Mini Still Lifes – The Discerning Palette

Showing 1–30 of 43 results

Knives and Forks No.1
£480
Available

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Bristol-based artist Brendan Lancaster finds interest in the most ordinary of subjects. In his Knives and Forks series, familiar pieces of cutlery become an exploration of composition, colour and the relationships between objects. Lancaster carefully arranges pieces collected from home and second-hand shops, experimenting with the way they point towards or away from one another and the shapes created in the spaces between them. Despite their simplicity, these small arrangements have a surprising sense of drama — a knife leaning towards a fork can suddenly feel like two characters in conversation.

Colour is equally important. Lancaster works within a beautifully restrained range of earthy browns, creams and neutrals, paying particular attention to tiny shifts between warmer and cooler tones and to what he calls the “edge” of colour — the point where one colour meets another. Rather than creating hard, precise boundaries, he layers and reworks the paint to produce softer edges, an effect enhanced in several works by the wonderfully tactile surface of hessian. The small scale is deliberate too: these are paintings intended to draw you in rather than shout for attention, leaving enough space around the objects for the viewer to slow down, notice the light and colour, and find something unexpectedly contemplative in the everyday.

This painted has been executed in oil onto hessian canvas, and is beautifully presented in a dark wood veneer tray frame. Both painting and frame are in excellent condition.

To view more paintings in this series, click here.

Size: 35.5 x 28.5 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Knives and Forks No.2
£480
Available

Free shipping to UK, Europe and Singapore.

Bristol-based artist Brendan Lancaster finds interest in the most ordinary of subjects. In his Knives and Forks series, familiar pieces of cutlery become an exploration of composition, colour and the relationships between objects. Lancaster carefully arranges pieces collected from home and second-hand shops, experimenting with the way they point towards or away from one another and the shapes created in the spaces between them. Despite their simplicity, these small arrangements have a surprising sense of drama — a knife leaning towards a fork can suddenly feel like two characters in conversation.

Colour is equally important. Lancaster works within a beautifully restrained range of earthy browns, creams and neutrals, paying particular attention to tiny shifts between warmer and cooler tones and to what he calls the “edge” of colour — the point where one colour meets another. Rather than creating hard, precise boundaries, he layers and reworks the paint to produce softer edges, an effect enhanced in several works by the wonderfully tactile surface of hessian. The small scale is deliberate too: these are paintings intended to draw you in rather than shout for attention, leaving enough space around the objects for the viewer to slow down, notice the light and colour, and find something unexpectedly contemplative in the everyday.

This painted has been executed in oil onto hessian canvas, and is beautifully presented in a dark wood veneer tray frame. Both painting and frame are in excellent condition.

To view more paintings in this series, click here.

Size: 28 X 36 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Knives and Forks No.3
£450
Available

Free shipping to UK, Europe and Singapore.

Bristol-based artist Brendan Lancaster finds interest in the most ordinary of subjects. In his Knives and Forks series, familiar pieces of cutlery become an exploration of composition, colour and the relationships between objects. Lancaster carefully arranges pieces collected from home and second-hand shops, experimenting with the way they point towards or away from one another and the shapes created in the spaces between them. Despite their simplicity, these small arrangements have a surprising sense of drama — a knife leaning towards a fork can suddenly feel like two characters in conversation.

Colour is equally important. Lancaster works within a beautifully restrained range of earthy browns, creams and neutrals, paying particular attention to tiny shifts between warmer and cooler tones and to what he calls the “edge” of colour — the point where one colour meets another. Rather than creating hard, precise boundaries, he layers and reworks the paint to produce softer edges, an effect enhanced in several works by the wonderfully tactile surface of hessian. The small scale is deliberate too: these are paintings intended to draw you in rather than shout for attention, leaving enough space around the objects for the viewer to slow down, notice the light and colour, and find something unexpectedly contemplative in the everyday.

This painted has been executed in oil onto hessian canvas, and is unframed but can be hung as is. The painting is in excellent condition.

To view more paintings in this series, click here.

Size: 30 x 42.5cm

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Knives and Forks No.4
£320
Available

Free shipping to UK, Europe and Singapore.

Bristol-based artist Brendan Lancaster finds interest in the most ordinary of subjects. In his Knives and Forks series, familiar pieces of cutlery become an exploration of composition, colour and the relationships between objects. Lancaster carefully arranges pieces collected from home and second-hand shops, experimenting with the way they point towards or away from one another and the shapes created in the spaces between them. Despite their simplicity, these small arrangements have a surprising sense of drama — a knife leaning towards a fork can suddenly feel like two characters in conversation.

Painted on unframed canvas, these works have a slightly sharper, more precise quality than Lancaster’s works on hessian, while still retaining the quietness that characterises the series. His beautifully restrained palette of earthy browns, creams and neutrals makes tiny shifts in colour all the more noticeable. He pays particular attention to warmer and cooler tones and to what he calls the “edge” of colour — the point where one colour meets another — repeatedly adjusting and layering paint until the relationship feels just right. Their intimate scale is deliberate: rather than demanding attention from across a room, these are paintings that reward looking closely, encouraging us to slow down and find something unexpectedly beautiful in the most familiar everyday objects.

This oil on canvas is in excellent condition.

To view more paintings in this series, click here.

Size: 30.5 x 20.5 cm

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Knives and Forks No.5
£450
Available

Free shipping to UK, Europe and Singapore.

Bristol-based artist Brendan Lancaster finds interest in the most ordinary of subjects. In his Knives and Forks series, familiar pieces of cutlery become an exploration of composition, colour and the relationships between objects. Lancaster carefully arranges pieces collected from home and second-hand shops, experimenting with the way they point towards or away from one another and the shapes created in the spaces between them. Despite their simplicity, these small arrangements have a surprising sense of drama — a knife leaning towards a fork can suddenly feel like two characters in conversation.

Colour is equally important. Lancaster works within a beautifully restrained range of earthy browns, creams and neutrals, paying particular attention to tiny shifts between warmer and cooler tones and to what he calls the “edge” of colour — the point where one colour meets another. Rather than creating hard, precise boundaries, he layers and reworks the paint to produce softer edges, an effect enhanced in several works by the wonderfully tactile surface of hessian. The small scale is deliberate too: these are paintings intended to draw you in rather than shout for attention, leaving enough space around the objects for the viewer to slow down, notice the light and colour, and find something unexpectedly contemplative in the everyday.

This painted has been executed in oil onto hessian canvas, and is beautifully presented in a dark wood veneer tray frame. Both painting and frame are in excellent condition.

To view more paintings in this series, click here.

Size: 31 x 26.5 cm

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Knives and Forks No.6
£300
Available

Free shipping to UK, Europe and Singapore.

Bristol-based artist Brendan Lancaster finds interest in the most ordinary of subjects. In his Knives and Forks series, familiar pieces of cutlery become an exploration of composition, colour and the relationships between objects. Lancaster carefully arranges pieces collected from home and second-hand shops, experimenting with the way they point towards or away from one another and the shapes created in the spaces between them. Despite their simplicity, these small arrangements have a surprising sense of drama — a knife leaning towards a fork can suddenly feel like two characters in conversation.

Painted on unframed canvas, these works have a slightly sharper, more precise quality than Lancaster’s works on hessian, while still retaining the quietness that characterises the series. His beautifully restrained palette of earthy browns, creams and neutrals makes tiny shifts in colour all the more noticeable. He pays particular attention to warmer and cooler tones and to what he calls the “edge” of colour — the point where one colour meets another — repeatedly adjusting and layering paint until the relationship feels just right. Their intimate scale is deliberate: rather than demanding attention from across a room, these are paintings that reward looking closely, encouraging us to slow down and find something unexpectedly beautiful in the most familiar everyday objects.

This oil on canvas is in excellent condition.

To view more paintings in this series, click here.

Size: 28 x 20.5 cm

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Cake & Blooms
£415
Available

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This interior oil composition, dated 1991 on reverse, is an inviting and charming still-life painting that embodies the warmth and elegance of a cosy domestic setting..

The central focus is on a beautifully decorated table with a cake topped with strawberries, and 2 tea sets with intricate patterns. To the right, a vase is filled with an abundant bouquet of vibrant flowers, and in the background, a window with potted plants on its sill reveals a glimpse of lush greenery in the outdoors.

The brushstrokes are lightly textured and expressive, particularly in the flowers and cake, lending a sense of movement and liveliness.

The colour palette is rich and vibrant, dominated by hues of pink, red, blue, and green. The interplay of these colours creates a harmonious and cheerful atmosphere.

This oil on board is housed in a well-suited wood frame. Both the painting and frame are in excellent vintage condition.

Size: 35 x 30 cm (including frame)

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Variegated Poppy
£40
Available

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This 1970s textile artwork is a charming handwoven tapestry featuring a single red poppy, rendered with the clarity and simplicity characteristic of Scandinavian modern-folk design.

The elongated vertical format gives the composition an elegant, almost poetic presence. Rising gracefully from the base, a slender green stem branches into an open poppy blossom at the top — its rich red petals softly variegated in tone, with a dark central core lending definition and depth. Beside it, a small, unopened bud bends tenderly, adding a note of natural rhythm and gentle asymmetry.

The flower stands against a subtly textured neutral background woven in pale greys and off-whites, creating a calm backdrop that enhances the vividness of the red and green. A fine yellow border runs along the edges, giving the tapestry a touch of warmth and framing the design with understated precision.

This vintage tapestry remains in very good condition. It is mounted onto board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

Size: 28 x 9.5 cm

To view more vintage textiles in our collection, click here. The rug clamps as seen in this photo will be removed before delivery. If you would like to purchase these bronze clamps you can do so here.

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Pear Arrangement
£945
Available

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A charming and characterful interior still life composition executed in tempera on board and dated 1978, by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

Small yet very effective in its composition, this still life presents a carefully arranged grouping of pears, a ceramic vessel, and a jug rendered with clarity, charm, and a distinctly modern sensibility. The composition centres on two luminous green pears nestled in a scalloped turquoise bowl, accompanied by a fourth pear in the foreground and a halved pear resting nearby. To the right, a sculptural brown jug anchors the scene with a grounded solidity, while a single stylised leaf rises elegantly from a pear against a radiant golden backdrop, dotted with rhythmic points of light.

The artist has employed a flattened perspective, where spatial depth is secondary to shape, balance, and decorative harmony. Forms are simplified into bold silhouettes and geometric masses, giving each object a sculptural presence. The background is thoughtfully divided into zones of warm gold, soft neutral tones, and rich terracotta red, creating a structured yet lively interplay between colour fields.

The palette is vibrant yet controlled, featuring fresh green pears contrasted against a warm, earthy table surface and a glowing mustard-gold backdrop. The cool turquoise of the bowl provides a refreshing counterpoint, while the deep brown jug introduces tonal weight and balance. The dotted golden background adds a playful, almost textile-like quality, enhancing the painting’s decorative appeal.

Executed in tempera, the brushwork is smooth and precise, with a matte, velvety surface typical of the medium. Edges are clean and deliberate, emphasising contour and form rather than painterly gesture. Subtle tonal variations within the pears and jug provide volume without disrupting the overall graphic clarity. The result is a work that feels both intimate and confidently composed – celebrating everyday objects through the lens of mid-century design, where simplicity, colour, and form coexist in harmonious balance.

This tempera on board is presented in a beautifully complementary gilt frame with a deep profile, and with a striking green velvet inner border that creates a strong visual contrast. The painting is in excellent vintage condition, and the frame has some marks present to its top edge as shown.

Size: 33 x 38 cm (including frame)

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Buds Against Blue I
£45
Available

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This 1970s textile artwork is a beautifully handwoven tapestry depicting a stylised still life of flowers in a jug — a subject deeply rooted in Scandinavian folk and modernist traditions, interpreted here with bold simplicity and a painterly sense of form.

A light blue jug with sweeping, fluid curves anchors the composition, its elongated handle and spout rendered with sculptural elegance. From it rises a lively arrangement of green leaves and yellow buds, their shapes softly abstracted and harmoniously layered. The artist’s use of tonal greens — from olive to mint — against touches of ochre and white creates a balanced rhythm of light and movement.

The background is a deep, velvety navy that enhances the vibrancy of the floral forms, bordered by a rich teal frame that adds structure while maintaining a sense of softness. The initials “LW” woven subtly into the lower left corner suggest the maker’s personal touch, adding to the tapestry’s charm and individuality.

Executed with refined craftsmanship and a keen eye for colour harmony, this piece exemplifies 1970s Scandinavian textile art — where natural motifs, handwoven tactility, and modern abstraction coexist beautifully.

Elegant yet homely, it captures the quiet poetry of everyday life — turning a simple vase of flowers into a timeless composition of texture, colour, and warmth.

This vintage tapestry remains in very good condition. It is mounted onto board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

Size: 24 x 11 cm

To view more vintage textiles in our collection, click here.

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Buds Against Blue II
£45
Available

Free shipping to UK, Europe and Singapore.

This 1970s textile artwork is a beautifully handwoven tapestry depicting a stylised still life of flowers in a jug — a subject deeply rooted in Scandinavian folk and modernist traditions, interpreted here with bold simplicity and a painterly sense of form.

A light blue jug with sweeping, fluid curves anchors the composition, its elongated handle and spout rendered with sculptural elegance. From it rises a lively arrangement of green leaves and yellow buds, their shapes softly abstracted and harmoniously layered. The artist’s use of tonal greens — from olive to mint — against touches of ochre and white creates a balanced rhythm of light and movement.

The background is a deep, velvety navy that enhances the vibrancy of the floral forms, bordered by a rich teal frame that adds structure while maintaining a sense of softness. The initials “LW” woven subtly into the lower left corner suggest the maker’s personal touch, adding to the tapestry’s charm and individuality.

Executed with refined craftsmanship and a keen eye for colour harmony, this piece exemplifies 1970s Scandinavian textile art — where natural motifs, handwoven tactility, and modern abstraction coexist beautifully.

Elegant yet homely, it captures the quiet poetry of everyday life — turning a simple vase of flowers into a timeless composition of texture, colour, and warmth.

This vintage tapestry remains in very good condition. It is mounted onto board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

Size: 22.5 x 10 cm

To view more vintage textiles in our collection, click here.

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Wildflowers
£45
Available

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This 1970s textile artwork is a delicately handwoven tapestry depicting a bouquet of wildflowers rendered in a charmingly naïve yet expressive style.

Set against a soft sky-blue background, the composition features a lively arrangement of blooms — bright red, golden yellow, violet, and deep blue — emerging from fine green stems and leaves. The flowers vary in size and orientation, creating a natural sense of movement as though freshly gathered from a meadow. The stems subtly twist and overlap, giving the piece a graceful, organic rhythm.

The tapestry is bordered by a simple dark brown edge, which frames the scene and contrasts gently with the pale background. Mounted on a neutral linen base, the overall presentation feels both rustic and refined, characteristic of Scandinavian or Northern European textile design from the period.

The handwoven texture adds a tactile warmth to the piece, with each coloured thread contributing to the impression of a lovingly crafted, one-of-a-kind artwork.

Balancing simplicity and elegance, this piece captures the essence of 1970s modern folk art — a celebration of nature through stylised form and harmonious colour, evoking a quiet, nostalgic beauty that remains timeless.

This vintage tapestry remains in very good condition. It is mounted onto fabric lined board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

Size: 24.5 x 14 cm

To view more vintage textiles in our collection, click here. The rug clamps as seen in this photo will be removed before delivery. If you would like to purchase these bronze clamps you can do so here.

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Poppy
£40
Available

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This 1970s textile artwork is a graceful handwoven tapestry depicting a single red poppy in bloom — a simple yet striking celebration of natural beauty, rendered in the understated modern-folk style typical of Scandinavian textile art from the era.

The tall, vertical composition enhances the elegance of the subject: a slender green stem rises confidently from the bottom edge, supporting a vibrant red flower with delicate gradations of crimson, orange, and coral. The poppy’s dark centre provides a point of contrast and visual depth, while a smaller, unopened bud gently bends alongside, adding a sense of life and continuity.

The background is a soft, heathered mix of greys and creams, creating a tactile neutral surface that allows the colours of the flower to stand out vividly. A subtle yellow inner border frames the design, drawing the eye inward and giving the piece a quiet, sunlit warmth. Mounted on a pale linen base, the presentation feels both modern and organic.

The overall effect is serene and timeless — a study in restraint and harmony. Each woven thread contributes to the tapestry’s handmade charm, where simplicity of form and richness of texture coexist beautifully.

This work encapsulates the spirit of 1970s Nordic design: nature-inspired, soulful, and crafted with a deep respect for the tactile poetry of the woven medium.

This vintage tapestry remains in very good condition. It is mounted onto fabric lined board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

Size: 33 x 11 cm

To view more vintage textiles in our collection, click here.

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Cherries
£160
Available

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This is a round oil painting on canvas board featuring a scattered arrangement of deep red cherries. The cherries are depicted with a realistic yet painterly touch, capturing their glossy surfaces and rich colour. Each cherry is slightly different in shape and orientation, adding a natural, dynamic feel to the composition. Light blue and purple shadows beneath the cherries enhance their three-dimensionality and give the painting a cool undertone against the warm, neutral background. The canvas board itself is circular, adding a unique and modern touch to the otherwise classic still-life composition.

This painting is unframed but can be hung as is. It is in excellent condition.

Size: 20 x 20 cm (including frame)

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Grapes & Pears
£1,000
Available

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A brilliantly executed and charming surrealist still life composition, executed in tempera on board and dated 1975, by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

The composition features a golden-brown pitcher placed centrally on a white cloth, flanked by a whole pear, a sliced pear revealing seeds and subtle gradients, and a tight cluster of purple grapes. A single green leaf adds a note of dynamism, curving gently toward the top of the board.

Inviting viewers to revel in the simple beauty of everyday objects, the artist masterfully captures the essence of each form through his meticulous brushwork and keen attention to detail, as well as by simplifying the objects into bold, flat shapes.

The palette is earthy yet vibrant: greens, deep purples, and rich browns dominate, balanced by creamy whites and subtle touches of mustard and blue-grey in the patterned background. This controlled colour harmony enhances the work’s visual cohesion and vintage charm.

The brushwork is smooth and deliberate, with an even application of paint. The artist has prioritised form and contour over painterly expression, lending the work a clean, almost printed quality.

This tempera on board is housed in a complementary silver frame with an inner linen border. Both painting and frame are in excellent vintage condition.

Size: 28.5 x 34 cm (including frame)

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Cup Collective
£350
Available

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A contemporary still life painting that presents a playful arrangement of cups, each uniquely patterned and simplified into bold, graphic silhouettes, painted by British artist Annemarie Derrick in 2025.

The composition features eight cups and mugs, neatly arranged in a grid, their individuality revealed through distinct decorative motifs – spots, stripes, florals, and sunburst designs.

The style is characteristically contemporary with a nod to mid-century design sensibilities, balancing minimalism with whimsy. Executed in a muted palette of greys, creams, and whites, the work is enriched by subtle terracotta accents along the handles and outlines, lending warmth to the restrained tones. The background is painted in a flat, earthy grey that allows the cups to stand forward with quiet presence.

The brushwork is confidently loose and textural, with visible strokes that add depth and tactility to the surface while retaining an intentionally naïve, hand-drawn charm. The simplicity of form and repetition creates a sense of rhythm and order, while the variety of decoration introduces individuality and delight.

This painting is on cradled wooden panel and is presented in a white wooden floating frame. Both painting and frame are in excellent condition.

To view the other paintings in this series, please click here.

Size: 34 x 34 cm (including frame)

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Sunny Cup
£315
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A striking contemporary still life painting that transforms the simplicity of everyday objects into an elegant study of form and balance, by British artist Annemarie Derrick and painted in 2025.

A tall jug, a short cup, a chalice-like cup with a simple sun motif, and a spoon are rendered with clarity and restraint against a muted, structured backdrop.

Rendered in a naïve style, the painting captures stillness and poise. The restrained palette of soft greys, creams, and earthy neutrals brings a timeless quality, while the fine black outlines and deliberate brushwork lend both clarity and texture. The acrylic surface carries a tactile richness, with subtle variations in tone and brushstroke adding depth to the otherwise minimal arrangement.

This acrylic painting is mounted a white wooden floating frame. There is a very tiny area of white on the taller jug, but the painting is in very good condition overall. The frame is in excellent condition.

To view the other paintings in this series, please click here.

Size: 23.5 x 23.5 cm (including frame)

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Pears & Glass Vase
£1,050
Available

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A brilliantly executed and characterful surrealist still life composition, executed in tempera on board in 1965 by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

Small yet impactful in its composition, the painting presents a carefully arranged tabletop composition featuring a glass vase adorned with delicate white floral patterns, a collection of green pears—some resting on a blue dish and others scattered on the wooden surface—and a gracefully curved branch with a golden autumn leaf. The background includes an arched doorway leading to a softly lit room, with a checkered floor adding a geometric contrast to the organic shapes of the fruit and vase.

Inviting viewers to revel in the simple beauty of everyday objects, the artist masterfully captures the essence of surrealism and realism through his meticulous brushwork and keen attention to detail, as well as by simplifying the objects into bold, flat shapes.

The colour palette is rich, and the artist has skilfully used subtle gradations of tone to suggest volume, particularly in the glass vase and pears.

The brushstrokes are precise, smooth and clean – emphasising the flatness of the shapes and contributing to the tempera medium’s characteristic of flatness and opacity. This technique lends the painting a polished, clean aesthetic.

This tempera on board is housed in a complementary gilt frame with an inner linen border. The painting is in excellent vintage condition. The frame has water marks and wear across its inner border, and has some light scuffing present as well.

Size: 29.5 x 37 cm (including frame)

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Lemon & Pears
£1,000
Available

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A brilliantly executed and characterful surrealist still life composition, executed in tempera on board and dated 1980, by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

The artwork captures an arrangement of bright yellow lemons and rich purple grapes resting in a blue bowl, complemented by green pears placed on a deep red tabletop. A brown pitcher stands in the background, along with patterned wallpaper and a blue wall, adding depth and contrast to the scene.

Inviting viewers to revel in the simple beauty of everyday objects, the artist masterfully captures the essence of realism through his meticulous brushwork and keen attention to detail, as well as by simplifying the objects into bold, flat shapes.

The colour palette is rich, and the brushstrokes are precise, smooth and clean – emphasising the flatness of the shapes and focusing on clarity and boldness rather than texture or intricate detail.

This tempera on board is housed in a well-suited gilt frame and and inner linen border. The painting is in excellent vintage condition. There is scuffing to corners and edges of the frame, as shown in the close ups.

Size: 34 x 39 cm (including frame)

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Three Painted Forms I
£450
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An engaging and powerful abstract composition by British contemporary artist Lloyd Durling, executed in graphite, oil pastel, and oil stick on Arches paper, and dated 2022.

This painting is a beautifully restrained and contemplative work, blending abstract and minimalist elements. The soft color palette, organic textures, and balanced composition create a peaceful, introspective atmosphere. Its simplicity invites viewers to engage with the subtle details and textures, making it a quietly compelling piece.

Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

This painting is mounted and presented in a light wood frame, behind glass. Both painting and frame are in excellent condition.

Size: 32 x 39 cm (including frame)

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Vikings

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This 1972 textile artwork is a bold and richly stylised handwoven tapestry depicting a Viking ship — a motif that beautifully blends Scandinavian heritage with the modernist textile aesthetic of the 1970s.

The central form of the ship is simplified into sweeping, geometric curves: a strong, arching hull rendered in earthy greens and blues, with a rhythmic row of circular shields in warm ochres, oranges, and reds adorning its side. Upright black forms rise from the ship, evoking both oars and masts, giving the piece a sense of vertical balance and quiet power.

Above, a stylised sail unfurls, composed of vivid stripes in red, orange, and gold against a cream field, framed by a band of deep blue that mirrors the sea below. The interplay of bold primary and secondary tones — red, blue, yellow, and green — is masterfully balanced, creating a dynamic yet harmonious composition.

The piece is mounted on a neutral linen backing, which enhances its sculptural quality and allows the saturated colours to stand out with clarity.

This tapestry captures both motion and monumentality: it feels ancient and modern at once, echoing the spirit of Nordic mythology and craftsmanship while embracing the clean abstraction and rhythmic design sensibilities of 1970s Scandinavian art.

A striking tribute to cultural identity and artistry — strong, symbolic, and beautifully woven.

This vintage tapestry remains in very good condition. It is mounted onto fabric lined board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

Size: 24 x 30cm

To view more vintage textiles in our collection, click here.

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Yellow Posies

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This 1976 textile artwork is a warm, handwoven tapestry that captures the quiet beauty of nature through a distinctly 1970s Scandinavian modernist sensibility.

Depicting a cluster of stylised yellow and ochre blossoms, the piece radiates a gentle autumnal glow. The flowers — rendered in tonal variations of golden yellow, mustard, and amber — are scattered rhythmically across a richly textured brown background. Subtle greens emerge from below, suggesting stems and foliage, grounding the composition with natural balance.

The artist’s approach is both abstract and organic: the blooms are simplified to essential rounded forms, their soft edges blending harmoniously into the earthy backdrop. The interplay between light and dark tones gives the flowers a quiet luminescence, as though illuminated by late afternoon sunlight.

Mounted neatly on a neutral linen border, the tapestry exudes an understated elegance. Its palette of browns, yellows, and greens evokes a deep connection to the natural world — a hallmark of Scandinavian textile art from the era, where craftsmanship and nature coexisted seamlessly.

Peaceful and contemplative, this 1976 work feels like a woven ode to the changing seasons — warm, tactile, and full of quiet life.

This vintage tapestry remains in very good condition. It is mounted onto fabric lined board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

Size: 19 x 16 cm

To view more vintage textiles in our collection, click here. The rug clamps as seen in this photo will be removed before delivery. If you would like to purchase these bronze clamps you can do so here.

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Autumn Branch

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This 1971 textile artwork is a beautifully understated handwoven tapestry that captures the quiet elegance of nature through a refined modernist lens.

The composition centres on an arching branch adorned with elongated leaves in a radiant autumnal palette—burnt orange, rust, amber, and ochre—balanced by softer greens, olives, and hints of yellow. The branch stretches diagonally across the weave, creating a gentle sense of movement and rhythm, as if caught mid-fall in a soft breeze.

The background is a textured grey wool, its natural tones lending warmth and subtle depth that allow the vivid leaves to stand out in rich contrast. The tactile weave enhances the sense of organic softness, inviting both visual and physical appreciation. Mounted neatly on a neutral linen backing, the piece has a restrained, naturalistic harmony.

Though simple in subject, the artwork demonstrates a sophisticated command of colour and form. The stylised leaves and rhythmic composition reflect a distinctly Scandinavian modern aesthetic—one that celebrates craftsmanship, seasonal change, and the quiet poetry of the natural world.

It’s a serene and timeless 1970s textile piece—calm, contemplative, and beautifully evocative of autumn’s fleeting beauty.

This vintage tapestry remains in very good condition. It is mounted onto fabric lined board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

Size: 24 x 30cm

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Surrealist Still Life

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A brilliantly executed and characterful surrealist still life composition, executed in tempera on board, by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

The main focus is a still life arrangement, where the objects are flatly rendered, with strong outlines and solid colours, giving them a stylized, almost graphic appearance. The still life is set against a dramatic landscape featuring dark, jagged rock formations and a glowing yellow-orange sky. The horizon line is low, creating a sense of vastness and emphasizing the glowing sunset or sunrise. Two distant rocky outcrops are visible on the horizon, adding depth and a touch of realism.

This painting is a striking combination of still life and landscape, juxtaposing the intimate simplicity of fruit and household objects with the grandeur and drama of a glowing, otherworldly landscape. The bold use of colour and form creates a stylized and dynamic composition, blending realism with abstraction. It evokes a sense of harmony between the everyday and the sublime.

This tempera on board is housed in a complementary gilt frame. The painting is in excellent vintage condition. The frame has very minor scuffs, but is in good condition overall.

Size: 29.5 x 34 cm (including frame)

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Green Pears on Table

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A charming and characterful still life composition executed in tempera on board in 1979, by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

The painting presents a neat arrangement of five bright green pears – four whole and one sliced open to reveal its pale, almost translucent interior. The fruits are evenly spaced across a deep brown tabletop, their rounded forms casting bold, graphic shadows that anchor them to the surface. Scattered leaves add a touch of organic movement, their linear veins painted in stylised strokes.

The palette is wonderfully restrained yet vivid: fresh greens for the pears, muted earthy browns in the background, and stark black accents used for shadow and seed detail. The brushwork is clean and deliberate, with flat planes of colour and minimal blending, giving the piece a graphic, almost poster-like quality. Each pear is painted with a confident simplicity, allowing form and silhouette to take precedence over realism.

This still life celebrates simplicity and bold shape, making it a striking decorative piece with strong visual character.

This painting on board is presented in a complementary gilt frame with an inner cream border. The painting is in excellent vintage condition. The frame has some marks and paint loss as shown.

Size: 19 x 24 cm (including frame)

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Blue Bowl & Pears

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A small but very striking still life composition, executed in tempera on board and dated 1978, by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

Small yet impactful in its composition, the painting presents a carefully balanced arrangement of fruit upon a wooden surface. At the centre sits a vivid cobalt-blue bowl, cradling a bright yellow lemon and a tightly clustered bunch of deep purple grapes, accented with a bold green leaf. Surrounding the bowl are five pears in varying tones of green and brown, their organic forms adding rhythm and balance to the composition.

The artist has used a simplified, almost sculptural style, emphasising solid blocks of colour and clear outlines over intricate detail. The palette is bold and saturated, contrasting jewel-like purples and blues against earthy browns and greens, with the lemon’s intense yellow providing a sharp highlight. The brushwork is confident yet controlled, with smooth, flat applications of paint that create a sense of weight and presence.

The background is rendered in horizontal bands of brown, giving a structured backdrop that contrasts with the roundness of the fruit.

This tempera on board is presented in a well suited frame with an inner and outer gilt window. Both the painting and frame are in excellent vintage condition.

Size: 26 x 31 cm (including frame)

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Lemons

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A contemporary oil painting on a round canvas board featuring three yellow lemons clustered together with green leaves. The lemons are painted in a loose, impressionistic style with soft brushstrokes and subtle shading, giving them a vibrant and slightly textured appearance. The background is a light, neutral tone that contrasts nicely with the rich yellow of the lemons and the deep green of the leaves, making the fruit the focal point. The canvas board itself is circular, adding a unique and modern touch to the otherwise classic still-life composition.

This painting is unframed but can be hung as is. It is in excellent condition.

Size: 20 x 20 cm (including frame)

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Limited Cups

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A 2025 contemporary acrylic painting by British artist Annemarie Derrick that presents four stylised cups rendered with playful simplicity in the naïve style.

Positioned against a pale white background, the cups are each depicted with distinctive patterns and shapes, and are outlined with fine, deliberate lines, emphasising their graphic qualities. Subtle motifs – a scalloped edge, vertical striations, circular accents, and a bold sunburst – lend individuality and rhythm to the composition.

Executed in a restrained palette of muted greys, whites, and soft earthy outlines, the work embraces simplicity while highlighting form and design. The brushstrokes are confident yet textured, leaving slight variations on the surface that lend a tactile quality. The artist’s approach is both modern and whimsical, distilling everyday objects into symbols of quiet domesticity and charm.

This acrylic painting is mounted a white wooden floating frame. Both painting and frame are in excellent condition.

To view the other paintings in this series, please click here.

Size: 23.5 x 23.5 cm (including frame)

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Narcissus I

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This 1970s textile artwork is a serene and finely handwoven tapestry that captures the graceful simplicity of wildflowers through a distinctly Scandinavian modernist lens.

Depicting a cluster of white narcissi, the composition radiates calm and balance. The flowers, with their pure white petals accented by subtle blue-grey shadows and warm orange-yellow centres, rise elegantly among slender green blades of grass. The vertical rhythm of the leaves and stems gives the piece a gentle upward motion, as if the flowers are stretching toward the light.

The earthy brown background provides a rich contrast, grounding the composition and allowing the whites and greens to appear luminous and fresh. This natural palette — of greens, whites, and browns softened by muted tones — reflects the Nordic reverence for nature’s quiet beauty and seasonal transitions.

Mounted on a neutral linen border, the piece exudes a tactile warmth and timeless craftsmanship. The woven texture enhances the organic quality of the design, inviting both visual and tactile appreciation.

Elegant in its restraint and evocative in its simplicity, this 1970s tapestry embodies the Scandinavian ethos of finding harmony in nature — a handwoven celebration of purity, renewal, and understated beauty.

This vintage tapestry remains in very good condition. It is mounted onto fabric lined board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

Size: 35.5 x 25 cm

To view more vintage textiles in our collection, click here. The rug clamps as seen in this photo will be removed before delivery. If you would like to purchase these bronze clamps you can do so here.

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Detailed Poppy

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This 1970s textile artwork is a graceful handwoven tapestry depicting a single red poppy in bloom — a simple yet striking celebration of natural beauty, rendered in the understated modern-folk style typical of Scandinavian textile art from the era.

The tall, vertical composition enhances the elegance of the subject: a slender green stem rises confidently from the bottom edge, supporting a vibrant red flower with delicate gradations of crimson, orange, and coral. The poppy’s dark centre provides a point of contrast and visual depth, while a smaller, unopened bud gently bends alongside, adding a sense of life and continuity.

The background is a soft, heathered mix of greys and creams, creating a tactile neutral surface that allows the colours of the flower to stand out vividly. A subtle yellow inner border frames the design, drawing the eye inward and giving the piece a quiet, sunlit warmth. Mounted on a pale linen base, the presentation feels both modern and organic.

The overall effect is serene and timeless — a study in restraint and harmony. Each woven thread contributes to the tapestry’s handmade charm, where simplicity of form and richness of texture coexist beautifully.

This work encapsulates the spirit of 1970s Nordic design: nature-inspired, soulful, and crafted with a deep respect for the tactile poetry of the woven medium.

This vintage tapestry remains in very good condition. It is mounted onto fabric lined board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

Size: 30.5 x 11.5 cm

To view more vintage textiles in our collection, click here.

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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