Shop – Page 16 – The Discerning Palette

Showing 451–480 of 1363 results

Boathouse
$744.00
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A soothing and restful modernist style river landscape composition, executed in oil and dated 1971.

The composition presents a boat shed situated in lush greenery, and resting by a river where a boat is docked.

The use of a cool and earthy colour palette including shades of blue, green, and brown imbues the painting with a calming feel. Containing impressionist qualities, distinct painterly brushstrokes have been dabbed swiftly across the surface, beautifully capturing the nature landscape and transient conditions of reflection and rippling effect of the water.

This oil on canvas has been laid onto board, and is housed in a complementary wood frame with an inner linen border. The painting is in excellent vintage condition. A tiny sliver of the backing board is visible to the top right corner. There is age toning to the linen border, as well as light wear to some of the frame corners.

Size: 54 x 48 cm (including frame)

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Brass Picture Hook
$4.00
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Add a brass picture hook to your order for just £2. We’ll pop it in your parcel with your painting, saving you the hassle of going out to get one. The size of hook you receive will be based on the picture you have bought, and will be strong enough to support its weight. Nails are included.

These hooks can be used on drywall surfaces and wood, and are not to be used on glass or tile.

The hook and nails are re-usable and when removed will leave small pin holes in wall.

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Construction 2
$599.00
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This modernist ‘constructivist’ three dimensional work features cut out panels that have been painted in oil and assembled. The artist has used stripped down, geometric forms and modest materials. It is a fine example of technical mastery and the organisation of material. Here the role of the artist as ‘painter’ has been re-imagined – the artist is an engineer wielding tools instead of a painter holding a brush. The art has been ‘built’, rather than emerging from an expressive impulse or an academic tradition. As a result, the artwork is intriguing to explore from many angles, and would make a striking addition to any space.

Both artwork and frame are in excellent condition.

Size: 38 x 48 cm (including frame)

This painting matches perfectly with another piece by the same hand, and you can purchase them as a set here.

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Crisp
$573.00
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A captivating and serene winter landscape, executed in oil in 1998.

In this snow-filled composition, a lush forest is depicted beside a semi-frozen lake in the early morning of the day. The air is calm, as the reflection of the trees are beautifully cast on the still waters.

The artist has used a restrained palette comprising mellow shades of green, white and yellow; and together with the soft and light brushstrokes, the work evokes an overall sense of visual calm and tranquility.

This oil on canvas is housed in a silver frame. Both painting and frame are in excellent vintage condition.

Size: 46.5 x 54.5 cm (including frame)

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Abbey Remains

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A striking mid-century modernist painting that captures the elegance of the remains of a Gothic abbey, rendered in angular, abstracted forms, executed in oil onto board and dated 1955.

The artist has deconstructed the architecture into bold geometric shapes and intersecting planes, offering a stylised, almost cubist interpretation of the structure. The skeletal remains of arched windows, pointed gables, and weathered stone towers are set against a pale, faceted sky and softly undulating hills.

The palette is restrained yet evocative, with cool greys, browns, and muted greens dominating the composition. Subtle highlights of light blue and off-white suggest shifting daylight, lending a fragile luminosity to the scene. Thick, confident brushstrokes applied in mosaic-like patches give the surface a textured, tessellated effect, echoing the crumbling but enduring nature of the abbey itself.

This oil on board is housed in a beautiful distressed wood frame that pairs wonderfully with the painting. The painting is in excellent vintage condition, and the frame has minor scuffs.

Size: 33.5 x 43 cm (including frame)

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A Moment at Sea

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A serene and minimalist mid-century seascape that distils the vastness of the ocean into a moment of quiet contemplation, executed in oil onto canvas.

A single, small vessel floats gently across an expansive field of calm water, its presence subtle yet poetic against the open horizon. The composition is deliberately minimal, inviting the viewer to linger on atmosphere rather than narrative, and evoking a sense of solitude, balance, and slow passage of time.

Executed in a restrained modernist style characteristic of mid-century painting, the work favours simplicity of form and clarity of mood over detail. The palette is dominated by soft blue-green and grey tones, gently modulated to suggest shifting light across the sea’s surface. Muted earth hues anchor the lower edge, subtly grounding the composition.

The brushstrokes are smooth and controlled, with fine textural variations visible across the painted surface. Delicate tonal transitions create depth and movement within the otherwise tranquil plane of water, while the small, darker accents of the boat provide a quiet focal point. Altogether, the painting embodies the fascination with reduction, atmosphere, and the emotional power of understatement.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs present.

Size: 54 x 66 cm (including frame)

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Calm Coast

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A soothing mid-century coastal landscape that captures a quiet shoreline moment where 2 boats rest on pale sand as the tide gently recedes, executed in oil onto canvas and dated 1957.

The coastline curves softly into the distance, leading the eye toward low hills and a scattering of seaside buildings that dissolve into the hazy horizon. The composition balances stillness and movement: the grounded boats anchoring the foreground while the waterline sweeps gracefully along the shore.

Painted in a distinctly mid-century modern style, the work favours simplification over detail. Forms are reduced to broad planes and subtle contours, lending the scene a calm, contemplative rhythm. The palette is restrained and harmonious, with soft sands, muted sage and olive greens, and cool coastal blues, all gently warmed by blush and sandy undertones.

Brushstrokes are loose and expressive, applied in layered, painterly passages that create texture without heaviness. The surface retains a light, airy quality, with visible strokes lending a sense of immediacy and atmosphere. Overall, the painting evokes a serene coastal pause – timeless, understated, and deeply evocative of mid-century European seaside sensibilities.

This oil on canvas is housed in a well-suited wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

Size: 48 x 74 cm (including frame)

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Cubist Picnic

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A striking painting that presents a lively outdoor dining scene interpreted through a playful Cubist lens, executed in oil onto canvas and dated 1986.

Fragmented figures and objects – plates, cutlery, food, and bottles -are reassembled into a bold, geometric composition. Faces, limbs, and tableware overlap in dynamic angles, giving the impression of multiple perspectives unfolding simultaneously.

The palette is vibrant and saturated. Sharp contrasts of colour planes create rhythm and movement across the canvas, while the artist uses flat, angular brushstrokes to emphasise form over realism. Details like a patterned dish of food, a bottle of salt, and stylised trees in the background contribute to the sense of narrative within abstraction.

Executed in a flattened, semi-abstract style characteristic of Cubist and post-Cubist traditions, the work balances playful energy with structural harmony.

This oil on canvas is housed in a complementary gilt frame. The painting has a mark on its right side but this does not affect its overall attractiveness, and the frame has some small scuffs present.

Size: 71 x 64.5 cm (including frame)

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Figure by the Window

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An intimate mid-century figurative painting that captures a solitary figure absorbed in a quiet, domestic task, executed in oil onto canvas.

Positioned near a window, the figure leans forward with gentle concentration, their form partially silhouetted against a softly lit interior. The scene feels private and unguarded – a fleeting moment of everyday life observed without interruption.

Painted in a distinctly mid-century modern style, the composition balances figuration with loose abstraction. Architectural elements – the window frame, wall planes, and floor – are suggested rather than defined, creating a sense of space through colour blocks and shifting perspectives rather than strict linear depth.

The palette is restrained yet expressive, built from muted greens, soft yellows, warm creams, and earthy reds, with cooler blue-green tones anchoring the shadows. These colours subtly echo one another across the canvas, lending the work a harmonious, contemplative mood.

Brushstrokes are confident and textured, applied in short, directional strokes that remain clearly visible throughout. The paint handling prioritises movement and atmosphere over fine detail, allowing the figure to emerge organically from the surrounding space. This tactile surface and expressive restraint are hallmarks of mid-century figurative painting, where emotion and form are conveyed through colour, rhythm, and gesture rather than precision.

A quietly powerful work, this painting invites prolonged looking, revealing beauty in stillness, routine, and the poetry of ordinary moments.

This oil on canvas is is housed in a complementary wide-profiled gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs that is consistent with age.

Size: 71.5 x 67 cm (including frame)

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Hills in Reverie

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A mid-century modernist abstracted landscape that presents a serene pastoral vista distilled into rhythmic sweeps of colour and gesture, executed in oil onto canvas and dated 1965.

The composition evokes rolling countryside rendered not through precise detail, but through impressionistic suggestion – where a gently sloping hill rises confidently across the centre, its curved mass anchoring the scene. In the foreground, luminous yellow fields stretch outward in broad passages, while clusters of softly suggested shrubs and earth tones create quiet interruptions across the terrain. To the right, two tall, slender vertical forms- reminiscent of cypress trees – stand like sentinels, introducing a quiet architectural presence against the openness of the land. The sky recedes in soft atmospheric layers, suggesting a fleeting moment of warm light as day gives way to evening.

The style embodies the essence of mid-century modernist landscape abstraction, where form is simplified into essential shapes and expressive mark-making. Rather than striving for realism, the artist captures the emotional resonance of place. The sweeping, curved hill is rendered almost sculpturally, its mass built through confident, continuous strokes that emphasise movement and volume. There is a harmonious balance between abstraction and recognition – the landscape feels both real and remembered, filtered through sensation rather than observation.

The palette is fresh and uplifting, dominated by layered greens ranging from mint and sage to deeper emerald tones. These are complemented by glowing passages of buttery yellow and warm ochre in the foreground, suggesting sunlit grasses. The sky transitions through soft pale blues, creamy whites, and hints of peach and apricot near the horizon, introducing warmth and atmosphere.

The brushwork is expressive and tactile, with visible, painterly strokes applied with confidence and immediacy. Thick, sweeping gestures define the hills, while shorter, curved dabs suggest foliage and texture. The surface carries a lively energy, revealing the artist’s hand and the spontaneity of execution.

This oil on canvas is housed in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 47 x 57 cm (including frame)

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House Beyond the Green

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A quiet and serene mid-century landscape composition, executed in oil onto canvas.

The painting presents a small white house that sits partially hidden within dense, verdant foliage. Set back from the viewer and framed by trees, the dwelling feels both secluded and gently anchored to its surroundings. A band of water runs horizontally through the middle ground, separating the lush greens above from the warmer, earth-toned foreground, creating a subtle sense of depth and balance.

The style is distinctly mid-century in its simplification of forms and emphasis on mood over detail. Architectural elements are reduced to essential shapes, while the landscape is expressed through broad planes of colour rather than precise delineation. The composition feels calm and introspective, inviting the viewer to linger in the stillness of the scene.

The palette is rich yet harmonious: layered greens dominate the canvas, ranging from deep forest tones to lighter, almost luminous grassy hues. These are contrasted by a soft blue sky and water, which cool the composition, and a striking foreground of burnt orange and rust tones that adds warmth and visual weight.

Brushstrokes are loose and painterly, with visible texture throughout. The artist uses confident, gestural strokes to suggest foliage and ground, allowing colours to blend organically at their edges. This tactile surface quality enhances the sense of atmosphere and reinforces the painting’s expressive, mid-century character.

This oil on canvas is housed in a complementary silver frame. Both the painting and frame are in excellent vintage condition.

Size: 48.5 x 40 cm (including frame)

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Houses on the Horizon

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A soothing modernist painting that depicts a stylised horizon where three houses rest quietly in the distance, painted in oil onto board and dated 1970.

The scene is reduced to bold horizontal bands of colour, evoking the sweep of open fields, sky, and distant land. The houses appear as simplified, block-like forms – dark silhouettes accented with white and red – standing in quiet contrast against the rich layers of the landscape.

Executed in a modernist style, the work emphasises abstraction and rhythm over detail, distilling the essence of farmland into pure forms.

The brushwork is measured and horizontal, with deliberate layering that builds subtle depth while maintaining a calm and minimalist aesthetic. The simplicity of line and form imbues the painting with a contemplative, timeless quality.

This oil on canvas is presented in a complementary off-white painted frame. The painting is in excellent vintage condition, and the frame has small scuffs.

Size: 34 x 67 cm (including frame)

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Objects by the Window

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A striking and energetic mid-century expressionist style interior still life painting, executed in oil onto canvas.

A vibrant potted plant with red flowers as well as a lamp punctuates the center of the composition. These objects are placed on a table by a window that offers glimpses of muted exterior tones.

The piece is executed in an expressionist style – characterised by its bold, expressive brushstrokes and flattened perspective. The artist has used short, rhythmic strokes to define shapes and form, imbuing the work with dynamic energy.

The colour palette features a mix of muted warm tones including orange and pink. These shades add warmth and are complemented with earthy muted greens and browns. Overall the colours enhance the homely and inviting feel of the composition.

This oil on canvas is housed in a complementary frame with multiple profiles. The painting has some scattered craquelure present but paint layer is stable overall. The frame has some scuffing and wear but is in good condition overall.

Size: 67 x 59 cm (including frame)

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Pear & Pitcher

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An elegant mid-century still life composition that presents a pared-back arrangement of a single green pear alongside a white pitcher, executed in oil onto canvas.

The painting is striking in its simplicity, emphasising the quiet relationship between form, line, and negative space.

Painted in a restrained modernist style, the artist has used clean, confident brushstrokes and a limited palette of muted greys, soft blues, and creamy whites, punctuated by the fresh, vivid green of the pear. The play of shadow and light across the tabletop introduces subtle tonal variations, while the black accents on the pitcher handle and base lend contrast and visual rhythm.

The brushwork is deliberate yet unfussy – broad, smooth strokes for background and surface planes, and more defined, darker lines for the outlines and details. The result is a composition that feels at once minimal and contemplative.

This oil on canvas is housed in a complementary slim wood frame. Both painting and frame are in excellent vintage condition.

Size:39.5 x 47.5 cm (including frame)

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Sloth

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A contemporary painting depicting a sloth gently clinging to a curved tree branch, painted in oil on panel in a deliberately naïve style by British artist Matt Rix.

The figure is shown at rest, its rounded body and elongated limbs wrapped comfortably around the branch. A few stylised leaves float nearby, suggesting nature without defining a specific setting.

The style is intentionally naïve and pared back, with flattened forms and simplified anatomy that draw on folk art influences. The sloth’s softly expressive face adds warmth and approachability.

The colour palette is muted and harmonious. A pale blue-grey background creates a serene atmosphere, while warm brown tones define the sloth and branch. Soft olive greens appear in the leaves, providing gentle contrast without disrupting the overall calm.

Brushstrokes are smooth and controlled with a matte finish, emphasising shape and line over texture. The overall effect is tranquil and subtly whimsical, capturing a moment of rest and balance that feels both tender and contemplative.

This oil on board is housed in a black painted wood frame . Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

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Size: 51.5 x 36 cm (including frame)

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The Meeting

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A large and evocative mid-century figurative composition that depicts a group of seated figures gathered around a long white table, executed in oil onto canvas.

The figures’ forms have been rendered in simplified, almost sculptural blocks of colour. The figures, distinguished by subtle variations in hair colour, posture, and attire are shown in quiet communion, while a standing figure at the head of the table adds a sense of hierarchy or occasion.

The artist has adopted a distinctly modernist approach: the scene is pared back to its essential geometry, the narrative implied rather than explicit. The palette is warm yet restrained, with browns, blacks, and muted greens dominating against a rich golden background that imbues the work with both warmth and gravitas. The surface bears visible, expressive brushstrokes, creating a tactile sense of movement and texture.

The overall effect is one of quiet introspection: a timeless study of human gathering, presence, and form.

This oil on canvases is housed in very well suited wood and gilt frame.

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Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Waiting at the Door

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A soothing mid-century painting that captures a quiet residential moment, executed in oil onto canvas.

A composition centres on a modest house set behind a picket fence, with a gently curving road leading the eye into the distance. A solitary figure stands in the doorway, rendered with deliberate ambiguity, lending the scene a subtle narrative tension: part welcome, part pause.

The composition is deceptively simple yet carefully balanced, with strong geometric forms anchoring the house while softer, organic shapes emerge in the surrounding greenery. In the background, distant buildings dissolve into muted silhouettes, reinforcing a sense of calm isolation

The palette is restrained and harmonious, dominated by soft greens, light blues, pale sage, and warm earthy browns. Hints of muted red at the doorway provide a quiet focal point, adding warmth and human presence without overpowering the composition.

Brushstrokes are loose and expressive. Paint is applied with confidence – broad, visible strokes define architectural planes, while lighter, more rhythmic marks suggest foliage and fencing. The surface retains a tactile quality, allowing the hand of the artist to remain present throughout.

This oil on canvas is is housed in a complementary slim wood frame. Both the painting and frame are in excellent vintage condition.

Size: 50 x 74.5 cm (including frame)

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Winter Skyline

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A nostalgic and subdued modernist cityscape that captures the quiet hush of a snow-blanketed town beneath a pale winter sky, executed in oil onto canvas and dated 1970.

The composition presents an elevated perspective over a geometric spread of rooftops, their forms simplified into broad, angular planes. The steeple of a distant monument anchors the skyline, rising into a misty atmosphere that suggests early morning or dusk.

Rendered in oil, the artist has used a restrained, muted palette dominated by subdued shades of blues, purples, yellows, and reds. The snow is suggested by broad swathes of white and pale grey, while buildings emerge in solid, shadowy blocks, conveying mass and volume without intricate detail. The brushstrokes are confident, reinforcing the architectural rigidity of the scene.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has scuffing present at its lower left corner.

Size: 56 x 70 cm (including frame)

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At the Farm

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An excellent mid century modernist landscape composition, painted in oil onto board.

This expressionist piece features broad, gestural sweeping brushstrokes in warm and rich colours. The paint has been applied thickly, creating areas of impasto and giving this composition its painterly effect. The artist has captured the charm of the old farm house – its rust coloured palette and expressionist brushstrokes lend a rustic effect to the painting. This is enhanced by the distressed frame which adds to its lovely vintage charm.

This oil on board is housed in an outstanding distressed frame. Both the painting and frame are in excellent vintage condition.

Size: 47 x 76 cm (including frame)

The pot seen in the photos is also available to purchase and details can be viewed here.

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Autumn Foothills

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An atmospheric modernist landscape that presents a luminous autumn scene, executed in oil onto canvas and dated 1972.

A broad sweep of golden aspens stretches across the foreground, punctuated by soft sage greens and warm earthen tones. Low rocky forms and russet soil anchor the composition at the front, leading the eye gently toward layered foothills and distant mountains rendered in cool blues, greys, and muted slate hues. The result is a tranquil, balanced view that feels both expansive and intimate.

Modernist in its ethos, the painting emphasises simplified shapes, clear colour relationships, and an expressive rather than literal interpretation of nature. The landscape is structured in horizontal bands, giving the composition a calm, grounded rhythm, while loosely defined trees introduce vertical movement and visual interest.

The palette is distinctly autumnal yet restrained – mustard yellow, brown, pale olive, and soft rust contrast beautifully with the atmospheric blues of the mountains and sky. These tonal shifts create depth while maintaining an overall harmony that is soothing and timeless.

Brushwork is confident and tactile, with broad, painterly strokes and visible layering throughout. The foliage is built up with dabs and patches of colour, allowing the canvas texture to remain subtly present, while the mountains are handled with smoother, blended strokes that recede quietly into the background. Altogether, the painting carries a sense of ease and warmth, making it a classic and inviting example of mid-century landscape painting.

This oil on canvas is is housed in a complementary wood frame with an inner white border. The painting is in excellent vintage condition, and the frame has some marks to its inner section that is consistent with age.

Size: 47 x 72 cm (including frame)

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Ceremony of Colour

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A striking mid-century abstract figurative painting that depicts a rhythmic procession of five women walking across an open, sun-washed landscape, painted in oil onto canvas by the established Swedish female artist Brita Hansson (1918-1979).

Each figure balances a vessel upon her head, their elongated forms moving in quiet unison against a soft expanse of sky and sand. Though simplified and abstracted, the figures retain a powerful presence.

Rendered in a distinctly modernist style, the composition balances figuration with abstraction. The bodies are constructed from bold, angular planes of colour rather than detailed anatomy, creating a dynamic interplay between structure and spontaneity. The negative space of pale blue sky and creamy earth provides a serene backdrop that allows the vibrant figures to command attention.

The palette is rich and saturated, featuring vivid oranges, fiery reds, cobalt blues, emerald greens, and deep purples. These colours are layered and juxtaposed in expressive blocks, giving each figure a unique visual rhythm while maintaining overall harmony. The contrast between the warm garments and the cool sky enhances the painting’s luminosity and depth.

Brushwork is energetic and confident. Broad, gestural strokes define the drapery and movement of fabric, while thicker applications of paint create texture and dimension across the figures’ garments. The artist has allowed edges to remain loose and painterly, with visible layering and occasional scumbling that adds vitality to the surface. The simplified faces and silhouetted profiles further emphasise form, colour, and movement over detail.

Overall, the painting embodies the bold spirit of mid-century abstraction, celebrating colour, gesture, and human form in a composition that feels expressive.

This oil on canvas is housed in a complementary champagne wood frame. Both the painting and frame are in excellent vintage condition.

Size: 52 x 79 cm (including frame)

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Cottages by the Coast

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A serene mid-century coastal landscape composition, painted in oil onto board by the established Swedish artist Richard Björklund (1897–1974), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Malmo Museum, Ystads Art Museum, and others.

this painting captures a cluster of whitewashed houses with red roofs nestled amongst greenery, leading down toward the open expanse of sea. A winding sandy path moves through the centre of the scene, guiding the viewer’s eye from the foreground village to the calm water and distant headlands on the horizon.

Executed in a modernist mid-century style, the artist has reduced forms to bold, simplified shapes, giving the scene a structured yet tranquil quality. The emphasis is on composition and tonal balance rather than fine detail.

The colour palette is harmonious with soft greys and muted blues dominating the sky and water. Deep greens define the trees and foliage, offset by creamy whites of the buildings and the warm terracotta and russet hues of the roofs.

The brushwork is broad, flat, and assured, with blocks of colour laid down in an almost geometric manner. Visible, textured strokes lend energy and tactility to the surface, while the overall handling reinforces the sense of quiet order and calm in the scene.

This oil on board is housed in a complementary gilt frame with an inner linen border. Both the painting and frame are in excellent vintage condition.

Size: 44.5 x 52 cm (including frame)

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Dittisham from the Dart

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An excellently executed coastal composition, painted in oil onto board.

In the foreground, the water shimmers in shades of turquoise, blue, and green, touched with subtle reflections of light and colour. A tall, thin red navigation marker rises from the water, its reflection stretching below, providing a striking focal point against the cool palette.

In the distance, a line of sailboats and small vessels rests calmly on the water, their masts pointing upwards and adding rhythm to the horizon. Behind them, lush, rolling green hills dominate the backdrop, with scattered white cottages nestled among the trees, suggesting a peaceful village setting. The sky is painted in muted pastel tones, capturing a soft morning or evening light, which enhances the calm and contemplative mood of the scene.

The overall effect is both idyllic and refreshing, a celebration of the quiet beauty of coastal life. The brushwork balances realism with painterly looseness, inviting the viewer to linger on the surface textures and the soothing interplay of colours.

This oil on board is presented in a very well crafted frame with a layered profile and gilded edges. The painting is in excellent vintage condition, and the frame has some scuffing present.

Size: 49.5 x 59 cm (including frame)

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Figures by the Shore

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A mid-century figurative painting depicts a group of figures walking side by side through a quiet coastal village, executed in oil onto canvas.

The suggestion of the sea can be seen in the background, framed by simple geometric rooftops and houses rendered in muted tones. The figures appear almost sculpted from the paint itself, evoking a sense of companionship.

Executed in an expressive modernist style, the artist has used broad brushstrokes and thick impasto to build texture and depth. The palette is dominated by cool greys, muted blues, soft creams, and earthy neutrals, creating a subdued yet harmonious composition. The simplified forms and blurred facial features lend the work an introspective and contemplative atmosphere, placing emphasis on mood and structure over detail.

This oil on canvas is housed in a complementary wood floater frame. The painting is in excellent vintage condition, and the frame has a small mark at its top right corner but this does not detract from its overall attractiveness.

Size: 41.5 x 49.5 cm (including frame)

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Fishing Trawler in Black

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A characterful naïve style contemporary painting depicting a fishing trawler moving steadily across softly cresting waters, executed in oil onto panel by British artist Matt Rix.

The vessel sits confidently against a muted sky, its twin russet sails raised and a pale plume of smoke drifting from the central funnel. The scene feels both purposeful and serene – a working boat captured in a moment of quiet passage.

Rendered in a distinctive naïve style, the composition embraces flattened perspective and simplified geometry. The trawler is reduced to bold, clearly defined shapes, with rigging drawn in fine linear accents and the hull marked crisply with its identification number. The sea is arranged in rhythmic horizontal bands, suggesting motion without disrupting the calm symmetry of the composition.

The palette is restrained and harmonious. The deep black hull is offset by a clean cream stripe, while the warm, earthy brown sails introduce richness and balance. Cool maritime blues define the water, layered in soft tonal shifts with pale white highlights tracing the wave crests. The sky is painted in chalky greys, punctuated by gently stylised clouds that enhance the painting’s storybook charm.

Brushwork is smooth and deliberate, with flat, even applications of colour strengthening the graphic clarity of the vessel. Subtle texture is visible in the sky and sea, adding quiet depth while maintaining the work’s decorative simplicity.

This oil on board is presented in a dark wooden frame with a inner gilt border. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 31.5 x 37.5 (including frame)

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Fishing Trawler in Green

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A charming naïve style contemporary painting depicting a green fishing trawler navigating softly rolling seas, executed in oil onto panel by British artist Matt Rix.

The vessel cuts a steady horizontal line across the composition, its upright mast, taut rigging and gently billowing sail lending a quiet sense of purpose and movement. A plume of pale smoke rises from the red funnel, drifting into a softly clouded sky.

Rendered in a characteristically naïve style, the painting embraces flattened perspective and simplified geometry. The boat is presented in clean profile, its forms reduced to essential shapes and crisp outlines. Proportion and detail are intentionally pared back, allowing the bold silhouette and balanced composition to take precedence over realism.

The palette is both restrained and striking. The hull’s rich green contrasts beautifully against the cool, powdery blues of the sea. The funnel’s deep red, accented with cream and black bands, introduces warmth and graphic punch, echoed in the earthy brown sail and cabin details. The sky is painted in muted, chalky neutrals, enhancing the maritime calm.

Brushwork is smooth and controlled, with flat areas of even colour defining the vessel. The water is animated by rhythmic, horizontal strokes and white crests that suggest gentle motion without disrupting the painting’s serene tone.

This oil on board is presented in a wood frame with an inner gilt border. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 29 x 37.5 cm (including frame)

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Folk Musicians

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A lively 20th century figurative painting that depicts a spirited gathering of musicians arranged in a tiered composition, executed in oil onto canvas and dated 1969.

Each figure absorbed in the act of playing: violins are lifted mid-bow, a guitarist anchors the right side, and smaller figures stand poised with wind instruments, creating the sense of a communal folk performance. The central foreground figure, hands planted confidently on hips and dressed in a patterned skirt and vest, acts as both visual anchor and quiet conductor of the scene.

Simplified, elongated forms with minimal facial detail lend the work a universal, almost archetypal quality. The figures are stylised rather than portrait-like, with flattened planes and a compressed sense of space that brings the entire ensemble forward toward the viewer. There is a naïve-modernist charm in the proportions and arrangement, yet the composition is carefully balanced, with vertical instrument necks and angled bows creating rhythm across the canvas.

The colour palette is warm and earthy, grounded in greens and muted browns, punctuated by vibrant notes of mustard yellow, teal blue, red and burnt orange. These contrasting garments give each musician individuality while harmonising within the overall composition.

Brushstrokes are confident and expressive. Paint is applied in visible, textured strokes – particularly in the clothing and instruments – adding movement and energy to the scene. The background is softly blended but remains painterly, allowing the figures to stand forward in bold, gestural definition. The overall effect is celebratory and rhythmic, capturing not just a group of musicians, but the collective spirit of shared music-making.

This oil on canvas is housed in a complementary hessian lined wood frame. The painting is in excellent vintage condition, and the frame has some scuffs.

Size: 52 x 40 cm (including frame)

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Greyhound with Yellow Collar

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A brilliantly executed and very endearing canine composition of a greyhound, painted in a naïve style in oil onto panel by British artist Matt Rix.

The sleek brown dog is depicted reclining elegantly on a flat green field, its elongated body and arched back capturing the breed’s natural poise and elegance. A bright yellow collar adds a touch of vibrancy, standing out against the dog’s smooth, earthy coat.

The background is simple and restrained: a pale grey sky with soft, stylized clouds and a few rounded green shrubs, which frame the composition without distracting from the central subject. The muted, balanced colour palette keeps the focus on the dog’s refined form.

This oil on board is housed in a wide profile dark wood frame. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 34 x 39.5 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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King Charles Spaniel

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A very endearing and engaging canine composition of a King Charles Spaniel, painted in a naïve style in oil onto panel by British artist Matt Rix.

The dog stands in a profile pose on a simple green hillside, with a muted grey sky and soft white clouds drifting overhead. Its long, silky coat is rendered in warm brown and creamy white, with carefully painted details in the fur that give it texture and character.

The spaniel wears a red collar with a gold buckle, adding a touch of brightness and personality to the composition. The dog’s wide, round eyes and symmetrical face create an endearing, almost human-like expression—both attentive and gentle.

This oil on board is housed in a dark brown frame. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 33 x 43 cm (including frame)

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Magpies

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A beautifully crafted Flemish tapestry artwork, dated 1973.

The scene shows four magpies with striking blue tails and wing accents, positioned in different poses: perched, looking around, interacting with the space. Their expressive shapes are simplified yet recognisable, lending the piece a folk-art charm.

The work is done in a flat-woven tapestry technique, typical of traditional Flemish weaving where imagery is built from coloured yarns rather than painted or embroidered. The design is graphic and pattern-based, with clear outlines and a strong sense of rhythm in the repeated branches and birds.

The tapestry is stretched within a wooden frame using visible cord lacing, emphasising its handcrafted nature. The frame is made from smooth, light-toned wood with dowel joints and rounded edges, giving it a rustic, functional elegance that enhances the folk-art feel.

The tapestry and frame is in excellent vintage condition.

Size: 54 x 56 cm (including frame)

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