Large Paintings (>70cm) – Page 4 – The Discerning Palette

Showing 91–120 of 267 results

Ceremony of Colour

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A striking mid-century abstract figurative painting that depicts a rhythmic procession of five women walking across an open, sun-washed landscape, painted in oil onto canvas by the established Swedish female artist Brita Hansson (1918-1979).

Each figure balances a vessel upon her head, their elongated forms moving in quiet unison against a soft expanse of sky and sand. Though simplified and abstracted, the figures retain a powerful presence.

Rendered in a distinctly modernist style, the composition balances figuration with abstraction. The bodies are constructed from bold, angular planes of colour rather than detailed anatomy, creating a dynamic interplay between structure and spontaneity. The negative space of pale blue sky and creamy earth provides a serene backdrop that allows the vibrant figures to command attention.

The palette is rich and saturated, featuring vivid oranges, fiery reds, cobalt blues, emerald greens, and deep purples. These colours are layered and juxtaposed in expressive blocks, giving each figure a unique visual rhythm while maintaining overall harmony. The contrast between the warm garments and the cool sky enhances the painting’s luminosity and depth.

Brushwork is energetic and confident. Broad, gestural strokes define the drapery and movement of fabric, while thicker applications of paint create texture and dimension across the figures’ garments. The artist has allowed edges to remain loose and painterly, with visible layering and occasional scumbling that adds vitality to the surface. The simplified faces and silhouetted profiles further emphasise form, colour, and movement over detail.

Overall, the painting embodies the bold spirit of mid-century abstraction, celebrating colour, gesture, and human form in a composition that feels expressive.

This oil on canvas is housed in a complementary champagne wood frame. Both the painting and frame are in excellent vintage condition.

Size: 52 x 79 cm (including frame)

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Fields at First Light

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A tranquil mid-century landscape that presents a serene, panoramic view of open countryside unfolding beneath a pale sky, executed in oil onto canvas and dated 1959, measuring a metre in length.

Broad fields stretch gently into the distance, punctuated by a softly clustered stand of trees at the centre and a darker wooded horizon beyond. The composition’s horizontal emphasis enhances the sense of calm and quiet continuity, drawing the eye slowly across the land rather than toward a single focal point.

Painted in a restrained mid-century modern style, the work favours atmosphere and balance over fine detail. The colour palette is subtle and harmonious: warm buttery yellows and soft ochres in the fields are offset by muted sage and olive greens, with blush and dusty rose tones delicately shaping the trees. Above, a pale, airy sky in washed blues and off-whites lends lightness and openness to the scene.

Brushstrokes are loose and confident, applied in flattened planes with visible texture that gives the surface a gentle rhythm. The handling feels intuitive and expressive, allowing colours to softly merge at their edges while still maintaining a clear sense of structure. Overall, the painting captures a quiet, contemplative moment in nature.

This long oil on canvas is housed in an elegant linen lined frame with an inner and outer gilt window. Both the painting and frame are in excellent vintage condition.

Size: 50 x 100 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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The Act of Seeing

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An expressive mid-century figurative portrait that captures a quiet, introspective moment as a woman stands in profile, gently parting a patterned curtain, executed in oil onto canvas and dated 1948.

Her posture is poised yet intimate, suggesting both observation and hesitation – as though she stands between interior life and the world beyond. A window behind her opens onto a soft, distant landscape, reinforcing a sense of contemplation and transition.

Rendered in an expressive, painterly style, the work embraces loose, gestural brushwork that prioritises emotion over precise realism. The figure is constructed through layered strokes of cool blues, muted greys, and soft creams, with touches of rose and pale green animating the contours of her face and clothing. The curtain introduces rhythmic vertical zigzags and organic shapes in earthy reds, blues, and blacks, creating a striking contrast against the cooler tones of the interior. This interplay of colour and pattern brings both movement and structural tension to the composition.

The artist’s brushstrokes are confident and spontaneous, with visible, energetic marks that give the surface vitality. Areas of thinner, translucent paint sit alongside thicker, more textured passages, allowing the underlayers to breathe through and enhancing the sense of immediacy. The figure itself is softly modelled, with edges dissolving into the surrounding space, reinforcing the emotional atmosphere rather than strict form.

This oil on board is is housed in a complementary ridged gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 75.7 x 64.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Coastal Passage

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A large mid-century abstract landscape painting that captures a tranquil coastal scene framed by lush greenery and golden landscapes, executed in oil onto canvas.

A narrow inlet leads the eye toward the deep blue waters of the sea, while sandy, golden-hued landforms in the foreground create a sense of depth and movement. The sky is rendered in soft muted greys and blues, suggesting an overcast or serene atmosphere.

Executed in a modernist style, the painting features bold, simplified forms with an emphasis on geometric shapes and harmonious composition. The colour palette consists of earthy greens, warm yellows, and calming blues, all applied with expressive and fluid yet controlled brushstrokes. Some areas show broad, sweeping strokes, while others feature more deliberate, textured applications of paint, giving the work a dynamic yet balanced feel.

The artist’s approach conveys a sense of both structure and spontaneity, reminiscent of mid-century landscape abstraction.

This oil on canvas is housed in a well-suited wide profile wood frame with an inner gilt border. The painting is in excellent vintage condition. The frame’s gilt border has some wear as shown.

Size: 76 x 93.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Interaction

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A vibrant geometric abstract composition that explores form and interaction, executed in oil onto canvas and dated 1991.

The painting features a dynamic arrangement of amoebic shapes in overlapping layers. The subject matter is intentionally non-representational, evoking the energy of human presence or social exchange through softened silhouettes that seem to drift, merge, or dance within a flat pictorial space.

Rendered in bold blocks of solid colour – striking red and orange, yellow, cobalt blue, and deep plum – the forms float atop a simplified two-tone background of blue and green, suggestive of sky and earth. The palette is both playful and intentional, using contrast to create visual depth without shadows or gradients.

Brushstrokes are smooth and minimally textured, allowing the flatness and precision of each colour field to hold compositional tension. The overall effect is a harmonious yet enigmatic piece that invites viewers to contemplate the relationships between shape, space, and colour.

This oil on canvas is housed in a complementary slim wood frame. The painting is in excellent vintage condition, and the frame has some marks (as pictured).

Size: 64 x 76.5 cm (including frame)

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Intersecting Rhythm

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A dynamic mid-century abstract painting characterised by bold shapes, layered textures, and a rhythmic interplay of form and colour, executed in oil onto canvas by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The composition is built from intersecting blocks and curved segments, suggesting movement and an underlying figurative tension while remaining firmly non-representational.

Executed in a robust modernist style, the work embraces the era’s embrace of spontaneity and materiality. The palette features earthy orange, muted greys, olive green, off-white, deep charcoal and small flashes of cobalt blue, brick red, and sunny yellow, creating a grounded yet energetic contrast. Thick, tactile impasto passages bring a sculptural quality to the surface, where dragged strokes, textured ridges, and deliberate scoring reveal the artist’s physical engagement with the medium.

Overall, the painting exudes strength and mid-century sophistication – a striking statement piece that celebrates form, texture, and movement.

This oil on canvas is presented in a complementary black painted wood frame. There is a small perforation to the canvas as shown in the photos ( this is only visible from the back, and not from the front), but it remains stable and does not detract from the work’s overall attractiveness.

Size: 72.5 x 62 cm (including frame)

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Quiet Readers

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A serene and beautifully distilled mid-century modernist figurative painting, executed in oil onto board by the established Swedish artist Ingvar Elén (1915–1973), whose artworks have represented in public collections including the the Moderna Museet in Stockholm, the National Museum in Sweden, and the Sörmlands Museum.

This composition features three seated figures, their forms reduced to soft geometric shapes and gentle interlocking silhouettes. Arranged in a subtle diagonal rhythm, the trio appears absorbed in quiet, individual focus: one reading, the others seated nearby – capturing a moment of shared stillness without explicit interaction.

The artist has relied on flattened planes of colour and carefully balanced tones to define each figure: warm peach, deep teal, olive green, charcoal grey, ochre, and soft clay-like browns. The palette is harmonious and understated, allowing the shapes and spatial arrangement to take centre stage. Their shadows and clothing become abstract colour blocks, lending the work a sculptural, almost collage-like quality.

Brushwork is smooth, matte, and subtly textured, with edges that are softened rather than sharply drawn. This creates a calm, meditative surface where each figure is distinct yet integrated into the overall rhythm of the composition.

This oil on canvas is housed in a complementary slim gilt frame. The painting is in good vintage condition overall: there is some craquelure visible on the central figure’s arm, however, the paint layer remains stable, and this does not detract from the overall presentation of the work.

Size: 74.5 x 88 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Maternal Love

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An outstanding mid-century modernist abstract figurative composition, painted in oil onto board by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The composition depicts a female figure, presumably a mother, tenderly holding her child. Rendered in bold, abstracted forms, the artist has distilled the essence of human connection into simplified, interlocking shapes and planes of colour. The absence of defined facial features allows emotion to arise from posture, proportion, and palette rather than expression, giving the scene both universality and intimacy.

Executed in a modernist idiom influenced by abstraction, the work blends figurative sensitivity with geometric reduction. The artist has employed thick, confident brushstrokes and layered impasto to create texture and rhythm across the surface. Areas of colour overlap subtly, suggesting depth and volume while maintaining a flattened, almost collage-like arrangement.

A harmonious palette of teal, browns, forest green, ivory, deep burgundy, and blue anchors the composition. The dark halo of the mother’s hair contrasts with the child’s pale, luminous tones, drawing the viewer’s focus to their gentle bond. The background of layered turquoise blues adds calm and balance to the composition, enhancing its contemplative quality.

This oil on board is presented in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs and areas of paint loss as shown.

Size: 72 x 57.5 cm (including frame)

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Astrid

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A brilliantly executed and emotive mid-century modernist style figurative composition that presents a contemplative nude figure, executed in oil onto canvas and dated 1960.

The figure, constructed through broad angular planes and softened edges, is seated in a relaxed pose, one leg bent and the torso subtly twisted – creating a gentle rhythm that guides the viewer’s gaze through the composition.

Executed in a restrained yet warm palette of ochre, sienna, and earthy umber, the body is set against a backdrop of powder blue, grey, and dusty taupe. This juxtaposition of warm and cool tones imbues the painting with both emotional tension and visual calm.

The brushwork is expressive but controlled, with textured applications of paint that oscillate between opaque coverage and dry-brush translucency, revealing the wood grain beneath. There’s a tactile quality to the strokes – layered, scraped, and directional – that accentuates the structural anatomy of the figure while maintaining abstraction.

This oil on canvas is housed in a complementary slim wood frame. The painting’s surface exhibits areas of craquelure, consistent with age. While the paint layer remains stable across most of the canvas, there is some instability noted in the central section beneath the figure’s chest. The frame is in good vintage condition.

Size: 82.5 x 68.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Memory of a Coast

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A long and serene mid-century abstract landscape that captures the quiet expanse of a coastal scene, distilled into soft geometric fields of colour, executed in oil onto canvas and dated 1956.

Blocks of pale blue, sandy beige, and warm cream suggest shifting sands, shallow waters, and reflected light, while two muted brown landforms anchor the horizon line. The overall composition evokes the sensation of gazing at the shoreline through a veil of haze or memory, where form dissolves into atmosphere.

The style is reductive and modernist, leaning toward abstraction while retaining the impression of sea, sky, and land. Broad, flat planes of colour are applied with gentle brushstrokes that reveal subtle texture beneath the surface, while thin, almost translucent layers give a sense of light filtering through. The palette is soothing and harmonious, dominated by sky blues and sandy neutrals with touches of earthy brown, evoking serenity and openness.

This oil on canvas is housed in a complementary wooden frame, with natural woodgrain visible. Both the painting and frame are in excellent vintage condition.

Size: 40 x 72.5 cm (including frame)

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Coastal Bend

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A large and tranquil mid-century landscape painting that captures a serene coastal scene where land, sea, and sky merge in soft abstraction, executed in oil onto canvas.

A pale sandy shoreline curves gently into the canvas, embraced by rolling hills rendered in muted olive and sage tones. Beyond, a calm expanse of blue-grey water stretches across the composition, fading into a sky of pale blue and light peach with delicate cloud sweeps.

The artist has worked in a semi-abstract modernist style, reducing natural forms to broad planes of colour and fluid, interwoven shapes. The palette is harmonious yet subtly contrasting – earthy browns and greens meet with cooler greys and sky blues. Brushstrokes are gestural and loose, layering both horizontal sweeps and curved motions that suggest movement in land and water.

Overall, the work balances tranquillity with rhythmic energy, presenting an interpretation of nature through the lens of mid-century abstraction.

This oil on canvas is presented in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 64 x 79.5 cm (including frame)

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Riverside Boulevard (Very large)

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A vibrant and lively cityscape bursting with movement and colour, dated 1974 and painted in oil by the established Swedish artist Uno Vallman (1913-2004) whose works are included in the Swedish National Museum and The Swedish Modern Museum, to name a few. His works are also included in the collections of Lyndon Johnson, Jimmy Carter, and the Tessin Institute in Paris.

The scene centres around a pair of ornate towers rising from a bustling square, their facades animated with bright decorative motifs. Surrounding them, saturated-toned buildings with warm red roofs line the horizon, while to the right a gentle river curves through the city, complete with moored boats and strolling figures. Cars, pedestrians and flowing pathways fill the foreground, giving the scene an energetic, almost theatrical rhythm.

Rendered in a highly expressive and fauvist style, the work embraces bold contour lines and playful distortion to convey atmosphere rather than strict realism. The palette is vibrant and uplifting: lemon yellow, turquoise, sky blue, coral, and soft reds creating a sun-drenched glow across the composition. Brushstrokes are loose, gestural and almost calligraphic, with dashes, swirls and rhythmic marks animating every surface. The result is a joyful, kinetic interpretation of urban life, full of colour and charm.

This oil on canvas is housed in a complementary wood frame. Both the painting and frame are in excellent vintage condition

Size: 81 x 97 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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The Distance Between Us

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A contemplative modernist figurative painting that depicts a solitary figure standing before a vast expanse of open land, executed in oil onto canvas and dated 1975.

The composition is strikingly divided into two registers: the upper portion capturing a serene vista of green fields and a distant tree line beneath a pale, open sky, and the lower section marked by a bold geometric band in black with red and orange vertical stripes.

Rendered in restrained tones of green and earthy brown, the work balances natural quietude with structural rhythm. The figure, outlined with simplicity and minimal detail and lightly sketched features, appears introspective, heightening the emotional resonance of the scene.

Executed with flat planes of colour, the brushstrokes are gentle yet deliberate, with thinly applied layers that allow the canvas texture to breathe through. The palette is subdued yet harmonious, evoking a faded photograph or memory : an image caught between presence and absence, realism and abstraction.

This oil on canvas is presented in a silver frame. The painting is in excellent vintage condition. The frame displays some signs of age with marks and scuffs.

Size: 66.5 x 80.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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White Scarf

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This oil on canvas is housed in a black wood frame which complements the painting brilliantly. Both painting and frame are in excellent vintage condition.

Size: 74 x 58 cm cm (including frame)

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Woman in a Pink Blouse

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A contemplative modernist figurative painting that depicts a seated woman before a softly rendered natural backdrop, executed in oil onto canvas and dated 1975.

Her dark bob frames her lightly sketched expression, lending the composition an air of introspection and quiet distance. The figure’s mauve-pink blouse, trimmed with ruffled lace, contrasts subtly with the muted greens and browns of the forested landscape behind her.

The artist has used a delicate balance between precision and restraint: the background is softly diffused with translucent washes, while the figure’s form is more sharply delineated. The lower section of the painting introduces a striking geometric interruption: a striped band in cream, burgundy, and brown – that recalls textile or interior motifs, grounding the work in a unique aesthetic.

Brushstrokes are measured and matte, with thinly applied layers that allow the canvas texture to breathe through. The palette is subdued yet harmonious, evoking a faded photograph or memory : an image caught between presence and absence, realism and abstraction.

This oil on canvas is presented in a silver frame. The painting is in excellent vintage condition. The frame displays some signs of age wear with marks and scuffs, as shown in the photos.

Size: 66.5 x 80.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Geometric Pathway

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A bold and striking mid-century abstract landscape composition, painted in oil onto canvas and dated 1958.

The painting presents an interpretation of trees and a pathway, set against a backdrop of sky and fields. Containing elements of cubism as well as geometric abstraction, this landscape scene has been skilfully deconstructed and reduced into angular and geometric shapes, as well as bold lines.

The colour palette is restrained – with earthy shades of greens contrasting with cool tones of blues.

The brushstrokes are deliberate and flat, emphasising form and shape, and allowing the viewer’s eye to focus on the interplay of colour and geometry.

This oil on canvas is housed in a well-suited light blue painted wood frame. The painting has very small areas of paint loss on its left side as shown in the photos, but this is only noticeable upon close inspection. The frame has some general scuffing as shown in the close ups.

Size: 64 x 81 cm (including frame)

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Nude on Chair

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A large and striking mid-century modernist style nude figurative painting, executed in oil onto board.

A female nude figure seated on a chair punctuates the center of the composition. She is positioned in a relaxed pose, yet her lack of facial features lends an air of mystery. The background is striking, dominated by a large block of red, which contrasts harmoniously with smaller panels of blue and green that both have yellow undertones.

The artist has used short and expressive brushstrokes, creating a lightly textured surface. Colours are layered thoughtfully, blending the bold with the subdued, resulting in a painting that evokes a soothing quality amidst vibrant energy.

This large oil on board is housed in a complementary wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

Size: 73.5 x 68.5 cm (including frame)

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Pastoral Geometry

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A serene mid-century modernist landscape that captures a cluster of farmhouses nestled within a stylised patchwork of verdant fields, executed in oil onto canvas.

The composition evokes the stillness of the countryside, with a rhythmic interplay between architectural form and geometric land divisions. Rendered in a cool, muted palette of sage, grey and hints of dark brown, the scene exudes a meditative calm.

The artist’s brushwork is confident yet restrained – large flat planes and subtle tonal shifts create a softly abstracted effect, lending the landscape an almost dreamlike quality. The sky is rendered in pale washes, while the layered fields below suggest distance and depth through carefully constructed blocks of colour.

This oil on canvas is housed in a stunning frame with multiple profiles. The painting is in excellent vintage condition. The frame has very some scuffing, but this is in keeping with its vintage style.

Size: 51 x 91 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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St Ives Head I (Very Large)

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A very large and atmospheric abstract landscape painting, executed in oil onto board by contemporary British artist Ian Mood.

This abstract oil painting of St Ives Head conveys a powerful impression of the Cornish landscape through bold colour blocks and expressive brushwork. The composition is dominated by a strong horizontal division:

The lower portion features lush, vibrant greens, suggestive of the headland’s grassy terrain. These greens are layered and varied, with hints of dark shadows and occasional streaks of red and orange adding depth and movement. A sweeping form of deep black and charcoal arcs through the upper and middle sections, perhaps alluding to the rocky outcrop of St Ives Head or the moody Atlantic shadows. This shape anchors the piece and creates dramatic contrast. Surrounding these darker masses, icy blues and muted whites evoke the sky and sea, with the brushwork ranging from smooth to vigorously textured. Pops of pink and red in fine linear marks add visual interest and energetic tension across the central area.

The painting is both abstract and landscape-inspired, distilling the raw essence of the coastal headland into expressive colour fields and gestural marks. It reflects the elemental forces of land, sea, and weather typical of St Ives, rendered in a deeply personal, modernist style.

This very large oil on board is housed in a complementary light grey frame. Both painting and frame are in excellent condition.

Size: 100 x 100 cm (including frame)

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Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

About the artist:

Ian Mood is a contemporary artist with an international reputation, having shown work with Saatchi London, Brooklyn Art Library, Battersea Art Fair & Manchester Art Fair – as well as being represented by numerous established galleries in the UK and US. He recently held his first solo show in New York.

In 2019, he collaborated as artist in residence with The National Theatre (Madness of George III with Mark Gatiss) and The Royal Exchange Manchester (Mother Courage with Julie Hesmondhalgh).

Ian is a member of Manchester Academy of Fine Arts, Society Of Staffordshire Artists and the Artist Association of Nantucket (USA) where he regularly lectures as part of their summer arts programme. He was awarded the Artists Association of Nantucket Frank Swift Chase Plein Air Award in 2014.

Ian grew up in Stoke on Trent and studied Fine Art at the University of the West of England, Bristol.

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Harbour & Hillside

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A serene mid-century coastal landscape that captures the rhythmic order of a harbour scene rendered through a distinctly modernist lens, executed in oil onto canvas and dated 1963.

Clusters of geometric buildings and cranes line the waterfront, their angular forms carefully arranged to evoke both structure and serenity. The distant hills rise gently across the water, balancing the composition with soft undulating lines against the rigid shapes of the port.

The artist has used a palette of muted yet harmonious tones – brick red, sage green, browns, blush, and blue – creating a subdued but richly layered harmony of colour. Each hue appears thoughtfully modulated, suggesting light glancing off the industrial surfaces and calm waters below.

The brushwork is confident and deliberate, with flat, interlocking planes that give the painting an almost architectural rhythm. Despite the simplified forms, there is a deep sense of atmosphere and quietude, as though the bustling port has been momentarily stilled in contemplation.

This oil on canvas is beautifully presented in a linen-lined wooden frame. The painting itself is in very good vintage condition. The frame has some marks as well as some age spots to the linen section, consistent with age.

Size: 63 x 78 cm (including frame)

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Seated Woman with Letter

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A large and brilliantly executed mid-century modernist style figurative painting, executed in oil onto canvas.

The composition presents a contemplative female figure seated on a simple chair, her body angled gently to the side as she holds a folded piece of paper in her hand. The faceless portrayal lends the work a universal quality, allowing the figure to embody both anonymity and intimacy.

The style is distinctly modernist and abstracted, with simplified forms, flat planes, and carefully balanced geometric blocks of colour. The composition is built on interlocking shapes, where body, chair, and background meld seamlessly, reinforcing the quiet harmony of the scene.

The palette is warm and earthy, with shades of terracotta, brown, and sienna set against muted peach, pale creams, and soft blues. Darker tones in the figure’s dress contrast with the lighter background, creating depth while maintaining the painting’s restrained, introspective mood.

Brushstrokes are broad and deliberate, with smooth transitions that emphasise form rather than detail. The painter resists naturalism, instead favouring abstraction and tonal rhythm to evoke atmosphere and feeling.

This oil on canvas is presented in a wood frame with a white inner border. The painting has some light marks to its surface but nothing that detracts from its overall attractiveness. The frame has some areas of paint loss as shown, but is otherwise in good stable condition.

Size: 89 x 51.5 cm (including frame)

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Tide’s Return

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A large expressive and atmospheric mid-century modernist coastal landscape, executed in oil onto canvas and dated 1968.

This evocative oil painting captures a trio of boats beached on a windswept shore. Three figures stand nearby, anchoring the scene with a quiet human presence. The ocean churns with silvery greys, whites, and muted blues, reflecting the turbulent energy of an overcast day by the sea.

The artist has used broad, confident brushstrokes and a subdued, tonal palette dominated by stormy greys, whites, and earthy ochres. The water is rendered with rhythmic horizontal strokes, while the sky and sand are textured with layered impasto, imbuing the painting with a tactile, atmospheric quality. The composition speaks to the raw beauty of nature and the enduring relationship between humans and the sea.

This oil on canvas is housed in a complementary linen lined frame with an inner gilt border. There are some age spots present on the frame as well as along the upper edge of the painting. There is a mark on the left side of outer linen border of the frame.

Size: 78.5 x 91 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Cubist Tabletop

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A brilliantly executed and striking mid-century cubist still life that presents an arrangement of objects distilled into bold, geometric forms, painted in oil onto canvas.

At the centre, a single red rose rises sharply from a faceted brown vase, its angular green leaves echoing the crystalline structure of the surrounding elements. Beside it, a vivid blue jug rendered in interlocking planes stands with sculptural presence, while a small angular fruit or object rests upon a two-toned plate in the foreground.

The composition is a masterful exercise in cubist reduction, where natural forms are translated into prismatic shapes. The background is similarly fragmented into overlapping planes of muted lilac, teal, and yellow, lending the scene a sense of depth and dynamism while maintaining strict flatness.

The palette balances earthy browns and greys with vibrant accents of cobalt blue, emerald green, and a sharp pop of crimson. The brushstrokes are controlled and deliberate, applied in clean, even planes of colour without visible texture, emphasising structure over gesture.

This oil on canvas is housed in a very well-suited frame with an outer linen border and an inner cream window. The painting is in excellent vintage condition. The frame does have some scuffing but is in good vintage condition overall.

Size: 73 x 43 cm (including frame)

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Still Life with Green Apples

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A large and expressive mid-century modernist still life painting captures a simple yet effective arrangement of green apples resting on a loosely draped cloth, executed in oil onto board.

The composition exudes a sense of spontaneity, emphasising form and colour over precise realism. The apples are depicted in various shades of green and yellow, with broad, expressive brushstrokes giving them a sense of volume and natural imperfection.

The background features dark muted earthy tones, including deep blues, browns, and hints of red, creating contrast with the vibrancy of the fruit. The cloth, rendered in soft whites and beiges, provides a fluid, organic texture that balances the composition. The artist has used a gestural painting technique, with visible brushstrokes that enhance the dynamic energy of the piece.

This oil on board is housed in a complementary gilt frame with an inner white border. The painting is in excellent vintage condition, and the frame has some paint losses as shown

Size: 49.5 x 85 cm (including frame)

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Twilight Stream

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A atmospheric composition that captures the quiet drama of a winter landscape yielding to the subtle warmth of dusk setting, executed in oil onto canvas and dated 1987.

This expressive scene depicts a partially frozen stream meandering through snow-covered banks, framed by dark, leafless trees and a softly glowing sky. The distant treeline is rendered in deep purples, blues and black, while the sky behind it glows with streaks of peach, rose, and apricot – suggesting the final light of day.

The artist has used swift brushstrokes, especially in the forest and sky, that conveys movement and atmosphere. The snowbanks are painted with thick, angular swathes of white, grey, and pale pink, while the water is composed of smoother, horizontal strokes in blues and greys, lending a mirror-like stillness. The overall style merges impressionism with expressionist undertones, balancing realism with emotional depth.

This oil on board is presented in a complementary linen-lined wooden frame with a gilt inner edge. The painting is in excellent vintage condition, and the frame has some marks on its linen border as well as some small scuffs.

Size: 82 x 76 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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House on the Hill

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A large and lively landscape painting that depicts a quiet suburban scene dominated by a white house set against lush greenery and an expansive blue sky, executed in oil onto canvas and dated 1985.

The composition is pared back to essential geometric forms – rectangular planes of house, hedge, and pavement, offset by rounded, block-like shapes of trees and bushes. A solitary vertical pole bisects the scene, adding structure and balance.

The style is characteristically modernist, emphasizing abstraction over fine detail. Colours are laid down in broad, flat fields: vivid cobalt blue for the sky, deep greens for the hedges, warm purples and greys for the street and hillside, punctuated by flashes of yellow and red that animate the composition.

The brushstrokes are bold, applied with confident, blocky movements that create a sense of solidity and rhythm rather than illusionistic depth. This restrained yet expressive handling distills the everyday view into a harmonious study of form, colour, and balance.

This oil on canvas is presented in a complementary slim wood frame. The painting is in good vintage condition – there is some light surface craquelure to the house areas as shown in close ups but the paint layer is very stable.

Size: 61 x 83 cm (including frame)

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Serenade Still Life

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A soothing mid-century modernist still life painting that presents a carefully composed arrangement of objects, executed in oil onto canvas.

The scene features a potted plant with delicate white flowers, a woven basket, a small musician figurine with a blue guitar, and a green fruit, all set against a richly patterned background of intersecting planes.

Modernist in its ethos, the artist has skilfully deconstructed and simplified the scene into blocks of contrasting colour.

The colour palette is a harmonious mix of muted blues, warm reds, and earthy greens, punctuated by the bright yellow of the figurine’s hat and scarf. These hues create a sense of balance and vibrancy within the scene.

The brushstrokes are expressive and confident and the paint has been applied in broad, deliberate strokes – reinforcing the geometric nature of the composition while adding a sense of movement and depth.

This oil on canvas is housed in a very well-suited cream frame. The painting is in excellent vintage condition, and the frame has very minor scuffs.

Size: 81.5 x 58.5 cm (including frame)

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Whispers of Blue

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A very pleasant and soothing modernist abstract landscape oil composition dated 1964, and painted by the established Swedish artist Ture Fabiansson (1910-1994), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, The Museum of Art in Gothenburg, Jönköping Museum, Borås Art Museum, and many others.

The painting presents a lyrical abstraction of nature, rendered in a simplified, expressive manner. Dominating the canvas is a large, cloud-like form in soft sky blue, spreading across the surface in loose, swirling brushstrokes that suggest movement and depth. Around this central mass, smaller organic shapes in earthy olive-greens rise vertically, evoking trees or natural formations, while muted pink and cream passages peek through, softening the composition.

The style is minimalist yet painterly, leaning toward abstraction while still evoking landscape elements. The palette is restrained but harmonious: pale blue, moss green, muted pink, and warm beige. The brushwork is broad, textured, and somewhat gestural, creating a sense of spontaneity and rhythm.

Overall, the piece balances form and void, evoking the serenity of a landscape distilled into pure colour and shape.

This oil on canvas is presented in a complementary silver painted frame. Both the painting and frame are in excellent vintage condition.

Size: 56 x 75 cm (including frame)

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Apple Splendour

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An expressive and wonderfully coloured mid-century still life composition, executed in oil onto canvas.

Simple yet effective in its composition, the painting revolves around a group of luscious apples set against an expressive and abstract backdrop executed with gestural sweeping brushstrokes.

The artist has thoughtfully used an uplifting colour palette, drawing our attention to the form of the apples, as their striking richer shades of red and green with hints of blue contrasts against the lighter backdrop comprising a spectrum of yellow, and white and orange.

Through the masterful use of the contrasting shades, as well as seemingly unrestrained yet precise brushstrokes, the three-dimensional qualities of the fruits are enhanced and the overall composition is full of character.

This oil on canvas is housed in a complementary gilt frame. Both painting and frame are in excellent vintage condition.

Size: 61 x 75 cm (including frame)

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Cubist Figure & Fruits (Large)

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A very large and brilliantly executed mid-century cubist painting that presents a fragmented figure seated beside a simple pedestal table holding a cluster of rounded fruit forms, painted in oil onto board.

In this striking composition, the human form is reduced to angular planes and intersecting facets, the face and body articulated through a network of geometric shapes in pale cream, brown, and muted green tones, accented by deep blacks. The table and fruit echo this cubist language, with rounded grapes and apples broken into overlapping, flat colour areas.

The style is distinctly cubist, emphasising structural simplification and the interplay of light and shadow through geometric abstraction. The artist balances areas of dense black with softer sage greens, creating a rhythmic tension across the composition. Brushstrokes are firm, deliberate, and textured, with the layered paint adding subtle depth to the otherwise flat geometry.

The restrained palette – creams, greens, blacks, and teal-blues – contributes to the painting’s harmony, while the angular construction of the figure and still life demonstrates the artist’s focus on form and design rather than naturalistic representation.

This oil on board is housed in a complementary heavy solid wood frame with an oak-toned finish. Both the painting and frame are in excellent vintage condition.

Size: 95 x 79.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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