Large Artworks – Page 5 – The Discerning Palette

Showing 121–150 of 1192 results

The Figs
£495
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A poised mid-century still life that presents a quietly architectural composition, executed in oil onto board.

This composition centres on three deep green figs resting in a shallow tray. Behind them rises a stylised facade, a simplified portico with an arched window and triangular pediment rendered in flattened planes of muted blush, sage and cream.

The style reflects a distinctly mid-century sensibility: pared back, structured, and contemplative. Forms are simplified into essential shapes of ovals, triangles, rectangles, and the architectural backdrop introduces a sense of order and symmetry, contrasting beautifully with the organic curves of the figs.

The palette is restrained and harmonious. Moss greens and olive tones dominate the fruit, offset by chalky whites, dusty rose, pale yellow and cool grey-blues in the surrounding space. Light appears to enter from the side, casting gentle shadows that anchor the composition and add depth without disrupting its calm balance.

Brushstrokes are confident and visible, with a slightly dry, textured application that allows the canvas weave to subtly show through. The paint is layered in broad, deliberate strokes – particularly in the background – while the figs themselves are modelled with softer blending, giving them a quiet solidity and presence.

This oil on canvas is housed in a complementary wide profile gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 49 x 58.5 cm (including frame)

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Winter Light
£475
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An expressive mid-century landscape that captures the stillness of a winter marsh, where a broad expanse of pale water or frost-covered ground stretches across the foreground, reflecting the muted sky above, executed in oil onto canvas.

Slender, leafless trees rise along the water’s edge, their dark trunks and branches creating elegant vertical accents against the open, horizontal sweep of the landscape. In the distance, softened forms of woodland and low terrain recede into shadow, lending the scene a quiet sense of depth and solitude.

The painting is rendered in a confident, painterly style characteristic of mid-century modernist landscapes. The artist has used loose, gestural brushwork to suggest rather than define, allowing texture and movement to convey atmosphere. The surface reveals thickly applied passages of paint in the foreground, where creamy whites, pale greys, and soft blues evoke frost, water, or snow. These cooler tones are subtly enlivened by touches of ochre, rust, and mossy green, suggesting winter grasses and reeds catching the last warmth of the season.

The sky is painted in layered shades of muted blue and grey, applied in broad, sweeping strokes that create a soft, overcast luminosity. The trees are articulated with darker, more deliberate lines, their vertical rhythm grounding the composition and framing the open space beyond. Overall, the painting balances abstraction and representation, capturing not just the physical landscape, but its mood: serene, introspective, and quietly poetic.

This oil on canvas is housed in a very well-suited linen lined wood frame that complements atmospheric palette beautifully. The painting itself is in very good vintage condition. There are minor scuffs to the inner frame, and a small area of loss to the bottom right corner of the outer frame, consistent with age, but this does not detract from the overall appearance.

Size: 61 x 78 cm (including frame)

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Pear Arrangement
£945
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A charming and characterful interior still life composition executed in tempera on board and dated 1978, by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

Small yet very effective in its composition, this still life presents a carefully arranged grouping of pears, a ceramic vessel, and a jug rendered with clarity, charm, and a distinctly modern sensibility. The composition centres on two luminous green pears nestled in a scalloped turquoise bowl, accompanied by a fourth pear in the foreground and a halved pear resting nearby. To the right, a sculptural brown jug anchors the scene with a grounded solidity, while a single stylised leaf rises elegantly from a pear against a radiant golden backdrop, dotted with rhythmic points of light.

The artist has employed a flattened perspective, where spatial depth is secondary to shape, balance, and decorative harmony. Forms are simplified into bold silhouettes and geometric masses, giving each object a sculptural presence. The background is thoughtfully divided into zones of warm gold, soft neutral tones, and rich terracotta red, creating a structured yet lively interplay between colour fields.

The palette is vibrant yet controlled, featuring fresh green pears contrasted against a warm, earthy table surface and a glowing mustard-gold backdrop. The cool turquoise of the bowl provides a refreshing counterpoint, while the deep brown jug introduces tonal weight and balance. The dotted golden background adds a playful, almost textile-like quality, enhancing the painting’s decorative appeal.

Executed in tempera, the brushwork is smooth and precise, with a matte, velvety surface typical of the medium. Edges are clean and deliberate, emphasising contour and form rather than painterly gesture. Subtle tonal variations within the pears and jug provide volume without disrupting the overall graphic clarity. The result is a work that feels both intimate and confidently composed – celebrating everyday objects through the lens of mid-century design, where simplicity, colour, and form coexist in harmonious balance.

This tempera on board is presented in a beautifully complementary gilt frame with a deep profile, and with a striking green velvet inner border that creates a strong visual contrast. The painting is in excellent vintage condition, and the frame has some marks present to its top edge as shown.

Size: 33 x 38 cm (including frame)

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The Fireplace
£400
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A charming mid-century interior painting that captures the serene presence of a masonry fireplace, executed in oil onto canvas and dated 1968.

The fireplace stands centrally, its sculptural form softened by rounded contours and pale plaster surfaces, suggesting both warmth and architectural dignity. To the left, an open doorway reveals a glimpse of an adjoining room. A narrow woven runner stretches across the floor, guiding the eye horizontally and grounding the composition in the rhythm of everyday life. Simple fireplace tools rest quietly beside the hearth, reinforcing the intimate domestic atmosphere.

Executed in a restrained modernist style, the artist balances representation with subtle abstraction. Forms are simplified yet retain their essence, allowing structure and light to take precedence over intricate detail. The composition feels calm and deliberate, with an emphasis on spatial harmony and gentle geometry.

The colour palette is soft and muted, composed of chalky whites, warm creams, pale sage greens, and cool greys, accented by dusty blues and understated earthy browns within the firebox. These tones create a tranquil, contemplative mood, evoking diffused daylight and the quiet comfort of interior spaces during colder seasons.

Brushstrokes are visible and tactile, applied with a confident yet delicate hand. The paint surface reveals subtle layering, with thin washes and lightly textured passages that allow the weave of the canvas to emerge. Edges are softly blended rather than sharply defined, lending the work a dreamlike softness. The artist’s handling of light and form conveys both immediacy and restraints.

This oil on canvas is housed in a complementary slim wood frame. The painting is in excellent vintage condition, and the frame has very minor scuffs.

Size: 53 x 43.5 cm (including frame)

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The Waiting Place

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A compelling mid-century abstract figurative painting that presents a gathering of elongated figures arranged in quiet proximity, executed in oil onto board.

The forms appear engaged in a shared moment: perhaps at a waiting place or a gathering, but their identities remain deliberately obscured.

Rendered in a distinctly modernist style, the composition balances abstraction with figuration. The figures are reduced to essential silhouettes and planar shapes, their coats and hats suggested through angular geometry and softened contours. There is a subtle architectural structure anchoring the composition, with vertical elements lending a sense of stillness and gravitas.

The palette is restrained and sophisticated, dominated by muted greys, smoky charcoals, warm browns, and off-whites, punctuated by accents of crimson, burnt sienna, and soft rose. These warmer notes glow subtly from the centre, creating a quiet internal luminosity that draws the viewer inward. The tonal contrasts between light and dark figures create rhythm and spatial depth while maintaining an atmospheric cohesion.

The brushwork is expressive yet controlled, combining thin washes with dry, textured passages. Edges dissolve and re-emerge, allowing forms to hover between presence and absence. Vertical strokes emphasise the standing figures, while softer blended areas create a sense of movement and ambiguity. This interplay between structure and dissolution is characteristic of mid-century abstraction, lending the painting both emotional resonance and formal sophistication.

This oil on board is housed in a complementary grey painted wood frame with an inner white border. The painting is in excellent vintage condition, and the frame has a white mark to the bottom right corner of the outer frame but this does not detract from the overall composition.

Size: 49 x 56.5 cm (including frame)

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Chromatic Constellation
£560
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A vibrant and energetic abstract composition where colour, movement, and gesture converge in a dynamic visual dialogue, executed in oil onto canvas.

The surface is alive with bold, biomorphic forms and spontaneous splashes that seem to hover and collide within an expansive field of pale cerulean blue. Large organic shapes in saturated green, deep ultramarine, mustard yellow, and inky black anchor the composition, while vivid red splatters and fine white linear streaks cut across the canvas like bursts of energy or fleeting trajectories.

At the heart of the painting, a luminous circular yellow form radiates warmth and presence, acting as both focal point and counterbalance to the surrounding asymmetrical shapes. The artist masterfully juxtaposes areas of dense opacity with translucent washes, creating depth and rhythm. Smaller droplets of silver-grey and scattered pigment add a sense of cosmic randomness, enhancing the impression of movement and spontaneity.

The brushwork ranges from smooth, deliberate blocks of colour to expressive drips, splashes, and flicked paint which are hallmarks of Abstract Expressionist technique. Thick, gestural strokes coexist with fluid pours and delicate splatters, revealing the artist’s physical engagement with the canvas. The layering of pigment creates subtle textures and visual tension, inviting the viewer to explore the painting’s surface and uncover new relationships between form and colour.

Overall, the painting evokes a sense of joyful immediacy and intuitive creation. It is an orchestration of colour and gesture that feels both spontaneous and deeply intentional.

This oil on canvas is housed in a complementary champagne frame. Both the painting and frame are in excellent vintage condition.

Size: 61 x 52 cm (including frame)

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Still Coast
£455
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A calm and meditative mid-century modernist coastal landscape that captures the hushed stillness of an estuary unfolding beneath a pale, overcast sky, executed in oil onto canvas.

A winding shoreline curves gently through the composition, guiding the eye toward distant headlands softened by atmospheric haze. On the right, a cluster of slender, darkened trees rises from the embankment, their vertical forms providing a striking counterpoint to the broad, horizontal calm of the water and shoreline. The scene feels suspended in a moment of winter quiet: timeless, contemplative, and deeply serene.

Executed in a restrained modernist style, the artist has reduced the landscape to essential forms and tonal relationships. The composition balances abstraction with recognisable geography, allowing negative space and subtle tonal shifts to carry emotional weight. The muted palette – comprising soft greys, chalky whites, warm taupes, and earthy browns – enhances the sense of stillness, evoking coastal light diffused through cloud and mist.

The brushwork is confident, with broad, sweeping strokes used to suggest water, sand, and sky. Areas of dry brush and lightly textured paint create gentle variation across the surface, while darker, more defined strokes anchor the composition and introduce structure. This interplay between softness and structure reflects the modernist pursuit of mood and form over literal detail.

This oil on canvas is housed in a complementary frame finished in a muted champagne-silver tone. Both the painting and frame are in excellent vintage condition.

Size: 46 x 72 cm (including frame)

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Coastal Fields
£595
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A soothing mid-century modernist landscape that distils the essence of a coastal countryside into a harmonious arrangement of simplified forms and tonal planes, executed in oil onto canvas and dated 1965.

Rolling fields stretch gently toward a distant shoreline, where muted hills dissolve into a tranquil horizon beneath a softly weathered sky. A cluster of whitewashed structures sits quietly within the terrain, offering a subtle human presence amid the expansive natural setting.

Executed in a restrained modernist style, the composition reflects the mid-century inclination toward abstraction while remaining grounded in the landscape tradition. The artist has reduced the scenery into layered, geometric passages, allowing the rhythm of land and sea to unfold through balanced shapes rather than literal detail. This approach creates a sense of calm structure and contemplative stillness, inviting the viewer to experience the landscape as both place and memory.

The colour palette is beautifully subdued and earthy, featuring sandy ochres, pale sage greens, chalky creams, and deep olive tones. These are complemented by a band of muted teal and blue along the horizon, suggesting distant water or sky.

The brushwork is textural yet controlled, with areas of dry brush and impasto that allow the weave of the canvas to emerge through the paint surface. Edges are softly broken and irregular, lending the composition an organic, tactile quality. This interplay between material texture and simplified form enhances the painting’s atmospheric presence, embodying the quiet elegance and thoughtful restraint characteristic of mid-century modernist landscape painting.

This oil on canvas is housed in a refined and well-suited frame with gilt mouldings and an inner linen window. Both the painting and frame are in excellent vintage condition.

Size: 30 x 57 cm (including frame)

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Earth and Air

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A beautifully restrained mid-century abstract landscape that distils the essence of open countryside into a series of quiet, expressive gestures, executed in oil onto board.

The composition unfolds horizontally, suggesting rolling fields and distant hills softened by atmosphere and distance. Rather than describing a specific place, the artist captures the feeling of land, its stillness, breadth, and gentle undulation.

The palette is subtle and earthy, dominated by layered greens ranging from moss and olive to brighter, more luminous passages that suggest fresh grass or sunlight breaking through cloud. These tones are grounded by muted browns, evoking soil and natural terrain, while soft washes of pale grey and off-white above create a vast, overcast sky. A darker, almost charcoal passage to the right anchors the composition, providing contrast and visual weight.

The brushwork is loose, gestural, and confident. Broad horizontal strokes define the landscape planes, while thinner, vertical marks in the foreground suggest grasses or reeds, lending a sense of immediacy and texture. Areas of exposed ground and visible canvas contribute to the painting’s modernist sensibility, allowing the viewer to witness the artist’s process and movement. The application alternates between opaque and translucent layers, creating depth while maintaining an airy openness.

This oil on canvas is is housed in a well-suited champagne frame with an inner linen border. The painting is in excellent vintage condition, and the frame has minor scuffs.

Size: 42.5 x 80.5 cm (including frame)

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Hushed Trees
£400
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A delicate mid-century landscape that captures a quiet grove of slender trees emerging through a veil of winter haze, executed in oil onto canvas.

Three distinct trunks: one cool blue, one pale ivory, and one warm reddish-brown – stand gently apart, their forms softened by the atmospheric frost and mist that envelop the scene. The composition conveys a sense of calm solitude, as if the landscape itself has fallen into a moment of suspended breath.

Rendered in a restrained, poetic palette of icy blues, muted lavenders, silvery greys, and mossy greens, the painting reflects mood and abstraction over strict realism. The background dissolves into layered washes of colour, suggesting distant forms and frozen ground without overt definition.

The artist has used loose, expressive brushwork, combining thin, translucent layers with areas of thicker impasto. Vertical strokes elongate the trees, lending them a graceful, almost calligraphic presence, while scumbled textures and softly blended passages create a sense of depth and atmosphere.

Overall, the work achieves a delicate balance between representation and abstraction, evoking the emotional resonance of a winter landscape rather than its precise physical details.

This oil on canvas is housed in a complementary linen lined wood frame with an inner silver border. Both the painting and frame are in excellent vintage condition.

Size: 47.5 x 36 cm (including frame)

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Lily of the Valley & Jug
£775
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A refined contemporary still life that presents a carefully orchestrated arrangement of everyday forms rendered with clarity and restraint, executed in oil onto board.

At the centre rests a tall ceramic jug in warm earthy tones of chocolate brown and muted taupe, its simplified silhouette outlined in confident dark contours. Beside it lies a single slice of pale green fruit, its circular form offering a gentle counterpoint to the vertical presence of the vessel.

In the foreground, a sprig of lily of the valley stretches gracefully across a bold orange rectangular dish. The delicate white blossoms and rich green leaves introduce an organic softness, their gentle curves and natural rhythm contrasting beautifully with the structured geometry of the surrounding objects. Behind them, subtle blocks of beige, cream, and soft grey form a quiet architectural backdrop, suggesting interior space without distraction.

Stylistically, the painting draws on contemporary modernist sensibilities, where representation is simplified and forms are reduced to their essential shapes. The composition balances geometry and nature, solidity and delicacy, creating a sense of stillness and introspection. The palette is restrained yet expressive – warm neutrals, earthy browns, and muted greens punctuated by the confident accent of yellow – evoking both warmth and compositional clarity.

The brushwork is controlled and deliberate, with smooth, even applications of paint that emphasise form over texture. Clean edges and defined contours reinforce the structural integrity of each object, while subtle tonal shifts within the surfaces add depth and quiet dimensionality. The result is a refined and contemplative work, celebrating the quiet beauty found in simple arrangements and everyday objects.

This oil on board is housed in a beautiful wood frame with gently recessed inner mouldings and a delicate carved detail that runs along the inner border. The painting is in excellent vintage condition, and the frame has some scuffs as shown.

Size: 36 x 46 cm (including frame)

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Mediterranean Escape

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A well executed mid century modernist landscape, painted in oil onto canvas.

This sun-drenched Mediterranean landscape is rendered in broad, expressive brushstrokes with a modern, impressionistic touch. It captures a seaside scene full of warmth, movement, and coastal charm.

The foreground is dominated by lush green foliage, painted with bold, confident strokes. The greens vary in hue, creating depth and rhythm.

A whitewashed building with an orange-tiled roof is partially obscured by greenery. This architectural touch gives the scene a sense of place, suggesting somewhere Southern Europe.

Behind the building, a sliver of deep blue sea stretches across the canvas, meeting the sky and separated by rocky coastal formations and windswept trees, their simplified, curved forms bending toward the sea.

The brushwork is loose, gestural, and painterly, favouring emotion and movement over precision. The artist uses a limited but harmonious palette of greens, creams, ochres, blues, and terracotta, invoking the feel of a hot, breezy afternoon.

This oil on canvas is set in an elegant linen and silver frame, lightly textured, which adds a touch of refinement while echoing the sun-bleached tones of the scene. The painting is excellent vintage condition, and the frame has some age marks to the linen border.

Size: 55.5 x 64 cm (including frame)

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Road Through Soft Hills
£435
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A calm and atmospheric mid-century landscape that captures a quiet countryside moment, executed in oil onto canvas.

The composition presents a road that winds gently through rolling hills toward distant blue-grey mountains. Slender cypress trees punctuate the scene, their vertical forms creating a calm rhythm against the open sky. Small, loosely suggested figures along the road lend a subtle sense of scale and movement, reinforcing the painting’s tranquil, unhurried mood.

Executed in a modernist style, the landscape is simplified into broad shapes and planes, prioritising atmosphere and harmony over detail. The palette is soft and restrained: fresh greens and olive tones in the hills, warm browns and muted earth colours in the land, and cool blue-greys in the distant mountains. The sky is rendered in pale, airy blues with gentle cloud forms, lending the composition an overall lightness and sense of calm.

Brushwork is loose and expressive, with visible strokes that softly blend rather than sharply define forms. The paint is applied with confidence, allowing texture to emerge subtly across the surface. This relaxed handling enhances the painting’s atmospheric quality.

This oil on canvas is is housed in an elegant champagne-gold toned frame with black detail and an inner linen border. Both the painting and frame are in excellent vintage condition.

Size: 46 x 58 cm (including frame)

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Light Through the Arches
£485
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An atmospheric interior scene that depicts a serene dining space where a sequence of arches opens into a softly illuminated space beyond, executed in oil onto canvas and dated 1990.

The composition draws the viewer inward, moving through shadowed passageways toward a sunlit interior. Beyond the shadowed foreground, tables and chairs are arranged in gentle clusters, hinting at a dining setting. The absence of figures lends the scene a contemplative calm, inviting the viewer to imagine the quiet murmur of conversation and the play of light across tabletops.

Executed in a classic mid-century modern style, the composition favours mood and structure over precise detail. Architectural forms are simplified and loosely defined, allowing light and spatial rhythm to guide the eye inward. The palette is warm and restrained, dominated by earthy browns, deep umbers, and muted blues, offset by soft creams and browns that suggest sunlight filtering through the arched openings.

The brushwork is expressive and layered, with confident, textured strokes that give the surface a rich, tactile quality. Thicker applications of paint define the arches and furniture, while looser, more gestural passages dissolve into shadow, creating depth and atmosphere. The result is a quietly evocative work that captures both the intimacy and timeless elegance of an interior dining space suspended in stillness.

This oil on canvas is is housed in a complementary silver-toned frame with a an inner linen border. The painting is in excellent vintage condition, and some age spots are present to the linen border.

Size: 55 x 47 cm (including frame)

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Hillside Pathway

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A joyful and pleasant mid-century landscape that captures the essence of a bright day, painted in oil onto canvas.

The composition centres on a winding path that gently curves upward between two softened, block-like structures – suggesting houses – positioned on either side. Lush, expressive greenery flanks the path, giving the scene a sense of movement and breezy energy.

Rendered in a modernist style, the painting favours simplified forms, bold shapes, and confident, gestural brushwork over fine detail. The palette is uplifting and crisp: vivid turquoise skies, velvety greens, sandy browns, and touches of warm terracotta on the rooftops.

Broad, sweeping strokes convey the foliage with speed and spontaneity, while the smooth, curved brushwork of the path introduces calmness and flow. The overall effect is fresh and optimistic, and captures the simple pleasure of a hillside walk.

This oil on canvas is housed in a beautiful champagne wood frame with an inner border. Both the painting and frame are in excellent vintage condition.

Size: 46 x 50 cm (including frame)

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Hanging Sloth

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A contemporary painting that presents a whimsical depiction of a sloth suspended upside down from a gently curving tree branch , painted in a naïve style in oil onto panel by British artist Matt Rix.

The composition is pared back, allowing the single figure to become both the focal point and the emotional anchor of the work. Sparse foliage punctuates the scene, floating around the sloth like pauses in thought, reinforcing a sense of stillness and calm.

The style is deliberately simplified, with a subtle nod to folk art and modern naïve painting. Flattened forms and soft contours give the subject an emblematic rather than literal presence, while the sloth’s rounded body and elongated limbs create a gentle rhythm across the board, anchored by the horizontal branch.

A restrained, soothing palette of warm brown and taupe contrasts with a muted blue-grey background, accented by soft green leaves. Smooth, matte brushstrokes and a lightly textured surface enhance the contemplative mood of the piece.

This oil on board is housed in a black painted wood frame . Both painting and frame are in excellent condition.

British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

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Size: 44 x 54 cm (including frame)

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Quiet Whispers
£450
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A brilliantly executed contemporary abstract composition, executed in acrylic onto board, by British artist Frances Daws.

Quiet Whispers’ adopts subtle pinks with contrasting greens and dancing blues. It quietly whispers memories of green rolling hills, boats rocking in harbours, buoys in the water and sunsets mixed with dreamy nostalgia. Framed and ready to hang, the subtle but eclectic colour palette can compliment many spaces.

The painting is presented in a custom made tray frame. Both the painting and frame are in excellent condition. The artwork comes with a certificate of authenticity and signature on the reverse.

Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

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Size: 28.5 x 33cm cm (including frame)

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Harbour at Rest
£435
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An atmospheric mid-century seascape that captures a tranquil harbour scene where moored fishing boats rest gently along the quay, executed in oil onto canvas and dated 1953.

The composition is anchored by two vessels, their masts and rigging forming a rhythmic lattice against a pale, open sky. A simple waterside building to the right introduces architectural balance, while the calm inlet reflects the boats in softened, broken tones, reinforcing the stillness of the moment.

Painted in a distinctly mid-century modern style, the work favours structure and mood over detail. Forms are simplified and confidently blocked in, lending the scene a quiet solidity and timeless charm.

The colour palette is muted and harmonious, dominated by soft greys, weathered whites, warm and earthy browns, with subtle accents of black and a touch of brick red along the roofline. These tones suggest early morning light and a cool coastal air, while the water is rendered in pale blues and silvery reflections.

Brushstrokes are loose, expressive, and clearly visible, particularly in the sky and water, where layered strokes create movement and texture without disrupting the overall calm. Thicker applications of paint define the boats and quay, giving them tactile presence and depth.

This oil on canvas is housed in a beautiful wood frame with visible grain as well as an outer gilt border. Both the painting and frame are in excellent vintage condition.

Size: 53.5 x 63 cm (including frame)

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Passing Light (Reserved)
£455
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RESERVED UNTIL 08/05/2026.

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An emotive mid-century figurative painting that captures a procession of elongated figures moving through a softly lit interior space, executed in oil onto canvas.

Rendered with a dreamlike sense of motion, the figures appear to overlap and dissolve into one another, suggesting the quiet anonymity and rhythm of everyday life. One central figure, subtly more defined and luminous, anchors the composition and draws the viewer’s eye, creating a moment of pause amid the flow.

There is an emphasis on mood and gesture over precise detail. Forms are simplified and slightly abstracted, lending the scene an introspective, almost existential quality reminiscent of post-war European figurative painting.

The colour palette is restrained and atmospheric, dominated by warm creams, sand, soft browns, and muted greys, with gentle accents of pale blue and hints of earthy green. These tones enhance the painting’s sense of light and space, while maintaining a calm, contemplative mood.

Brushstrokes are loose, layered, and expressive, with visible textures that give the figures a transient presence. The paint is applied with a dry, feathered touch in places, allowing the background to breathe through the forms, reinforcing the impression of movement and impermanence.

This oil on canvas is housed in a complementary warm, off-white tone frame that echoes the painting’s palette. Both the painting and frame are in excellent vintage condition.

Size: 46.5 x 58.5 cm (including frame)

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Still Life with Mountain View
£550
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An evocative mid-century still life that presents a quiet interior moment set against a distant landscape, painted in oil onto board.

In the foreground, a tabletop arrangement of fruit: a crescent slice of watermelon, a rounded green melon, and a dark plum sits alongside a simple tumbler, all positioned before an open window with shuttered sides. Beyond the window, a sparse rural scene unfolds: whitewashed buildings, rolling fields, and softly contoured mountains receding into a muted horizon. The composition gently balances interior intimacy with exterior openness, inviting the viewer to linger between the domestic and the expansive.

Stylistically, the work reflects classic mid-century modern sensibilities: simplified forms, flattened perspective, and a deliberate restraint in detail. The palette is calm and earthy – dusty greys, sage and olive greens, soft blues, and chalky whites – punctuated by the gentle blush pink of the watermelon flesh, which acts as a subtle focal point. Darker tones around the window frame and tabletop anchor the composition and create a sense of enclosure.

The brushwork is expressive yet controlled. Broad, matte strokes define planes and objects, while visible brush marks lend the surface a tactile, painterly quality. Edges are softly articulated rather than sharply drawn, contributing to the work’s contemplative mood.

This oil on board is housed in a complementary wood frame with an inner linen lining. The painting is in excellent vintage condition, and the frame has some scuffs.

Size: 55 x 64.5 cm (including frame)

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Green Apple with Glasses
£720
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A refined mid-century still life that presents a quiet tabletop arrangement composed of a dark glass bottle, a delicate wine glass holding a small measure of red wine, and a vivid green apple, painted in oil onto canvas.

Set against a cool, muted background, the composition balances solidity and translucence, with the reflective tabletop subtly mirroring the forms above it. A secondary, shadowed bottle in the background adds depth and a sense of spatial calm, while loosely suggested vertical planes hint at an interior setting beyond the table’s edge.

Executed in a distinctly modernist mid-century style, the painting favours simplified forms and tonal harmony over strict realism. The colour palette is restrained yet expressive: smoky blue-greys and slate tones dominate the background, offset by the rich emerald of the bottle, the jewel-like crimson of the wine, and the luminous, almost electric green of the apple. These carefully placed accents draw the eye and create a gentle visual rhythm across the surface.

The brushwork is confident, with visible strokes lending texture and life to the painted surface. Broad, matte passages contrast with more fluid, translucent handling in the glassware, where light and reflection are suggested rather than meticulously detailed.

This oil on canvas is housed in a complementary silver painted wood frame with visible grain. Both the painting and frame are in excellent vintage condition.

Size: 70.5 x 61.5 cm (including frame)

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Dance the Night Away

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A lively, cubist-inspired depiction of a dance scene, painted in oil onto board.

Bursting with movement, music, and social energy, the artist has stylised the human figures into angular, geometric forms, using dynamic composition and vivid colour to capture the joy and motion of a moment frozen in time.

The palette is warm and rich, dominated by reds, oranges, yellows, and earthy browns, contrasted with purples, greens, and soft greys. Movement is conveyed not just through the figures but through the background, which is fractured into diagonal planes, giving the scene energy and rhythm.

The dance, the music, and the expressive poses suggest a night of uninhibited fun. This painting is a beautiful example of how modernist geometry and vibrant social scenes can merge into something timeless and full of spirit.

This oil on board is housed in a wood frame with a linen border. The painting is in excellent vintage condition. There is some very light scuffing to the frame but it is good condition overall.

Size: 43 x 45.5 cm (including frame)

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Sliced Lemons
£765
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A cubist inspired still life composition, painted in oil onto canvas and dated 1956.

The focal point is a pair of sliced lemons, painted in thick, creamy strokes of yellow, white, and peach, giving them a fresh, tactile presence. Beside the fruit is a green pear-like form, adding another organic shape and hue. These items rest on a dark surface, perhaps a tabletop, which is painted in large, angular blocks of navy and black.

A small brown table or cabinet with short legs sits in the upper right quadrant. It appears simplified and stylised, reinforcing the abstracted, geometric quality of the whole scene.

This piece is heavily influenced by Cubism and early modernism. Forms are reduced to flat planes and hard-edged shapes and the brushwork is confident but restrained. There is a visible grid-like structure as if the artist constructed the composition like a puzzle.

The painting feels studied, measured, and designed, like an artist exploring how to deconstruct the familiar (fruit and furniture) into new visual language. It invites the viewer to slow down, observe form over realism, and enjoy the way light and space are broken into segments. The fractured composition gives it a slightly modern, mosaic-like effect, almost architectural in nature.

The painting is housed in a light grey wood with a weathered patina and a gently bevelled design. Both painting and frame are in excellent vintage condition.

Size: 33.5 x 42.5 cm (including frame)

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Still Life Elements
£580
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A bold and stylised mid century still life in oil, painted onto board and dated 1955.

Blending cubist and modernist influences, the composition is defined by strong, simplified shapes and vivid colour blocking, creating a playful yet structured visual experience. The painting features an arrangement of classic still life elements including a pitcher, a teapot, bottles, a cup, and several round red fruits. Bright green leaves sprawl across the foreground, adding organic curves against the sharper forms behind them.

These pops of vibrant red in the fruit and rich green in the leaves create striking contrast. A triangular beam of yellow light or background wall shape adds dynamic energy and depth to the scene.

The shadows are bold and geometric, not naturalistic, adding a graphic design-like quality that emphasises form over realism.

This painting embraces a modernist abstraction of still life, similar in spirit to the work of Fernand Léger or early Picasso. It feels both playful and calculated, as if each shape is carefully placed like pieces in a visual puzzle. It also has a slightly theatrical feel, as if lit from stage lights, enhancing its sense of constructed drama.

This oil on canvas is presented in a beautifully distressed vintage wood frame. The painting has some areas of craquelure as shown in the photos but it is very stable overall. The frame has some scuffing, commensurate with age.

Size: 61.5 x 74 cm (including frame)

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Canopy of Light
£525
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A charming mid-century landscape that captures a bright, leisurely day in a park, framed by two monumental trees that dominate the foreground, executed in oil onto canvas.

Their tall, textured trunks open like a gateway into a lively scene beyond, where figures wander along a sunlit path. In the distance, soft structural lines hint at a bridge or harbour crossing, grounding the composition in a recognisable yet dreamlike setting.

Rendered in a loose, impressionistic modernist style, the painting is filled with movement and atmosphere. The artist uses quick, gestural strokes to describe the swaying leaves, fluttering foliage, and gentle shifts of light. The palette is uplifting and harmonious: pale sky blues, soft lilacs, and warm greens build a serene backdrop, while touches of yellow, rose, and turquoise bring vibrancy to the scene.

The brushwork is fluid and expressive, with dappled marks that suggest sunlight filtering through branches and energetic, sketch-like lines that animate the figures and terrain. Overall, it is a joyful, breezy composition that celebrates nature, community, and the quiet poetry of everyday life.

This oil on canvas is presented in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

Size: 57.5 x 69 cm (including frame)

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Figure and Flowers
£505
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A serene mid-century modernist style painting that depicts a quiet, intimate interior moment, executed in oil onto board and dated 1953.

A female figure is seated at a table, deeply focused on her hands as she works or writes. She wears a white headscarf and a pale blue dress, her posture soft and contemplative. To her right, a simple vase holds two vivid red-orange flowers, their petals dramatically fanned and adding a lively burst of colour to the otherwise serene setting. A closed book rests on the table, anchoring the composition with a sense of stillness and domestic quiet.

Executed in a distinctly mid-century modernist style, the work embraces simplified geometric forms, muted planes of colour, and a strong sense of design. The artist has reduced detail to essentials, relying on shape and tonal relationships to describe space and figure. The overall aesthetic is minimal, balanced, and quietly poetic.

The palette is soft and harmonious: cool greys, pale blues, cream, soft yellow and muted greens form the foundation of the room and figure. These gentle tones are beautifully contrasted by the bold, saturated reds and oranges of the flowers, giving the composition a striking focal point without overwhelming its calm mood.

Brushwork is smooth, controlled, and deliberate, with flat, even applications of paint that emphasise form over texture. Edges are clean and slightly softened, contributing to the painting’s gentle, contemplative atmosphere.

This oil on board is presented in a complementary wood frame. The painting is in excellent vintage condition, and the frame has some scuffs.

Size: 54 x 65 cm (including frame)

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Golden Drift

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A serene and atmospheric abstract landscape that captures the quiet poetry of an open horizon rendered through expressive texture and colour, executed in oil onto board and dated 1994.

The composition is anchored by a band of deep browns, charcoals and soft whites that suggest distant landforms or shifting terrain, while the foreground dissolves into warm ochres, honeyed yellows and sandy neutrals. Above, a vast expanse of pale sky – softly blended in tones of white, cream and frosted blue evokes a sense of calm, openness, and gentle movement.

Executed in an abstract, modernist style, the painting relies on suggestion rather than literal detail. Broad, confident brushstrokes move horizontally across the canvas, creating a sense of depth and natural flow. Areas of impasto add tactile richness, with strokes layered and textured to mimic geological or weather-worn surfaces. The overall effect is both soothing and energetic, a landscape distilled to its essential mood and rhythm.

This oil on board is presented in a complementary silver wood frame. The painting is in excellent vintage condition, and the frame has scuffs present.

Size: 42 x 42 cm (including frame)

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Shoreline Colour

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A mid-century coastal landscape that captures a cluster of moored boats rendered through a beautifully abstracted, almost mosaic-like lens, executed in oil onto canvas.

The shoreline is broken into faceted blocks of colour, giving the scene a rhythmic, geometric energy. Tall, slender masts rise in delicate lines against a soft pastel sky, while the boats themselves are simplified into angular shapes that evoke both structure and movement.

The palette is fresh and inviting – greens, cool aquas, deep cobalt blues, warm yellows, and touches of plum and lavender. These colours overlap in gently textured layers, creating a harmonious interplay between land, sea, and shore.

Brushwork is subtle yet expressive, with short, blocky strokes and light scumbling that mimic the look of hand-pressed prints or coloured pastels. The surface feels lively and tactile, lending the coastal scene a sense of breezy spontaneity while remaining distinctly modernist in its composition and restraint.

A charming and quintessentially mid-century piece that celebrates coastal life through shape, rhythm, and colour.

This oil on canvas is presented in a complementary grey painted wood frame with an inner cream border. Both the painting and frame are in excellent vintage condition.

Size: 34 x 39 cm (including frame)

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Under the Desert Sky
£505
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A compelling abstract landscape with figure oil composition, painted in 1961 by the established Swedish artist Ivar Morsing (1919-2009), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Kalmar Museum, and Jönköping Museum.

The painting captures a quiet moment of communal gathering in what appears to be a sun-drenched desert setting. A group of robed figures, seated in a loose circle, are rendered in simplified forms that emphasise posture and gesture rather than facial detail – inviting the viewer to focus on atmosphere and collective presence over individual identity.

The style is modernist and pared-back, with strong influences of mid-century abstraction. The artist distils the scene into broad planes of colour: a soft blue sky meeting a warm band of yellow horizon, and earthy tones of russet, sand and umber defining the ground. The figures themselves appear as sculptural blocks of white, cream, black and deep brown, forming a rhythmic arrangement across the composition.

Brushstrokes are thick, confident, and deliberately visible, with the paint applied in textured swathes that give the work a grounded, tactile quality. The artist’s expressive technique conveys a sense of stillness and the intimate social rituals of desert life.

This oil on board is presented in a complementary ridged gilt frame. The painting is in excellent vintage condition, and the frame has some wear to its corners as shown.

Size: 28.5 x 47.5 cm (including frame)

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Violin & Flowers
£425
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A charming and atmospheric mid-century still life depicting a beautifully balanced arrangement of everyday objects, executed in oil onto canvas.

A richly toned violin lies gently across a tabletop, its warm reddish-brown body catching the light with a subtle sheen. Behind it, a patterned ceramic vase holds three full white chrysanthemums, their rounded petals captured with beautifully textured, expressive brushwork. The surrounding interior, rendered in soft muted tones, provides a calm and understated backdrop that allows the objects to take centre stage.

The painting is executed in a refined realist-impressionist style, marked by a balance of clarity and softness. The earthy greens, warm browns, and creamy whites create a soothing, cohesive palette, while the contrast between the polished surface of the violin and the delicate, layered petals of the chrysanthemums adds visual richness. The brushstrokes shift thoughtfully throughout: crisp and tactile in the flowers, smooth and controlled along the violin, and gently blended in the background – giving the work depth and atmosphere without drawing attention away from the central arrangement.

This oil on canvas is housed in an elegant gilt frame with an inner linen lining. Both the painting and frame are in excellent vintage condition.

Size: 67 x 58 cm (including frame)

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