Abstract – Page 6 – The Discerning Palette

Showing 151–180 of 463 results

Houses on the Horizon

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A soothing modernist painting that depicts a stylised horizon where three houses rest quietly in the distance, painted in oil onto board and dated 1970.

The scene is reduced to bold horizontal bands of colour, evoking the sweep of open fields, sky, and distant land. The houses appear as simplified, block-like forms – dark silhouettes accented with white and red – standing in quiet contrast against the rich layers of the landscape.

Executed in a modernist style, the work emphasises abstraction and rhythm over detail, distilling the essence of farmland into pure forms.

The brushwork is measured and horizontal, with deliberate layering that builds subtle depth while maintaining a calm and minimalist aesthetic. The simplicity of line and form imbues the painting with a contemplative, timeless quality.

This oil on canvas is presented in a complementary off-white painted frame. The painting is in excellent vintage condition, and the frame has small scuffs.

Size: 34 x 67 cm (including frame)

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Ceremony of Colour

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A striking mid-century abstract figurative painting that depicts a rhythmic procession of five women walking across an open, sun-washed landscape, painted in oil onto canvas by the established Swedish female artist Brita Hansson (1918-1979).

Each figure balances a vessel upon her head, their elongated forms moving in quiet unison against a soft expanse of sky and sand. Though simplified and abstracted, the figures retain a powerful presence.

Rendered in a distinctly modernist style, the composition balances figuration with abstraction. The bodies are constructed from bold, angular planes of colour rather than detailed anatomy, creating a dynamic interplay between structure and spontaneity. The negative space of pale blue sky and creamy earth provides a serene backdrop that allows the vibrant figures to command attention.

The palette is rich and saturated, featuring vivid oranges, fiery reds, cobalt blues, emerald greens, and deep purples. These colours are layered and juxtaposed in expressive blocks, giving each figure a unique visual rhythm while maintaining overall harmony. The contrast between the warm garments and the cool sky enhances the painting’s luminosity and depth.

Brushwork is energetic and confident. Broad, gestural strokes define the drapery and movement of fabric, while thicker applications of paint create texture and dimension across the figures’ garments. The artist has allowed edges to remain loose and painterly, with visible layering and occasional scumbling that adds vitality to the surface. The simplified faces and silhouetted profiles further emphasise form, colour, and movement over detail.

Overall, the painting embodies the bold spirit of mid-century abstraction, celebrating colour, gesture, and human form in a composition that feels expressive.

This oil on canvas is housed in a complementary champagne wood frame. Both the painting and frame are in excellent vintage condition.

Size: 52 x 79 cm (including frame)

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Interlocked

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A striking modernist painting that presents a dynamic abstract composition characterised by flowing, interlocking geometric shapes, executed in oil onto board and dated 1986.

The forms intertwine and overlap, creating a sense of motion and complexity. The dominant palette of cool blues, soft greys, and warm orange gives the work a calm yet grounded aesthetic, balanced by the interplay of warm and cool tones.

The brushstrokes are precise, emphasising clean lines and distinct colour blocking. The overall impression is reminiscent of mid-century abstraction, with hints of cubist influence in the fragmented and reassembled forms. The painting’s harmonious use of curves and angular shapes evokes a sense of both tension and resolution.

The composition suggests a fluid, almost sculptural quality, inviting viewers to interpret the shapes as dynamic forms in a state of transformation or movement.

This oil on board is housed in a complementary off-white frame and is presented within a white card mount, and is glazed (there is a layer of glass between the frame and the painting to ensure its longevity). The painting is in excellent vintage condition, and the frame has minor scuffing.

Size: 58 x 58.5 cm (including frame)

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Abstract Trio

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A mid-century abstract figurative painting that captures a serene and introspective atmosphere, depicting three abstract human forms in a seated arrangement, executed in oil onto board.

The figures, rendered in earthy tones of brown, beige, and muted grey, appear to be engaged in a quiet, contemplative moment. The artist has used a combination of broad, gestural brushstrokes and textured layering, which gives the figures a rugged, almost sculptural presence within the composition.

The background is a juxtaposition of muted green and off-white blocks of colour, suggesting an interior space or an abstracted environment. The deliberate abstraction of the figures, reduced to essential forms and shapes, allows for multiple interpretations, emphasising mood and presence over detailed representation.

The painting’s style reflects the mid-century modernist movement, characterised by a harmonious blend of abstraction and figuration. The artist’s use of subdued, natural colours evokes a soothing, meditative feeling, while the brushwork conveys a sense of spontaneity and raw emotion.

This oil on board is housed in a very well-suited wood frame with an inner gilt and linen border. Both the painting and frame are in excellent vintage condition.

Size: 52.5 x 61.5 cm (including frame)

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Coastal Passage

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A large mid-century abstract landscape painting that captures a tranquil coastal scene framed by lush greenery and golden landscapes, executed in oil onto canvas.

A narrow inlet leads the eye toward the deep blue waters of the sea, while sandy, golden-hued landforms in the foreground create a sense of depth and movement. The sky is rendered in soft muted greys and blues, suggesting an overcast or serene atmosphere.

Executed in a modernist style, the painting features bold, simplified forms with an emphasis on geometric shapes and harmonious composition. The colour palette consists of earthy greens, warm yellows, and calming blues, all applied with expressive and fluid yet controlled brushstrokes. Some areas show broad, sweeping strokes, while others feature more deliberate, textured applications of paint, giving the work a dynamic yet balanced feel.

The artist’s approach conveys a sense of both structure and spontaneity, reminiscent of mid-century landscape abstraction.

This oil on canvas is housed in a well-suited wide profile wood frame with an inner gilt border. The painting is in excellent vintage condition. The frame’s gilt border has some wear as shown.

Size: 76 x 93.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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Contours of the Earth

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A captivating and wonderfully textured large mid-century abstract landscape painting, executed in oil onto canvas.

Abstract in nature, the painting transports the viewer to a vast, windswept terrain, reminiscent of rugged coastlines or snow-covered plains. The composition exudes a sense of movement and fluidity, as if the landscape itself is caught in a moment of transformation.

The artist has used an expressive and dynamic impasto technique, layering thick, textured strokes to create depth and dimension. The brushstrokes are bold and confident, adding a tactile quality to the piece, while the swirling lines and undulating forms hint at the forces of nature shaping the environment.

The colour palette is a harmonious blend of muted, earthy tones – soft greys, off-whites, and hints of yellow – evoking the subdued atmosphere of a windswept wilderness. The subtle gradients of grey merge seamlessly into the creamy whites, with occasional touches of olive and beige that suggest geological formations.

The painting’s abstract nature allows for multiple interpretations, but its textured surface and organic flow invite contemplation of natural phenomena – perhaps eroded landscapes, flowing water, or windswept plains.

This large oil on canvas is housed in a complementary silver wood frame. The painting is in excellent vintage condition. The frame has some scuffing present.

Size: 68.5 x 73.5 cm (including frame)

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Crimson Horizons

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A dynamic and emotive mid-century abstract landscape composition that celebrates form, colour, and texture over representational detail, painted in oil onto canvas.

Depicting an abstraction of forms and colours that have been structured into horizontal layers, the painting appears to evoke a natural landscape setting, with elements that suggest earthy terrains under a vivid sky.

The piece is distinctly abstract expressionist, characterised by broad, confident brushstrokes and a rich, impasto technique that emphasises the tactile quality of the paint. The use of colour is bold and heightens the emotional resonance of the scene – leaning on an earthy palette of browns, reds, and greens, with contrasting hints of blue in the upper portion, suggesting a sky.

The brushstrokes are sweeping and deliberate, applied with a visible, almost sculptural texture. This technique gives the work a sense of motion and raw energy, engaging the viewer with its dynamic surface.

This oil on canvas is housed in a complementary slim wood frame. Both the painting and frame are in excellent vintage condition.

Size: 56 x 66.5 cm (including frame)

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Figure in Blue

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A striking mid-century modernist abstract figurative painting that presents a seated figure rendered in deep, expressive shades of blue and green, executed in acrylic onto card.

The figure, loosely defined with minimal facial features, appears to lean against a structure – possibly a chair or a window ledge – exuding a contemplative or introspective mood.

The artist has used a bold and gestural approach, characteristic of mid-century abstraction, with broad, sweeping brushstrokes that create movement and depth. The composition is dominated by a cool colour palette of blues, teals, and emerald greens, punctuated by lighter areas that suggest illumination.

The contrast between dark, shadowy areas and lighter highlights enhances the sense of atmosphere, while the figure’s simplified form retains an element of mystery and ambiguity.

This acrylic on card is framed behind glass, and is presented within a card mount. Both painting and frame are in excellent vintage condition.

Size: 48.5 x 42.5cm (including frame)

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Figure in the Dark

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An emotive and expressive semi-abstract figurative portrait, executed in oil onto canvas and dated 1975.

The composition presents a seated figure, rendered with expressive and gestural brushstrokes. The subject is defined by bold, dark contours and angular forms, suggesting a contemplative or melancholic presence. The face is minimally detailed yet evocative, with an emphasis on structure rather than realism.

The composition is dominated by a deep, earthy palette of black, charcoal grey, and muted browns, with subtle hints of white, yellow, and red breaking through. The background is layered and textured, adding to the depth and atmosphere of the piece. The brushwork is raw and dynamic, with areas of impasto juxtaposed against more transparent washes of paint, reinforcing the work’s emotional intensity and expressive quality.

This oil on canvas is housed in a complementary slim silver painted wood frame. The painting is in very good vintage condition. The frame has some scuffing but this is in keeping with its vintage style, and overall it is in very good condition.

Size: 49 x 40 cm (including frame)

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Interaction

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A vibrant geometric abstract composition that explores form and interaction, executed in oil onto canvas and dated 1991.

The painting features a dynamic arrangement of amoebic shapes in overlapping layers. The subject matter is intentionally non-representational, evoking the energy of human presence or social exchange through softened silhouettes that seem to drift, merge, or dance within a flat pictorial space.

Rendered in bold blocks of solid colour – striking red and orange, yellow, cobalt blue, and deep plum – the forms float atop a simplified two-tone background of blue and green, suggestive of sky and earth. The palette is both playful and intentional, using contrast to create visual depth without shadows or gradients.

Brushstrokes are smooth and minimally textured, allowing the flatness and precision of each colour field to hold compositional tension. The overall effect is a harmonious yet enigmatic piece that invites viewers to contemplate the relationships between shape, space, and colour.

This oil on canvas is housed in a complementary slim wood frame. The painting is in excellent vintage condition, and the frame has some marks (as pictured).

Size: 64 x 76.5 cm (including frame)

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Intersecting Rhythm

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A dynamic mid-century abstract painting characterised by bold shapes, layered textures, and a rhythmic interplay of form and colour, executed in oil onto canvas by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The composition is built from intersecting blocks and curved segments, suggesting movement and an underlying figurative tension while remaining firmly non-representational.

Executed in a robust modernist style, the work embraces the era’s embrace of spontaneity and materiality. The palette features earthy orange, muted greys, olive green, off-white, deep charcoal and small flashes of cobalt blue, brick red, and sunny yellow, creating a grounded yet energetic contrast. Thick, tactile impasto passages bring a sculptural quality to the surface, where dragged strokes, textured ridges, and deliberate scoring reveal the artist’s physical engagement with the medium.

Overall, the painting exudes strength and mid-century sophistication – a striking statement piece that celebrates form, texture, and movement.

This oil on canvas is presented in a complementary black painted wood frame. There is a small perforation to the canvas as shown in the photos ( this is only visible from the back, and not from the front), but it remains stable and does not detract from the work’s overall attractiveness.

Size: 72.5 x 62 cm (including frame)

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Angel Marshes

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A small and visually impactful abstract composition in oil, painted by British artist Lloyd Durling,

This painting showcases Durling’s signature abstract style—textured, atmospheric, and intuitively composed. It feels like a landscape in dream fragments, full of soft mystery and emotional undercurrents.

Thick, expressive brushstrokes dominate the surface. The impasto technique (built-up paint) adds a tactile richness, inviting you not just to see the painting, but to almost feel it.

Muted creams, cool greys, and powdery blues provide a soft base, broken by bold accents—a vivid orange shape, a lemon yellow, and patches of deep forest green. These pops of color create visual rhythm, like beats in a calm but layered melody.

This impasto painting is mounted a dark stained oak frame. The dark wooden frame adds earthiness and grounding to the otherwise ethereal composition. It contrasts beautifully with the soft light tones, allowing the painting’s subtle dynamism to stand out.

Both painting and frame are in excellent condition.

Lloyd is based in London and his practice is painting-based. His first international solo show was in 2010 at Golden in Chicago and he has exhibited widely throughout Europe, Asia and the US. In 2017 he was awarded a Pollock-Krasner Foundation grant. Lloyd’s works are held in public and private collections worldwide, including the Whitworth Art Gallery and Museum, Progressive collection, America and Nomura Bank, Japan.

To view the other paintings in this series, please click here.

Size: 15.5 x 20.5 cm cm (including frame)

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Coastal Paths

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A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

Coastal Paths evokes memories of rolling hills and open landscapes with a distant view of the ocean. Muted greens and warm browns blend seamlessly while the expressive brushstrokes suggest a emotive natural landscape. Framed and ready to hang, it makes a striking focal point and brings warmth and depth to any space.

The painting is presented in a custom made tray frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 33 x 43 cm (including frame)

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Harbour in Hues

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A mid-century modernist harbour scene that captures the liveliness of a bustling port through an abstracted lens, executed in oil onto board.

The composition features stylised boats with tall masts, cranes, and sails, all arranged in a rhythmic balance that evokes both movement and stillness. A triangular sail anchors the right side of the canvas, while geometric ship structures rise on the left, framed against a luminous sky.

The artist has used a modernist, semi-abstract style, reducing forms to simplified shapes and colour blocks while maintaining recognisable nautical motifs. The colour palette is fresh and expressive: soft yellows and muted greys provide a serene backdrop, while accents of bright red, orange, and yellow inject energy and contrast.

The brushstrokes are confident and varied. This interplay of texture adds depth and dynamism, suggesting reflections on water and the shifting atmosphere of a harbour at work.

This oil on canvas is housed in a complementary wooden frame with traces of gilt and muted red accent. The painting is in excellent vintage condition, and the frame has some scuffs.

Size: 39 x 47.5 cm (including frame)

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Garden Gathering

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A lively mid-century modernist oil painting that presents a group of figures gathered in a semi-abstract outdoor scene, by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

The arrangement suggests a social gathering – figures standing and seated together, framed by architecture on one side and lush garden foliage on the other.

Executed in a modernist style, the piece blends figuration with abstraction. Strongly simplified forms and flattened planes dominate, with outlines and shadow blocks creating sculptural presence. The absence of facial detail recalls both cubist reduction and expressionist distortion, allowing colour and rhythm to take precedence over narrative realism.

The palette is bold yet harmonious, with deep navy and forest greens offset by vibrant pinks, oranges, and sky blues. Light falls diagonally across the canvas, producing rich contrasts between shadowed areas and illuminated patches. The brushstrokes are broad, gestural, and confident, with layered pigment applied in sweeping movements that build both depth and dynamism.

This oil on board is presented in a complementary gilt frame. The painting is in excellent vintage condition. The frame has some minor scuffing.

Size: 36.5 x 40.5 cm (including frame)

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Geometric Collage in Green

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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

A vertical grid of nine rectangles is perfectly centred. The blocks are painted or stained in muted natural tones—sage green, forest green, golden yellow, off-white, slate blue, and pale grey-green. Each block has a slightly different surface texture, reminded us of its textile origins.

The grid is precisely placed against a horizontal division line running through the middle of the board. This intersection anchors the composition, giving it a feeling of structural harmony. There’s a sense of order meeting time-worn imperfection—a modernist grid laid over a surface that tells a more ancient, weathered story.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang, Both artwork and frame are in excellent condition.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

To view more artworks from this collection, click here.

Size: 30.5 x 24.5 cm(including frame)

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Holding Space II

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A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

Holding Space is a small intimate abstract with a gentle softness, its name suggests a contemplative approach to viewing the painting, ‘ holding space’ to appreciate how the colours sit in conversation with each other. How the gentle yet bold lines suggest a variety of forms some recognisable.

It is a gentle and calming piece retaining its strength of presence amongst the crisp white border of the St Ives frame.

The painting is presented in a custom made St Ives frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 32 x 37 cm (including frame)

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Muddy Walks

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A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

Muddy walks is an intimate abstract painting which uses warm earthy tones of ochre, umber and soft cream alongside bold curved forms to create a dynamic composition.

Its movement and depth is highlighted against the crisp white of the St Ives frame it is set within.

The painting is presented in a custom made St Ives frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 32 x 37 cm (including frame)

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Riverbend

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A vivid mid-century modernist abstract landscape, executed in oil onto canvas.

The composition captures the dynamic energy of a frozen waterway winding through a snowy terrain beneath a dramatic sky. The artist has used broad, expressive brushstrokes and a striking palette to evoke the chill of winter and the fleeting glow of sunset.

The sky dominates the composition, rendered in bold swathes of blue and overlaid with dashes of fiery orange, crimson, and yellow, suggesting a sun just dipped below the horizon. Below, the frozen river curves with movement, painted in cool whites and icy blues, while gestural patches of green, orange, and brown represent trees and terrain along the banks. A structure and a vivid red form – perhaps a vehicle or boat – add subtle focal points within the composition.

The brushwork is loose, gestural, and tactile, creating a sense of immediacy and atmosphere.

This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition. There is a small loss to upper corner of frame as shown, but it is otherwise in very good condition.

Size: 41 x 36 cm (including frame)

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Stormy Mountains

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A brilliantly executed contemporary abstract composition, executed in acrylic onto canvas, by British artist Frances Daws.

Stormy Mountains is a modern landscape which captures both the drama and serenity of the open horizon. The strong gestural brushstrokes suggests a landscape of rolling hills, or sand dunes while the warm earthy tones bring about a sense of depth and movement, contrasting with the cool, blue and grey sky.

Whilst under the understanding this is an imagined landscape it invites the viewer to slow down and draw on their own memories of place.

Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

To view more paintings in this series, click here.

Size: 63 x 63 cm (including frame)

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Geometric Collage in Magenta

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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

At the heart of the artwork is a vertical grid of six alternating squares—three light cream/beige and three darker maroon/burgundy, forming a checkerboard column. The varying texture of these squares displays the woven materials wonderfully, contrasting with the flatness of the background.

The entire surface is a deep, muted red, subtly distressed to reveal horizontal striations and small imperfections. These faint abrasions and vertical marks break the uniformity, suggesting time, wear, and process.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang. Both artwork and frame are in excellent condition.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

To view more artworks from this collection, click here.

Size: 30.5 x 24 cm(including frame)

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Geometric Collage in Mauve

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A very unique original artwork by British artist Dave Boyd, constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards) mounted on a wooden panel in a solid wood float frame.

The board is coated in a fabric with a soft terracotta tone, with a gentle patina of age, scored with faint horizontal lines and slight textural inconsistencies. These marks give the surface a worn, handmade feeling.

The composition features a precisely placed rectangle made up of six vertical blocks, arranged in two rows. The blocks alternate between cool and warm reds, dusty pinks, and maroons. Each has a varied textile texture, inviting tactile interpretation.

The artwork is presented in wood frame that suits it very well. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang, Both artwork and frame are in excellent condition.

Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials, with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

To view more artworks from this collection, click here.

Size: 30.5 x 24 cm(including frame)

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Maternal Love

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An outstanding mid-century modernist abstract figurative composition, painted in oil onto board by Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

The composition depicts a female figure, presumably a mother, tenderly holding her child. Rendered in bold, abstracted forms, the artist has distilled the essence of human connection into simplified, interlocking shapes and planes of colour. The absence of defined facial features allows emotion to arise from posture, proportion, and palette rather than expression, giving the scene both universality and intimacy.

Executed in a modernist idiom influenced by abstraction, the work blends figurative sensitivity with geometric reduction. The artist has employed thick, confident brushstrokes and layered impasto to create texture and rhythm across the surface. Areas of colour overlap subtly, suggesting depth and volume while maintaining a flattened, almost collage-like arrangement.

A harmonious palette of teal, browns, forest green, ivory, deep burgundy, and blue anchors the composition. The dark halo of the mother’s hair contrasts with the child’s pale, luminous tones, drawing the viewer’s focus to their gentle bond. The background of layered turquoise blues adds calm and balance to the composition, enhancing its contemplative quality.

This oil on board is presented in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs and areas of paint loss as shown.

Size: 72 x 57.5 cm (including frame)

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Astrid

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A brilliantly executed and emotive mid-century modernist style figurative composition that presents a contemplative nude figure, executed in oil onto canvas and dated 1960.

The figure, constructed through broad angular planes and softened edges, is seated in a relaxed pose, one leg bent and the torso subtly twisted – creating a gentle rhythm that guides the viewer’s gaze through the composition.

Executed in a restrained yet warm palette of ochre, sienna, and earthy umber, the body is set against a backdrop of powder blue, grey, and dusty taupe. This juxtaposition of warm and cool tones imbues the painting with both emotional tension and visual calm.

The brushwork is expressive but controlled, with textured applications of paint that oscillate between opaque coverage and dry-brush translucency, revealing the wood grain beneath. There’s a tactile quality to the strokes – layered, scraped, and directional – that accentuates the structural anatomy of the figure while maintaining abstraction.

This oil on canvas is housed in a complementary slim wood frame. The painting’s surface exhibits areas of craquelure, consistent with age. While the paint layer remains stable across most of the canvas, there is some instability noted in the central section beneath the figure’s chest. The frame is in good vintage condition.

Size: 82.5 x 68.5 cm (including frame)

Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

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Constructed Balance

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A mid-century modernist abstract oil composition, painted by the established Swedish artist Bengt Delefors (1917-1996), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, The Museum of Art in Gothenburg, Borås Art Museum, and others.

This abstract still life composition has been reduced to bold, geometric forms and overlapping planes of colour. A circular form rests against angular shapes, suggesting the presence of everyday objects reimagined through abstraction. The composition is carefully balanced, with diagonal strokes introducing movement across the canvas.

Executed in a distinctly mid-century abstract style, the work embraces simplification and geometric reduction, drawing on the principles of Cubism while leaning into a modernist emphasis on form and structure over representation.

The palette is earthy yet dynamic, dominated by deep greens, muted browns, and bold blocks of red, offset by neutral tones of beige and cream. The interplay of darker and lighter hues creates depth and tonal contrast, giving the surface both rhythm and solidity.

The brushwork is confident and expressive, with areas of thickly applied paint and visible strokes that enhance the painting’s sense of immediacy and physical presence. The layering of opaque and semi-opaque colours builds a structured, tactile surface.

This oil on board is presented in a characterful wood frame. The painting and frame is in excellent vintage condition, and the frame has scuffs.

Size: 50 x 40 cm (including frame)

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Evening Harbour

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A semi-abstract mid-century painting that presents a serene harbour scene with moored boats set against softly shifting reflections of water and sky, executed in oil onto canvas and dated 1955.

The artist has abstracted the forms of vessels and docks into interlocking geometric planes, capturing the essence of the harbour through suggestion rather than detail.

Executed in a restrained yet harmonious palette, the work features muted ochres, warm browns, dusty blues, and gentle greens, punctuated by touches of rust-red along the hulls. The brushstrokes are broad and confident, laid down in flat, layered planes that create a rhythmic balance between solidity and fluidity. This compositional approach emphasises structure and form, while the softened edges convey an atmosphere of calm observation.

In true mid-century style, the painting has reduced naturalistic detail in favour of tonal harmonies and simplified shapes, evoking both modernist abstraction and lyrical impression.

This oil on canvas is presented in a beautiful wood frame with visible grain and an inner gilt and cream border. Both the painting and frame are in excellent vintage condition.

Size: 68 x 54 cm (including frame)

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Figure in a Carriage

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An evocative semi-abstract mid-century modernist figurative painting executed in oil onto canvas by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

The composition captures the fleeting impression of a lone passenger illuminated by an unseen light source- perhaps the outside world glimpsed through a carriage window.

The painting is semi-abstract, with blocks of textured pigment forming the suggestion of a figure framed by architectural shapes that recall the interior of a carriage.

The palette is a masterful interplay of deep browns, blackened greens, and oxblood reds, punctuated by soft corals, pale peach, and a sliver of white that slices the darkness like a beam of light. Heavy impasto brushwork adds physical depth, while the confident horizontal and vertical strokes convey the structure of motion and confinement.

There’s a poetic stillness to the work – an intimate moment caught in transit, abstracted through modernist sensibility yet rich in narrative potential.

This oil on canvas is housed in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 36.5 x 52.5 cm (including frame)

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Fresh Fields

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A lively mid-century post-impressionist landscape composition, executed in oil onto board.

Small yet impactful, the painting showcases a vibrant and abstracted depiction of nature, where lush fields with rolling hills in the background have been deconstructed and simplified into blocks of contrasting shades.

Post-impressionist in nature, the artist has selected a saturated and rich palette – using colours to evoke emotion rather than merely representing the landscape. The use of expressive brushstrokes, combined with a lightly textured surface, contribute to the painting’s dynamic and emotive quality as well.

This oil on board is housed in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 24 x 29 cm (including frame)

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Memory of a Coast

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A long and serene mid-century abstract landscape that captures the quiet expanse of a coastal scene, distilled into soft geometric fields of colour, executed in oil onto canvas and dated 1956.

Blocks of pale blue, sandy beige, and warm cream suggest shifting sands, shallow waters, and reflected light, while two muted brown landforms anchor the horizon line. The overall composition evokes the sensation of gazing at the shoreline through a veil of haze or memory, where form dissolves into atmosphere.

The style is reductive and modernist, leaning toward abstraction while retaining the impression of sea, sky, and land. Broad, flat planes of colour are applied with gentle brushstrokes that reveal subtle texture beneath the surface, while thin, almost translucent layers give a sense of light filtering through. The palette is soothing and harmonious, dominated by sky blues and sandy neutrals with touches of earthy brown, evoking serenity and openness.

This oil on canvas is housed in a complementary wooden frame, with natural woodgrain visible. Both the painting and frame are in excellent vintage condition.

Size: 40 x 72.5 cm (including frame)

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Quiet Pasture

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A tranquil and refined mid-century modernist abstract landscape painted in oil onto canvas.

This painting distils a pastoral scene into its most essential forms – three geometric sheep resting within an expanse of green, beneath a horizon softened by the meeting of land, sea, and sky. Two abstracted tree forms rise in the distance, their masses built from diffused tones of moss, teal, and yellow.

The artist employs a restrained and harmonious palette — muted greens merging into turquoise blues – evoking both serenity and space. Broad, matte brushstrokes and delicate transitions of tone give the surface a meditative quietness, while subtle traces of underpainting and warm orange edges reveal the artist’s hand and the passage of time.

Balancing figuration and abstraction, the work speaks to the essence of landscape – not as a literal depiction, but as an emotional and atmospheric impression of stillness, solitude, and the beauty of open space.

This oil on canvas is presented in a complementary grey wood frame. Both the painting and frame are in excellent vintage condition

Size: 39.5 x 47.5 cm (including frame)

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