Sold – Page 3 – The Discerning Palette

Showing 61–90 of 914 results

Sunlit Facades

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A charming mid-century modernist painting that captures a quiet village street in Spain, executed in oil onto canvas and dated 1958.

The composition is anchored by whitewashed buildings with yellow and terracotta roofs, stacked geometrically against a bright sky. The perspective flattens the scene slightly, lending a graphic, almost cubist sensibility.

Rendered in oil, the artist has used confident, blocky brushstrokes to define shadows and forms. Angular planes and muted earth tones – sage green, charcoal grey, and hints of warm brown—contrast with brilliant whites and a crisp blue sky. The painting captures the play of sunlight on architecture, with simplified details like shuttered windows, steep stone steps, and doors suggested rather than articulated.

There is a distinct sense of rhythm in the repetition of rooftops and telegraph lines that echo across the canvas.

This oil on canvas is housed in a complementary and well made wood frame with an inner linen border. Both painting and frame are in excellent vintage condition.

Size: 32 x 42 cm (including frame)

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The Gathering Walk

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A vibrant and lively mid century painting that captures a rhythmic gathering of figures moving through a tree-lined avenue toward a distant monument, painted in oil by the established Swedish artist Uno Vallman (1913-2004) whose works are included in the Swedish National Museum and The Swedish Modern Museum, to name a few. His works are also included in the collections of Lyndon Johnson, Jimmy Carter, and the Tessin Institute in Paris.

The scene feels communal and celebratory, suggesting a village gathering or a festival, rendered with an expressive looseness that prioritises mood and movement over precise detail.

This expressive composition balances structure and spontaneity. The figures are simplified into bold, gestural forms, while the trees rise vertically on either side, creating a natural corridor that draws the eye inward. The architectural elements in the background anchor the scene, offering a quiet sense of place amid the animated crowd.

The colour palette is vibrant and optimistic: fresh greens dominate the trees, contrasted by a striking pastel pink sky and soft blue undertones. Pops of red, coral, and cobalt animate the figures, lending energy and warmth to the composition. These colours are applied with confidence, often layered to allow underlying tones to remain visible.

Brushstrokes are thick, textured, and deliberately expressive, with visible impasto throughout. Short, dynamic strokes define the crowd, while broader, more rhythmic marks shape the trees and sky. The overall effect is playful yet composed – a joyful, human-centred work that embodies optimism.

This oil on canvas is presented in a complementary deep profile gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 37.5 x 45.5 cm (including frame)

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Town by the Sea

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A modernist style cityscape painting that captures a serene coastal town scene, executed in oil onto board and dated 1974.

The composition is dominated by the silhouette of an old stone ruin at its centre, set against the backdrop of a calm sea and expansive sky. Clustered houses with terracotta-red and ochre rooftops surround the structure, their geometric forms contrasting with the organic shapes of dark green trees and cypress spires. A distant ship with a faint plume of smoke drifts across the horizon, adding a subtle sense of movement to the otherwise still composition.

Executed in a restrained yet evocative style, the painting demonstrates the hallmarks of mid-century modernist sensibilities: simplified architectural forms, bold blocks of colour, and an emphasis on light and shadow over fine detail. The palette is dominated by earthy reds, warm ochres, deep greens, soft greys, and cool blues, evoking both warmth and calm. Brushstrokes are broad and confident, with flat planes of colour that interlock like pieces of a puzzle, while hints of texture enliven the sky and foliage.

Overall, the work conveys a quiet nostalgia – an atmospheric balance between human habitation, architectural history, and the vast, timeless presence of the sea.

This oil on canvas is presented in a complementary linen-lined wood frame. There is some light surface craquelure present in the central area of the canvas, but the overall condition is stable.

Size: 55 x 72 cm (including frame)

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A Moment Left Behind

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A modernist style interior still life composition that captures a quiet moment, executed in oil onto canvas and dated 1959.

The painting features a table with a yellow chair in the foreground, set against a background of geometric planes in muted tones. On the table, a green bottle with a red seal, a glass, and a small red bowl are arranged across a pink tablecloth. A dark green jacket is draped casually over another chair, adding an element of human presence without directly depicting a figure.

The painting embraces a modernist approach. The perspective is slightly flattened, and the shapes of objects are reduced to their essential forms. The artist has utilised strong but subtle structural lines to define space.

The colour palette features predominantly muted shades of blues, greys, and pinks, which imbue the work with a calm and slightly melancholic atmosphere.

This oil on canvas is housed in complementary gilt and white ridged frame. The painting is in excellent vintage condition, and the frame has minor scuffs but this is in keeping with its vintage style.

Size: 43 x 39 cm (including frame)

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Angel Marshes

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A small and visually impactful abstract composition in oil, painted by British artist Lloyd Durling,

This painting showcases Durling’s signature abstract style—textured, atmospheric, and intuitively composed. It feels like a landscape in dream fragments, full of soft mystery and emotional undercurrents.

Thick, expressive brushstrokes dominate the surface. The impasto technique (built-up paint) adds a tactile richness, inviting you not just to see the painting, but to almost feel it.

Muted creams, cool greys, and powdery blues provide a soft base, broken by bold accents—a vivid orange shape, a lemon yellow, and patches of deep forest green. These pops of color create visual rhythm, like beats in a calm but layered melody.

This impasto painting is mounted a dark stained oak frame. The dark wooden frame adds earthiness and grounding to the otherwise ethereal composition. It contrasts beautifully with the soft light tones, allowing the painting’s subtle dynamism to stand out.

Both painting and frame are in excellent condition.

Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

To view the other paintings in this series, please click here.

Size: 15.5 x 20.5 cm cm (including frame)

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Coastal Paths

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A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

Coastal Paths evokes memories of rolling hills and open landscapes with a distant view of the ocean. Muted greens and warm browns blend seamlessly while the expressive brushstrokes suggest a emotive natural landscape. Framed and ready to hang, it makes a striking focal point and brings warmth and depth to any space.

The painting is presented in a custom made tray frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 33 x 43 cm (including frame)

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Hanging Spider Monkey

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A contemporary painting depicting a whimsical monkey suspended mid-air from a gently curving tree branch, painted in a naïve style in oil onto panel by British artist Matt Rix.

Its long, slender limbs hang with an effortless ease, creating a moment that feels unhurried and quietly contemplative. A small number of stylised leaves drift through the composition, lending a sense of openness rather than a defined setting.

The style is intentionally naïve and pared back, with flattened forms and simplified anatomy that echo folk art influences. The colour palette is soft and restrained: a pale blue-grey ground sets a calm tone, while deep charcoal and black define the figure, offset by a light cream face. Muted olive greens and warm brown accents add gentle contrast.

Brushstrokes are smooth and controlled with a matte finish, emphasising form over texture. Overall, the work conveys a sense of balance, gentle humour, and stillness, capturing a fleeting pause that feels both playful and reflective.

This oil on board is housed in a black painted wood frame with an inner gilt window. Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

To view the other paintings in this collection, click here.

Size: 51 x 39 cm (including frame)

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Harbour in Hues

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A mid-century modernist harbour scene that captures the liveliness of a bustling port through an abstracted lens, executed in oil onto board.

The composition features stylised boats with tall masts, cranes, and sails, all arranged in a rhythmic balance that evokes both movement and stillness. A triangular sail anchors the right side of the canvas, while geometric ship structures rise on the left, framed against a luminous sky.

The artist has used a modernist, semi-abstract style, reducing forms to simplified shapes and colour blocks while maintaining recognisable nautical motifs. The colour palette is fresh and expressive: soft yellows and muted greys provide a serene backdrop, while accents of bright red, orange, and yellow inject energy and contrast.

The brushstrokes are confident and varied. This interplay of texture adds depth and dynamism, suggesting reflections on water and the shifting atmosphere of a harbour at work.

This oil on canvas is housed in a complementary wooden frame with traces of gilt and muted red accent. The painting is in excellent vintage condition, and the frame has some scuffs.

Size: 39 x 47.5 cm (including frame)

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Patchwork Landscape

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An expressive mid-century abstract landscape that presents a gently rolling countryside punctuated by a solitary red-roofed dwelling, nestled among tall, stylised trees executed in oil onto board.

The scene is composed as a patchwork of interlocking fields and winding paths, drawing the eye inward through a rhythmic, almost musical arrangement of forms. The house becomes a quiet focal point – an anchor of human presence within a broader, cultivated landscape.

The landscape has been reduced into geometric planes and simplified silhouettes. Perspective is subtly flattened, favouring structure and composition over naturalistic depth, lending the work a contemplative, design-led quality.

The colour palette is earthy and restrained: moss and olive greens, warm browns, and burnt oranges dominate the terrain, while the vivid red roof provides a striking yet balanced contrast. Soft greys and subdued blues in the background create atmosphere and spatial calm.

Brushstrokes are confident and matte, applied in broad, opaque blocks with visible edges. Rather than blending, the artist allows colours to sit alongside one another, enhancing the sense of construction and rhythm.

This oil on board is housed in a softly weathered grey-brown tone frame with subtle warm undertones. Both the painting and frame are in excellent vintage condition.

Size: 57.5 x 66 cm (including frame)

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Village Pathway

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A striking mid-century modernist painting that captures a female figure walking along a village pathway, gracefully balancing a vessel on her head, executed in oil onto board.

The woman, dressed in a flowing blue skirt and dark top, is set against a backdrop of geometric, almost abstracted row of houses that recede rhythmically into the distance.

Modernist in its ethos, the artist has reduced the scene into bold, flattened forms and simplified shapes. There’s a more structured feel in the angular rooftops and the faceted treatment of architecture and landscape, while the figure maintains a sense of movement and gesture.

The colour palette is muted, with gentle contrasts between warm and cool tones. The bright blue of the skirt stands out as a focal point, anchoring the viewer’s eye.

The paint is applied with deliberate, confident strokes – thick and flat in some areas, with visible texture. The brushwork emphasises shape and form over fine detail, enhancing the painting’s graphic, almost mosaic-like quality.

This oil on board is housed in a complementary wood frame with an inner cream border. The painting is in excellent vintage condition, and the frame has very minor scuffs.

Size: 71 x 49.5 cm (including frame)

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After the Rain

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A nostalgic mid-century street scene painting that captures a moment of hushed movement after rainfall, executed in oil onto canvas.

The composition captures figures walking along a wet, reflective roadway beneath a pale, cloud-laden sky. A modest row of houses recedes into the distance, while bare winter trees punctuate the composition, their slender trunks guiding the eye along the street’s gentle perspective. The pedestrians are rendered with understated anonymity, suggesting everyday life unfolding quietly rather than a specific narrative.

Stylistically, the painting balances realism with painterly abstraction. Forms are simplified and slightly softened, favouring mood and atmosphere over fine detail. The colour palette is restrained and harmonious: cool greys, muted blues, and soft whites dominate the sky and pavement, contrasted by earthy browns, mossy greens, and deep charcoals in the buildings and figures.

The brushwork is loose yet controlled. Broad, horizontal strokes suggest the sheen of rain on the street, while lighter, scumbled layers in the sky create a sense of drifting cloud and damp air. Figures are defined with economical marks, giving them a quiet solidity without overstatement. Overall, the painting conveys calm introspection, capturing the poetic stillness of a street moment suspended between weather and movement.

This oil on canvas is housed in a well-suited wide-profile wood frame that complements the painting’s mid-century character. The artwork itself is in excellent vintage condition. The frame shows age-commensurate wear, including a few marks to its edges as shown, however this does not detract from its overall presentation.

Size: 51.5 x 55 cm (including frame)

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Garden Gathering

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A lively mid-century modernist oil painting that presents a group of figures gathered in a semi-abstract outdoor scene, by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

The arrangement suggests a social gathering – figures standing and seated together, framed by architecture on one side and lush garden foliage on the other.

Executed in a modernist style, the piece blends figuration with abstraction. Strongly simplified forms and flattened planes dominate, with outlines and shadow blocks creating sculptural presence. The absence of facial detail recalls both cubist reduction and expressionist distortion, allowing colour and rhythm to take precedence over narrative realism.

The palette is bold yet harmonious, with deep navy and forest greens offset by vibrant pinks, oranges, and sky blues. Light falls diagonally across the canvas, producing rich contrasts between shadowed areas and illuminated patches. The brushstrokes are broad, gestural, and confident, with layered pigment applied in sweeping movements that build both depth and dynamism.

This oil on board is presented in a complementary gilt frame. The painting is in excellent vintage condition. The frame has some minor scuffing.

Size: 36.5 x 40.5 cm (including frame)

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Geometric Collage in Green

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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

A vertical grid of nine rectangles is perfectly centred. The blocks are painted or stained in muted natural tones—sage green, forest green, golden yellow, off-white, slate blue, and pale grey-green. Each block has a slightly different surface texture, reminded us of its textile origins.

The grid is precisely placed against a horizontal division line running through the middle of the board. This intersection anchors the composition, giving it a feeling of structural harmony. There’s a sense of order meeting time-worn imperfection—a modernist grid laid over a surface that tells a more ancient, weathered story.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang, Both artwork and frame are in excellent condition.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

To view more artworks from this collection, click here.

Size: 30.5 x 24.5 cm(including frame)

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Holding Space II

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A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

Holding Space is a small intimate abstract with a gentle softness, its name suggests a contemplative approach to viewing the painting, ‘ holding space’ to appreciate how the colours sit in conversation with each other. How the gentle yet bold lines suggest a variety of forms some recognisable.

It is a gentle and calming piece retaining its strength of presence amongst the crisp white border of the St Ives frame.

The painting is presented in a custom made St Ives frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 32 x 37 cm (including frame)

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Jug & Lemon

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An elegant mid-century modernist style still life that captures a quiet domestic arrangement, executed in oil onto board and dated 1957.

A dark brown earthenware jug, a rectangular glass bottle, and a single lemon rest on a ledge before a softly illuminated wall. The artist has used the interplay of light and shadow to create a sense of architectural stillness and geometric harmony.

Rendered in a modernist style, the composition balances simplicity and structure. The jug’s bold, rounded form contrasts with the angular silhouette of the bottle behind it, while the lemon introduces a small but vivid burst of colour and organic softness.

Muted tones of brown, grey, cream, and pale yellow dominate the palette, creating a subdued atmosphere. The brushwork is deliberate yet textured: visible strokes define planes of light and shade, giving the objects a sculptural quality.

This oil on board is presented in a complementary wood frame. The painting has some marks at its bottom left side. The frame shows minor wear and has a nick to its left border, as shown.

Size: 50.5 x 54.5 cm (including frame)

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Muddy Walks

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A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

Muddy walks is an intimate abstract painting which uses warm earthy tones of ochre, umber and soft cream alongside bold curved forms to create a dynamic composition.

Its movement and depth is highlighted against the crisp white of the St Ives frame it is set within.

The painting is presented in a custom made St Ives frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 32 x 37 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Old Town

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A charming, atmospheric street scene rendered in oil onto board, with a warm, nostalgic tone.

It captures a European old-town alleyway, showing a narrow, cobblestone street lined with tall ochre and terracotta-coloured buildings. The architecture features classic stone archways, multi-pane windows, and slanted rooftops with chimneys, evoking a sense of timelessness and quiet charm. Several small, loosely rendered human figures animate the scene, creating depth and movement.

The overall feel is calm and contemplative, bathed in soft natural light from a lightly clouded sky. There’s a slight coolness in the air, reflected in the pale blue and grey tones of the sky and shadows. Despite being sparsely populated, the street feels alive, suggesting the gentle hum of daily life. The brushwork is tight but expressive, with small, visible strokes in the sky and textured surfaces on the buildings, giving the painting a lived-in, tactile quality.

This is the kind of painting that tells a story of ordinary moments, old places, and the soft rhythms of daily life in a historic city.

This oil on board is housed in a grey painted wide bevelled wood frame which complements it perfectly. The painting is in excellent vintage condition. The frame has some scuffing as shown in the photos.

Size: 50 x 40 cm (including frame)

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Quiet Readers

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A serene and beautifully distilled mid-century modernist figurative painting, executed in oil onto board by the established Swedish artist Ingvar Elén (1915–1973), whose artworks have represented in public collections including the the Moderna Museet in Stockholm, the National Museum in Sweden, and the Sörmlands Museum.

This composition features three seated figures, their forms reduced to soft geometric shapes and gentle interlocking silhouettes. Arranged in a subtle diagonal rhythm, the trio appears absorbed in quiet, individual focus: one reading, the others seated nearby – capturing a moment of shared stillness without explicit interaction.

The artist has relied on flattened planes of colour and carefully balanced tones to define each figure: warm peach, deep teal, olive green, charcoal grey, ochre, and soft clay-like browns. The palette is harmonious and understated, allowing the shapes and spatial arrangement to take centre stage. Their shadows and clothing become abstract colour blocks, lending the work a sculptural, almost collage-like quality.

Brushwork is smooth, matte, and subtly textured, with edges that are softened rather than sharply drawn. This creates a calm, meditative surface where each figure is distinct yet integrated into the overall rhythm of the composition.

This oil on canvas is housed in a complementary slim gilt frame. The painting is in good vintage condition overall: there is some craquelure visible on the central figure’s arm, however, the paint layer remains stable, and this does not detract from the overall presentation of the work.

Size: 74.5 x 88 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Riverbend

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A vivid mid-century modernist abstract landscape, executed in oil onto canvas.

The composition captures the dynamic energy of a frozen waterway winding through a snowy terrain beneath a dramatic sky. The artist has used broad, expressive brushstrokes and a striking palette to evoke the chill of winter and the fleeting glow of sunset.

The sky dominates the composition, rendered in bold swathes of blue and overlaid with dashes of fiery orange, crimson, and yellow, suggesting a sun just dipped below the horizon. Below, the frozen river curves with movement, painted in cool whites and icy blues, while gestural patches of green, orange, and brown represent trees and terrain along the banks. A structure and a vivid red form – perhaps a vehicle or boat – add subtle focal points within the composition.

The brushwork is loose, gestural, and tactile, creating a sense of immediacy and atmosphere.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition. There is a small loss to upper corner of frame as shown, but it is otherwise in very good condition.

Size: 41 x 36 cm (including frame)

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Windmill on the Hill

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A serene and elegant mid-century modernist landscape painting that presents a beautifully abstracted and minimalist landscape dominated by a solitary windmill perched on a hillside, executed in oil onto board.

The composition is built from simplified geometric forms that evoke steppe d stone terraces or clustered hillside structures, leading the eye upward toward the windmill’s delicate, linear blades. The artist has reduced the scene to its essential shapes, creating a quietly architectural interpretation of a landscape.

Rendered in a restrained palette of soft greys, warm taupes, muted browns and charcoal accents, the work has a gentle atmospheric quality. The sky is kept pale and understated, enhancing the sense of calm and spaciousness. The brushstrokes are smooth and controlled, with flat planes of colour applied in broad, opaque layers. Subtle variations within each block of tone add depth without breaking the minimalist feel, while the windmill’s fine, sketch-like lines introduce a contrasting delicacy.

This oil on board is presented in a complementary wood frame with an inner cream border and is framed behind glass. The painting is in excellent vintage condition, and the frame has some scuffs. Please note that there is some reflection present in the photos due to the glass.

Size: 56.5 x 48 cm (including frame)

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Blue Vessel & Pears

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A charming and characterful mid-century interior still life composition executed in tempera on board and dated 1973, by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

This painting is a delightfully surreal take on the still life tradition, blending bold, simplified forms with quirky, dreamlike elements. The scene is playful, symbolic, and quietly strange—a fusion of everyday objects rendered with unexpected relationships and theatrical lighting.

The central object is a bright turquoise vase, strikingly vivid against the darker tones behind it. Surrounding the vase are five stylised green pears, arranged in a semi-circle, each casting exaggerated shadows. In the background, there’s a small arched window or doorway revealing a surreal landscape of red and ochre mountains under a light sky, creating a window into a different visual world.

The painting has a surrealist influence, reminiscent of artists like Magritte or de Chirico, where ordinary objects are placed in unusual contexts.

Executed in tempera, the work exhibits smooth, matte surfaces with crisp, clean edges. The artist embraces a distinctly modernist, slightly naïve style: simplifying forms, minimising perspective, and emphasising bold, graphic colour fields. The brushwork is controlled and even, lending a refined clarity to each element within the composition.

This tempera on board is presented in a gilt frame that elevates the work with a sense of classical elegance. The artwork is further enhanced by a sage green mount, which beautifully complements the warm tones of the table and pears while making the central blue vase pop even more. The painting is in excellent vintage condition. The mount has marks to its bottom edge, and the frame has some slight wear to its corners but this does not detract from its overall attractiveness.

Size: 32 x 42 cm (including frame)

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Geometric Collage in Magenta

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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

At the heart of the artwork is a vertical grid of six alternating squares—three light cream/beige and three darker maroon/burgundy, forming a checkerboard column. The varying texture of these squares displays the woven materials wonderfully, contrasting with the flatness of the background.

The entire surface is a deep, muted red, subtly distressed to reveal horizontal striations and small imperfections. These faint abrasions and vertical marks break the uniformity, suggesting time, wear, and process.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang. Both artwork and frame are in excellent condition.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

To view more artworks from this collection, click here.

Size: 30.5 x 24 cm(including frame)

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Geometric Collage in Mauve

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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

The board is coated in a fabric with a soft terracotta tone, with a gentle patina of age, scored with faint horizontal lines and slight textural inconsistencies. These marks give the surface a worn, handmade feeling.

The composition features a precisely placed rectangle made up of six vertical blocks, arranged in two rows. The blocks alternate between cool and warm reds, dusty pinks, and maroons. Each has a varied textile texture, inviting tactile interpretation.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang, Both artwork and frame are in excellent condition.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

To view more artworks from this collection, click here.

Size: 30.5 x 24 cm(including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Maternal Love

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An outstanding mid-century modernist abstract figurative composition, painted in oil onto board by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The composition depicts a female figure, presumably a mother, tenderly holding her child. Rendered in bold, abstracted forms, the artist has distilled the essence of human connection into simplified, interlocking shapes and planes of colour. The absence of defined facial features allows emotion to arise from posture, proportion, and palette rather than expression, giving the scene both universality and intimacy.

Executed in a modernist idiom influenced by abstraction, the work blends figurative sensitivity with geometric reduction. The artist has employed thick, confident brushstrokes and layered impasto to create texture and rhythm across the surface. Areas of colour overlap subtly, suggesting depth and volume while maintaining a flattened, almost collage-like arrangement.

A harmonious palette of teal, browns, forest green, ivory, deep burgundy, and blue anchors the composition. The dark halo of the mother’s hair contrasts with the child’s pale, luminous tones, drawing the viewer’s focus to their gentle bond. The background of layered turquoise blues adds calm and balance to the composition, enhancing its contemplative quality.

This oil on board is presented in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs and areas of paint loss as shown.

Size: 72 x 57.5 cm (including frame)

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Narcissus I

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This 1970s textile artwork is a serene and finely handwoven tapestry that captures the graceful simplicity of wildflowers through a distinctly Scandinavian modernist lens.

Depicting a cluster of white narcissi, the composition radiates calm and balance. The flowers, with their pure white petals accented by subtle blue-grey shadows and warm orange-yellow centres, rise elegantly among slender green blades of grass. The vertical rhythm of the leaves and stems gives the piece a gentle upward motion, as if the flowers are stretching toward the light.

The earthy brown background provides a rich contrast, grounding the composition and allowing the whites and greens to appear luminous and fresh. This natural palette — of greens, whites, and browns softened by muted tones — reflects the Nordic reverence for nature’s quiet beauty and seasonal transitions.

Mounted on a neutral linen border, the piece exudes a tactile warmth and timeless craftsmanship. The woven texture enhances the organic quality of the design, inviting both visual and tactile appreciation.

Elegant in its restraint and evocative in its simplicity, this 1970s tapestry embodies the Scandinavian ethos of finding harmony in nature — a handwoven celebration of purity, renewal, and understated beauty.

This vintage tapestry remains in very good condition. It is mounted onto fabric lined board, and is ready to hang. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

Size: 35.5 x 25 cm

To view more vintage textiles in our collection, click here. The rug clamps as seen in this photo will be removed before delivery. If you would like to purchase these bronze clamps you can do so here.

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Needlepoint Blue Tit

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This 1970s textile artwork is a charming hand-stitched tapestry that captures a blue tit perched delicately on a branch — a delightful expression of nature interpreted through the warmth of mid-century Scandinavian craft design.

The small bird, rendered in vibrant tones of blue, yellow, and olive green, is beautifully stylised yet instantly recognisable. Its body perches gracefully on a brown branch adorned with red berries, offering a joyful pop of colour against the soft, neutral background of interwoven cream and beige threads.

Framing the scene is a decorative border made up of repeating geometric floral motifs in soft yellow, olive green, and brown. This rhythmic edging lends the piece a distinctly 1970s folk-art character, balancing homeliness with graphic precision. The tapestry hangs from a brass-toned metal hanger, enhancing its nostalgic and handcrafted charm.

Every stitch reflects care and craftsmanship — a testament to the era’s appreciation for slow, tactile art forms that brought warmth into the home.

This piece embodies the heart of 1970s Nordic textile art: nature-inspired, decorative, and full of quiet joy — a lovingly woven glimpse of everyday beauty.

This vintage needlepoint tapestry remains in very good condition. The needlepoint is very slightly irregular, which is typical for handmade or traditionally textile pieces, adding to its authenticity and charm.

Size: 17 x 18 cm

To view more vintage textiles in our collection, click here. The rug clamps as seen in this photo will be removed before delivery. If you would like to purchase these bronze clamps you can do so here.

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Rooftops in Rhythm

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A lively mid-century oil painting that captures a tightly woven urban street scene, composed of overlapping rooftops and clustered facades, executed in oil onto board.

The artist has reduced the architecture into simplified geometric planes, creating a rhythmic patchwork of shapes that echo the rise and fall of a townscape. A crisp white house with a bold terracotta roof stands at the center, anchoring the composition, while a striking teal roof to the left provides a vibrant counterbalance.

Executed in a modernist, almost cubist-inspired manner, the piece emphasises flattened forms and spatial compression rather than strict realism. The brushstrokes are controlled yet textured, with clear delineations that carve out the roofs and walls in confident blocks of colour.

The palette blends earthy reds, deep browns, and muted greys with contrasting highlights of creamy whites and a vivid turquoise. The restrained use of pastel lilacs and dusky pinks softens the angular geometry, lending warmth to the architectural study.Broad, solid brushstrokes define the rooftops with minimal blending, creating sharp contrasts between each plane. The overall application feels deliberate and structured, reinforcing the sense of order within the crowded composition.

This oil on board is presented in a very well suited linen-lined frame with an outer and inner grey border. The painting is in excellent vintage condition. The frame has some age wear but it is in good stable condition.

Size: 72 x 44.5 cm (including frame)

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Astrid

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A brilliantly executed and emotive mid-century modernist style figurative composition that presents a contemplative nude figure, executed in oil onto canvas and dated 1960.

The figure, constructed through broad angular planes and softened edges, is seated in a relaxed pose, one leg bent and the torso subtly twisted – creating a gentle rhythm that guides the viewer’s gaze through the composition.

Executed in a restrained yet warm palette of ochre, sienna, and earthy umber, the body is set against a backdrop of powder blue, grey, and dusty taupe. This juxtaposition of warm and cool tones imbues the painting with both emotional tension and visual calm.

The brushwork is expressive but controlled, with textured applications of paint that oscillate between opaque coverage and dry-brush translucency, revealing the wood grain beneath. There’s a tactile quality to the strokes – layered, scraped, and directional – that accentuates the structural anatomy of the figure while maintaining abstraction.

This oil on canvas is housed in a complementary slim wood frame. The painting’s surface exhibits areas of craquelure, consistent with age. While the paint layer remains stable across most of the canvas, there is some instability noted in the central section beneath the figure’s chest. The frame is in good vintage condition.

Size: 82.5 x 68.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Constructed Balance

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A mid-century modernist abstract oil composition, painted by the established Swedish artist Bengt Delefors (1917-1996), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, The Museum of Art in Gothenburg, Borås Art Museum, and others.

This abstract still life composition has been reduced to bold, geometric forms and overlapping planes of colour. A circular form rests against angular shapes, suggesting the presence of everyday objects reimagined through abstraction. The composition is carefully balanced, with diagonal strokes introducing movement across the canvas.

Executed in a distinctly mid-century abstract style, the work embraces simplification and geometric reduction, drawing on the principles of Cubism while leaning into a modernist emphasis on form and structure over representation.

The palette is earthy yet dynamic, dominated by deep greens, muted browns, and bold blocks of red, offset by neutral tones of beige and cream. The interplay of darker and lighter hues creates depth and tonal contrast, giving the surface both rhythm and solidity.

The brushwork is confident and expressive, with areas of thickly applied paint and visible strokes that enhance the painting’s sense of immediacy and physical presence. The layering of opaque and semi-opaque colours builds a structured, tactile surface.

This oil on board is presented in a characterful wood frame. The painting and frame is in excellent vintage condition, and the frame has scuffs.

Size: 50 x 40 cm (including frame)

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Evening Harbour

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A semi-abstract mid-century painting that presents a serene harbour scene with moored boats set against softly shifting reflections of water and sky, executed in oil onto canvas and dated 1955.

The artist has abstracted the forms of vessels and docks into interlocking geometric planes, capturing the essence of the harbour through suggestion rather than detail.

Executed in a restrained yet harmonious palette, the work features muted ochres, warm browns, dusty blues, and gentle greens, punctuated by touches of rust-red along the hulls. The brushstrokes are broad and confident, laid down in flat, layered planes that create a rhythmic balance between solidity and fluidity. This compositional approach emphasises structure and form, while the softened edges convey an atmosphere of calm observation.

In true mid-century style, the painting has reduced naturalistic detail in favour of tonal harmonies and simplified shapes, evoking both modernist abstraction and lyrical impression.

This oil on canvas is presented in a beautiful wood frame with visible grain and an inner gilt and cream border. Both the painting and frame are in excellent vintage condition.

Size: 68 x 54 cm (including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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