Sold – The Discerning Palette

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Birch Grove

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A gentle and serene mid-century landscape that depicts a quiet stand of slender trees rising gracefully from a soft, sunlit meadow, executed in oil onto board and dated 1948.

Their pale trunks stretch upward with an airy elegance, forming delicate vertical rhythms against a hazy sky. Behind them, gentle mounds of foliage in muted greens create a sense of depth and calm, while the distant horizon rests in a band of cool blue.

Rendered in a distinctly mid-century modernist style, the composition favours simplification and harmony over strict naturalism. The artist reduces the scene into calming shapes and soft colour blocks, capturing the essence of place through atmosphere rather than detail.

The colour palette is beautifully restrained: powdery sky blues, cool greys, sage greens, and warm straw-toned yellows. Together, they evoke the soft light of a quiet morning. The brushstrokes are tactile and expressive yet controlled, with gently layered textures that bring a subtle movement to the surface. Short, broken strokes define the grasses, while smoother, blended passages build the trees and sky, lending the piece a breezy, contemplative quality.

This oil on board is housed in an elegant linen-lined wood frame. Both the painting and frame are in excellent vintage condition.

Size: 50 x 58 cm (including frame)

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Emerging Blooms

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An expressive and contemplative mid-century still life that presents a cluster of budding flowers rising against a softly textured ground, executed in oil onto board and dated 1964.

The artist has captured the moment just before full bloom – tall stems stretching upward, their petals tightly furled, with hints of soft pinks and yellow-greens suggesting the promise of colour beneath the muted surface. The composition feels both organic and abstracted, with the flowers arranged in a rhythmic, almost sculptural formation.

Executed in a distinctly modernist style, the painting embraces reduction and suggestion rather than strict realism. The forms are distilled into elongated strokes and blocky shapes, creating an atmospheric impression rather than a literal depiction. The palette is beautifully restrained: cool greys, slate blues, muted greens, and gentle off-whites dominate, punctuated by occasional touches of pink and lemon yellow at the tips of the buds.

The brushwork is thick, tactile, and deliberate, with impasto passages that give the surface a rich physical presence. Vertical strokes define the stems and buds, while broader, more textured swaths shape the surrounding foliage and background. The overall effect is both calming and quietly dramatic.

This oil on board is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some minor scuffs.

Size: 35 x 43 cm (including frame)

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Table in Morning Light

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A serene mid-century interior scene that captures the elegance of simplicity and space, painted in oil onto canvas and dated 1959.

At its centre stands a slender pedestal table rendered with confidence: its form distilled to near abstraction, with a single dark object poised delicately upon it. The background suggests tall windows that filter pale light, dissolving into softly layered vertical strokes.

Executed in a restrained palette of misty greys, cool whites, and muted taupe, the painting exudes a hushed, meditative calm. The artist’s brushwork is deliberate and textural: short, square dabs of paint that build rhythm and depth while maintaining a sense of quiet restraint.

Minimal yet evocative, this work is a study in tone and balance: a poetic reflection on stillness, light, and the beauty found in pared-down form.

This oil on canvas is presented in a beautiful wood frame which adds character to the painting. Both the painting and frame are in excellent vintage condition.

Size: 81 x 66 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Woman in a Pink Blouse

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A contemplative modernist figurative painting that depicts a seated woman before a softly rendered natural backdrop, executed in oil onto canvas and dated 1975.

Her dark bob frames her lightly sketched expression, lending the composition an air of introspection and quiet distance. The figure’s mauve-pink blouse, trimmed with ruffled lace, contrasts subtly with the muted greens and browns of the forested landscape behind her.

The artist has used a delicate balance between precision and restraint: the background is softly diffused with translucent washes, while the figure’s form is more sharply delineated. The lower section of the painting introduces a striking geometric interruption: a striped band in cream, burgundy, and brown – that recalls textile or interior motifs, grounding the work in a unique aesthetic.

Brushstrokes are measured and matte, with thinly applied layers that allow the canvas texture to breathe through. The palette is subdued yet harmonious, evoking a faded photograph or memory : an image caught between presence and absence, realism and abstraction.

This oil on canvas is presented in a silver frame. The painting is in excellent vintage condition. The frame displays some signs of age wear with marks and scuffs, as shown in the photos.

Size: 66.5 x 80.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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The Distance Between Us

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A contemplative modernist figurative painting that depicts a solitary figure standing before a vast expanse of open land, executed in oil onto canvas and dated 1975.

The composition is strikingly divided into two registers: the upper portion capturing a serene vista of green fields and a distant tree line beneath a pale, open sky, and the lower section marked by a bold geometric band in black with red and orange vertical stripes.

Rendered in restrained tones of green and earthy brown, the work balances natural quietude with structural rhythm. The figure, outlined with simplicity and minimal detail and lightly sketched features, appears introspective, heightening the emotional resonance of the scene.

Executed with flat planes of colour, the brushstrokes are gentle yet deliberate, with thinly applied layers that allow the canvas texture to breathe through. The palette is subdued yet harmonious, evoking a faded photograph or memory : an image caught between presence and absence, realism and abstraction.

This oil on canvas is presented in a silver frame. The painting is in excellent vintage condition. The frame displays some signs of age with marks and scuffs.

Size: 66.5 x 80.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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The Meeting

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A large and evocative mid-century figurative composition that depicts a group of seated figures gathered around a long white table, executed in oil onto canvas.

The figures’ forms have been rendered in simplified, almost sculptural blocks of colour. The figures, distinguished by subtle variations in hair colour, posture, and attire are shown in quiet communion, while a standing figure at the head of the table adds a sense of hierarchy or occasion.

The artist has adopted a distinctly modernist approach: the scene is pared back to its essential geometry, the narrative implied rather than explicit. The palette is warm yet restrained, with browns, blacks, and muted greens dominating against a rich golden background that imbues the work with both warmth and gravitas. The surface bears visible, expressive brushstrokes, creating a tactile sense of movement and texture.

The overall effect is one of quiet introspection: a timeless study of human gathering, presence, and form.

This oil on canvases is housed in very well suited wood and gilt frame.

Size: cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Constructed Balance

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A mid-century modernist abstract oil composition, painted by the established Swedish artist Bengt Delefors (1917-1996), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, The Museum of Art in Gothenburg, Borås Art Museum, and others.

This abstract still life composition has been reduced to bold, geometric forms and overlapping planes of colour. A circular form rests against angular shapes, suggesting the presence of everyday objects reimagined through abstraction. The composition is carefully balanced, with diagonal strokes introducing movement across the canvas.

Executed in a distinctly mid-century abstract style, the work embraces simplification and geometric reduction, drawing on the principles of Cubism while leaning into a modernist emphasis on form and structure over representation.

The palette is earthy yet dynamic, dominated by deep greens, muted browns, and bold blocks of red, offset by neutral tones of beige and cream. The interplay of darker and lighter hues creates depth and tonal contrast, giving the surface both rhythm and solidity.

The brushwork is confident and expressive, with areas of thickly applied paint and visible strokes that enhance the painting’s sense of immediacy and physical presence. The layering of opaque and semi-opaque colours builds a structured, tactile surface.

This oil on board is presented in a characterful wood frame. The painting and frame is in excellent vintage condition, and the frame has scuffs.

Size: 50 x 40 cm (including frame)

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Fragments of the City (Reserved)

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A captivating mid-century modernist painting that depicts a stylised urban landscape, characterised by a series of geometric forms representing rooftops, buildings, and water, executed in oil onto board.

Modernist in its ethos with a focus on the artist’s exploration of form and abstraction, the scene captures the essence of a townscape, possibly a riverside or harbour area, rendered in a semi-abstract manner. The architectural forms have been fragmented into angular, interlocking planes, and the cubist influence is evident in the faceted representation of buildings and their integration into the surrounding landscape.

The palette consists of soft, muted tones, including pastel shades that harmonise with deeper hues of brown and red. The subtle blending of colours creates a cohesive and atmospheric effect, while the subdued tones evoke a tranquil, contemplative mood.

The brushwork is expressive, with short, layered strokes that create a sense of depth and movement. The overlapping strokes enhance the impression of architectural complexity and spatial rhythm.

This oil on board is housed in a very well-suited distressed style grey painted wood frame with an inner gilt window. Both painting and frame are in excellent vintage condition.

Size: 50 x 66.5 cm (including frame)

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Modernist Mosaic

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An excellent and striking mid-century modernist style geometric abstract composition thats celebrates form and colour, executed in oil onto board.

The painting features an array of interlocking geometric shapes – rectangles, triangles, and circular forms – arranged in a dynamic interplay. Characterised by its abstraction, bold use of colour, and clean geometric lines, the composition is a vibrant exploration of form, colour, and balance.

The palette is rich and varied, featuring purples, greens, blues, warm yellows, and softer shades, all punctuated by the bold orange and red of the circles.

The brushstrokes are smooth and deliberate, adding depth and character to the flat planes of colour. The layering of paint suggests a thoughtful and methodical approach, with each shape carefully defined against its neighbours.

This oil on board is housed in a very well-suited wood frame with an inner linen and gilt border. The painting is in excellent vintage condition and has no paint loss. There appears to be some paint transfer which probably took place when the artist was working on the piece. The frame has some minor marks but is in very good condition too.

Size: 35.5 x 43.5 cm (including frame)

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Still Life in Pastel
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An expressive and lively mid-century still life composition with a rich palette of colours, rendered in pastel onto board and dated 1954.

An array of objects punctuates the painting – this includes a candle holder on the left, standing proudly beside two vases. Beside them on the right, two pieces of fruit – a red apple and an orange – provide balance to the arrangement.

Expressive and loose strokes of pastel give the entire composition a sense of movement and energy, while black outlines around the objects emphasise their distinct forms, evoking a sense of dynamism.

This pastel on board is housed in a complementary linen-lined wood frame, and is glazed (there is a layer of glass between the frame and the painting to ensure its longevity). The painting is in excellent vintage condition, and the frame has some marks and scuffs.

Size: 42 x 49 cm (including frame)

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Abbey Remains

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A striking mid-century modernist painting that captures the elegance of the remains of a Gothic abbey, rendered in angular, abstracted forms, executed in oil onto board and dated 1955.

The artist has deconstructed the architecture into bold geometric shapes and intersecting planes, offering a stylised, almost cubist interpretation of the structure. The skeletal remains of arched windows, pointed gables, and weathered stone towers are set against a pale, faceted sky and softly undulating hills.

The palette is restrained yet evocative, with cool greys, browns, and muted greens dominating the composition. Subtle highlights of light blue and off-white suggest shifting daylight, lending a fragile luminosity to the scene. Thick, confident brushstrokes applied in mosaic-like patches give the surface a textured, tessellated effect, echoing the crumbling but enduring nature of the abbey itself.

This oil on board is housed in a beautiful distressed wood frame that pairs wonderfully with the painting. The painting is in excellent vintage condition, and the frame has minor scuffs.

Size: 33.5 x 43 cm (including frame)

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A Moment Left Behind

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A modernist style interior still life composition that captures a quiet moment, executed in oil onto canvas and dated 1959.

The painting features a table with a yellow chair in the foreground, set against a background of geometric planes in muted tones. On the table, a green bottle with a red seal, a glass, and a small red bowl are arranged across a pink tablecloth. A dark green jacket is draped casually over another chair, adding an element of human presence without directly depicting a figure.

The painting embraces a modernist approach. The perspective is slightly flattened, and the shapes of objects are reduced to their essential forms. The artist has utilised strong but subtle structural lines to define space.

The colour palette features predominantly muted shades of blues, greys, and pinks, which imbue the work with a calm and slightly melancholic atmosphere.

This oil on canvas is housed in complementary gilt and white ridged frame. The painting is in excellent vintage condition, and the frame has minor scuffs but this is in keeping with its vintage style.

Size: 43 x 39 cm (including frame)

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Coastal Bend

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A large and tranquil mid-century landscape painting that captures a serene coastal scene where land, sea, and sky merge in soft abstraction, executed in oil onto canvas.

A pale sandy shoreline curves gently into the canvas, embraced by rolling hills rendered in muted olive and sage tones. Beyond, a calm expanse of blue-grey water stretches across the composition, fading into a sky of pale blue and light peach with delicate cloud sweeps.

The artist has worked in a semi-abstract modernist style, reducing natural forms to broad planes of colour and fluid, interwoven shapes. The palette is harmonious yet subtly contrasting – earthy browns and greens meet with cooler greys and sky blues. Brushstrokes are gestural and loose, layering both horizontal sweeps and curved motions that suggest movement in land and water.

Overall, the work balances tranquillity with rhythmic energy, presenting an interpretation of nature through the lens of mid-century abstraction.

This oil on canvas is presented in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 64 x 79.5 cm (including frame)

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Dachshund

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A very endearing and engaging canine composition of a Dachshund, painted in a naïve style in oil onto panel by British artist Matt Rix.

The dog is shown in profile, standing proudly with its signature long body, short legs, and alert expression. Its smooth black coat is accented with warm reddish-brown markings on the muzzle, chest, and paws, giving it both character and charm.

The background sets the scene indoors: a mustard-yellow paneled wall, a simple white-trimmed window revealing green hills and blue sky outside, and a purple floor that provides a playful contrast to the dog’s dark coat. The composition is clean and geometric, with flat planes of color that emphasize shape and form rather than detail.

This oil on board is housed in a black frame with inner gilt detail. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 24 x 33 cm (including frame)

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Dalmatian

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A very endearing and engaging canine composition of a Dalmatian, painted in a naïve style in oil onto panel by British artist Matt Rix.

The dog is shown in profile, sitting upright with a graceful, calm posture. Its body is a clean, flat white, patterned with scattered black spots that give it character and texture.

The background is divided into two strong colour fields: a deep terracotta red upper section and a dark earthy brown lower strip, suggesting the ground. This minimalist backdrop highlights the dog, making it the clear focal point of the painting.

This oil on board is housed in in a black painted wood frame. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 40.5 x 40.5 cm (including frame)

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Fields of Stillness (Set of 2)

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An elegant pair of mid-century landscapes that capture the quiet poetry of rural life through a minimalist modernist lens, and executed in oil onto canvas.

Both works feature sweeping compositions that draw the viewer into open countryside scenes – one depicting a farmhouse on a distant ridge under a wide, tranquil sky, and the other showing a meandering country road curving gently toward thatched cottages.

The artist’s style is distinctly modernist, characterised by bold, simplified forms and strong, rhythmic geometry within the land contours. The palette is a refined harmony of sage greens, browns, and teal-blue skies – colours that evoke both calm and structure. Thick, expressive brushstrokes convey texture and light with confident economy, allowing the paint itself to suggest the terrain’s movement and atmosphere.

Together, the pair exudes balance and quiet strength – timeless mid-century pieces that celebrate the stillness and spaciousness of the rural landscape while offering a refined decorative harmony.

These oil on canvases are presented in beautifully complementary mid-century style frames that enhance their serene, modernist quality. One in a soft silvered wood finish, and the other in a champagne-gold undertone finish. Both the paintings and frames are in excellent vintage condition.

Size of top artwork: 35.5 x 59 cm (including frame)

Size of bottom artwork: 38 x 61.5 cm (including frame)

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Figures in Motion

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A brilliantly executed abstract figurative oil composition painted by the established Swedish artist Ivar Morsing (1919-2009), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Kalmar Museum, and Jönköping Museum.

Small yet impactful in its composition, the painting features a group of figures rendered in a simplified and indistinct manner, suggesting movement or interaction in a serene, almost dreamlike environment.

Abstract in nature, the figures are obscured, and their forms are perceptible only through carefully applied brushstrokes and contrasting colours which hint at their structure.

The muted palette is dominated by soft tones of beige, cream, and light blue, accented by darker shades of black. These colours create a harmonious and calming composition while adding a sense of warmth and nostalgia.

The brushstrokes are textured and expressive, applied with a sense of spontaneity and emotion.

This oil on board is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has very minor scuffs.

Size: 29 x 33.5 cm (including frame)

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Forest Geometry

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A brilliantly executed mid-century modernist landscape that reimagines a wooded scene through the lens of abstraction and cubism, painted in oil onto canvas.

The painting depicts a stand of slender trees rising before a distant hillside, their forms fractured into geometric planes and rhythmic verticals. At the composition’s heart, a dark evergreen anchors the scene – its deep green tones contrasting against the softer mosaic of browns, blues, and muted mauves that fill the surrounding terrain.

Through overlapping geometric forms and layered brushstrokes, the artist has constructed the landscape as an interplay of colour and shape rather than a literal depiction of nature. Earthy greens, browns, and yellows are interwoven with muted mauves, cool blues, and touches of rose and teal, creating a sense of quiet motion and depth.

The brushwork is assertive, with visible texture lending a tactile quality to the surface. Planes of colour shift and intersect, capturing the essence of light filtering through trees while also flattening and reordering space — a hallmark of Cubist experimentation.

This oil on canvas is presented in a complementary gilt frame. The painting is in very good vintage condition. The frame has scuffs and some areas of paint loss.

Size: 53 x 68 cm (including frame)

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Golden Tree

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A soothing and very pleasant modernist landscape, painted in oil onto canvas and dated 1976.

A single tree, glowing in golden orange, stands proudly in the foreground against a backdrop of whitewashed houses with deep blue roofs and soft foliage. The simplified geometry of the composition lends the scene a calm structure, while the thick impasto and visible brushstrokes add energy and texture to the surface.

The artist has used a restrained palette of earthy greens, warm yellows, and muted greys that evokes a sense of stillness, balancing abstraction with familiarity. The forms are distilled to their essence – the foliage reduced to layered shapes, the tree rendered as a luminous form pulsing with autumnal warmth.

This oil on canvas is presented in a complementary white wood frame. The painting is in excellent vintage condition, and the frame has scuffs. Please note there is some glare in the photographs.

Size: 54 x 62 cm (including frame)

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Harbour & Hillside

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A serene mid-century coastal landscape that captures the rhythmic order of a harbour scene rendered through a distinctly modernist lens, executed in oil onto canvas and dated 1963.

Clusters of geometric buildings and cranes line the waterfront, their angular forms carefully arranged to evoke both structure and serenity. The distant hills rise gently across the water, balancing the composition with soft undulating lines against the rigid shapes of the port.

The artist has used a palette of muted yet harmonious tones – brick red, sage green, browns, blush, and blue – creating a subdued but richly layered harmony of colour. Each hue appears thoughtfully modulated, suggesting light glancing off the industrial surfaces and calm waters below.

The brushwork is confident and deliberate, with flat, interlocking planes that give the painting an almost architectural rhythm. Despite the simplified forms, there is a deep sense of atmosphere and quietude, as though the bustling port has been momentarily stilled in contemplation.

This oil on canvas is beautifully presented in a linen-lined wooden frame. The painting itself is in very good vintage condition. The frame has some marks as well as some age spots to the linen section, consistent with age.

Size: 63 x 78 cm (including frame)

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Letters from the Past

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A poignant mid-century landscape capturing a solitary figure walking beneath a windswept tree, executed in oil onto canvas.

The scene is stripped to its essentials: a single bare-limbed tree with sparse autumn leaves and a small red letterbox attached to its trunk, standing against a pale blue sky. Below, an elderly man dressed in a dark green overcoat and cap leans gently on his cane as he walks along a quiet path, evoking a tender sense of solitude and reflection.

Rendered in a restrained, minimalist style, the artist has employed loose, confident brushstrokes and a limited, harmonious palette of muted blues and earthy browns. The tree’s branches, painted with gestural strokes, convey the movement of a cold breeze, while the man’s stillness contrasts with the rest of the composition’s subtle motion.

There’s a poetic simplicity to the piece – both melancholic and peaceful.

This oil on canvas is presented in a complementary slim wood frame. Both the painting and frame are in excellent vintage condition.

Size: 66.5 x 41.5 cm (including frame)

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Modernist Forest

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A very pleasant modernist landscape oil composition dated 1977, and painted by the established Swedish artist Ture Fabiansson (1910-1994), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, The Museum of Art in Gothenburg, Jönköping Museum, Borås Art Museum, and many others.

The composition presents a forest landscape setting, with simplified trees, rolling hills, and a pathway that weaves through the background. The focal point is a striking orange tree that contrasts against the muted greens, browns, and earth tones of the surrounding foliage.

Modernist in its ethos, the artist has skilfully simplified the composition into bold, flat colour planes and geometric shapes, and there is a focus on form, shape, and colour rather than precise detail.

The brushwork is loose yet controlled, suggesting a painterly technique with visible strokes adding light texture.

This oil on canvas is housed in complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffing.

Size: 49 x 60 cm (including frame)

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Objects in Conversation

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A calm and contemplative mid-century still life painting that presents a pared-back arrangement of everyday objects rendered with a quiet elegance, executed in oil onto board and dated 1959.

At the centre sits a pale green bowl, its rounded form contrasted by the angular geometry of a brown-toned box to the right, in which rests a slender stick of darker pigment. Behind them looms a tall, shadowy bottle form, its deep black silhouette anchoring the composition against a softly tonal grey background.

The artist has worked with a restrained yet evocative palette: muted greens, brown, black, cream, and steel blues. The colours are applied in broad, confident blocks, with thick, textural brushstrokes that reveal the artist’s hand and lend a sculptural weight to the surface. Subtle tonal modulations in the background add depth while maintaining a minimalist sensibility.

Stylistically, the work reflects mid-century modernist tendencies – simplicity of form, clarity of shape, and an emphasis on the quiet beauty of the ordinary.

This oil on board is beautifully presented in a characterful wooden frame with a ribbed pattern, and finished in a light cream with muted gilt edging. The painting is in excellent vintage condition. The frame has a slight widening to corners but it is in a stable and good condition overall.

Size: 50 x 62.5 cm (including frame)

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Pastel Landscape

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A serene mid-century modernist style composition of a southern Spanish landscape, executed in oil onto board.

In the foreground, expansive plains are depicted with large, soft blocks of contrasting colours, omitting realistic details for a more abstract and tranquil composition. A bridge gracefully crosses the scene in the middle ground, leading the eye towards the distant hills that gently extend into the horizon.

The artist has used soft and gentle brushstrokes, utilising a muted yet uplifting pastel colour palette that includes shades of green, blue, orange, and brown. This harmonious blend of pastel colours and forms creates a serene and soothing atmosphere, inviting viewers to immerse themselves in the tranquil beauty of the Spanish landscape.

This oil on boarder is housed in a unique gilt frame with a red border and bead detailing. Both the painting and frame are in excellent vintage condition.

Size: 53 x 68 cm (including frame)

The sculpture seen in the photos is also available to purchase and details can be viewed here.

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Red Chair by the Fireplace

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A quietly atmospheric mid-century interior scene depicting a vivid red chair positioned beside a muted-toned fireplace, executed in oil onto board and dated 1957.

The composition captures a moment of stillness, where the bold hue of the chair punctuates an otherwise subdued setting. The artist has used a restrained palette of earthy browns, greys, and soft greens, allowing the red to command attention and become the focal point of the painting.

Executed in a characteristically mid-century modernist style, the work reflects a minimalist approach to form and detail. The brushstrokes are broad and expressive, revealing the texture of the paint and the artist’s deliberate layering technique. There is a clear sensitivity to balance and geometry, with the verticals of the wall and fireplace contrasting against the angled legs and curves of the chair.

Muted grey-greens and taupes dominate the background, providing a calm, contemplative atmosphere, while the saturated crimson of the chair injects energy and emotional warmth into the composition. The interplay between shadow and light, and the tactile surface of the paint, lend the piece a quiet intimacy that evokes both solitude and comfort.

This oil on board is housed in a beautiful wood frame with light oak grain and a gilt border, which pairs very well with the painting. Both the painting and frame are in excellent condition.

Size: 53.5 x 42 cm (including frame)

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Riverbend at Dusk

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A large and soothing mid-century landscape that captures a tranquil countryside view with a winding river cutting diagonally across open fields, executed in oil onto canvas.

The composition leads the eye into the distance, where layered hills and a soft, expansive sky stretch across the horizon. The painting conveys both stillness and quiet movement, as the river becomes a guiding line through the scene.

Painted in a modernist, mid-century manner, the artist has used broad, expressive brushstrokes and simplified forms rather than meticulous detail. The work leans towards abstraction while retaining enough realism to evoke a recognisable landscape.

The palette is earthy yet luminous, with rich greens, browns, and muted burgundies in the foreground fields. A bold streak of deep blue defines the river, contrasting against the surrounding land. Above, soft creams, pale pinks, and gentle blues create a sky at once atmospheric and serene, suggesting the shifting light of late afternoon or early evening.

The brushwork is loose and gestural, laid down in broad sweeps that capture the essence of fields, sky, and water. The layered strokes in the sky suggest drifting clouds, while horizontal blends across the horizon create depth and atmosphere. The foreground is built up in thicker, more textured strokes, giving the land a grounded presence against the airy openness above.

This large oil on canvas is presented in a complementary wood frame with an inner gilt border. The painting is in excellent vintage condition, The frame has light age-related wear, including some scuffs to the gilded section, which do not detract from its overall presentation.

Size: 58.5 x 79 cm (including frame)

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Seaside Promenade

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A soothing mid-century coastal scene painting that depicts a group of figures strolling along the edge of a beach, framed against a vast expanse of sea and sky, executed in oil onto canvas.

The figures are loosely rendered, their forms blending into the shifting sands and soft spray of the tide, creating a sense of transience and movement. Two smaller figures appear in the foreground, suggesting a family outing or leisurely gathering at the water’s edge.

The painting is executed in a semi-impressionistic style, with broad, fluid brushstrokes capturing the energy of the ocean and the play of light across the water. The sky dominates the composition, filled with sweeping clouds in layered whites, greys, and soft blues, giving the scene a sense of both grandeur and atmosphere.

The palette is natural and harmonious – muted greens, sandy ochres, pale creams, and cool blues evoke the breezy, shifting qualities of a coastal landscape. The figures are touched with deeper, warmer hues, providing contrast and rhythm against the softer tones of sea and sky.

The brushwork is expressive and spontaneous, with textured layering that enhances the sense of movement in the clouds and the restless tide. The overall impression is one of fleeting beauty – a captured moment of everyday life along the shoreline, alive with atmosphere and painterly vitality.

This oil on canvas is housed in a complementary wood frame. Both painting and frame are in very good vintage condition.

Size: 32.5 x 42.5 cm (including frame)

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Seated Woman with Letter

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A large and brilliantly executed mid-century modernist style figurative painting, executed in oil onto canvas.

The composition presents a contemplative female figure seated on a simple chair, her body angled gently to the side as she holds a folded piece of paper in her hand. The faceless portrayal lends the work a universal quality, allowing the figure to embody both anonymity and intimacy.

The style is distinctly modernist and abstracted, with simplified forms, flat planes, and carefully balanced geometric blocks of colour. The composition is built on interlocking shapes, where body, chair, and background meld seamlessly, reinforcing the quiet harmony of the scene.

The palette is warm and earthy, with shades of terracotta, brown, and sienna set against muted peach, pale creams, and soft blues. Darker tones in the figure’s dress contrast with the lighter background, creating depth while maintaining the painting’s restrained, introspective mood.

Brushstrokes are broad and deliberate, with smooth transitions that emphasise form rather than detail. The painter resists naturalism, instead favouring abstraction and tonal rhythm to evoke atmosphere and feeling.

This oil on canvas is presented in a wood frame with a white inner border. The painting has some light marks to its surface but nothing that detracts from its overall attractiveness. The frame has some areas of paint loss as shown, but is otherwise in good stable condition.

Size: 89 x 51.5 cm (including frame)

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The Overlook

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A mid-century painting that captures a group of sightseers gathered at a scenic overlook, gazing out toward a hazy mountain range framed by coniferous trees, executed in oil onto board and dated 1946.

The figures are rendered with a sense of casual observation, some engaged in quiet conversation, others lost in the vast landscape beyond. Their poses suggest a shared yet silent moment of awe.

Painted in a modernist-naïve style, the artist has simplified human forms and natural elements into broad, expressive shapes. The composition is structured yet loose, with the figures arranged rhythmically along a wooden railing that guides the viewer’s eye toward the distant peaks.

The colour palette is soft and muted, dominated by pastel blues, pine greens, earthy browns, and warm flesh tones, evoking a misty afternoon in the mountains. The brushwork is brisk and visible – short, textured strokes give vitality to trees and garments alike, while the background mountains are softly blended to suggest atmospheric perspective.

This oil on board is housed in a complementary distressed style wood frame. Both the painting and frame are in excellent vintage condition.

Size: 48 x 55 cm (including frame)

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The Path Less Taken

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A brilliantly executed abstract figurative oil composition painted by the established Swedish artist Ivar Morsing (1919-2009), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Kalmar Museum, and Jönköping Museum.

In this small yet impactful composition, we can discern a figure walking on a pathway in a natural landscape with trees. Abstract in nature, all realistic details have been omitted and there is a strnog focus on brushstroke and colour.

The scene is bathed in a restrained palette of muted earthy shades of browns and cream – evoking an emotive and nostalgic atmosphere.

The brushwork is loose and dynamic, with visible, thick strokes that convey movement and spontaneity. This gestural technique gives the painting a sense of immediacy and emotion, drawing the viewer into the scene’s atmospheric quality.

This oil on board is housed in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 24.5 x 25.5 cm (including frame)

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