A brilliantly executed mid-century modernist abstract figurative composition, painted in oil onto canvas by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

This striking painting presents two simplified human forms suspended in a quiet, intimate exchange. One figure stands in soft green clothing, loosely holding a cluster of yellow flowers, while the other sits nearby, turned toward them in a moment that feels conversational. Their faces are intentionally undefined, reduced to smooth, pale planes.

Rendered in a distinctly modernist style, the painting embraces abstraction through flattened forms, pared-back anatomy, and a near-collage approach to composition. The figures are constructed with bold, interlocking shapes, their outlines subtly broken and reassembled with gestural marks that lend a sense of movement and quiet fragmentation.

The palette is dominated by layered greens – ranging from mint and sage to deeper teal – punctuated by fresh accents of lemon yellow, sky blue, and hints of charcoal and white. These colours create a luminous, almost sunlit atmosphere, evoking nature without depicting it literally.

Brushwork is confident: broad, matte planes of colour are interrupted by swift, expressive strokes and linear marks that cut across the surface. These gestural accents introduce rhythm and spontaneity, softening the otherwise graphic structure and adding depth to the composition.

Altogether, the piece captures a fleeting human connection – poised somewhere between stillness and conversation.

This oil on canvas is presented in a frame that features a slim profile with a soft, brushed gold finish. The painting is in good vintage condition overall. There are some light marks to the painting, most notably near the face of the figure on the right. The frame shows minor scuffing consistent with age.

Size: 83 x 63 cm (including frame)

A compelling mid-century modernist abstract figurative composition, painted in oil onto canvas by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The painting captures the essence of the human form through a language of bold reduction and tactile surface. A reclining figure emerges from the composition, its contours simplified into rounded, interlocking shapes that suggest the curve of a shoulder, the bend of a hip, and the quiet weight of a resting body. The figure feels both present and elusive – more sensed than precisely defined – inviting the viewer to complete the form through perception.

The style is distinctly modernist, leaning into abstraction while retaining a strong figurative anchor. There is a confident balance between structure and spontaneity: broad planes of colour establish the composition, while energetic, almost impulsive marks disrupt and animate the surface. The artist’s hand is evident throughout, giving the work a raw, expressive immediacy.

The palette is warm and striking, dominated by rich vermilion reds, burnt orange, and deep maroon tones that form a saturated backdrop. Against this, the figure is rendered in creamy, off-white hues, punctuated by flashes of cobalt blue and teal. These cooler accents create visual tension and rhythm, guiding the eye across the composition and adding depth to the otherwise flattened space.

Brushwork is thick and textural, with areas of heavy impasto that catch the light and emphasise the physicality of the paint. Scraped passages and layered strokes contribute to a richly worked surface, where traces of earlier marks remain visible beneath. This layering gives the painting a sense of history and movement, as though the figure has been gradually revealed through successive gestures.

Overall, the piece is a powerful study in form, colour, and material – intimate yet bold, gestural yet composed.

This oil on canvas is presented in a complementary gilt frame that has a gently stepped profile. The painting is in excellent vintage condition, and the frame has light scuffs. 

Size: 73.5 x 53.5 cm (including frame)

A soothing and atmospheric large mid-century abstract landscape that distills the essence of an open horizon into a composition of luminous colour and subtle form, executed in oil onto canvas.

The painting evokes a vast expanse of land beneath an immense twilight sky, where a few distant structures or trees punctuate the horizon line, lending a quiet sense of scale and solitude.

Rendered with remarkable restraint, the composition balances broad horizontal bands of colour that suggest fields, water, or mist-covered plains. The simplicity of the scene invites contemplation, allowing the viewer to become immersed in its meditative stillness and expansive sense of space.

The palette is both bold and serene. Deep ultramarine and cobalt blues dominate the upper half of the canvas, creating a rich, velvety sky that contrasts beautifully with the luminous greens below. Layers of mint, jade, seafoam, and pale sage blend softly across the landscape, while subtle grey-green passages introduce depth and atmospheric perspective. The resulting effect is dreamlike and almost otherworldly.

Brushwork is fluid and understated, with thinly applied paint and softly blended transitions that create a sense of movement without disrupting the painting’s calm equilibrium. Horizontal sweeps of the brush reinforce the expansive landscape format, while the few dark forms along the horizon are painted with looser, more gestural strokes that provide visual anchors within the composition.

This large oil on canvas is presented in a complementary slim gilt frame. The painting is in excellent vintage condition, and the frame has minor scuffs.

Size: 63 x 76.5 cm (including frame)