A refined and thoughtfully composed mid-century still life composition in a cubist style that presents two elongated bottles set against a layered arrangement of abstracted forms, executed in oil onto board.

The objects are simplified and slightly flattened, outlined with confident dark contours that give them a sculptural presence. Around them, angular planes and overlapping shapes create a quiet architectural backdrop, lending structure and balance to the composition while subtly shifting the sense of depth.

Executed in a modernist style with cubist leanings, the work embraces reduction and clarity over realism. The interplay between object and space feels deliberate and contemplative, with negative space used just as thoughtfully as the painted forms themselves. There is a calm stillness to the arrangement, where everyday objects are elevated into a study of form, tone, and balance.

The colour palette is harmoniously restrained, dominated by cool blues, soft aquas, and muted teal tones, punctuated by gentle off-whites and deeper navy accents. These hues create a tranquil, almost meditative atmosphere, while subtle tonal variations add dimension without disrupting the overall serenity.

This oil on board is presented in a elegant frame with a warm, muted gold tone finish. Both the painting and frame are in excellent vintage condition.

Size: 69 x 58 cm (including frame)

A vibrant mid-century modernist still life oil painting by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

The composition captures a loose arrangement of white roses placed across a richly coloured tabletop and echoed in a tall cobalt-blue jug. The layered planes of colour – suggesting a tablecloth, interior wall, and surface – form a structured yet playful setting. The roses feel freshly placed, lending the scene an air of immediacy and intimacy.

The painting is executed in a bold modernist style, characterised by flattened perspective and simplified, almost abstracted forms. Rather than striving for realism, the artist emphasises composition and colour relationships. A vivid palette dominates: saturated reds and oranges energise the foreground, contrasted with deep greens, cool blues, and teal tones. The white roses, tinged with warm yellows, act as luminous focal points, softening the intensity of the surrounding colours.

Brushwork is confident and expressive. The roses are rendered with dynamic and painterly strokes, giving their petals a tactile quality. In contrast, the surrounding surfaces are built up with broader, flatter applications of paint, creating a balance between texture and structure. Edges remain intentionally loose, reinforcing the painting’s spontaneous, lively character.

This oil on canvas is housed complementary slim wood frame. The painting is in excellent vintage condition, and the frame has some scuffs present. 

Size: 49 x 63 cm (including frame)

A very pleasant and meticulously painted mid-century still life that captures a potted begonia arranged beside a small plate of apples, set against a softly lit interior backdrop, and executed in oil onto board and dated 1949.

The composition feels intimate and unpretentious. An everyday moment elevated through careful observation and painterly sensitivity. The broad, rounded leaves of the begonia fan outward with a gentle rhythm, some tinged with warm russet reds, while delicate pink blossoms rise lightly above, adding a subtle vertical lift. To the right, some apples rest on a simple plate, grounding the composition and introducing a quiet sense of balance.

The painting leans toward a softened realism with expressive undertones. Forms are simplified yet thoughtfully modelled, with an emphasis on structure and tonal harmony rather than strict detail. The artist shows a clear sensitivity to light and volume, particularly in the way the leaves catch and diffuse illumination.

The palette is warm and inviting: earthy greens and olive tones dominate the foliage, contrasted by soft coral reds and blush pinks in the flowers. The pears introduce muted yellow-greens, while the tabletop in a warm, buttery yellow adds a gentle luminosity. The background shifts subtly between pale blue-grey and cream, creating depth without distraction.

Brushwork is confident yet restrained, with visible strokes that lend texture and vitality to the surface. The leaves are articulated with layered, directional strokes that suggest their waxy structure, while the pot and fruit are handled with slightly broader, more blended applications. Throughout, the paint is applied with a tactile quality , neither overly thick nor overly smooth, resulting in a balanced, expressive finish.

This oil on board is housed in a complementary wood frame, and subtle inner silver and champagne windows. Both the painting and frame are in excellent vintage condition. 

Size: 64 x 59 cm (including frame)