.

The artist has used expressive, textured brushwork, layering thick and thin applications of paint. Loose, bold strokes define the landscape, while the structure features more deliberate, angular marks, emphasising the contrast between organic scenery and constructed form. The brushstrokes convey a sense of movement and depth, giving the impression of a weathered, windswept setting.

This large oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition. There are some minor scuffs to bottom left frame corner, but it is in good condition otherwise.

Size: 46.5 x 78.5cm (including frame)

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Quiet Season
£535
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This serene and atmospheric mid-century landscape painting that captures the quiet stillness of a snow-covered shoreline, executed in oil onto board.

A gentle path winds through the foreground, flanked by patches of exposed earth and subtle hints of foliage. Sparse trees – both evergreen and bare-branched – rise gracefully across the scene, while a frozen lake and distant forested hills fade softly into a muted grey sky.

Rendered in an almost abstract style, the composition emphasises simplicity and mood over realistic detail. The artist has used a muted palette dominated by subdued greys, whites, pale yellows, and earthy browns, with soft green and red accents adding quiet contrast.

Brushstrokes are short, expressive, and lightly textured – applied in a loose, painterly manner that creates a gentle rhythm throughout the piece. This approach conveys both the crispness and the quietude of a winter day.

This oil on board is housed in a complementary white frame with yellow tints. The painting has some very small surface marks to the left side as shown in the close ups, but it is in very good condition overall. The frame has some slight age wear but is also in good condition overall.

Size: 50 x 63.5cm (including frame)

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Sailor
£640
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A very well executed mid century modernist figurative composition of a sailor, painted in oil onto card.

This painting features a stylized, abstracted figure of a sailor seated on a chair. The sailor is depicted using bold, geometric shapes and flat areas of colour, reminiscent of the Cubist and Modernist styles.

The figure sits in a relaxed, slightly angular posture, with crossed legs and arms folded, giving a composed yet confident air. The colour palette is dominated by navy blues, blacks, greys, and reds, contrasting with the earthy brown background. White and grey tones highlight the sailor’s trousers and accessories.

The painting features strong geometric abstraction, using flat planes, sharp lines, and minimal detailing, heavily influenced by Cubism and Constructivism, evoking artists like Fernand Léger or Jean Metzinger.

Overall, the painting offers a striking, modern interpretation of a classic maritime subject, blending strong lines, simplified forms, and a well-balanced colour scheme.

This oil on card is housed in a complementary maroon wooden frame which pairs wonderfully with the red tones of the painting. It is framed behind a perspex. Both the painting and frame are in excellent vintage condition.

Size: 51 x 36 cm (including frame)

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Apple & Dancing Forms
£650
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A brilliantly executed abstract composition drawn in biro onto paper, by British artist Enos Lovatt (1937-2018).

This intricate composition has a dynamic, surreal quality, filled with abstract forms and stylised figures. The cross-hatching and dense linework typical of biro drawings are skilfully used to create depth, contrast, and texture. The artist plays with positive and negative space, using white areas effectively to highlight the main forms amidst the dark, densely filled background.

The drawing has strong influences from Surrealism and Abstract Expressionism, with its dream-like imagery and focus on fluidity, symbolism, and subconscious forms. There’s a sense of narrative, though it remains open-ended and abstract, encouraging personal interpretation.

Overall, the piece is bold, intricate, and highly textured, showcasing the meticulous potential of the humble biro pen in the hands of a skilled artist.

Both the drawing and frame are in excellent vintage condition. The painting is presented within a card mount and a stained black wooden frame, and is protected behind perspex.

Enos Lovatt (1937–2018) studied at Burslem School of Art and the Royal College of Art (1959–1962) before becoming Senior Lecturer in Fine Art at Staffordshire Polytechnic until 1992. A prolific artist, he worked in oils, gouache, acrylics, ceramics, and biro, leaving behind thousands of works. He exhibited sporadically, including solo shows in City Museum and Art Gallery in Stoke-on-Trent, one man shows at the Paton and Woodstock Galleries in London and at Stafford Museum and Art Gallery.

In the early 1990s, Enos lost most of the three middle fingers on his dominant right hand in a lawnmower accident. The biros allowed him to navigate his vivid and unique imagination and bring the thoughts and images in his head to life in their purest form of magic realism. This drawing was created in the early 2000s.

Size: 59 x 78 cm (including frame)

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Children at Play
£650
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A large mid century modernist composition in gouache, by British artist Enos Lovatt (1937-2018).

This expressive gouache painting features a collection of abstract, stylized human figures, arranged vertically against a bold turquoise background. The figures are outlined with heavy black lines, giving them a graphic, almost childlike quality. Each character has a distinct presence but is rendered with simplified forms and exaggerated facial features.

The gouache medium allows for bold, opaque colour application, giving the painting a vibrant, matte finish. Visible brushstrokes and unrefined edges enhance the raw, expressive energy.

Overall, this piece feels dynamic and full of personality, with a playful yet intense aesthetic that invites viewers to interpret the relationships and emotions of the figures.

The painting is presented within a card mount and a ochre wooden frame with silver leaf detailing, and is protected behind perspex. Both painting and frame are in excellent vintage condition.

Enos Lovatt (1937–2018) studied at Burslem School of Art and the Royal College of Art (1959–1962) before becoming Senior Lecturer in Fine Art at Staffordshire Polytechnic until 1992. A prolific artist, he worked in oils, gouache, acrylics, ceramics, and biro, leaving behind thousands of works. He exhibited sporadically, including solo shows in City Museum and Art Gallery in Stoke-on-Trent, one man shows at the Paton and Woodstock Galleries in London and at Stafford Museum and Art Gallery.

Much of Enos’ work on paper from the 1950s to 1970s uses gouache, often in tandem with other media. Gouache allowed his joy and passion for colour to shine. Enos’ work straddled the worlds of figurative and abstracted art as he dipped into both with equal enthusiasm.

Size: 85 x 60 cm (including frame)

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