Large Artworks – Page 14 – The Discerning Palette

Showing 391–420 of 1151 results

Sunlit Courtyard

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A quietly evocative mid-century composition that captures an architectural space bathed in angled afternoon light, executed in oil onto canvas.

The viewer is drawn into a corridor-like courtyard framed by simple geometric structures – sloping roofs, rectangular windows, and a series of vertical supports that create a rhythmic interplay of light and shadow. The absence of figures heightens the stillness, allowing the space itself to become the subject: contemplative, almost cinematic in its sense of pause and presence.

Rendered in a restrained, modernist style, the painting leans into clean lines and simplified forms, reminiscent of mid-century architectural studies. The palette is warm yet muted: soft taupe, sandy beiges, and gentle creams are contrasted with cooler greys and shadowed browns. Light is handled with particular sensitivity, casting elongated triangular shapes across the walls and ground, creating depth and quiet tension within the composition.

The brushwork is controlled, precise, and deliberate, with smooth, even applications of paint that emphasise structure over gesture. Edges are softly defined rather than sharply outlined, contributing to the painting’s serene, almost dreamlike atmosphere.

This oil on canvas is housed in a wood frame that complements the palette of the work beautifully. Both the painting and frame are in excellent vintage condition.

Size: 48.5 x 40.5 cm (including frame)

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The Matador’s Moment

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A striking mid-century figurative painting that captures a matador poised mid-stance, exuding quiet confidence and theatrical presence, and executed in oil onto board and dated 1957.

The figure stands firmly with hands on hips, one leg slightly forward, as if caught in a moment between movement and stillness. The iconic red muleta drapes boldly to one side, immediately anchoring the composition and evoking the drama of the bullring. The background is minimal and abstracted, allowing the viewer’s attention to remain entirely on the commanding silhouette and gesture of the subject.

Executed in an expressive style, the figure is rendered with abstraction and reduction rather than fine detail. The anatomy is simplified into angular, geometric forms, lending the composition a sculptural quality. There is a strong emphasis on form, posture, and mood over realism.

The palette is warm and earthy, dominated by browns and burnt oranges. These tones are contrasted with deep blacks and punctuated by flashes of vivid red in the cape, which serves as the focal point. Highlights of yellow and white are applied sparingly but effectively, creating a sense of light catching on the costume and adding depth to the otherwise flattened space. The background’s muted light shade further enhances the intensity of the foreground colours.

The brushwork is energetic and textural, with visible, layered strokes that add movement and vitality to the piece. Dry-brush techniques and scraped applications create a sense of abrasion and depth, particularly across the matador’s jacket where flecks of yellow and white suggest embroidery and light reflection. The paint appears deliberately worked and reworked, giving the surface a tactile, almost weathered quality that enhances its expressive character.

This oil on board is housed in a gilt frame which features gently stepped mouldings that create depth without overwhelming the artwork. Both the painting and frame are in excellent vintage condition.

Size: 40.5 x 22 cm (including frame)

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Tiger

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This oil on board is presented in a dark wooden frame with a inner gilt border. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 47 x 57 cm (including frame)

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Watchful Tiger

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A charming contemporary naïve style painting, executed in oil onto panel by British artist Matt Rix.

The composition presents a tiger in profile, captured mid-step as it moves across a simplified landscape. Set against a soft grey sky and grounded by a muted green foreground, the figure carries a quiet sense of motion and watchful presence.

Rendered in a contemporary naïve style, the work embraces flat perspective and bold simplification. The tiger is defined by clean outlines and gently exaggerated proportions, with depth suggested through simple bands of colour, enhancing its graphic clarity and narrative charm.

The palette is warm and balanced. Rich burnt orange tones are interspersed with bold black stripes, complemented by soft cream underparts. These tones sit harmoniously against the cool grey background and green foreground, creating a pleasing contrast.

Brushwork is smooth and controlled, with flat, even application that emphasises form and pattern over texture. The overall finish is clean and deliberate, capturing the charm of the naïve aesthetic with a calm, confident presence.

This oil on board is housed in a wood frame painted black with an inner gilt window. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 43 x 53.5 cm (including frame)

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Whispers in the Wind

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A calm and serene mid-century modernist style landscape, executed in oil onto board.

The composition captures a tranquil scene anchored by two windswept trees standing sentinel beside a rustic wooden gate. The simplified composition reflects a distinctly modernist sensibility, stripping the scene down to its essential forms and rhythm.

Rendered in a restrained yet expressive palette of dusky greens, blues and yellow, the painting suggests the stillness of early morning or the hush before a summer storm. The sky looms with weight, textured in wide, flat planes of grey-blue, lending atmosphere and depth to the horizon.

Broad, gestural brushstrokes give the foliage of the trees a tactile quality. The rough, visible texture of the oil paint adds a sense of movement and immediacy. Subtle tonal contrasts in the fields beyond evoke a patchwork of earth and pasture, conveying both the simplicity and vitality of the rural environment.

This oil on board is housed in a complementary gilt frame with an inner linen border. The painting is in excellent vintage condition, and there is some paint loss present at the bottom of the gilded frame.

Size: 43 x 51 cm (including frame)

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Yellow Flowers

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A mid century modernist floral composition, painted in oil onto board.

This painting depicts a vibrant and expressive still life of yellow flowers in a green vase. The style appears loose and impressionistic, with bold, confident brushstrokes and a rich color palette. The background is abstract, filled with green, pink, and darker hues that contrast beautifully with the bright yellow flowers and the blue-green vase.

The composition is framed with a wide profile wood frame that complements the earthy tones in the artwork, giving it a rustic and natural feel. It exudes an energetic and lively atmosphere, typical of modern or expressionistic art.

The painting is in excellent vintage condition, and the frame has some scuffs.

Size: 60.5 x 45 cm (including frame)

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Balloons in the Park

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An enchanting mid-century modern painting that captures a lively moment in a city park, centred around a figure holding a magnificent cluster of colourful balloons, executed in oil onto canvas.

Several figures gather along the pathway beneath tall trees, creating a gentle sense of movement and everyday life within the urban setting. A warm-toned brick building rises in the background, grounding the scene in a quiet city square.

The composition is dominated by the striking bouquet of balloons at the centre, painted in lively tones of red, coral, orange, yellow, and soft pink. These bright colours stand in beautiful contrast to the deeper greens of the surrounding foliage and the earthy browns and greys of the park landscape.

The painting features thick impasto and expressive brushwork. The foliage is built with bold textured strokes, while the balloons are formed from rounded dabs of paint that give them a lively, almost sculptural presence. The figures are rendered loosely, allowing the colour and atmosphere of the scene to take focus.

The result is a warm and nostalgic composition that celebrates a simple moment of joy where children and passers-by are drawn to a burst of colour in the heart of the park.

This oil on canvas is housed in a complementary wooden frame finished in a deep forest green. Both the painting and frame are in excellent vintage condition.

Size: 37.5 x 32.5 cm (including frame)

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Clocks & Chimes

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A quietly meditative 20th century abstraction from 1971 that distils the essence of time and rhythm into a refined visual language of line and tone, executed in oil onto canvas.

The canvas is divided horizontally: a calm expanse of warm, creamy white above, and below it, layered bands of muted browns and soft taupes that read like measured intervals or tonal reverberations.

Two linear elements punctuate the stillness. A slender yellow arc rises gently from the lower edge, its curve suggesting cyclical motion and the continuous sweep of time. To the right, a vertical red line edged subtly in yellow stands upright and precise, like the strike of a bell or the steady mark of an hour. Together, they evoke both movement and resonance: the visual equivalent of a clock’s face and its chime.

The style is characteristically mid-century in its clarity and reduction. Forms are simplified to essential gestures, and depth is created through tonal layering rather than perspective. The palette is warm and harmonious: creamy neutrals and earthy browns provide a grounded field, while the yellow and red introduce quiet luminosity and rhythm.

Brushwork is smooth and controlled, with matte, even applications that emphasise colour fields over texture. The horizontal bands are softly blended, creating a sense of gentle gradation, like sound fading into silence, while the linear accents remain crisp and deliberate.

This oil on canvas is housed in a champagne toned wood frame. The painting is in excellent vintage condition, and the frame has some scuffs as shown.

Size: 46.5 x 46.5 cm (including frame)

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Coastal Drift

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A calming and serene abstract coastal landscape that suggests a sky, sea, and shoreline in soft, atmospheric layers, executed in oil onto canvas and dated 2005.

Abstract in style, the composition features fluid, overlapping forms that hint at cloud cover, water reflections, and horizon lines, all rendered with an airy touch.

The artist has used a muted, harmonious palette of pastel tones – pale blue, soft yellow, sage green, and creamy white – punctuated by gentle accents of orange. Broad, smooth brushstrokes contrast with areas of stippled texture, creating depth and movement while maintaining an overall sense of calm. The lower third suggests a landscape grounded in earth tones, while the upper section dissolves into an expansive, impressionistic sky.

This oil on canvas is housed in a complementary gilt frame. Both the painting and frame are is in excellent vintage condition.

Size: 34.5 x 43 cm (including frame)

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Coastal Quietude

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A serene mid-century landscape that captures a quiet coastal scene defined by openness, balance, and gentle geometry, executed in oil onto canvas.

A pale winding pathway leads the viewer’s eye through a soft green foreground toward a tranquil shoreline and expansive horizon beyond. Two slender trees stand as quiet sentinels at the centre of the composition, their vertical forms offering a subtle counterpoint to the horizontal bands of land, sea, and sky. On the left, a gently rising bluff adds structure and depth, while rounded, sculptural foliage frames the scene with a sense of intimacy.

The painting is executed in a modernist, semi-abstracted style characteristic of mid-century landscape painting, where natural forms are simplified into harmonious blocks of colour and shape. The artist prioritises mood and spatial clarity over fine detail, creating a composition that feels both contemplative and timeless.

The colour palette is fresh and calming, composed of cool sky blues, soft sea greys, and layered greens ranging from muted sage to deeper forest tones. The sandy pathway is rendered in warm, pale cream, providing contrast and guiding visual movement throughout the work. These balanced tones evoke the quiet stillness of a coastal morning or early afternoon.

Brushwork is deliberate and structured, with visible, confident strokes that build form through layered colour rather than blended transitions. The foliage is constructed with confident, blocky applications of paint, while the sky and distant water are handled more smoothly, reinforcing the sense of atmospheric depth.

This oil on canvas is housed in a complementary linen lined wood frame with an inner silver border. The painting is in good vintage condition overall. The frame has small scuffs and marks, also consistent with age.

Size: 53 x 62 cm (including frame)

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Humpback Whale at Sea

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A bold and theatrical contemporary naïve style painting that depicts a monumental humpback whale gliding beneath the legendary ocean liner Lusitania, executed in oil onto panel by British artist Matt Rix.

The composition is split horizontally between sea and sky: above the waterline, the iconic steamship moves calmly across a pale grey horizon, its three red funnels releasing soft plumes of smoke; below, a vast humpback whale dominates the scene, its immense body rendered in simplified, graphic form.

Executed in a distinctive naïve style, the work embraces flattened perspective and exaggerated scale. The whale appears far larger than the ship, heightening the sense of quiet tension and lending the painting a folkloric, almost mythic quality. Detail is intentionally minimal: forms are cleanly outlined, shadows reduced, and spatial depth suggested through gentle tonal shifts rather than realism.

The palette is restrained and harmonious. Cool blues define the water, transitioning subtly from lighter tones near the surface to deeper shades around the whale’s body. The whale itself is painted in rich navy with a creamy white underbelly marked by rhythmic linear grooves. Above, the ship’s black hull, red funnels and white superstructure introduce strong contrast against the soft grey sky.

Brushwork is smooth and controlled, with flat, even applications of paint that emphasise shape and silhouette. The water shows delicate horizontal strokes, adding quiet movement while preserving the composition’s calm clarity.

This oil on board is presented in an ornate gilt frame, its elaborate carving and warm gold tones intentionally echoing the grandeur of the Lusitania. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 45.5 x 54 cm (including frame)

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Fragments of a Day

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A striking modernist work that presents a scene fragmented into angular planes and interlocking blocks of colour, evoking figures and structures emerging within an imagined landscape, executed in oil onto canvas and dated 1972.

Though abstracted, one can sense the suggestion of human presence and architectural forms – perhaps a house, a figure, and surrounding terrain reduced to their essential geometric components.

Rendered in a modernist style, the composition is built from flat, faceted shapes that tessellate across the canvas, creating a rhythmic mosaic. The artist has employed a harmonious yet lively palette of muted peach, terracotta, sage green, browns, dusty pink, teal, and pale blues. These tones shift softly across the surface, creating subtle contrasts and spatial tension without harsh division.

The brushstrokes are controlled yet visible, giving texture to each block of colour while maintaining an overall crispness in form. Edges are softly defined, hinting at the hand of the painter beneath the structure of the geometry. The result is a composition that feels both architectural and lyrical – an exploration of form and colour that balances abstraction with a whisper of narrative.

This oil on canvas is presented in a complementary simple wood frame. Both the painting and frame are in excellent vintage condition

Size: 59.5 x 74 cm (including frame)

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Pastoral Horizon

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A serene and atmospheric mid-century landscape composition, executed in oil onto canvas.

The painting features an expansive foreground of an open landscape in soft cream tones, leading the eye towards a row of farmhouses resting against a soft horizon of a gentle muted blue sky.

Modernist in its ethos, the scene has been reduced to essential forms, with broad horizontal planes in contrasting shades that emphasise atmosphere and mood over intricate detail.

The artist’s brushwork is confident and expressive yet restrained – with visible, deliberate strokes that suggest texture and movement without overworking details. The sky is rendered in smooth, even strokes, evoking a calm atmosphere, while the land and structures exhibit a more dynamic application of paint, adding contrast and visual interest.

This oil on canvas is housed in complementary gilt frame with multiple profiles. The painting is in excellent vintage condition, and the frame has some scuffing.

Size: 48 x 57 cm (including frame)

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Pathway to the Sea

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A sunlit mid-century modernist landscape composition that exudes calm, painted in oil onto canvas.

This charming coastal scene captures a quiet path leading toward the shimmering shoreline. Tall, slender trees frame the composition, their canopies rendered in cool greens and muted teals, gently swaying above the sandy walkway. A pale house sits nestled in the background, its warm ochre tones subtly contrasting with the cool blues of the distant sea and sky.

Painted in a distinctly modernist style, the work features broad, confident blocks of colour and simplified forms, allowing atmosphere and light to take centre stage. The artist has used thick, textured brushstrokes: especially in the foliage – creating lively movement and softness at once. The palette is refreshing and serene: sea-blues, grassy greens, soft lilacs, sandy neutrals, and warm earth tones blend harmoniously to evoke a breezy, coastal afternoon.

This oil on canvas is housed in a complementary wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

Size: 59 x 43 cm (including frame)

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Sunlit Still Life

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A cosy and intimate mid-century still life composition that captures a warmly lit interior scene, executed in oil onto canvas and dated 1976.

The painting depicts a cozy dining nook, featuring a wooden table draped with a white cloth, a glass vase holding a delicate arrangement of branches with orange fruits, and a softly glowing pendant lamp hanging from the ceiling. A large window in the background, framed by translucent curtains, allows glimpses of lush greenery outside.

The colour palette features mix of warm browns and blues, complemented by the vibrant orange and rich green of the plant, which serves as a focal point.

The artist has used a combination of structured, deliberate strokes and softer, blended applications, creating a warm and inviting atmosphere.

This oil on canvas is housed in a complementary light wood frame. Both the painting and frame are in excellent vintage condition.

Size: 63 x 54 cm (including frame)

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Terrier

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A very endearing canine composition of a terrier dog , painted in a naïve style in oil onto panel by British artist Matt Rix.

The dog is painted in warm cream tones with distinct chestnut-brown patches on its body and around one eye, giving it a lively and characterful appearance. A red collar with a gold buckle provides a bold, cheerful accent that contrasts beautifully against the more muted background.

The setting is minimal yet effective: rolling yellow hills stretch across the middle ground, while a soft grey sky looms above, dotted with stylised clouds and a small flock of black birds flying in formation. The ground beneath the terrier is painted in earthy browns, anchoring the composition.

The overall effect is whimsical yet dignified—the terrier looks alert and self-assured, embodying the loyalty and confidence of the breed. The restrained palette and simple forms give the painting a timeless charm, while the details—the curled tail, the steady gaze—imbue it with personality.

This oil on board is housed in a black painted wood frame. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 29 x 34 cm (including frame)

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Whispers of Winter

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A serene mid-century semi-abstract landscape painting, executed in oil onto canvas.

A snow-covered countryside is rendered with serene restraint. A distant village emerges from the soft whites and ochres of the fields, its clustered rooftops and warm-toned structures punctuating the pale horizon. Subtle hints of rust, terracotta, and charcoal create visual rhythm among the buildings and trees, while the sky is quietly layered in muted lilac and blue.

The composition is minimalist yet evocative, with gestural brushstrokes that suggest rather than define form. The artist has used a refined palette of soft creams, icy blues, and mellow earth tones to conjure the essence of a winter scene without becoming literal. The loose brushwork and atmospheric perspective evoke a feeling of quietude and stillness. The overall impression is one of contemplative calm, where memory and landscape dissolve into one.

This oil on canvas is housed in a beautiful dark grey wood frame with an inner linen border. The painting has some areas of craquelure present, but the paint layer is very stable overall. The frame has minor scuffs at its inner section but is in very good condition overall.

Size: 39 x 75 cm (including frame)

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Windswept Winter

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An atmospheric mid-century modern landscape painting captures a windswept winter scene with a rich, expressive impasto technique, painted in oil onto canvas.

The composition features a grove of abstracted trees bending under the force of the wind, their forms defined by thick, gestural brushstrokes. The background consists of rolling hills and a distant horizon, suggesting a rural or natural setting in the colder months.

Executed in a semi-impressionistic yet abstract manner, the artist has used a restrained but effective muted colour palette dominated by cool whites, icy blues, and deep browns, punctuated by warm subdued shades of orange and yellows.

The brushwork is dynamic and textured, with visible bold, sweeping strokes that emphasise movement and energy. The interplay between thick layers of paint and areas of exposed canvas adds to the raw, expressive quality of the piece.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition. The frame has some losses to the edges, as shown in close ups.

Size: 43 x 58cm (including frame)

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Calm Coast

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A soothing mid-century coastal landscape that captures a quiet shoreline moment where 2 boats rest on pale sand as the tide gently recedes, executed in oil onto canvas and dated 1957.

The coastline curves softly into the distance, leading the eye toward low hills and a scattering of seaside buildings that dissolve into the hazy horizon. The composition balances stillness and movement: the grounded boats anchoring the foreground while the waterline sweeps gracefully along the shore.

Painted in a distinctly mid-century modern style, the work favours simplification over detail. Forms are reduced to broad planes and subtle contours, lending the scene a calm, contemplative rhythm. The palette is restrained and harmonious, with soft sands, muted sage and olive greens, and cool coastal blues, all gently warmed by blush and sandy undertones.

Brushstrokes are loose and expressive, applied in layered, painterly passages that create texture without heaviness. The surface retains a light, airy quality, with visible strokes lending a sense of immediacy and atmosphere. Overall, the painting evokes a serene coastal pause – timeless, understated, and deeply evocative of mid-century European seaside sensibilities.

This oil on canvas is housed in a well-suited wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

Size: 48 x 74 cm (including frame)

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Cubist Picnic

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A striking painting that presents a lively outdoor dining scene interpreted through a playful Cubist lens, executed in oil onto canvas and dated 1986.

Fragmented figures and objects – plates, cutlery, food, and bottles -are reassembled into a bold, geometric composition. Faces, limbs, and tableware overlap in dynamic angles, giving the impression of multiple perspectives unfolding simultaneously.

The palette is vibrant and saturated. Sharp contrasts of colour planes create rhythm and movement across the canvas, while the artist uses flat, angular brushstrokes to emphasise form over realism. Details like a patterned dish of food, a bottle of salt, and stylised trees in the background contribute to the sense of narrative within abstraction.

Executed in a flattened, semi-abstract style characteristic of Cubist and post-Cubist traditions, the work balances playful energy with structural harmony.

This oil on canvas is housed in a complementary gilt frame. The painting has a mark on its right side but this does not affect its overall attractiveness, and the frame has some small scuffs present.

Size: 71 x 64.5 cm (including frame)

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Figure by the Window

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An intimate mid-century figurative painting that captures a solitary figure absorbed in a quiet, domestic task, executed in oil onto canvas.

Positioned near a window, the figure leans forward with gentle concentration, their form partially silhouetted against a softly lit interior. The scene feels private and unguarded – a fleeting moment of everyday life observed without interruption.

Painted in a distinctly mid-century modern style, the composition balances figuration with loose abstraction. Architectural elements – the window frame, wall planes, and floor – are suggested rather than defined, creating a sense of space through colour blocks and shifting perspectives rather than strict linear depth.

The palette is restrained yet expressive, built from muted greens, soft yellows, warm creams, and earthy reds, with cooler blue-green tones anchoring the shadows. These colours subtly echo one another across the canvas, lending the work a harmonious, contemplative mood.

Brushstrokes are confident and textured, applied in short, directional strokes that remain clearly visible throughout. The paint handling prioritises movement and atmosphere over fine detail, allowing the figure to emerge organically from the surrounding space. This tactile surface and expressive restraint are hallmarks of mid-century figurative painting, where emotion and form are conveyed through colour, rhythm, and gesture rather than precision.

A quietly powerful work, this painting invites prolonged looking, revealing beauty in stillness, routine, and the poetry of ordinary moments.

This oil on canvas is is housed in a complementary wide-profiled gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs that is consistent with age.

Size: 71.5 x 67 cm (including frame)

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Hills in Reverie

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A mid-century modernist abstracted landscape that presents a serene pastoral vista distilled into rhythmic sweeps of colour and gesture, executed in oil onto canvas and dated 1965.

The composition evokes rolling countryside rendered not through precise detail, but through impressionistic suggestion – where a gently sloping hill rises confidently across the centre, its curved mass anchoring the scene. In the foreground, luminous yellow fields stretch outward in broad passages, while clusters of softly suggested shrubs and earth tones create quiet interruptions across the terrain. To the right, two tall, slender vertical forms- reminiscent of cypress trees – stand like sentinels, introducing a quiet architectural presence against the openness of the land. The sky recedes in soft atmospheric layers, suggesting a fleeting moment of warm light as day gives way to evening.

The style embodies the essence of mid-century modernist landscape abstraction, where form is simplified into essential shapes and expressive mark-making. Rather than striving for realism, the artist captures the emotional resonance of place. The sweeping, curved hill is rendered almost sculpturally, its mass built through confident, continuous strokes that emphasise movement and volume. There is a harmonious balance between abstraction and recognition – the landscape feels both real and remembered, filtered through sensation rather than observation.

The palette is fresh and uplifting, dominated by layered greens ranging from mint and sage to deeper emerald tones. These are complemented by glowing passages of buttery yellow and warm ochre in the foreground, suggesting sunlit grasses. The sky transitions through soft pale blues, creamy whites, and hints of peach and apricot near the horizon, introducing warmth and atmosphere.

The brushwork is expressive and tactile, with visible, painterly strokes applied with confidence and immediacy. Thick, sweeping gestures define the hills, while shorter, curved dabs suggest foliage and texture. The surface carries a lively energy, revealing the artist’s hand and the spontaneity of execution.

This oil on canvas is housed in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 47 x 57 cm (including frame)

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House Beyond the Green

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A quiet and serene mid-century landscape composition, executed in oil onto canvas.

The painting presents a small white house that sits partially hidden within dense, verdant foliage. Set back from the viewer and framed by trees, the dwelling feels both secluded and gently anchored to its surroundings. A band of water runs horizontally through the middle ground, separating the lush greens above from the warmer, earth-toned foreground, creating a subtle sense of depth and balance.

The style is distinctly mid-century in its simplification of forms and emphasis on mood over detail. Architectural elements are reduced to essential shapes, while the landscape is expressed through broad planes of colour rather than precise delineation. The composition feels calm and introspective, inviting the viewer to linger in the stillness of the scene.

The palette is rich yet harmonious: layered greens dominate the canvas, ranging from deep forest tones to lighter, almost luminous grassy hues. These are contrasted by a soft blue sky and water, which cool the composition, and a striking foreground of burnt orange and rust tones that adds warmth and visual weight.

Brushstrokes are loose and painterly, with visible texture throughout. The artist uses confident, gestural strokes to suggest foliage and ground, allowing colours to blend organically at their edges. This tactile surface quality enhances the sense of atmosphere and reinforces the painting’s expressive, mid-century character.

This oil on canvas is housed in a complementary silver frame. Both the painting and frame are in excellent vintage condition.

Size: 48.5 x 40 cm (including frame)

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Houses on the Horizon

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A soothing modernist painting that depicts a stylised horizon where three houses rest quietly in the distance, painted in oil onto board and dated 1970.

The scene is reduced to bold horizontal bands of colour, evoking the sweep of open fields, sky, and distant land. The houses appear as simplified, block-like forms – dark silhouettes accented with white and red – standing in quiet contrast against the rich layers of the landscape.

Executed in a modernist style, the work emphasises abstraction and rhythm over detail, distilling the essence of farmland into pure forms.

The brushwork is measured and horizontal, with deliberate layering that builds subtle depth while maintaining a calm and minimalist aesthetic. The simplicity of line and form imbues the painting with a contemplative, timeless quality.

This oil on canvas is presented in a complementary off-white painted frame. The painting is in excellent vintage condition, and the frame has small scuffs.

Size: 34 x 67 cm (including frame)

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Objects by the Window

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A striking and energetic mid-century expressionist style interior still life painting, executed in oil onto canvas.

A vibrant potted plant with red flowers as well as a lamp punctuates the center of the composition. These objects are placed on a table by a window that offers glimpses of muted exterior tones.

The piece is executed in an expressionist style – characterised by its bold, expressive brushstrokes and flattened perspective. The artist has used short, rhythmic strokes to define shapes and form, imbuing the work with dynamic energy.

The colour palette features a mix of muted warm tones including orange and pink. These shades add warmth and are complemented with earthy muted greens and browns. Overall the colours enhance the homely and inviting feel of the composition.

This oil on canvas is housed in a complementary frame with multiple profiles. The painting has some scattered craquelure present but paint layer is stable overall. The frame has some scuffing and wear but is in good condition overall.

Size: 67 x 59 cm (including frame)

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Pear & Pitcher

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An elegant mid-century still life composition that presents a pared-back arrangement of a single green pear alongside a white pitcher, executed in oil onto canvas.

The painting is striking in its simplicity, emphasising the quiet relationship between form, line, and negative space.

Painted in a restrained modernist style, the artist has used clean, confident brushstrokes and a limited palette of muted greys, soft blues, and creamy whites, punctuated by the fresh, vivid green of the pear. The play of shadow and light across the tabletop introduces subtle tonal variations, while the black accents on the pitcher handle and base lend contrast and visual rhythm.

The brushwork is deliberate yet unfussy – broad, smooth strokes for background and surface planes, and more defined, darker lines for the outlines and details. The result is a composition that feels at once minimal and contemplative.

This oil on canvas is housed in a complementary slim wood frame. Both painting and frame are in excellent vintage condition.

Size:39.5 x 47.5 cm (including frame)

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Sloth

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A contemporary painting depicting a sloth gently clinging to a curved tree branch, painted in oil on panel in a deliberately naïve style by British artist Matt Rix.

The figure is shown at rest, its rounded body and elongated limbs wrapped comfortably around the branch. A few stylised leaves float nearby, suggesting nature without defining a specific setting.

The style is intentionally naïve and pared back, with flattened forms and simplified anatomy that draw on folk art influences. The sloth’s softly expressive face adds warmth and approachability.

The colour palette is muted and harmonious. A pale blue-grey background creates a serene atmosphere, while warm brown tones define the sloth and branch. Soft olive greens appear in the leaves, providing gentle contrast without disrupting the overall calm.

Brushstrokes are smooth and controlled with a matte finish, emphasising shape and line over texture. The overall effect is tranquil and subtly whimsical, capturing a moment of rest and balance that feels both tender and contemplative.

This oil on board is housed in a black painted wood frame . Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

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Size: 51.5 x 36 cm (including frame)

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The Meeting

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A large and evocative mid-century figurative composition that depicts a group of seated figures gathered around a long white table, executed in oil onto canvas.

The figures’ forms have been rendered in simplified, almost sculptural blocks of colour. The figures, distinguished by subtle variations in hair colour, posture, and attire are shown in quiet communion, while a standing figure at the head of the table adds a sense of hierarchy or occasion.

The artist has adopted a distinctly modernist approach: the scene is pared back to its essential geometry, the narrative implied rather than explicit. The palette is warm yet restrained, with browns, blacks, and muted greens dominating against a rich golden background that imbues the work with both warmth and gravitas. The surface bears visible, expressive brushstrokes, creating a tactile sense of movement and texture.

The overall effect is one of quiet introspection: a timeless study of human gathering, presence, and form.

This oil on canvases is housed in very well suited wood and gilt frame.

Size: cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Waiting at the Door

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A soothing mid-century painting that captures a quiet residential moment, executed in oil onto canvas.

A composition centres on a modest house set behind a picket fence, with a gently curving road leading the eye into the distance. A solitary figure stands in the doorway, rendered with deliberate ambiguity, lending the scene a subtle narrative tension: part welcome, part pause.

The composition is deceptively simple yet carefully balanced, with strong geometric forms anchoring the house while softer, organic shapes emerge in the surrounding greenery. In the background, distant buildings dissolve into muted silhouettes, reinforcing a sense of calm isolation

The palette is restrained and harmonious, dominated by soft greens, light blues, pale sage, and warm earthy browns. Hints of muted red at the doorway provide a quiet focal point, adding warmth and human presence without overpowering the composition.

Brushstrokes are loose and expressive. Paint is applied with confidence – broad, visible strokes define architectural planes, while lighter, more rhythmic marks suggest foliage and fencing. The surface retains a tactile quality, allowing the hand of the artist to remain present throughout.

This oil on canvas is is housed in a complementary slim wood frame. Both the painting and frame are in excellent vintage condition.

Size: 50 x 74.5 cm (including frame)

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Winter Skyline

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A nostalgic and subdued modernist cityscape that captures the quiet hush of a snow-blanketed town beneath a pale winter sky, executed in oil onto canvas and dated 1970.

The composition presents an elevated perspective over a geometric spread of rooftops, their forms simplified into broad, angular planes. The steeple of a distant monument anchors the skyline, rising into a misty atmosphere that suggests early morning or dusk.

Rendered in oil, the artist has used a restrained, muted palette dominated by subdued shades of blues, purples, yellows, and reds. The snow is suggested by broad swathes of white and pale grey, while buildings emerge in solid, shadowy blocks, conveying mass and volume without intricate detail. The brushstrokes are confident, reinforcing the architectural rigidity of the scene.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has scuffing present at its lower left corner.

Size: 56 x 70 cm (including frame)

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