Large Artworks – Page 13 – The Discerning Palette

Showing 361–390 of 1192 results

Table for Two

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An intimate interior scene that exudes warmth and quietude and executed in an impressionist style, painted in oil onto canvas and dated 1989.

Depicting a sunlit corner set for two, the composition depicts round table draped in white linen is flanked by a pair of red chairs with floral upholstery, evoking a sense of lived-in elegance. Atop the table sits a vase overflowing with wildflowers, while a cat rests peacefully at the foot of the chairs, blending gently into the richly textured floor.

Executed in a modern impressionist style, the painting features thick, expressive brushstrokes and a soft, diffused palette of warm ochres, terracotta reds, and dusty blues. The layered impasto technique adds depth and tactile presence, inviting the viewer into a serene, light-filled space that feels both familiar and timeless.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has a small scuff at its lower right corner as shown.

Size: 67 x 56 cm (including frame)

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Buckets & Hooks

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An expressive and richly textured mid-century still life that captures the quiet composure of everyday objects, executed in oil onto board.

At the heart of the composition is a weathered metal bucket, its rough, encrusted surface rendered with thick impasto and moody tones of charcoal, slate blue, and rust. A ladle leans from within, its handle jutting diagonally, adding a sense of tension and movement. The backdrop features a muted yellow and pale green wall, juxtaposed with a roughly painted white panel adorned with loosely defined horseshoes or hooks.

The painting focuses on bold, tactile brushstrokes and the expressive potential of everyday objects. The artist uses a restrained palette – with dynamic textural application, evoking a sense of age, labour, and quiet domestic resilience.

This oil on board is housed in a stunning dark wood frame with visible grain. Both the painting and frame are in excellent vintage condition.

Size: 48 x 38 cm (including frame)

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Garden Celebration

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A charming modernist figurative landscape painting that captures a leisurely outdoor gathering rendered abstractly with an almost dreamlike simplicity, executed in oil onto canvas and dated 1971.

Small groups of figures drift through a soft green parkland, framed by loosely painted trees and two tables dressed in pale cloths, each topped with delicately decorated cakes. The scene feels both celebratory and intimate – a fleeting social moment distilled into colour, gesture, and atmosphere.

Executed in a naïve modernist style, the composition embraces spontaneity and abstraction over fine detail. The figures are reduced to simplified silhouettes and expressive blocks of colour, allowing the painting’s mood and rhythm to take precedence. Thick, textural brushstrokes give the work a tactile quality, with heavily layered whites and soft blush pinks contrasting beautifully against lively greens, deep blacks, and accents of crimson, violet, and sky blue.

The palette is airy and optimistic, dominated by fresh spring greens and creamy whites that evoke sunlight filtering across an open lawn. Loose, energetic mark-making throughout the trees and garments creates movement and visual playfulness, while the intentionally sparse background lends the work a quiet poetic openness.

This oil on canvas is presented in a complementary slim silver frame. The painting is in excellent vintage condition. The frame has some scuffed areas and minor paint loss, consistent with age.

Size: 36.5 x 42.5 cm (including frame)

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Lily of the Valley with Pears

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A charming and characterful mid-century interior still life composition executed in tempera on board, by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

This beautifully composed painting centres around a striking turquoise vase filled with lily-of-the-valley, their delicate white bells rising in elegant contrast against a backdrop of bold modernist colour blocks. Arranged on a vivid red tabletop, four stylised green pears add balance and rhythm.

The interior behind the arrangement is rendered through geometric planes of earthy brown, charcoal, plum, and cerulean blue, evoking walls, textiles, and an arched doorway while maintaining a flattened, abstract sensibility.

Executed in tempera, the work exhibits smooth, matte surfaces with crisp, clean edges. The artist embraces a distinctly modernist, slightly naïve style: simplifying forms, minimising perspective, and emphasising bold, graphic colour fields. The brushwork is controlled and even, lending a refined clarity to each element within the composition.

This tempera on board is presented in an ornate, richly detailed gilt frame that elevates the work with a sense of classical elegance. The artwork is further enhanced by a deep burgundy velvet mount, which provides a luxurious contrast and subtly intensifies the colours within the painting. The painting is in excellent vintage condition, and the frame has tiny areas of wear the corners, consistent with age.

Size: 40 x 45 cm (including frame)

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Transference

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A captivating abstract triptych composition that unfolds across three individual panels, painted in acrylic onto panel and dated 2010.

Abstract in nature, the painting resembles the organic elegance of curved tree branches.

The artist has used a sophisticated colour palette where hints of black intertwine with warm tones of brown as well as delicate shades of grey. The colours weave into one another fluidly, and each panel is very well-balanced.

These acrylic in panels come in a set of 3, and are each fixed within a complementary wood frame. Both paintings and frames are in excellent vintage condition.

Size: 43 x 23 cm each (including frame)

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Sunlit Terraces

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A charming painting that captures a clustered arrangement of buildings, their rooftops stepping gently across the composition in a rhythmic, almost conversational way, executed in oil onto canvas and dated 1974.

Balconies, chimneys, and terraces overlap in a layered architectural tapestry, while a softly rendered tree in the foreground adds a sense of life and movement. The scene feels intimate and still, suggestive of a warm afternoon where time slows and light lingers.

Executed in a distinctly mid-century modern style, the work leans toward a stylised realism with subtle abstraction. Forms are simplified and slightly geometric, yet retain enough detail to anchor the scene in familiarity. The perspective is intentionally flattened, allowing the buildings to stack decoratively rather than recede deeply into space, giving the composition a pleasing, almost tapestry-like quality.

The colour palette is warm and sun-drenched, dominated by terracotta oranges, sandy beiges, and soft creams, contrasted with muted greys and a cool, textured sky. Pops of turquoise and green in the windows and foliage provide freshness and balance, enlivening the otherwise earthy tones.

Brushstrokes are confident and visible, with a slightly dry, textured application that allows the canvas to breathe through in places. Edges are softly defined rather than sharply outlined, lending the piece a gentle, atmospheric cohesion. The handling of paint – particularly in the sky and foliage – creates a subtle vibrancy, as if the entire scene is lightly shimmering under the sun.

This oil on canvas is presented in a beautiful wood frame finished in a soft, warm cream. Both the painting and frame are in excellent vintage condition.

Size: 47.5 x 55.5 cm (including frame)

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The Distance Between

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A serene landscape painting that presents a solitary figure standing in a vast, open field, facing toward a distant white structure that rises against the horizon, executed in oil onto canvas and dated 1991.

The expansive sky occupies much of the canvas, shifting in gradient tones from pale cream near the horizon to soft blue above, evoking a sense of stillness and atmospheric depth.

The composition is minimalist yet evocative, with bold horizontal divisions of land, horizon, and sky creating a structured balance. The dark green foreground contrasts with lighter bands of yellow and green, leading the viewer’s eye toward the central figure and the white building. The figure, rendered in simple but deliberate strokes of blue, introduces a quiet narrative of solitude, contemplation, or journey.

The style is modernist and reductive, focusing on form and mood rather than intricate detail. Colours are clean and restrained – soft pastels in the sky, deep greens across the land, and a single bright accent of blue in the figure – lending the work a serene, contemplative atmosphere.

Brushstrokes are broad and confident, with smooth transitions in the sky and more textural, layered application in the landscape. The painter’s hand is visible yet controlled, conveying both immediacy and calm.

This oil on canvas is housed in a complementary silver painted frame. The painting is in excellent vintage condition, and the frame has small scuffs.

Size: 51 x 67 cm (including frame)

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The Orchard Walk

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A lively mid-century expressionist landscape painting, executed in oil by the established Swedish artist Uno Vallman (1913-2004) whose works are included in the Swedish National Museum and The Swedish Modern Museum, to name a few. His works are also included in the collections of Lyndon Johnson, Jimmy Carter, and the Tessin Institute in Paris.

The painting captures a solitary figure wandering through a grove of expressive, windswept trees set against a bright sky. The composition feels both playful and deeply atmospheric, with the rounded canopies forming rhythmic shapes across the canvas while the figure introduces a quiet human presence within the natural setting.

Executed in an expressive, semi-abstract style, the work is rich with energetic mark-making and spontaneous movement. Bold black linear accents weave through the trees and landscape, creating a graphic structure that contrasts beautifully against the softer fields of colour. The palette is vibrant yet balanced, dominated by fresh greens, sky blues, soft whites, earthy browns and flashes of vivid red-orange that animate the lower landscape.

Brushstrokes are loose, gestural and layered, giving the painting a wonderfully textured surface full of movement and visual rhythm. Thick outlines, broken colour application and painterly dabs lend the work an instinctive, almost childlike immediacy.

This oil on canvas is presented in a warm-toned wood frame with gilt detailing. The painting is in excellent vintage condition, and there are some small scuffs to the corners of the frame

Size: 36 x 44 cm (including frame)

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A Moment at Sea

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A serene and minimalist mid-century seascape that distils the vastness of the ocean into a moment of quiet contemplation, executed in oil onto canvas.

A single, small vessel floats gently across an expansive field of calm water, its presence subtle yet poetic against the open horizon. The composition is deliberately minimal, inviting the viewer to linger on atmosphere rather than narrative, and evoking a sense of solitude, balance, and slow passage of time.

Executed in a restrained modernist style characteristic of mid-century painting, the work favours simplicity of form and clarity of mood over detail. The palette is dominated by soft blue-green and grey tones, gently modulated to suggest shifting light across the sea’s surface. Muted earth hues anchor the lower edge, subtly grounding the composition.

The brushstrokes are smooth and controlled, with fine textural variations visible across the painted surface. Delicate tonal transitions create depth and movement within the otherwise tranquil plane of water, while the small, darker accents of the boat provide a quiet focal point. Altogether, the painting embodies the fascination with reduction, atmosphere, and the emotional power of understatement.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs present.

Size: 54 x 66 cm (including frame)

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A Moment Between Thoughts

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A brilliantly executed mid-century abstract figurative painting that presents a seated female form, distilled into a series of softly interlocking shapes, painted in oil onto canvas and dated 1955.

The figure is poised yet introspective, her posture relaxed with one arm resting gently and the other drawn inward, suggesting a moment of stillness rather than performance. There is an intimacy to the composition: the subject feels both present and slightly withdrawn, as though caught between thought and repose.

Executed in a modernist, semi-abstract style, the artist reduces anatomical detail in favour of structure and tonal harmony. The figure is constructed through broad, simplified planes rather than defined lines, allowing the body to emerge through subtle shifts in colour and form. This approach reflects a quiet confidence: less concerned with realism, and more with capturing essence and mood.

The palette is beautifully muted and earthy, composed of soft greys, warm taupes, olive greens, and dusty blush tones. These colours blend seamlessly into one another, creating a gentle rhythm across the canvas. Occasional deeper accents – charcoal and moss – anchor the composition, giving it depth without disrupting its calm atmosphere.

Brushwork is expressive yet controlled. The paint is applied in confident, painterly strokes, with visible edges that create a patchwork of colour fields. There is a softness to the transitions, but also a deliberate rawness where forms meet, giving the work a tactile, almost sculptural quality. The overall effect is one of sophistication: a contemplative study of form, light, and presence.

This oil on canvas is housed in a complementary warm wood frame with visible natural grain. Both the painting and frame are in excellent vintage condition.

Size: 50 x 39 cm (including frame)

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A Pause Between Places

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A striking mid-century figurative landscape that captures a quiet, contemplative moment at the boundary between nature and the built environment, painted in oil onto board by the established Swedish female artist Brita Hansson (1918-1979).

A group of abstracted figures sit near a winding path, their forms simplified yet expressive, while a pair of stylised trees rise beside them – curving, organic silhouettes that anchor the composition. In the distance, block-like architectural forms suggest a town or cityscape, softened and abstracted to create a sense of calm detachment rather than urban bustle.

Executed in a distinctly mid-century modern idiom, the painting balances figuration and abstraction with ease. The artist has used flattened planes, rhythmic shapes, and a gently asymmetrical composition to guide the eye through the scene. There is a lyrical, almost poetic quality to the arrangement, where figures, trees, and buildings coexist in quiet harmony.

The palette is warm and nuanced, featuring soft creams, sandy beiges, pale blues, and blush tones, punctuated by deeper earthy browns, rust reds, olive greens, and muted teals. These contrasting yet harmonious colours lend the work both warmth and depth, while maintaining a light, airy atmosphere.

Confident, visible brushstrokes define the surface, with areas of loose, gestural paint layered against more opaque, block-like applications. Subtle scraping and overlaps reveal underlayers of colour, adding texture and movement. The painterly approach enhances the sense of spontaneity and modernist freedom characteristic of mid-century works.

This oil on board is housed in a well-suited wood frame with an inner gilt window. The painting is in very good vintage condition. There is a slight unevenness to the board but this is purely structural and does not affect the stability or visual impact of the artwork.

Size: 57.5 x 70 cm (including frame)

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Autumn Valley

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An expressive and atmospheric mid-century landscape that captures a countryside at the height of the changing season, executed in oil onto canvas.

Rolling fields unfold across the foreground, where a solitary red-roofed cottage rests amidst sweeping green meadows, lending a sense of scale to the expansive vista. Beyond, a vibrant belt of autumn foliage stretches across the valley floor, its fiery hues glowing against the darker wooded ridges and distant hills that frame the horizon.

Painted in a distinctly modernist manner, the artist distils the landscape into broad, simplified forms and expressive passages of colour, prioritising mood and rhythm over strict realism. The composition is carefully balanced, with horizontal bands of field, forest, and sky creating a sense of harmony and depth, while the undulating contours of the land gently guide the viewer’s eye through the scene.

The palette is both rich and nuanced, combining warm oranges, burnt siennas and soft crimsons with cool passages of sage green, blue-grey, lavender, and pale turquoise. Above, an expansive sky is animated by layered clouds rendered in sweeping strokes of blues and white, suggesting shifting light and the onset of changing weather.

The brushwork is confident and expressive throughout. Short, energetic strokes build the foliage into a tapestry of colour, while broader, more gestural applications of paint define the fields and sky. Areas of visible canvas and loosely applied pigment lend the work a freshness and immediacy, capturing not only the appearance of the landscape but also its atmosphere and emotional resonance.

This oil on canvas is presented in a complementary gilt frame with stepped moulding. Both the painting and frame are in excellent vintage condition.

Size: 56 x 67.5 cm (including frame)

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Bath Time

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A mid-century modernist style figurative painting that depicts a nude female figure by a bathtub, executed in oil onto canvas.

The subject is captured from the back, partially turned, evoking an intimate moment. Her posture suggests relaxation, and the towel she holds adds a subtle narrative, hinting at either preparation for or completion of bathing.

Modernist in its ethos with abstract qualities, there is a focus on the interaction between colour and form as opposed to realistic details. Through the use of a restrained palette and expressive brushwork, the artist has skilfully deconstructed the subject and background into simplified planes and shapes.

The colour palette is cool and harmonious, dominated by shades of blues, white and peach. These colours establish a serene and tranquil atmosphere.

The brushwork is loose and painterly, with visible strokes that emphasise light texture and movement. The background is rendered in an abstract manner, with vertical strokes wonderfully blending into one another.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has minor scuffs.

Size: 35.5 x 40 cm (including frame)

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Coastal Abstraction

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A striking and brilliantly executed mid-century modernist abstract composition that captures a rugged coastal landscape through a geometric interplay of angular shapes and layered textures, painted in oil onto board and dated 1959 by Swedish artist Gustaf Skoglund (1923-2003).

Rendered in an abstract, almost cubist manner, the artist has skilfully deconstructed and fragmented the natural scenery into overlapping planes of earthy browns, muted blues, and soft greys, evoking the rocky shoreline, rolling dunes, and distant waters.

The palette consists of subdued, earthy hues that imbue the work with a soothing yet nostalgic quality. The brushstrokes vary—some areas exhibit smooth, blended applications, while others feature expressive, swift horizontal strokes that emphasise the tactile nature of rock formations and land contours.

This oil on board is housed in a complementary wood frame. Both the painting and frame are in excellent vintage condition.

Size: 36.5 x 49.5 cm (including frame)

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Coastal Road to the Sea

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A lyrical and atmospheric semi-abstract landscape painting, executed in oil onto canvas and dated 1982.

The painting captures the charm of a seaside village nestled among soft golden hills. A winding road leads the viewer’s eye gently toward the distant horizon, where a calm stretch of blue sea meets a pale, almost translucent sky.

Painted in an expressive, semi-abstract style, the composition features loosely defined cottages scattered across the hillsides, their rooftops rendered in pastel tones of rose, lilac, mint, and cornflower blue. The artist has used a restrained, earthy palette dominated by yellows, greys, and soft creams, punctuated by these subtle touches of colour that lend the work a nostalgic yet dreamlike quality.

The brushwork is gestural and textured, with generous impasto lending physical depth and spontaneity to the canvas. Strokes appear almost sculpted in places, conveying a tactile sense of the landscape’s contours.

Overall, this piece evokes a serene, timeless mood – an evocative blend of memory and place.

This oil on canvas is housed in a complementary light gilt frame that has a very unique light green tint. Both the painting and frame are in excellent vintage condition.

Size: 57.5 x 47.5 cm (including frame)

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Cubist Table Arrangement

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A calm and intriguing mid-century modernist still life painting that presents a carefully balanced arrangement of everyday forms – a loaf of bread, a ceramic vessel, a handled bowl of green fruit, and a series of stacked geometric planes, executed in oil onto canvas and dated 1957.

The composition is constructed through overlapping blocks and angular shapes, creating an architectural sense of structure while still retaining the warmth and familiarity of a domestic tabletop scene.

Executed in a distinctly modernist style with Cubist influences, the work simplifies objects into flattened forms and intersecting planes, allowing colour and composition to take precedence over realism. The arrangement feels both orderly and dynamic, with strong verticals contrasting against the softer curves of the fruit bowl and pink vessel.

The palette is restrained and harmonious, featuring warm creams, dusty pinks, olive greens, muted browns, and soft greys. These earthy tones give the painting a calm, contemplative atmosphere while the brighter green fruit introduces a gentle focal point within the composition.

Brushwork is soft yet deliberate, with layered painterly surfaces and subtle tonal blending throughout the background. The geometric objects are rendered with firmer edges and controlled application of paint, while lighter, feathered strokes in the surrounding space lend the work an airy softness and understated depth.

This oil on canvas is presented in a complementary slim wood frame. Both the painting and frame are in excellent vintage condition.

Size: 48 x 40 cm (including frame)

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Farmhouse Cottage

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A charming mid-century landscape painting, executed in oil onto canvas.

The composition captures a serene landscape scene of a farmhouse beneath a broad thatched roof, accompanied by a full-bodied tree to the right. The composition is balanced and restrained, focusing on the geometric rhythm of the roofline contrasted with the organic softness of the foliage.

The artist has worked in a modernist style, reducing forms to their essentials while retaining a sense of place and atmosphere. The palette is cool and calming, with sky blues, muted teals, earthy browns, and soft golden browns, which together create a tranquil countryside mood.

The brushstrokes are broad and textured, applied with confident, almost block-like swathes of paint that suggest depth and light without unnecessary detail. This technique allows the viewer’s eye to rest on the impression of shapes and tones, rather than fine rendering.

This oil on canvas is presented in a complementary wooden frame and with inner silver and cream border. Both the painting and frame are in excellent vintage condition.

Size: 42.5 x 50 cm (including frame)

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Forest Bathing I

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A very engaging and beautifully presented contemporary abstract composition, painted on to canvas by British artist Frances Daws.

The Forest Bathing series captures the feeling of walking through a forest on a warm day – how the light bounces off the leaves and shadows dance on the forest floor. Luscious greens and soft yellows create a deep feeling of calm and are reminiscent of long walks and time spent sitting amongst the trees and ferns.

This small abstract painting, set within a deep white frame, presents a swirling interplay of earthy tones—olive green, beige, ochre, and hints of rusty red. The brushwork is expressive and gestural, forming a loosely circular or spiral pattern that seems to draw the viewer inward.

The layered, textured strokes give the surface a sense of depth and movement, while the overall palette evokes natural elements like moss, bark, and soil.

This piece conveys quiet energy and contemplative rhythm, inviting the viewer to pause and reflect within its modest scale.

Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

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Size: 35 x 35 cm (including frame)

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Forest Bathing II

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A very engaging and beautifully presented contemporary abstract composition, painted on to canvas by British artist Frances Daws.

The Forest Bathing series captures the feeling of walking through a forest on a warm day – how the light bounces off the leaves and shadows dance on the forest floor. Luscious greens and soft yellows create a deep feeling of calm and are reminiscent of long walks and time spent sitting amongst the trees and ferns.

This abstract painting, set within a minimalist white shadow frame, is a compact composition rich in earthy tones and gestural brushwork. Dominated by deep forest green, the canvas is energized by strokes of ochre, beige, and burnt orange, with the paint applied in sweeping, confident motions.

The brushstrokes vary in texture—some areas are smooth and blended, while others are more expressive and raw, revealing the artist’s hand.

The overall atmosphere is introspective and grounded, with a palette that evokes nature. This piece has a quietly compelling presence, inviting closer observation and personal interpretation.

Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

Size: 35 x 35 cm (including frame)

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Harbour Promenade

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A charming and expressive street-and-harbour scene painting that captures a lively moment along the waterfront, executed in oil onto board and dated 1976.

Several figures stroll casually along the promenade: some walking in pairs, others heading toward a moored sailboat – while a small dog trots alongside its owner. Across the water, soft-edged buildings form a pastel skyline, giving the piece a distinctly coastal atmosphere. The scene feels leisurely and sunlit, evoking the quiet rhythm of everyday life by the marina.

Rendered in a light, impressionistic hand, the artist has used loose, confident brushstrokes to suggest movement and light without over-defining forms. The palette consists of lively pastels: sky blues, coral pinks, yellows, greens – layered in translucent strokes that create a luminous, breezy mood. The brushwork is relaxed and painterly, allowing the underlying texture of each stroke to remain visible and enhancing the sense of spontaneity.

This oil on board is presented in a well-suited textured linen-covered matting paired with a slim gilt inner window. The painting is in excellent vintage condition, and the frame has some light surface marks present to its inner frame on the left side.

Size: 41.5 x 49.5 cm (including frame)

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Harbour Stillness

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A serene mid-century painting that captures a quiet harbour scene where two small sailboats rest gently on calm, reflective waters, painted in oil onto board in 1942 by the established Swedish artist Richard Björklund (1897–1974), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Malmo Museum, Ystads Art Museum, and others.

The composition is pared back and contemplative: boats sit low in the foreground, their slender masts rising vertically and echoed in the soft, rippling reflections below. Beyond them, a simplified shoreline unfolds in horizontal bands, punctuated by a small white structure and subtle architectural hints, evoking a sunlit coastal setting at rest.

The style is distinctly mid-century modern, leaning toward abstraction with a strong emphasis on form reduction and spatial harmony. Perspective is flattened, and depth is suggested through layered planes rather than strict realism. The artist has embraced a minimalist approach, allowing negative space and quiet geometry to guide the eye.

The colour palette is beautifully restrained and harmonious:soft blues, muted aquas, sandy browns, and warm creams dominate the scene. These tones gently contrast and blend, creating a tranquil, almost dreamlike atmosphere. The water mirrors these hues with delicate variations, enhancing the sense of stillness.

Brushstrokes are loose yet intentional, with visible, confident applications of paint. The surface shows subtle texture, particularly in the water and sky, where strokes move fluidly and horizontally. Edges are softened and forms are simplified, giving the work an airy, lyrical quality.

This oil on board is presented in an elegant wood frame with a warm, brushed gold and silver finish, and a gently stepped profile with subtle ridging. Both the painting and frame are in excellent vintage condition.

Size: 42.5 x 50.5 cm (including frame)

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Harvest Under the Canopy

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A rich and striking striking mid-century modernist figurative landscape composition, painted in oil and gouache by the established Swedish female artist Brita Hansson (1918-1979).

A group of figures is gathered beneath a grove of robust, twisting trees – likely harvesters at rest or mid-task, surrounded by produce and market crates. The scene hums with life, captured in abstracted yet recognisable forms. Deep blues, earthy reds, browns, and forest greens dominate the palette, contrasted with striking patches of orange and golden yellow that suggest dappled sunlight filtering through foliage.

Painted in a bold, modernist style, the figures and environment are rendered with broad, expressive brushstrokes and geometric abstraction. The trees form powerful vertical rhythms while the figures, draped in rich fabrics, add weight and grounded intimacy to the scene. The brushwork is confident and gestural, emphasising mass and movement rather than realistic detail – imbuing the painting with a sense of warmth.

This oil and gouache on paper has been mounted onto board, and is housed in a complementary wood frame with an inner gilt window. There is a tiny bit of craquelure present in the middle tree but the paint layer is stable, and the painting is in good vintage condition overall.

Size: 62.5 x 75 cm (including frame)

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Hooray

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A mid century modernist wrought iron sculpture mounted onto a wooden base, and dated 1980.

This very uplifting and well crafted wrought iron sculpture depicts two figures, one holding the other up. The upper figure appears to be suspended in the air from certain angles, but has one connection to the lower figure. There is playful experimentation with different shapes and forms, creating different points of interest depending on the viewing angle.

The subject of the piece is joyful, and hopeful – one figure is lifting the other presumably in celebration. It is a reminder of good times and being in high spirits.

The wooden base is monogrammed and dated.

Height: 50 cm
Width: 16 cm
Depth: 16 cm

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Ice Fishing

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A mid-century oil painting that captures the quiet moment of an ice fisher, seated beside a small sled on a vast, frozen expanse, by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

The figure is huddled near a freshly cut fishing hole, his vibrant clothing and gear providing a focal point against the endless white landscape. The distant horizon, painted in soft bands of pastel blues, greens, and violets, evokes the crisp stillness of a winter sky.

Minimalist and impressionistic, the work favours capturing mood and atmosphere over intricate details. The artist conveys emotion through the restrained composition, focusing the viewer’s attention on the quiet perseverance of the scene.

The palette is soft and delicate, capturing the serene nature of the scene. The artist has used smooth, horizontal brushstrokes to build the expansive landscape and layered sky, while shorter, expressive marks define the figure and the cluster of dry grasses in the foreground. These contrasting textures add visual interest to the painting.

This oil on board is housed in a complementary gilt frame. The painting is in excellent vintage condition. The frame has very minot scuffing but is in very good condition overall.

Size: 43 x 56 cm (including frame)

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Mediterranean Rooftops

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A mid-century painting that captures the sunlit charm of a coastal Mediterranean village, where whitewashed houses rise in layered planes against the calm backdrop of the sea, executed in oil onto canvas and dated 1968.

The subject matter focuses on architectural forms – flat rooftops, arched facades, and shaded recesses – simplified into interlocking blocks of light and shadow. A few dark accents of trees break the uniformity of white, grounding the composition with contrast.

Painted in a modernist style, the work emphasizes structure and atmosphere over detail, with an almost abstract quality to the geometry of the buildings. The palette is restrained, dominated by soft whites, pale greys, and cool sky blues, punctuated by deep green-blacks that suggest foliage.

The brushstrokes are broad, fluid, and confident, applied in sweeping motions that suggest light glancing across plaster walls. Layers of paint overlap loosely, creating a sense of immediacy and spontaneity, while still retaining a balance of form and rhythm. The overall effect is serene yet dynamic – an evocative study of place through shape, tone, and atmosphere.

This oil on canvas is presented in a complementary gilt frame. There is a small indentation to the canvas on the top half, otherwise the painting is in good vintage condition. The frame has some scuffs.

Size: 49 x 56 cm (including frame)

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Moonrise with Yellow Cup

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A quiet and introspective mid-century modernist figurative painting, executed in oil onto canvas by the established Swedish artist Fabian Lundqvist (1913-1989), whose works have been represented in many public collections in Sweden.

A solitary figure stands silhouetted against a dusky ochre sky, bathed in the stillness of twilight. A full, pale moon hangs suspended in the background, casting a quiet presence over a geometric urban landscape rendered in rich, earthen browns and shadowy forms.

The central figure, wears a softly patterned yellow garment that glows against the muted backdrop. Her jet-black hair is stark and angular, echoing the blocky architecture behind her. A small yellow cup, almost symbolic, rests at the bottom edge – a tender detail that anchors the composition with quiet intimacy.

Executed in a restrained palette of warm browns, creams, ochres, and charcoal, the painting features smooth, matte brushwork and soft, flat colour fields, characteristic of post-war European modernism. The artist’s style is contemplative and distilled, evoking introspection and a serene, poetic stillness.

This oil on canvas is housed in a very well-suited silver frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

Size: 54.5 x 62.5 cm (including frame)

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Pastel Grove

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A soothing and pleasant mid-century abstract modernist landscape that evokes a tranquil woodland clearing bathed in the gentle glow of early morning light, executed in oil onto canvas.

Slender vertical forms suggest tree trunks rising through a softly diffused atmosphere, while a luminous central passage draws the eye inward, hinting at a path or opening beyond. The composition balances abstraction and suggestion, allowing the viewer to experience both place and feeling without strict definition.

Rendered in a delicate pastel palette of blush pinks, warm yellows, and soft sage greens, the painting captures the fleeting harmony of nature as it shifts between seasons or times of day. Subtle tonal transitions create a sense of depth and air, while muted earth tones anchor the foreground in quiet stability.

The brushwork is expressive yet restrained, with visible palette knife textures and layered impasto lending the surface a tactile richness. Paint is applied in confident sweeps and gentle scrapes, allowing underlayers to emerge and interact, enhancing the painting’s luminous, atmospheric quality. The result is a serene and contemplative modernist work: both structured and intuitive as the landscape is captured as an emotional and sensory experience rather than a literal view.

This oil on canvas is housed in a complementary slim silver frame. Both painting and frame are in good vintage condition.

Size: 56 x 47.5 cm (including frame)

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Patterned Vase

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A playful modernist interior composition, painted in oil onto canvas, and dated 2012.

Featuring a striking and eye-catching colour palette, the artist has worked in a Naïve style, reminiscent of Modern British artists like Alfred Wallis. There is something very endearing about this painting, from its patterning and arrangement to its playfulness with scale. A patterned vase is at the forefront of this picture, and its patterns and colours echo the patterns and colours of the wall in the background. A voile curtain can be seen blowing inward, capturing the windyness of the seaside, the view of which is visible through the window. We can see a little red and white sailing boat passing by. There is a sense of nostalgia and homeliness in the picture – that lovely feeling of living right by the sea.

The painting is on stretched canvas with edges painted, and can be hung as is without the need for a frame. The painting is in excellent vintage condition.

Size: 50.5 x 39.5 cm (including frame)

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Patterns of a Summer Afternoon

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A lively and playful abstracted mid-century still life that transforms everyday objects into rhythmic shapes and patterns, executed in oil onto canvas and dated 1951.

At the heart of the composition appears a wide-brimmed box beside a compact dish, set against a fragmented tabletop filled with textiles and geometric designs. The artist plays with perspective, flattening and tilting planes to create a patchwork of dynamic, interlocking forms that pulse with colour and texture.

The painting exemplifies the modernist fascination with form and balance: where representation gives way to feeling. Its visual language recalls both cubist structure and the spontaneity of mid-century Scandinavian abstraction, with domestic motifs rendered through bold simplification.

A harmonious palette of yellows, teal, olive green, dusty pink, and cream is punctuated by rhythmic strokes of red and blue. The brushwork is confident yet playful: thick, directional strokes build texture and depth, while smoother planes of pastel create moments of calm. The artist’s handling of paint is distinctly expressive, leaving visible brush trails that add vibrancy and movement across the canvas.

This oil on canvas is presented in a complementary slim wood. The painting is in excellent vintage condition. The frame has light scuffing to the lower half but is otherwise in good condition.

Size: 69 x 56.5 cm (including frame)

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Picnic Under the Pines

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A mid-century figurative painting that captures a lively outdoor gathering beneath two abstracted pine trees, rendered in bold, expressive forms, and painted in oil onto board by the established Swedish female artist Brita Hansson (1918-1979).

At the center of the composition, a group of stylised figures sits together on what appears to be a picnic blanket, sharing a meal or conversation. Their forms are simplified yet evocative, outlined with fluid, gestural lines that emphasise connection and warmth.

Executed in a semi-abstract style, the painting merges figuration with vivid blocks of colour and dynamic compositional geometry. The palette features warm orange, deep forest greens, and rich reds, offset by cool blues and white negative space that lends the work a breezy openness. The brushwork is broad and textured, revealing the artist’s confident hand and intuitive layering of paint.

The overall effect is one of spontaneous joy and sunlit nostalgia—an ode to communal leisure in nature, filtered through the lens of modernist abstraction.

This oil on board is housed in a complementary gilt frame. The painting is in execllent vintage condition, and the frame has very minor scuffs.

Size: 54 x 66.5 cm (including frame)

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