• Sperm Whale and Smoking Chimneys

    Sperm Whale and Smoking Chimneys

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    A charming contemporary naïve maritime scene, executed in oil onto panel by British artist Matt Rix.

    The composition presents a vast sperm whale moving steadily through calm blue waters, its immense dark form dominating the lower half of the painting. Above the surface, a shoreline unfolds: a row of red-brick factory buildings with tall smoking chimneys stretches along a green embankment, while a schooner glides quietly across the horizon beneath a warm yellow sky.

    Rendered in a contemporary naïve style, the work embraces flattened perspective and bold simplification. Forms are clearly defined and confidently outlined, with exaggerated scale lending the whale a monumental presence. Spatial depth is conveyed through horizontal bands of water, land and sky rather than traditional modelling, enhancing the painting’s graphic clarity and storytelling charm.

    The colour palette is harmonious yet distinctive. Soft, powdery blues shape the water, set against a buttery yellow sky that lends warmth to the scene. The red-orange industrial buildings provide a vibrant architectural counterpoint, while the muted purple sails introduce a gentle tonal variation. The whale’s deep charcoal body anchors the composition, punctuated by a pale eye and a sharp row of small red teeth that add a subtle edge of character.

    Brushwork is smooth and controlled, with flat, even application that prioritises shape and composition over painterly texture. Gentle tonal shifts within the water suggest quiet movement, while the sky is softly blended, reinforcing the calm surface atmosphere that contrasts with the powerful presence beneath.

    This oil on board is presented in a wood frame painted black. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 55 x 74.5 cm (including frame)

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  • Spider Monkey

    Spider Monkey

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    A contemporary painting depicting a whimsical monkey poised on a gently curving tree branch, painted in oil on panel in a naïve style by British artist Matt Rix.

    The figure moves with a quiet assurance, its elongated limbs and arched tail creating a sense of rhythm and balance across the composition. Stylised leaves punctuate the scene, floating lightly around the figure and reinforcing the open, uncluttered setting.

    The style is intentionally naïve and pared back, with flattened forms and simplified anatomy that echo folk art influences. The colour palette is soft and restrained: a pale blue-grey ground sets a calm tone, while deep charcoal and black define the figure, offset by a light cream face. Muted olive greens and warm brown accents add gentle contrast.

    Brushstrokes are smooth and controlled with a matte finish, emphasising shape and line over texture. The overall effect is calm and gently playful, capturing a moment of quiet movement and balance.

    This oil on board is housed in a black painted wood frame with an inner gilt window. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 35.5 x 40.5 cm (including frame)

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  • Angel Marshes

    Angel Marshes

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    A small and visually impactful abstract composition in oil, painted by British artist Lloyd Durling,

    This painting  showcases Durling’s signature abstract style—textured, atmospheric, and intuitively composed. It feels like a landscape in dream fragments, full of soft mystery and emotional undercurrents.

    Thick, expressive brushstrokes dominate the surface. The impasto technique (built-up paint) adds a tactile richness, inviting you not just to see the painting, but to almost feel it.

    Muted creams, cool greys, and powdery blues provide a soft base, broken by bold accents—a vivid orange shape, a lemon yellow, and patches of deep forest green. These pops of color create visual rhythm, like beats in a calm but layered melody.

    This impasto painting is mounted a dark stained oak frame. The dark wooden frame adds earthiness and grounding to the otherwise ethereal composition. It contrasts beautifully with the soft light tones, allowing the painting’s subtle dynamism to stand out.

    Both painting and frame are in excellent condition.

    Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

    To view the other paintings in this series, please click here.

    Size: 15.5 x 20.5 cm cm (including frame)

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  • Coastal Paths

    Coastal Paths

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    A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

    Coastal Paths evokes memories of rolling hills and open landscapes with a distant view of the ocean. Muted greens and warm browns blend seamlessly while the expressive brushstrokes suggest a emotive natural landscape. Framed and ready to hang, it makes a striking focal point and brings warmth and depth to any space.

    The painting is presented in a custom made tray frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

    Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

    To view more paintings in this series, click here.

     

    Size: 33 x 43 cm (including frame)

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  • Hanging Spider Monkey

    Hanging Spider Monkey

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    A contemporary painting depicting a whimsical monkey suspended mid-air from a gently curving tree branch, painted in a naïve style in oil onto panel by British artist Matt Rix.

    Its long, slender limbs hang with an effortless ease, creating a moment that feels unhurried and quietly contemplative. A small number of stylised leaves drift through the composition, lending a sense of openness rather than a defined setting.

    The style is intentionally naïve and pared back, with flattened forms and simplified anatomy that echo folk art influences. The colour palette is soft and restrained: a pale blue-grey ground sets a calm tone, while deep charcoal and black define the figure, offset by a light cream face. Muted olive greens and warm brown accents add gentle contrast.

    Brushstrokes are smooth and controlled with a matte finish, emphasising form over texture. Overall, the work conveys a sense of balance, gentle humour, and stillness, capturing a fleeting pause that feels both playful and reflective.

    This oil on board is housed in a black painted wood frame with an inner gilt window. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 51 x 39 cm (including frame)

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  • Geometric Collage in Green

    Geometric Collage in Green

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    A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

    A vertical grid of nine rectangles is perfectly centred. The blocks are painted or stained in muted natural tones—sage green, forest green, golden yellow, off-white, slate blue, and pale grey-green. Each block has a slightly different surface texture, reminded us of its textile origins.

    The grid is precisely placed against a horizontal division line running through the middle of the board. This intersection anchors the composition, giving it a feeling of structural harmony. There’s a sense of order meeting time-worn imperfection—a modernist grid laid over a surface that tells a more ancient, weathered story.

    The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang, Both artwork and frame are in excellent condition.

    Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials,  with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

    To view more artworks from this collection, click here.

    Size: 30.5 x 24.5 cm(including frame)

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  • Holding Space II

    Holding Space II

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    A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

    Holding Space is a small intimate abstract with a gentle softness, its name suggests a contemplative approach to viewing the painting, ‘ holding space’ to appreciate how the colours sit in conversation with each other. How the gentle yet bold lines suggest a variety of forms some recognisable.

    It is a gentle and calming piece retaining its strength of presence amongst the crisp white border of the St Ives frame.

    The painting is presented in a custom made St Ives frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

    Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

     

    To view more paintings in this series, click here.

     

    Size: 32 x 37 cm (including frame)

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  • Muddy Walks

    Muddy Walks

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    A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

    Muddy walks is an intimate abstract painting which uses warm earthy tones of ochre, umber and soft cream alongside bold curved forms to create a dynamic composition.

    Its movement and depth is highlighted against the crisp white of the St Ives frame it is set within.

    The painting is presented in a custom made St Ives frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

    Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

     

    To view more paintings in this series, click here.

     

    Size: 32 x 37 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Stormy Mountains

    Stormy Mountains

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    A brilliantly executed contemporary abstract composition, executed in acrylic onto canvas, by British artist Frances Daws.

    Stormy Mountains is a modern landscape which captures both the drama and serenity of the open horizon. The strong gestural brushstrokes suggests a landscape of rolling hills, or sand dunes while the warm earthy tones bring about a sense of depth and movement, contrasting with the cool, blue and grey sky.

    Whilst under the understanding this is an imagined landscape it invites the viewer to slow down and draw on their own memories of place.

    Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

    Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

     

    To view more paintings in this series, click here.

     

    Size: 63 x 63 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Geometric Collage in Magenta

    Geometric Collage in Magenta

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    A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

    At the heart of the artwork is a vertical grid of six alternating squares—three light cream/beige and three darker maroon/burgundy, forming a checkerboard column. The varying texture of these squares displays the woven materials wonderfully, contrasting with the flatness of the background.

    The entire surface is a deep, muted red, subtly distressed to reveal horizontal striations and small imperfections. These faint abrasions and vertical marks break the uniformity, suggesting time, wear, and process.

    The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang. Both artwork and frame are in excellent condition.

    Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials,  with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

    To view more artworks from this collection, click here.

    Size: 30.5 x 24 cm(including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Geometric Collage in Mauve

    Geometric Collage in Mauve

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    A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

    The board is coated in a fabric with a soft terracotta tone, with a gentle patina of age, scored with faint horizontal lines and slight textural inconsistencies. These marks give the surface a worn, handmade feeling.

    The composition features a precisely placed rectangle made up of six vertical blocks, arranged in two rows. The blocks alternate between cool and warm reds, dusty pinks, and maroons. Each has a varied textile texture, inviting tactile interpretation.

    The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang, Both artwork and frame are in excellent condition.

    Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials,  with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

    To view more artworks from this collection, click here.

    Size: 30.5 x 24 cm(including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Dachshund

    Dachshund

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    A very endearing and engaging canine composition of a Dachshund, painted in a naïve style in oil onto panel by British artist Matt Rix.

    The dog is shown in profile, standing proudly with its signature long body, short legs, and alert expression. Its smooth black coat is accented with warm reddish-brown markings on the muzzle, chest, and paws, giving it both character and charm.

    The background sets the scene indoors: a mustard-yellow paneled wall, a simple white-trimmed window revealing green hills and blue sky outside, and a purple floor that provides a playful contrast to the dog’s dark coat. The composition is clean and geometric, with flat planes of color that emphasize shape and form rather than detail.

    This oil on board is housed in a black frame with inner gilt detail. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 24 x 33 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • St Ives Head I (Very Large)

    St Ives Head I (Very Large)

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    A very large and atmospheric abstract landscape painting, executed in oil onto board by contemporary British artist Ian Mood.

    This abstract oil painting of St Ives Head conveys a powerful impression of the Cornish landscape through bold colour blocks and expressive brushwork. The composition is dominated by a strong horizontal division:

    The lower portion features lush, vibrant greens, suggestive of the headland’s grassy terrain. These greens are layered and varied, with hints of dark shadows and occasional streaks of red and orange adding depth and movement. A sweeping form of deep black and charcoal arcs through the upper and middle sections, perhaps alluding to the rocky outcrop of St Ives Head or the moody Atlantic shadows. This shape anchors the piece and creates dramatic contrast. Surrounding these darker masses, icy blues and muted whites evoke the sky and sea, with the brushwork ranging from smooth to vigorously textured. Pops of pink and red in fine linear marks add visual interest and energetic tension across the central area.

    The painting is both abstract and landscape-inspired, distilling the raw essence of the coastal headland into expressive colour fields and gestural marks. It reflects the elemental forces of land, sea, and weather typical of St Ives, rendered in a deeply personal, modernist style.

    This very large oil on board is housed in a complementary light grey frame.  Both painting and frame are in excellent condition.

    Size: 100 x 100 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

    About the artist:

    Ian Mood is a contemporary artist with an international reputation, having shown work with Saatchi London, Brooklyn Art Library, Battersea Art Fair & Manchester Art Fair – as well as being represented by numerous established galleries in the UK and US. He recently held his first solo show in New York.

    In 2019, he collaborated as artist in residence with The National Theatre (Madness of George III with Mark Gatiss) and The Royal Exchange Manchester (Mother Courage with Julie Hesmondhalgh).

    Ian is a member of Manchester Academy of Fine Arts, Society Of Staffordshire Artists and the Artist Association of Nantucket (USA) where he regularly lectures as part of their summer arts programme. He was awarded the Artists Association of Nantucket Frank Swift Chase Plein Air Award in 2014.

    Ian grew up in Stoke on Trent and studied Fine Art at the University of the West of England, Bristol.

  • Dalmatian

    Dalmatian

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    A very endearing and engaging canine composition of a Dalmatian, painted in a naïve style in oil onto panel by British artist Matt Rix.

    The dog is shown in profile, sitting upright with a graceful, calm posture. Its body is a clean, flat white, patterned with scattered black spots that give it character and texture.

    The background is divided into two strong colour fields: a deep terracotta red upper section and a dark earthy brown lower strip, suggesting the ground. This minimalist backdrop highlights the dog, making it the clear focal point of the painting.

    This oil on board is housed in in a black painted wood frame. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 40.5 x 40.5 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Fox Hound with Blue Collar

    Fox Hound with Blue Collar

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    A very well painted and engaging canine composition of a fox hound, painted in a naïve style in oil onto panel by British artist Matt Rix.

    Set against a soft, muted background of rolling green hills and a pale grey-blue sky, the dog stands in profile, tail raised with alertness. Its body is lean and elegant, painted in cream tones with striking black patches, while the head is a warm chestnut brown. A simple blue collar around its neck adds a touch of personality and contrast.

    The style is minimalist yet expressive — flat planes of color, clean lines, and little surface detail. This simplicity allows the dog’s form and posture to take center stage, giving it a quiet dignity and a timeless quality. The muted palette enhances its calm and collected atmosphere, while the dog’s upright stance suggests loyalty, attentiveness, and companionship.

    This oil on board is housed in an off white frame with inner gilt detail. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 36.5 x 46.5 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Fox Hound with Red Collar

    Fox Hound with Red Collar

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    A very endearing canine composition of a fox hound , painted in a naïve style in oil onto panel by British artist Matt Rix.

    The dog stands alert on rolling green hills beneath a muted grey sky, its body a graceful mix of cream, black, and chestnut brown patches. A bright red collar adds a vivid accent, drawing the eye to the dog’s poised neck and steady stance.

    The background is pared back and understated, with soft tonal gradients in the sky and simple green slopes that allow the dog to command the viewer’s full attention. The dog’s upright tail and keen gaze convey both energy and elegance, a balance of loyalty and readiness.

    This oil on board is housed in an off white frame with inner gilt detailing. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 36.5 x 46.5 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Geometric Collage with 2 Circles

    Geometric Collage with 2 Circles

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    A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

    The composition consists of two muted circular forms, each placed centrally within the upper and lower halves of the piece. The circles—soft pinkish and earthy reddish tones—are made from swatches of book covers, creating a tactile contrast against the rich, golden-brown marbled background.

    The background evokes a sense of aged parchment or worn leather, enhancing the artwork’s connection to its literary origins. The precise placement of the circles introduces a sense of symmetry and contemplation, while the visible grain and patina of the materials speak to time, reuse, and the quiet endurance of objects past.

    Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials,  with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

    To view more artworks from this collection, click here.

    Size: 31.5 x 25.5 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Greyhound

    Greyhound

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    A very endearing and engaging canine composition of a greyhound, painted in a naïve style in oil onto panel by British artist Matt Rix.

    The dog, painted in a soft, pale grey with delicate shading, stands tall and poised against a simple, two-toned background: a warm brown upper section suggesting wood or wall paneling, and a golden-yellow floor beneath. The greyhound’s form is sleek and elongated, with its slender legs, curved back, and graceful tail giving the piece a sense of quiet dignity.

    A dark red-brown collar adorns the dog’s neck, echoing the bold crimson-red frame that surrounds the artwork, tying the composition together with a strong accent of colour.

    This oil on board is housed in a red painted wood frame. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 34 x 39 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Geometric Collage in Burnt Umber

    Geometric Collage in Burnt Umber

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    A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

    The grid consists of six distinct blocks in a mix of blues, white, and earthy red, contrasting against the warm, burnt umber or rust-coloured background. The grid arrangement is asymmetrical, giving the piece a sense of modernist abstraction while maintaining an organic, handmade feel.

    The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang, Both artwork and frame are in excellent condition.

    Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials,  with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

    Size: 31.5 x 26 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Pair of Staffordshire Dogs (Blue)

    Pair of Staffordshire Dogs (Blue)

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    A delightful pair of paintings that reimagine the classic Staffordshire spaniel dogs, painted in a naïve style in oil onto panel by British artist Matt Rix.

    Presented as a facing pair, they echo the traditional mantelpiece figurines of the 19th century, yet with a fresh, painterly twist.

    Both dogs are shown seated upright, with white coats patterned in bold black patches that resemble stylised floral motifs. Their long, drooping black ears frame alert, soulful faces, each with bright yellow eyes and a small red mouth that add character and charm. Around their necks, the dogs wear golden collars with chain detailing, reinforcing their heritage as symbols of loyalty, companionship, and domestic pride.

    The backgrounds are particularly striking: a rich blue striped wall adds depth and rhythm, while the flat grey ground anchors the figures firmly in space. The bold use of colour contrasts beautifully with the black frames, enhancing the decorative presence of the pair.

    As with traditional Staffordshire dogs, one faces left and the other right, making them perfect companions. Their folk-art simplicity, flat planes of colour, and stylised forms give them a timeless, iconic appeal, at once nostalgic and contemporary.

    These paintings are appealing because they strike a balance between playfulness and heritage—celebrating the charm of Staffordshire dogs while transforming them into striking, graphic artworks that would add warmth and character to any wall.

    Each of these oils on board are housed in black painted wood frames with subtle gilt detailing. Both paintings are in excellent condition. The frames have some very minor scuffs but this is in keeping with their vintage style.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 47.5 x 37cm each (including frame)

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  • Pair of Staffordshire Dogs (Red)

    Pair of Staffordshire Dogs (Red)

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    A very charming pair of paintings depicting the iconic Staffordshire spaniel dogs, long celebrated in British folk art and ceramics, painted in a naïve style in oil onto panel by British artist Matt Rix.

    The two dogs are painted in a deliberately naïve, decorative style that recalls the 19th-century porcelain mantelpiece figures they are inspired by.

    Each dog sits upright against a muted pinkish-red background, with a simple brown ground anchoring them in place. Their white coats are adorned with large chestnut-brown patches—rendered in stylised, almost floral shapes—that add rhythm and balance to the composition. Both dogs wear gilt collars with chain details, a hallmark of traditional Staffordshire imagery. Their soulful yellow eyes, drooping ears, and small red mouths give them an expressive, slightly whimsical quality, striking a balance between charm and solemnity.

    Presented as a pair, the paintings echo one another but are not identical—one dog faces left, the other right—making them natural companions, just as Staffordshire figurines were traditionally displayed in pairs.

    The appeal lies in their folk-art simplicity and decorative strength: bold flat shapes, warm earthy tones, and a sense of nostalgia that makes them feel timeless yet playful. They would add both character and heritage charm to any wall, bridging the line between painting and folk tradition.

    Each of these oils on board are housed in chestnut brown painted wood frames with subtle gilt detailing. Both paintings are in excellent condition. The frames have some very minor scuffs but this is in keeping with their vintage style.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 47.5 x 37cm each (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Sea Flowers

    Sea Flowers

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    A playful and organic one-off original monoprint presented in a sapele frame, by British artist Olivia Bouzyk.

    Unlike most printmaking, where artists create an edition of identical prints, a monoprint produces just one final piece. Olivia works on a plate — inking, painting, and layering textures — and then transfers the image onto paper. But because of the process, it can never be repeated in the same way again.

    This artwork is created from two layers of ink on purple card. There is a slight texture to the dark blue, as some of the purple background can be seen underneath. The yellow flowers are slightly translucent but with thicker, textured ink. The flowers are made from a paper stencil which was of a drawing from the Essex coastline.

    Each work holds the spontaneity of the moment it was made — the way the ink spread, the pressure of the press, the marks left behind. No two are ever alike. When you own one of Olivia’s prints, you’re holding the only version that exists.

    Olivia works with contrasts in line, colour and form and a sense of harmony is achieved by balancing this series of juxtapositions.

    This artwork, as with the others, has no intended direction, so it can be hung to suit the viewer’s space/inclinations. The fixtures on the back of all the prints are on each side so that they can be hung in any direction, and the signature also has no intended direction.

    It is mounted and housed in a high quality sapele wood frame with anti reflective UV glass. Both frame and artwork are in excellent condition.

    Size:  61.5 x 86 cm (including frame)

    To view the other paintings in this collection, please click here.

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  • Black Show Horse

    Black Show Horse

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    A small and engaging  animal composition , painted in a naïve style in oil onto panel, by British artist Matt Rix.

    This painting depicts a black horse in mid-stride, gracefully moving across a neutral-toned landscape. The folk-art style is characterized by its simple yet elegant form, with clean lines and a minimalistic approach. The horse’s body is painted in a solid, deep black, contrasting against the soft, muted background of pale beige and gray tones.

    The horse’s head is slightly lowered, its ears pricked forward, and its tail is slightly raised, giving a sense of movement and attentiveness. The white highlight in its eye adds a touch of life and expression. The background remains minimal, with the ground subtly shaded to indicate depth, while the sky remains open and pale, creating a sense of calm and space.

    This oil is painted onto canvas which although unframed, is meant to be hung as is. The painting is in excellent vintage condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 30.5 x 25.5 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • English Longhorn Bull

    English Longhorn Bull

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    A small and engaging  animal composition , painted in a naïve style in oil onto panel, by British artist Matt Rix.

    This painting features a black longhorn cow standing on a gently rolling green hill, set against a soft, muted sky. The cow is depicted in a side profile, with large, curved, cream-colored horns that contrast against its dark body. Its expression is simple yet calm and steady, with a single white eye that gives it a distinct and stylized character.

    The folk-art style of the painting is evident in its flat, minimalistic rendering, clean lines, and restrained colour palette of earthy greens, soft blues, and warm browns.

    The overall composition conveys a sense of peace and rural charm, celebrating the beauty and dignity of farm animals in nature.

    This oil is painted onto panel which although unframed, is meant to be hung as is. The painting is in excellent vintage condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 30.5 x 30.5 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Old English Game Fowl in Black

    Old English Game Fowl in Black

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    A small and engaging animal composition, painted in a naïve style in oil onto panel, by British artist Matt Rix.

    This painting depicts a stylized game bird, standing in profile with a strong and elegant stance. The bird’s plumage is rendered in warm earthy tones, including shades of cream, rust red, and deep brown, creating a visually striking contrast. Its head is sharply defined, with a black beak, a red eye patch, and a piercing gaze that gives it a sense of alertness.

    The bird’s legs and talons are bright yellow and its tail feathers are elegantly fanned out in a light cream colour, adding a delicate touch to its otherwise bold appearance.

    The background is minimalistic and textured, with a soft, muted beige sky fading into a dark, earthy brown ground, keeping the focus on the central figure.

    The artwork is framed in a rustic black wooden frame, which complements the bird’s features and enhances its traditional, handcrafted feel. The painting is in excellent vintage condition. The frame has some minor scuffing.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 22 x 27 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • A Horse with No Name

    A Horse with No Name

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    A charming and engaging contemporary animal composition that captures the profile of a brown horse standing alertly against a softly undulating desert landscape, painted in a naïve style in oil onto panel by British artist Matt Rix.

    The composition is striking in its simplicity – clean, stylised lines and minimal detailing reflect a naïve or folk art sensibility. The artist eschews realism in favour of flattened forms and a muted palette of chestnut brown, yellow, dusty lilac, and earthy taupe.

    The horse’s form is rendered with smooth, confident brushstrokes and solid colour blocks, lending it a sense of quiet dignity and presence.

    This oil on board is housed in bold and striking green frame. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 35.5 x 43.5 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Brown Horse

    Brown Horse

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    A small and engaging  animal composition , painted in a naïve style in oil onto panel, by British artist Matt Rix.

    This painting features a stylised brown horse standing on a sandy or beige ground against a pale, textured background that resembles a lightly clouded sky. The horse is depicted in a folk art style, characterized by its simplified form and solid color blocking.

    The horse’s posture is calm and slightly alert, with its head turned slightly forward, ears upright, and tail gently curled. Its proportions are subtly exaggerated, with long slender legs and a rounded torso, giving the figure a charming, slightly naive appearance. The detail is minimal, focusing on clean lines and smooth shading to define the horse’s shape.

    The background is intentionally sparse, with no landscape or objects, placing full emphasis on the horse itself.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 18 x 33 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Geometric Collage in Raw Umber

    Geometric Collage in Raw Umber

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    A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

    The background is composed of a richly textured, raw umber surface made from aged book cloth, divided horizontally at its midpoint, enhancing the piece’s sense of structure and symmetry. The material bears the worn, mottled patina of time, evoking a tactile warmth and nostalgic depth.

    Centrally placed is a vertical arrangement of nine small rectangles, each made from a different swatch of book cloth. These blocks vary in hue—soft blues, warm reds, ochres, deep burgundy, and neutral beige—and are carefully aligned to form a grid-like column. Their tight geometry contrasts with the organic wear of the background, creating visual tension and balance.

    The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang, Both artwork and frame are in excellent condition.

    Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials,  with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

    To view more artworks from this collection, click here.

    Size: 34.5 x 27.5cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Interplay

    Interplay

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    A large, striking and very well balanced abstract composition, painted in oil with areas of collage.

    This painting features a dynamic interplay of geometric shapes and layered textures, rendered in a muted, earthy palette with bursts of colour.

    The dominant tones are cool greys and greens, softened with washes of white and dusty blue, punctuated by vibrant rusty oranges, ochres, and pale pinks. Angular shapes interlock and overlap, creating a sense of movement and fragmentation. There is a textural richness to the surface, likely from mixed media or layered paint application—some sections are soft and diffused, others sharp and defined.

    The painting fits within the realm of modernist abstraction, echoing influences from Cubism and Abstract Expressionism. It evokes a sense of organic structure and emotional intensity, while remaining non-representational—there are no identifiable objects, allowing the viewer to explore form, space, and rhythm freely. The mood is contemplative and complex, suggesting inner tension or transformation.

    This is a piece that invites close viewing and personal interpretation, offering new shapes and meanings the longer one looks.

    The painting is presented in white tray frame, which suits it perfectly. Both painting and frame are in excellent vintage condition.

    Size: 72 x 66 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Pregnant Pears

    Pregnant Pears

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    A very well executed still life composition by British artist Nancy Crewe, painted in oil on to board and presented beautifully in a bespoke white tray frame.

    It features four pears, arranged in a row across a horizontal composition, on a muted green and brown surface. The backdrop is a softly blended cream and ochre gradient, suggesting a calm, abstracted environment, almost dreamlike in its quietness.

    The lighting and deep shadows cast beneath the pears give the composition a sense of solidity and grounding, contrasting with the airy, abstracted background. The simplified palette—earthy greens, ochres, and whites—evokes a feeling of calm introspection.

    This work stands out for its poetic simplicity and its ability to evoke human qualities through still life.

    The oil on board is housed in a very complementary white tray frame. Both painting and frame are in excellent condition.

    Size: 43.5 x 53.5cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.