Sold – The Discerning Palette

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Hanging Sloth
£420
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A contemporary painting that presents a whimsical depiction of a sloth suspended upside down from a gently curving tree branch , painted in a naïve style in oil onto panel by British artist Matt Rix.

The composition is pared back, allowing the single figure to become both the focal point and the emotional anchor of the work. Sparse foliage punctuates the scene, floating around the sloth like pauses in thought, reinforcing a sense of stillness and calm.

The style is deliberately simplified, with a subtle nod to folk art and modern naïve painting. Flattened forms and soft contours give the subject an emblematic rather than literal presence, while the sloth’s rounded body and elongated limbs create a gentle rhythm across the board, anchored by the horizontal branch.

A restrained, soothing palette of warm brown and taupe contrasts with a muted blue-grey background, accented by soft green leaves. Smooth, matte brushstrokes and a lightly textured surface enhance the contemplative mood of the piece.

This oil on board is housed in a black painted wood frame . Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 44 x 54 cm (including frame)

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Hanging Spider Monkey
£400
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A contemporary painting depicting a whimsical monkey suspended mid-air from a gently curving tree branch, painted in a naïve style in oil onto panel by British artist Matt Rix.

Its long, slender limbs hang with an effortless ease, creating a moment that feels unhurried and quietly contemplative. A small number of stylised leaves drift through the composition, lending a sense of openness rather than a defined setting.

The style is intentionally naïve and pared back, with flattened forms and simplified anatomy that echo folk art influences. The colour palette is soft and restrained: a pale blue-grey ground sets a calm tone, while deep charcoal and black define the figure, offset by a light cream face. Muted olive greens and warm brown accents add gentle contrast.

Brushstrokes are smooth and controlled with a matte finish, emphasising form over texture. Overall, the work conveys a sense of balance, gentle humour, and stillness, capturing a fleeting pause that feels both playful and reflective.

This oil on board is housed in a black painted wood frame with an inner gilt window. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 51 x 39 cm (including frame)

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Holding Space II

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A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

Holding Space is a small intimate abstract with a gentle softness, its name suggests a contemplative approach to viewing the painting, ‘ holding space’ to appreciate how the colours sit in conversation with each other. How the gentle yet bold lines suggest a variety of forms some recognisable.

It is a gentle and calming piece retaining its strength of presence amongst the crisp white border of the St Ives frame.

The painting is presented in a custom made St Ives frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 32 x 37 cm (including frame)

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Muddy Walks

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A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

Muddy walks is an intimate abstract painting which uses warm earthy tones of ochre, umber and soft cream alongside bold curved forms to create a dynamic composition.

Its movement and depth is highlighted against the crisp white of the St Ives frame it is set within.

The painting is presented in a custom made St Ives frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 32 x 37 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Sloth
£390
Available

Free shipping to UK, Europe and Singapore.

A contemporary painting depicting a sloth gently clinging to a curved tree branch, painted in oil on panel in a deliberately naïve style by British artist Matt Rix.

The figure is shown at rest, its rounded body and elongated limbs wrapped comfortably around the branch. A few stylised leaves float nearby, suggesting nature without defining a specific setting.

The style is intentionally naïve and pared back, with flattened forms and simplified anatomy that draw on folk art influences. The sloth’s softly expressive face adds warmth and approachability.

The colour palette is muted and harmonious. A pale blue-grey background creates a serene atmosphere, while warm brown tones define the sloth and branch. Soft olive greens appear in the leaves, providing gentle contrast without disrupting the overall calm.

Brushstrokes are smooth and controlled with a matte finish, emphasising shape and line over texture. The overall effect is tranquil and subtly whimsical, capturing a moment of rest and balance that feels both tender and contemplative.

This oil on board is housed in a black painted wood frame . Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 51.5 x 36 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Spider Monkey
£390
Available

Free shipping to UK, Europe and Singapore.

A contemporary painting depicting a whimsical monkey poised on a gently curving tree branch, painted in oil on panel in a naïve style by British artist Matt Rix.

The figure moves with a quiet assurance, its elongated limbs and arched tail creating a sense of rhythm and balance across the composition. Stylised leaves punctuate the scene, floating lightly around the figure and reinforcing the open, uncluttered setting.

The style is intentionally naïve and pared back, with flattened forms and simplified anatomy that echo folk art influences. The colour palette is soft and restrained: a pale blue-grey ground sets a calm tone, while deep charcoal and black define the figure, offset by a light cream face. Muted olive greens and warm brown accents add gentle contrast.

Brushstrokes are smooth and controlled with a matte finish, emphasising shape and line over texture. The overall effect is calm and gently playful, capturing a moment of quiet movement and balance.

This oil on board is housed in a black painted wood frame with an inner gilt window. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 35.5 x 40.5 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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After the Rain

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A nostalgic mid-century street scene painting that captures a moment of hushed movement after rainfall, executed in oil onto canvas.

The composition captures figures walking along a wet, reflective roadway beneath a pale, cloud-laden sky. A modest row of houses recedes into the distance, while bare winter trees punctuate the composition, their slender trunks guiding the eye along the street’s gentle perspective. The pedestrians are rendered with understated anonymity, suggesting everyday life unfolding quietly rather than a specific narrative.

Stylistically, the painting balances realism with painterly abstraction. Forms are simplified and slightly softened, favouring mood and atmosphere over fine detail. The colour palette is restrained and harmonious: cool greys, muted blues, and soft whites dominate the sky and pavement, contrasted by earthy browns, mossy greens, and deep charcoals in the buildings and figures.

The brushwork is loose yet controlled. Broad, horizontal strokes suggest the sheen of rain on the street, while lighter, scumbled layers in the sky create a sense of drifting cloud and damp air. Figures are defined with economical marks, giving them a quiet solidity without overstatement. Overall, the painting conveys calm introspection, capturing the poetic stillness of a street moment suspended between weather and movement.

This oil on canvas is housed in a well-suited wide-profile wood frame that complements the painting’s mid-century character. The artwork itself is in excellent vintage condition. The frame shows age-commensurate wear, including a few marks to its edges as shown, however this does not detract from its overall presentation.

Size: 51.5 x 55 cm (including frame)

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Geometric Collage in Green

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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

A vertical grid of nine rectangles is perfectly centred. The blocks are painted or stained in muted natural tones—sage green, forest green, golden yellow, off-white, slate blue, and pale grey-green. Each block has a slightly different surface texture, reminded us of its textile origins.

The grid is precisely placed against a horizontal division line running through the middle of the board. This intersection anchors the composition, giving it a feeling of structural harmony. There’s a sense of order meeting time-worn imperfection—a modernist grid laid over a surface that tells a more ancient, weathered story.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang, Both artwork and frame are in excellent condition.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

To view more artworks from this collection, click here.

Size: 30.5 x 24.5 cm(including frame)

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Old Town

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A charming, atmospheric street scene rendered in oil onto board, with a warm, nostalgic tone.

It captures a European old-town alleyway, showing a narrow, cobblestone street lined with tall ochre and terracotta-coloured buildings. The architecture features classic stone archways, multi-pane windows, and slanted rooftops with chimneys, evoking a sense of timelessness and quiet charm. Several small, loosely rendered human figures animate the scene, creating depth and movement.

The overall feel is calm and contemplative, bathed in soft natural light from a lightly clouded sky. There’s a slight coolness in the air, reflected in the pale blue and grey tones of the sky and shadows. Despite being sparsely populated, the street feels alive, suggesting the gentle hum of daily life. The brushwork is tight but expressive, with small, visible strokes in the sky and textured surfaces on the buildings, giving the painting a lived-in, tactile quality.

This is the kind of painting that tells a story of ordinary moments, old places, and the soft rhythms of daily life in a historic city.

This oil on board is housed in a grey painted wide bevelled wood frame which complements it perfectly. The painting is in excellent vintage condition. The frame has some scuffing as shown in the photos.

Size: 50 x 40 cm (including frame)

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Quiet Readers

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A serene and beautifully distilled mid-century modernist figurative painting, executed in oil onto board by the established Swedish artist Ingvar Elén (1915–1973), whose artworks have represented in public collections including the the Moderna Museet in Stockholm, the National Museum in Sweden, and the Sörmlands Museum.

This composition features three seated figures, their forms reduced to soft geometric shapes and gentle interlocking silhouettes. Arranged in a subtle diagonal rhythm, the trio appears absorbed in quiet, individual focus: one reading, the others seated nearby – capturing a moment of shared stillness without explicit interaction.

The artist has relied on flattened planes of colour and carefully balanced tones to define each figure: warm peach, deep teal, olive green, charcoal grey, ochre, and soft clay-like browns. The palette is harmonious and understated, allowing the shapes and spatial arrangement to take centre stage. Their shadows and clothing become abstract colour blocks, lending the work a sculptural, almost collage-like quality.

Brushwork is smooth, matte, and subtly textured, with edges that are softened rather than sharply drawn. This creates a calm, meditative surface where each figure is distinct yet integrated into the overall rhythm of the composition.

This oil on canvas is housed in a complementary slim gilt frame. The painting is in good vintage condition overall: there is some craquelure visible on the central figure’s arm, however, the paint layer remains stable, and this does not detract from the overall presentation of the work.

Size: 74.5 x 88 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Intersecting Rhythm

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A dynamic mid-century abstract painting characterised by bold shapes, layered textures, and a rhythmic interplay of form and colour, executed in oil onto canvas by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The composition is built from intersecting blocks and curved segments, suggesting movement and an underlying figurative tension while remaining firmly non-representational.

Executed in a robust modernist style, the work embraces the era’s embrace of spontaneity and materiality. The palette features earthy orange, muted greys, olive green, off-white, deep charcoal and small flashes of cobalt blue, brick red, and sunny yellow, creating a grounded yet energetic contrast. Thick, tactile impasto passages bring a sculptural quality to the surface, where dragged strokes, textured ridges, and deliberate scoring reveal the artist’s physical engagement with the medium.

Overall, the painting exudes strength and mid-century sophistication – a striking statement piece that celebrates form, texture, and movement.

This oil on canvas is presented in a complementary black painted wood frame. There is a small perforation to the canvas as shown in the photos ( this is only visible from the back, and not from the front), but it remains stable and does not detract from the work’s overall attractiveness.

Size: 72.5 x 62 cm (including frame)

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Jug & Lemon

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An elegant mid-century modernist style still life that captures a quiet domestic arrangement, executed in oil onto board and dated 1957.

A dark brown earthenware jug, a rectangular glass bottle, and a single lemon rest on a ledge before a softly illuminated wall. The artist has used the interplay of light and shadow to create a sense of architectural stillness and geometric harmony.

Rendered in a modernist style, the composition balances simplicity and structure. The jug’s bold, rounded form contrasts with the angular silhouette of the bottle behind it, while the lemon introduces a small but vivid burst of colour and organic softness.

Muted tones of brown, grey, cream, and pale yellow dominate the palette, creating a subdued atmosphere. The brushwork is deliberate yet textured: visible strokes define planes of light and shade, giving the objects a sculptural quality.

This oil on board is presented in a complementary wood frame. The painting has some marks at its bottom left side. The frame shows minor wear and has a nick to its left border, as shown.

Size: 50.5 x 54.5 cm (including frame)

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The Meeting

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A large and evocative mid-century figurative composition that depicts a group of seated figures gathered around a long white table, executed in oil onto canvas.

The figures’ forms have been rendered in simplified, almost sculptural blocks of colour. The figures, distinguished by subtle variations in hair colour, posture, and attire are shown in quiet communion, while a standing figure at the head of the table adds a sense of hierarchy or occasion.

The artist has adopted a distinctly modernist approach: the scene is pared back to its essential geometry, the narrative implied rather than explicit. The palette is warm yet restrained, with browns, blacks, and muted greens dominating against a rich golden background that imbues the work with both warmth and gravitas. The surface bears visible, expressive brushstrokes, creating a tactile sense of movement and texture.

The overall effect is one of quiet introspection: a timeless study of human gathering, presence, and form.

This oil on canvases is housed in very well suited wood and gilt frame.

Size: cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Garden Gathering

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A lively mid-century modernist oil painting that presents a group of figures gathered in a semi-abstract outdoor scene, by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

The arrangement suggests a social gathering – figures standing and seated together, framed by architecture on one side and lush garden foliage on the other.

Executed in a modernist style, the piece blends figuration with abstraction. Strongly simplified forms and flattened planes dominate, with outlines and shadow blocks creating sculptural presence. The absence of facial detail recalls both cubist reduction and expressionist distortion, allowing colour and rhythm to take precedence over narrative realism.

The palette is bold yet harmonious, with deep navy and forest greens offset by vibrant pinks, oranges, and sky blues. Light falls diagonally across the canvas, producing rich contrasts between shadowed areas and illuminated patches. The brushstrokes are broad, gestural, and confident, with layered pigment applied in sweeping movements that build both depth and dynamism.

This oil on board is presented in a complementary gilt frame. The painting is in excellent vintage condition. The frame has some minor scuffing.

Size: 36.5 x 40.5 cm (including frame)

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Harbour in Hues

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A mid-century modernist harbour scene that captures the liveliness of a bustling port through an abstracted lens, executed in oil onto board.

The composition features stylised boats with tall masts, cranes, and sails, all arranged in a rhythmic balance that evokes both movement and stillness. A triangular sail anchors the right side of the canvas, while geometric ship structures rise on the left, framed against a luminous sky.

The artist has used a modernist, semi-abstract style, reducing forms to simplified shapes and colour blocks while maintaining recognisable nautical motifs. The colour palette is fresh and expressive: soft yellows and muted greys provide a serene backdrop, while accents of bright red, orange, and yellow inject energy and contrast.

The brushstrokes are confident and varied. This interplay of texture adds depth and dynamism, suggesting reflections on water and the shifting atmosphere of a harbour at work.

This oil on canvas is housed in a complementary wooden frame with traces of gilt and muted red accent. The painting is in excellent vintage condition, and the frame has some scuffs.

Size: 39 x 47.5 cm (including frame)

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Terrier

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A very endearing canine composition of a terrier dog , painted in a naïve style in oil onto panel by British artist Matt Rix.

The dog is painted in warm cream tones with distinct chestnut-brown patches on its body and around one eye, giving it a lively and characterful appearance. A red collar with a gold buckle provides a bold, cheerful accent that contrasts beautifully against the more muted background.

The setting is minimal yet effective: rolling yellow hills stretch across the middle ground, while a soft grey sky looms above, dotted with stylised clouds and a small flock of black birds flying in formation. The ground beneath the terrier is painted in earthy browns, anchoring the composition.

The overall effect is whimsical yet dignified—the terrier looks alert and self-assured, embodying the loyalty and confidence of the breed. The restrained palette and simple forms give the painting a timeless charm, while the details—the curled tail, the steady gaze—imbue it with personality.

This oil on board is housed in a black painted wood frame. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 29 x 34 cm (including frame)

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Riverbend

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A vivid mid-century modernist abstract landscape, executed in oil onto canvas.

The composition captures the dynamic energy of a frozen waterway winding through a snowy terrain beneath a dramatic sky. The artist has used broad, expressive brushstrokes and a striking palette to evoke the chill of winter and the fleeting glow of sunset.

The sky dominates the composition, rendered in bold swathes of blue and overlaid with dashes of fiery orange, crimson, and yellow, suggesting a sun just dipped below the horizon. Below, the frozen river curves with movement, painted in cool whites and icy blues, while gestural patches of green, orange, and brown represent trees and terrain along the banks. A structure and a vivid red form – perhaps a vehicle or boat – add subtle focal points within the composition.

The brushwork is loose, gestural, and tactile, creating a sense of immediacy and atmosphere.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition. There is a small loss to upper corner of frame as shown, but it is otherwise in very good condition.

Size: 41 x 36 cm (including frame)

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Fragments of the City (Reserved)

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A captivating mid-century modernist painting that depicts a stylised urban landscape, characterised by a series of geometric forms representing rooftops, buildings, and water, executed in oil onto board.

Modernist in its ethos with a focus on the artist’s exploration of form and abstraction, the scene captures the essence of a townscape, possibly a riverside or harbour area, rendered in a semi-abstract manner. The architectural forms have been fragmented into angular, interlocking planes, and the cubist influence is evident in the faceted representation of buildings and their integration into the surrounding landscape.

The palette consists of soft, muted tones, including pastel shades that harmonise with deeper hues of brown and red. The subtle blending of colours creates a cohesive and atmospheric effect, while the subdued tones evoke a tranquil, contemplative mood.

The brushwork is expressive, with short, layered strokes that create a sense of depth and movement. The overlapping strokes enhance the impression of architectural complexity and spatial rhythm.

This oil on board is housed in a very well-suited distressed style grey painted wood frame with an inner gilt window. Both painting and frame are in excellent vintage condition.

Size: 50 x 66.5 cm (including frame)

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Still Life in Pastel
£550
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An expressive and lively mid-century still life composition with a rich palette of colours, rendered in pastel onto board and dated 1954.

An array of objects punctuates the painting – this includes a candle holder on the left, standing proudly beside two vases. Beside them on the right, two pieces of fruit – a red apple and an orange – provide balance to the arrangement.

Expressive and loose strokes of pastel give the entire composition a sense of movement and energy, while black outlines around the objects emphasise their distinct forms, evoking a sense of dynamism.

This pastel on board is housed in a complementary linen-lined wood frame, and is glazed (there is a layer of glass between the frame and the painting to ensure its longevity). The painting is in excellent vintage condition, and the frame has some marks and scuffs.

Size: 42 x 49 cm (including frame)

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At your Service

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A wonderfully textured figurative composition, executed in oil onto board and dated 1976.

A figure is captured in the act of serving a drink. The figure blends seamlessly into an abstract backdrop where shades of white, light blue, greens and brown overlay one another. He or she appears as a natural extension of this delicate environment, and by leaving areas of the canvas exposed, the artist’s creative use of negative space accentuates the figure’s form.

The subtle colours, applied with loose and unrestrained brushstrokes, create a textural and visually stimulating surface. Its expressive nature also evokes a sense of movement and depth, drawing the viewer into the scene.

This oil on board is housed in a well-suited gilt frame with multiple ridges. Both the painting and frame are in excellent vintage condition.

Size: 58 x 43 cm (including frame)

The pot seen in the photos is also available to purchase and details can be viewed here.

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Abbey Remains

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A striking mid-century modernist painting that captures the elegance of the remains of a Gothic abbey, rendered in angular, abstracted forms, executed in oil onto board and dated 1955.

The artist has deconstructed the architecture into bold geometric shapes and intersecting planes, offering a stylised, almost cubist interpretation of the structure. The skeletal remains of arched windows, pointed gables, and weathered stone towers are set against a pale, faceted sky and softly undulating hills.

The palette is restrained yet evocative, with cool greys, browns, and muted greens dominating the composition. Subtle highlights of light blue and off-white suggest shifting daylight, lending a fragile luminosity to the scene. Thick, confident brushstrokes applied in mosaic-like patches give the surface a textured, tessellated effect, echoing the crumbling but enduring nature of the abbey itself.

This oil on board is housed in a beautiful distressed wood frame that pairs wonderfully with the painting. The painting is in excellent vintage condition, and the frame has minor scuffs.

Size: 33.5 x 43 cm (including frame)

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A Moment Left Behind

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A modernist style interior still life composition that captures a quiet moment, executed in oil onto canvas and dated 1959.

The painting features a table with a yellow chair in the foreground, set against a background of geometric planes in muted tones. On the table, a green bottle with a red seal, a glass, and a small red bowl are arranged across a pink tablecloth. A dark green jacket is draped casually over another chair, adding an element of human presence without directly depicting a figure.

The painting embraces a modernist approach. The perspective is slightly flattened, and the shapes of objects are reduced to their essential forms. The artist has utilised strong but subtle structural lines to define space.

The colour palette features predominantly muted shades of blues, greys, and pinks, which imbue the work with a calm and slightly melancholic atmosphere.

This oil on canvas is housed in complementary gilt and white ridged frame. The painting is in excellent vintage condition, and the frame has minor scuffs but this is in keeping with its vintage style.

Size: 43 x 39 cm (including frame)

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Blue Vessel & Pears

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A charming and characterful mid-century interior still life composition executed in tempera on board and dated 1973, by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

This painting is a delightfully surreal take on the still life tradition, blending bold, simplified forms with quirky, dreamlike elements. The scene is playful, symbolic, and quietly strange—a fusion of everyday objects rendered with unexpected relationships and theatrical lighting.

The central object is a bright turquoise vase, strikingly vivid against the darker tones behind it. Surrounding the vase are five stylised green pears, arranged in a semi-circle, each casting exaggerated shadows. In the background, there’s a small arched window or doorway revealing a surreal landscape of red and ochre mountains under a light sky, creating a window into a different visual world.

The painting has a surrealist influence, reminiscent of artists like Magritte or de Chirico, where ordinary objects are placed in unusual contexts.

Executed in tempera, the work exhibits smooth, matte surfaces with crisp, clean edges. The artist embraces a distinctly modernist, slightly naïve style: simplifying forms, minimising perspective, and emphasising bold, graphic colour fields. The brushwork is controlled and even, lending a refined clarity to each element within the composition.

This tempera on board is presented in a gilt frame that elevates the work with a sense of classical elegance. The artwork is further enhanced by a sage green mount, which beautifully complements the warm tones of the table and pears while making the central blue vase pop even more. The painting is in excellent vintage condition. The mount has marks to its bottom edge, and the frame has some slight wear to its corners but this does not detract from its overall attractiveness.

Size: 32 x 42 cm (including frame)

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Geometric Collage in Magenta

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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

At the heart of the artwork is a vertical grid of six alternating squares—three light cream/beige and three darker maroon/burgundy, forming a checkerboard column. The varying texture of these squares displays the woven materials wonderfully, contrasting with the flatness of the background.

The entire surface is a deep, muted red, subtly distressed to reveal horizontal striations and small imperfections. These faint abrasions and vertical marks break the uniformity, suggesting time, wear, and process.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang. Both artwork and frame are in excellent condition.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

To view more artworks from this collection, click here.

Size: 30.5 x 24 cm(including frame)

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Geometric Collage in Mauve

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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

The board is coated in a fabric with a soft terracotta tone, with a gentle patina of age, scored with faint horizontal lines and slight textural inconsistencies. These marks give the surface a worn, handmade feeling.

The composition features a precisely placed rectangle made up of six vertical blocks, arranged in two rows. The blocks alternate between cool and warm reds, dusty pinks, and maroons. Each has a varied textile texture, inviting tactile interpretation.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang, Both artwork and frame are in excellent condition.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

To view more artworks from this collection, click here.

Size: 30.5 x 24 cm(including frame)

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Maternal Love

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An outstanding mid-century modernist abstract figurative composition, painted in oil onto board by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The composition depicts a female figure, presumably a mother, tenderly holding her child. Rendered in bold, abstracted forms, the artist has distilled the essence of human connection into simplified, interlocking shapes and planes of colour. The absence of defined facial features allows emotion to arise from posture, proportion, and palette rather than expression, giving the scene both universality and intimacy.

Executed in a modernist idiom influenced by abstraction, the work blends figurative sensitivity with geometric reduction. The artist has employed thick, confident brushstrokes and layered impasto to create texture and rhythm across the surface. Areas of colour overlap subtly, suggesting depth and volume while maintaining a flattened, almost collage-like arrangement.

A harmonious palette of teal, browns, forest green, ivory, deep burgundy, and blue anchors the composition. The dark halo of the mother’s hair contrasts with the child’s pale, luminous tones, drawing the viewer’s focus to their gentle bond. The background of layered turquoise blues adds calm and balance to the composition, enhancing its contemplative quality.

This oil on board is presented in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs and areas of paint loss as shown.

Size: 72 x 57.5 cm (including frame)

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Narcissus I

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This 1970s textile artwork is a serene and finely handwoven tapestry that captures the graceful simplicity of wildflowers through a distinctly Scandinavian modernist lens.

Depicting a cluster of white narcissi, the composition radiates calm and balance. The flowers, with their pure white petals accented by subtle blue-grey shadows and warm orange-yellow centres, rise elegantly among slender green blades of grass. The vertical rhythm of the leaves and stems gives the piece a gentle upward motion, as if the flowers are stretching toward the light.

The earthy brown background provides a rich contrast, grounding the composition and allowing the whites and greens to appear luminous and fresh. This natural palette — of greens, whites, and browns softened by muted tones — reflects the Nordic reverence for nature’s quiet beauty and seasonal transitions.

Mounted on a neutral linen border, the piece exudes a tactile warmth and timeless craftsmanship. The woven texture enhances the organic quality of the design, inviting both visual and tactile appreciation.

Elegant in its restraint and evocative in its simplicity, this 1970s tapestry embodies the Scandinavian ethos of finding harmony in nature — a handwoven celebration of purity, renewal, and understated beauty.

This vintage tapestry remains in very good condition. It is mounted onto fabric lined board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

Size: 35.5 x 25 cm

To view more vintage textiles in our collection, click here. The rug clamps as seen in this photo will be removed before delivery. If you would like to purchase these bronze clamps you can do so here.

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Needlepoint Blue Tit

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This 1970s textile artwork is a charming hand-stitched tapestry that captures a blue tit perched delicately on a branch — a delightful expression of nature interpreted through the warmth of mid-century Scandinavian craft design.

The small bird, rendered in vibrant tones of blue, yellow, and olive green, is beautifully stylised yet instantly recognisable. Its body perches gracefully on a brown branch adorned with red berries, offering a joyful pop of colour against the soft, neutral background of interwoven cream and beige threads.

Framing the scene is a decorative border made up of repeating geometric floral motifs in soft yellow, olive green, and brown. This rhythmic edging lends the piece a distinctly 1970s folk-art character, balancing homeliness with graphic precision. The tapestry hangs from a brass-toned metal hanger, enhancing its nostalgic and handcrafted charm.

Every stitch reflects care and craftsmanship — a testament to the era’s appreciation for slow, tactile art forms that brought warmth into the home.

This piece embodies the heart of 1970s Nordic textile art: nature-inspired, decorative, and full of quiet joy — a lovingly woven glimpse of everyday beauty.

This vintage needlepoint tapestry remains in very good condition. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

Size: 17 x 18 cm

To view more vintage textiles in our collection, click here. The rug clamps as seen in this photo will be removed before delivery. If you would like to purchase these bronze clamps you can do so here.

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Rooftops in Rhythm

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A lively mid-century oil painting that captures a tightly woven urban street scene, composed of overlapping rooftops and clustered facades, executed in oil onto board.

The artist has reduced the architecture into simplified geometric planes, creating a rhythmic patchwork of shapes that echo the rise and fall of a townscape. A crisp white house with a bold terracotta roof stands at the center, anchoring the composition, while a striking teal roof to the left provides a vibrant counterbalance.

Executed in a modernist, almost cubist-inspired manner, the piece emphasises flattened forms and spatial compression rather than strict realism. The brushstrokes are controlled yet textured, with clear delineations that carve out the roofs and walls in confident blocks of colour.

The palette blends earthy reds, deep browns, and muted greys with contrasting highlights of creamy whites and a vivid turquoise. The restrained use of pastel lilacs and dusky pinks softens the angular geometry, lending warmth to the architectural study.Broad, solid brushstrokes define the rooftops with minimal blending, creating sharp contrasts between each plane. The overall application feels deliberate and structured, reinforcing the sense of order within the crowded composition.

This oil on board is presented in a very well suited linen-lined frame with an outer and inner grey border. The painting is in excellent vintage condition. The frame has some age wear but it is in good stable condition.

Size: 72 x 44.5 cm (including frame)

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The Lonely Diner

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An emotive mid-century figurative composition, executed in oil onto canvas and dated 1962.

The focal point of the painting is a lonesome figure, dressed entirely in black, seated alone by a table, seemingly in anticipation of a meal. The background is awash with expressive brushstrokes in a deep, dark turquoise hue, evoking a sense of emotional depth and intensity.

Through the interplay of expressive brushwork and rich colours, the painting poignantly conveys the profound emotional state of the solitary figure, inviting viewers to immerse themselves in the contemplative atmosphere of the scene.

This oil on canvas is housed in a complementary slim wood frame. Both the painting and frame are in excellent vintage condition.

Size: 63 x 48 cm (including frame)

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