• Tidal Forms: A Study in Motion

    Tidal Forms: A Study in Motion

    £580

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    A small yet captivating mid-century abstract triptych that evokes the quiet power and rhythm of water in motion, executed in oil onto canvas.

    Across the three panels, fluid, sculptural forms emerge and dissolve – suggesting cresting waves, shifting currents, or even fleeting natural phenomena captured mid-transformation. Each composition feels both connected and self-contained, inviting the viewer to move from one moment of motion to the next.

    Rendered in a restrained, atmospheric palette of soft greys, silvery whites, and muted blue undertones, the works exude a sense of calm and introspection. Subtle tonal gradations in the background create depth and horizon-like expanses, while the central forms introduce tension and movement.

    The artist’s use of thick, impasto brushwork is particularly compelling – paint is applied with a tactile, almost sculptural quality, creating ridges and folds that catch the light. These gestural strokes give the impression of energy frozen in time, with each mark feeling deliberate yet instinctive. The contrast between the smooth, blended grounds and the dynamic, textural forms enhances the sense of movement across the series.

    Together, the three paintings form a cohesive visual narrative – an exploration of flow, balance, and the ephemeral beauty of natural forces – making this a captivating and contemplative set that rewards close viewing.

    These 3 oils are each housed in a  complementary silver painted wood frame. The paintings are in excellent vintage condition, and the frames have some light scuffing present. 

    Size: 21 x 22 cm each (including frame)

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  • Golden Leopard

    Golden Leopard

    £420

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    A charming contemporary naïve style painting, executed in oil onto panel by British artist Matt Rix.

    The composition presents a leopard in profile, moving gently across a simplified landscape. Set against a muted grey sky with faint, stylised clouds, the figure strides along a deep green ground, evoking a calm and contemplative mood.

    Rendered in a contemporary naïve style, the work embraces flat perspective and bold simplification. The leopard is defined by clean outlines and slightly exaggerated proportions, while depth is suggested through simple bands of colour, enhancing its graphic clarity and appeal.

    The palette is warm and harmonious. Golden yellows and soft creams of the leopard’s coat are punctuated by rhythmic black spots, set against the cool grey background and deep green foreground for gentle contrast.

    Brushwork is smooth and controlled, with flat, even application that emphasises shape and pattern. The overall finish is clean and deliberate, embodying the charm of the naïve aesthetic with a confident contemporary edge.

    This oil on board is presented in a dark wooden frame with an inner gilt window. Both the painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 38 x 48 cm (including frame)

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  • Majestic Lion

    Majestic Lion

    £420

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    A charming contemporary naïve style painting, executed in oil onto panel by British artist Matt Rix.

    The composition presents a lion in profile, standing calmly across a simplified landscape. Set against a soft grey sky with faint, stylised clouds, the figure rests upon a deep green ground, evoking a sense of stillness and quiet authority.

    Rendered in a contemporary naïve style, the work embraces flat perspective and bold simplification. The lion is defined by clean outlines and gently exaggerated proportions, with depth suggested through simple bands of colour, enhancing its graphic clarity and appeal.

    The palette is warm and restrained. Soft sandy tones of the lion’s body are complemented by a rich, dark mane, set against the cool grey background and deep green foreground for balanced contrast.

    Brushwork is smooth and controlled, with flat, even application that emphasises form over texture. The overall finish is clean and deliberate, capturing the charm of the naïve aesthetic with a calm, confident presence.

    This oil on board is housed in an ornate brown painted wooden frame with an inner gilt window. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 45 x 55 cm (including frame)

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  • Between Presences

    Between Presences

    £425

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    An evocative 20th century figurative painting that captures three loosely rendered figures in what appears to be a quiet interior passageway, executed in oil onto canvas and dated 1979.

    The central figure, seen from behind in a dark, almost silhouetted form, anchors the composition, while two lighter, more ethereal figures flank either side – one turned slightly inward, the other facing outward with a casual stance. The scene feels suspended in a moment of subtle interaction, where the narrative is implied rather than defined.

    Executed in a restrained, painterly style, the work leans toward abstraction while maintaining a strong figurative presence. The artist has used soft, diffused edges and minimal detailing, allowing the figures to emerge gently from the pale ground. There is a sense of spatial ambiguity, with faint architectural lines suggesting depth without fully committing to perspective – enhancing the introspective, almost dreamlike quality of the piece.

    The colour palette is understated and harmonious, dominated by cool greys, soft blues, and muted whites, with occasional warmer undertones in the faces and background. The central figure’s darker tones create a striking contrast, drawing the eye and grounding the composition.

    Brushstrokes are loose and expressive, with visible layering that give the surface a tactile quality. Areas of thinly applied paint sit alongside more gestural passages, contributing to the work’s atmospheric softness and quiet emotional resonance.

    This oil on canvas is housed a complementary slim wood frame. Both the painting and frame are in excellent vintage condition. 

    Size: 57.5 x 48 cm (including frame)

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  • Elephant

    Elephant

    £465

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    A striking 20th-century elephant in bronze, distilled down to its most essential shape and volume.

    The bronze has a rich, dark patina with subtle variations of warm browns, deeper oxidised tones, and faint highlights where light catches the curved surfaces. The finish is softly polished but retains slight irregularities, giving it a tactile, hand-worked presence.

    Despite its compact size, the sculpture feels monumental. Its low centre of gravity and broad stance anchor it firmly. The contrast between solid mass and open voids creates a dynamic balance: heavy yet airy, grounded yet fluid.

    The sculpture is in good vintage condition, with some light marks commensurate with its age. Please note that it is rather heavy.

    Height: 32 cm
    Width: 31 cm
    Depth: 8 cm

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  • Morning Light with Tulips

    Morning Light with Tulips

    £445

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    A gentle and delicate mid-century interior still life composition that unfolds around an open window, where soft daylight filters through sheer curtains and gently illuminates a vase of freshly cut tulips, executed in oil onto canvas.

    The scene captures a quiet, intimate domestic moment while the blurred greenery beyond the window hints at a tranquil garden just outside. The composition balances stillness and life, with the flowers acting as the focal point against the airy, light-filled backdrop.

    Executed in a mid-century modern painterly style, the work leans toward a soft impressionistic approach. Forms are gently simplified rather than sharply defined, allowing atmosphere and mood to take precedence over precision. There is a delicate interplay between interior and exterior space, achieved through loose rendering and subtle layering.

    The palette is light, fresh, and calming – dominated by soft whites, pale greens, and muted blush pinks. Hints of cool blue-grey in the window frames and shadows add depth, while the tulips introduce gentle warmth without overpowering the composition. The overall tonality is airy and luminous, evoking early morning light.

    Brushwork is soft and fluid, with light, feathery strokes that create a sense of translucency, particularly in the curtains and glass. The flowers are rendered with slightly more definition, using loose yet confident strokes to suggest form without rigidity. The background remains intentionally diffuse, with blended strokes that enhance the painting’s dreamy, atmospheric quality.

    This oil on canvas is housed in a complementary slim silver frame.  There are tiny areas of craquelure present on the petals, consistent with age. However, the paint layer is stable and this does not detract from the overall delicacy and charm of the composition and the painting is otherwise in good vintage condition. 

    Size: 49 x 58 cm (including frame)

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  • Quiet Fields

    Quiet Fields

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    A calm mid-century composition that presents a serene, pared-back landscape where open fields stretch toward a low horizon line punctuated by a small cluster of distant farm buildings, executed in oil onto board and dated 1959.

    A solitary structure – possibly a barn or haystack – anchors the composition, subtly drawing the eye while preserving the painting’s overall sense of stillness and space. The foreground is rendered in darker, earthy tones, gradually giving way to lighter, muted fields that lead into an expansive, softly washed sky.

    Stylistically, the work leans toward minimalism and tonal abstraction, characteristic of mid-century landscape painting. The artist has simplified forms and reduces detail, allowing atmosphere and composition to take precedence over realism. There is a quiet balance between geometry and softness – the fields are divided into gentle planes, yet edges remain blurred and understated.

    The colour palette is restrained and harmonious, dominated by cool, pale blues in the sky and warm, sandy beiges and greys across the land. Subtle transitions between tones create depth without sharp contrast, evoking a calm, almost contemplative mood.

    Brushstrokes are loose and have been applied with a light, confident touch. The paint is thinly layered in areas, allowing underlying tones to breathe through, while slightly thicker applications in the foreground add weight and texture. The overall handling feels intuitive and unforced, enhancing the painting’s quiet, meditative quality.

    This oil on board is housed a beautiful wood frame with a layered profile and an inner white border. The painting is in excellent vintage condition, and the frame has some minor marks. 

    Size: 61.5 x 71.5 cm (including frame)

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  • Autumn Reflections

    Autumn Reflections

    £575

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    An expressive mid-century landscape that captures a tranquil lakeside scene at the height of autumn, executed in oil onto canvas.

    Slender birch trees rise in the foreground, their pale trunks acting as a vertical counterpoint to the soft, undulating forms of cottages and foliage beyond. Across the still water, a cluster of rustic buildings with pitched roofs nestle into a hillside, partially obscured by sweeping, golden canopies of trees. The lake mirrors the scene with gentle distortion, drawing the eye into a quiet, reflective atmosphere.

    Executed in a loose, expressive style, the painting embraces painterly abstraction while retaining a strong sense of place. The artist has used confident, gestural brushstrokes – often thick and directional – to suggest form rather than define it precisely. Areas of impasto add texture, particularly in the foliage and along the water’s edge, giving the surface a tactile, almost sculptural quality.

    The colour palette is warm and harmonious, dominated by yellows, muted greens, and earthy browns, contrasted with cooler greys and soft blues in the water and sky. Subtle accents of red and deeper green punctuate the composition, adding depth and rhythm. The interplay of colour and reflection enhances the sense of calm, while the energetic handling of paint keeps the scene lively and immediate.

    Overall, the work beautifully balances structure and spontaneity – an intimate, atmospheric snapshot of nature interpreted through a distinctly mid-century modern lens.

    This oil on canvas is housed a characterful wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition. 

    Size: 52 x 60 cm (including frame)

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  • Blue Divide

    Blue Divide

    £730

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    An atmospheric 20th century abstract landscape scene that distils nature into its most elemental forms – sky, land, and light – rendered through a restrained yet deeply expressive lens, executed in oil onto board and dated 1973.

    A vast, luminous sky in soft, powdery blues stretches across the upper plane, subtly shifting in tone with gentle cloud-like variations. Beneath it, a stark horizon line divides the composition, grounding the scene with a band of deep, inky blues and near-black tones that suggest either a distant sea or an expansive field at dusk.

    The foreground is richly atmospheric, built up with layered, gestural applications of paint. Dark teal, indigo, and earthy umber tones merge and dissolve into one another, evoking a sense of depth and quiet movement. A striking passage of pale, almost luminescent white and aqua near the right side hints at reflected light – perhaps water catching the last glimmer of day – adding a moment of contrast and visual intrigue.

    Stylistically, the work leans toward abstraction while retaining a strong sense of landscape. The artist has employed broad, confident brushstrokes alongside areas of scraping and reworking, allowing underlying layers to emerge. This interplay of opacity and translucency gives the surface a tactile, almost weathered quality.

    Overall, the piece carries a contemplative stillness – an understated yet powerful meditation on horizon, light, and space.

    This oil on canvas is housed a complementary slim wood frame. The painting has some areas of paint loss, consistent with age. 

    Size: 64 x 64.5 cm (including frame)

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  • Head Study

    Head Study

    £380

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    A 1999 earthenware sculpture that presents an arresting head study, imbued with a raw, almost archaeological presence. The figure is elongated through the neck, giving it a slightly stylised, contemplative posture, somewhere between portrait and abstraction.

    The surface is richly textured, bearing the marks of the artist’s hand. Rough, uneven patches and subtle pitting create a sense of age and weathering, as though the piece has been unearthed rather than made. The warm, earthy tones (burnt sienna, clay red, and soft ochre) shift gently across the form, catching light in a way that emphasises its tactile quality.

    Facial features are simplified but expressive. The eyes are gently hollowed, the nose softly defined, and the mouth sits in a neutral, almost introspective line. Nothing is overly detailed, yet it is deeply evocative through characteristics of the clay.

    The sculpture is in good vintage condition. Please note that it is rather heavy.

    Height: 30 cm
    Width: 21 cm
    Depth: 15 cm

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  • Houses by the Canal

    Houses by the Canal

    £545

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    A charming mid-century painting that captures a tranquil waterfront scene, where a row of softly rendered houses sits just beyond a calm canal, executed in oil onto board.

    In the foreground, three small boats rest on reflective water, their curved forms echoing a sense of stillness and ease. The composition draws the eye horizontally, from the grounded solidity of the boats to the lively rhythm of the houses and trees behind them.

    The style is distinctly modernist, with a loose, expressive approach that favours atmosphere over precision. The buildings are simplified into geometric forms, their facades painted in warm, sunlit tones contrasted by deeper greens of foliage and the muted blues of rooftops. The palette feels both playful and harmonious, with subtle tonal shifts that suggest changing light across the scene.

    Brushwork is confident and painterly, with visible, fluid strokes that lend movement to the trees and water. The reflections in the canal are especially evocative – softly blurred and layered, creating a sense of depth without strict realism. Overall, the piece carries a gentle, nostalgic quality, evoking a quiet moment in a coastal village, where time feels slowed and the everyday becomes quietly beautiful.

    This oil on board is housed in an elegant wood frame whereby the outer section is finished in a muted cream with subtle silver accents along the inner edges, and with an inner linen-textured mount. Both the painting and frame are in excellent vintage condition. 

    Size: 42 x 50 cm (including frame)

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  • Begonia & Apples

    Begonia & Apples

    £440

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    A very pleasant and meticulously painted mid-century still life that captures a potted begonia arranged beside a small plate of apples, set against a softly lit interior backdrop, and executed in oil onto board and dated 1949.

    The composition feels intimate and unpretentious. An everyday moment elevated through careful observation and painterly sensitivity. The broad, rounded leaves of the begonia fan outward with a gentle rhythm, some tinged with warm russet reds, while delicate pink blossoms rise lightly above, adding a subtle vertical lift. To the right, some apples rest on a simple plate, grounding the composition and introducing a quiet sense of balance.

    The painting leans toward a softened realism with expressive undertones. Forms are simplified yet thoughtfully modelled, with an emphasis on structure and tonal harmony rather than strict detail. The artist shows a clear sensitivity to light and volume, particularly in the way the leaves catch and diffuse illumination.

    The palette is warm and inviting: earthy greens and olive tones dominate the foliage, contrasted by soft coral reds and blush pinks in the flowers. The pears introduce muted yellow-greens, while the tabletop in a warm, buttery yellow adds a gentle luminosity. The background shifts subtly between pale blue-grey and cream, creating depth without distraction.

    Brushwork is confident yet restrained, with visible strokes that lend texture and vitality to the surface. The leaves are articulated with layered, directional strokes that suggest their waxy structure, while the pot and fruit are handled with slightly broader, more blended applications. Throughout, the paint is applied with a tactile quality , neither overly thick nor overly smooth, resulting in a balanced, expressive finish.

    This oil on board is housed in a complementary wood frame, and subtle inner silver and champagne windows. Both the painting and frame are in excellent vintage condition. 

     

    Size: 64 x 59 cm (including frame)

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  • Outpost by the Sea

    Outpost by the Sea

    £440

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    A soothing mid-century landscape that captures a quiet, sunlit coastal scene, where a solitary white structure rises gently against a calm horizon, executed in oil onto canvas.

    The composition feels almost dreamlike, softened by distance and atmosphere. The foreground dissolves into abstracted forms of foliage and terrain, guiding the eye toward the central architectural form and the expanse of sea beyond.

    Executed in a loose, impressionistic style, the painting balances structure with spontaneity. The artist has used a restrained yet luminous palette: soft blues and greens are punctuated by sand and sunlit yellows, evoking the gentle heat of a coastal afternoon. The white building acts as a quiet anchor, its simplicity contrasting beautifully with the surrounding painterly gestures.

    Brushstrokes are fluid and expressive, with areas of soft blending juxtaposed against more gestural marks. The paint appears to be applied with a light, confident hand: allowing forms to emerge rather than be rigidly defined. This gives the work an airy, atmospheric quality, as though the scene is suspended between memory and observation.

    This oil on canvas is housed in a very well-suited and characterful wood frame with an inner linen border. The painting is in excellent vintage condition. The linen border on the frame has some age toning but the frame is otherwise in a good and stable condition.

    Size: 55.5 x 64 cm (including frame)

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  • The Reader’s Pause

    The Reader’s Pause

    £485

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    A contemplative interior scene that unfolds around a seated female figure, absorbed in reading, executed in oil onto canvas.

    Positioned beside an open window, she is framed by a gentle interplay between interior and exterior worlds where  the stillness of the room is contrasted with a distant, simplified landscape beyond. A small table with a vase of flowers and furnishing introduces a domestic warmth. The figure’s downward gaze and relaxed posture evoke a moment of quiet solitude, as though time has briefly paused within this private space.

    Executed in an expressive mid-century style, the painting prioritises mood and emotional presence over strict realism. The figure is deliberately simplified, with slightly exaggerated proportions and softened features that lend a dreamlike, almost introspective quality. Spatial relationships are subtly skewed, enhancing the sense of intimacy and subjectivity. The composition feels intuitive rather than rigid, capturing not just a scene, but a feeling.

    The palette is rich yet restrained, balancing cool, airy blues with earthy reds, mossy greens, and warm ochres. These tones are layered and slightly muted, giving the painting a lived-in softness. The contrast between the cooler wall and the warmer clothing creates a quiet tension, while the deeper blues and greens anchor the composition and add depth.

    The brushwork is confident and expressive, with visible, gestural strokes that animate the surface. Paint is applied with a tactile immediacy, sometimes thin and sketch-like, at other moments thicker and more deliberate, allowing the artist’s hand to remain present throughout. Edges are loosely defined, and transitions between colours feel organic rather than controlled, reinforcing the emotional, painterly quality of the work.

    This oil on canvas is housed in a softly toned wood frame that complements the work’s gentle, intimate mood. Both the painting and frame are in excellent vintage condition.

    Size: 61 x 51.5 cm (including frame)

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  • She Who Reaches

    She Who Reaches

    £495

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    An expressive mid-century figurative painting that captures an intimate interior moment where a woman is seen cleaning a shop window, set within a richly layered setting, executed in oil onto canvas.

    Her gesture feels unhurried, calmly cleaning the shop front window. The room unfolds around her: a table laid with fruit, a small vase of flowers, and stacked vessels or books that lend a sense of warmth.

    The composition leans into a modernist, naïve expressionist style. Perspective is deliberately flattened, and forms are simplified into bold, almost sculptural shapes. Rather than striving for realism, the artist prioritises atmosphere and feeling, allowing the space to read as both physical and emotional.

    The colour palette is striking and evocative. Deep, inky blues and blacks dominate the upper half, punctuated by glowing circular forms that suggest lamplight or a stylised moon beyond the interior. These darker tones are balanced by earthy reds, browns, and greens that ground the scene. The figure’s garment, rendered in rich violet hues, becomes the compositional anchor, drawing the eye immediately to her presence.

    Brushstrokes are confident and tactile, applied with visible energy. These loose gestural marks create a surface that feels alive and rhythmic.

    This oil on canvas is housed in a complementary painted wood frame. Both the painting and frame are in excellent vintage condition.

    Size: 43.5 x 37.5 cm (including frame)

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  • Seated Harlequin

    Seated Harlequin

    £475

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    A mid-century figurative painting where a solitary, elongated figure is captured mid-pose, leaning into a quiet, introspective moment, executed in oil onto board and dated 1961.

    Dressed in a bold harlequin-patterned suit, the subject occupies a constructed interior – part stage, part room – defined by geometric planes. The posture feels both poised and slightly off-balance, suggesting a tension between performance and stillness, as though the figure has paused between acts.

    Drawing on elements of figurative abstraction, the composition is structured through flattened perspectives and intersecting planes, while the figure is stylised with simplified anatomy and a mask-like face. There is a theatrical quality to the scene – evoking European modernist traditions where costume, form, and space interplay in a quiet psychological narrative.

    A striking palette defines the painting. The harlequin suit is rendered in deep reds, blacks, and muted purples, anchoring the composition with rhythmic intensity. This is set against a backdrop of cool, calming tones: soft sage greens, dusty blues, and pale neutrals. The contrast between warm and cool hues creates both depth and visual tension, while maintaining an overall harmony.

    The brushwork is controlled yet expressive, with a matte, slightly textured surface. Planes of colour are applied with confidence, often in flat, deliberate blocks, while subtle variations in tone and edge soften the geometry. The figure itself is outlined with a gentle firmness, allowing it to emerge clearly from the layered background without losing the painterly quality.

    This oil on board is housed in a complementary silver frame. Both the painting and frame are in excellent vintage condition. 

    Size: 37.5 x 29.5 cm (including frame)

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  • The Guardian

    The Guardian

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    A mid century earthenware sculpture, with a personality that is both grounded and otherworldly.

    The body is a rounded, drum-like form, elevated on four sturdy, column-like legs, giving it a sense of both stability and animation. The surface is coated in a rich turquoise-green glaze, decorated with bold, hand-painted oval motifs.

    The glaze drips downward in thick, dark trails, creating a sense of movement, like something slowly transforming over time.

    Rising from the body is a narrow neck and bulbous head, topped with a cluster of curling, tentacle-like forms. This crown-like structure gives the sculpture a slightly surreal, organic presence, and introduces a subtle sense of watchfulness or awareness.

    The piece sits somewhere between artifact and fantasy, creating a tension between playfulness and mystery.

    There are a few losses to the ‘tentacles’ on the head of this vintage sculpture, but it is otherwise in a good and stable condition.

    Height:  25 cm
    Width:  12 cm
    Depth:  12 cm

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  • The Striped Room

    The Striped Room

    £1,200

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    A vibrant mid-century modern still life painted in oil by the established Swedish artist Bengt Orup (1916–1996), whose works are held in major international collections including Moderna Museet and National Museum in Stockholm, the Museum of Modern Art in New York, the Victoria and Albert Museum in London, the Tessin Institute in Paris, and many more.

    The composition presents two sculptural black vessels arranged before a window. One holds a radiant sunflower rendered in a bold, simplified form, while the other cradles stylised fruit, depicted as faceted geometric shapes. Through the window behind them, a small red and green landscape appear, adding a quiet narrative element that contrasts with the graphic interior setting. Framing the scene are striking red-and-white horizontal stripes, creating a rhythmic backdrop that energises the composition and draws the eye inward.

    Orup’s modernist approach reduces objects to strong geometric silhouettes and carefully balanced shapes. The palette is vivid yet controlled: deep black vessels anchor the composition against bright sunflower yellow, warm reds, fresh greens and cool greys. Brushstrokes are deliberate and confident, with smooth, flat planes of colour and subtle texture that emphasise clarity, structure and design.

    The result is a playful yet sophisticated still life that merges interior, landscape and abstraction which are hallmarks of Orup’s distinctive mid-century visual language.

    This oil on board is presented in a warm gilt wooden frame with an inner border, which beautifully complements the painting’s bold palette. The painting has some light craquelure present to its paint surface, but it is very stable and consistent with the age of the work, and does not detract from the overall visual appeal.

    Size: 64.5 x 75 cm (including frame)

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  • Lavender & Fruit

    Lavender & Fruit

    £515

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    A joyful radiant mid-century interior still life that captures a sunlit window scene in full bloom, executed in oil onto canvas.

    In the foreground, a tall turquoise glass jug brims with freshly cut lavender, its lilac blossoms arching gently outward. Resting beside it on the windowsill are three ripe fruit, their warm red and golden tones offering a rich counterpoint to the cool palette that surrounds them. Beyond the glass, lush greenery presses against the pane, suggesting a garden just beyond the interior space.

    Executed in a lively, expressive mid-century style, the forms are loosely defined yet confidently structured, with simplified shapes and a focus on colour harmony over strict realism. The vertical and horizontal lines of the window frame anchor the scene, creating a subtle geometric structure within the organic abundance of foliage and flowers.

    The colour palette is fresh and invigorating. Layers of turquoise, teal and aqua dominate the setting, punctuated by flashes of lemon yellow and spring green in the background foliage. The lavender blooms are rendered in soft purples, dusty pinks and touches of white, while the fruit introduce warmth through saturated reds and amber highlights. This interplay of cool and warm tones gives the painting a dynamic, sunlit energy.

    Brushstrokes are bold, textured and gestural, applied with visible confidence. Thick impasto passages define the petals and leaves, while broader, sweeping strokes animate the background. The paint surface has a tactile quality, with layered strokes that catch the light and enhance the sense of immediacy and movement.

    This oil on canvas is housed in a complementary slim silver painted wood frame. The painting is in excellent vintage condition, and the frame has some scuffs. 

    Size: 63.5 x 52 cm (including frame)

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  • Reclining Figure on Rug

    Reclining Figure on Rug

    £460

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    A striking mid-century figurative composition that presents a reclining nude stretched languidly across a rug with vivid blue foliage, executed in watercolour onto paper and framed behind glass.

    The figure is simplified yet sensuous, her body rendered in soft, flowing contours that emphasise volume and repose rather than anatomical precision. She rests against a boldly divided backdrop, saturated red to one side and an expanse of blue to the other, creating a dynamic, modernist tension between figure and space.

    The style reflects a distinctly mid-century approach: flattened perspective, expressive simplification, and an emphasis on shape and colour over fine detail. The body is articulated through translucent washes of warm peach, apricot, and blush tones, allowing the underpainting and brush movement to remain visible. Shadows are suggested rather than defined, giving the figure a softness that feels intimate and atmospheric.

    The surrounding, painted in rhythmic strokes of cerulean and turquoise, forms a decorative, almost pattern-like base. These repeated leaf motifs introduce movement and contrast, their cool tones heightening the warmth of the nude figure. The brushwork throughout is loose and confident – gestural in the background, more fluid and diluted across the body lending the piece an immediacy and painterly charm.

    Overall, the work balances bold colour blocking with gentle figuration, embodying the modern aesthetic characteristic of mid-century figurative painting.

    This watercolour on paper is framed behind glass and presented in a complementary gilt frame.  Both the painting and frame are in excellent vintage condition. 

    Size: 48 x 69 cm (including frame)

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  • Nude in Soft Light

    Nude in Soft Light

    £845

    Available

    Free shipping to UK, Europe and Singapore.

    A brilliantly executed expressive mid-century figurative painting that presents a standing female nude, captured in a moment of quiet composure, painted in oil onto board and dated 1957.

    The figure stands upright, one arm gently extended to rest upon a vertical form while the other arm falls loosely by her side. Her face is intentionally softened and undefined, directing attention instead to posture, gesture, and the interplay of light across the body.

    Rendered in a distinctly modernist style, the composition balances figuration with abstraction. The body is constructed through confident, sculptural brushwork: planes of brown, sand, olive, and muted rose build form through tonal shifts rather than precise line. The artist uses broad, directional strokes that remain visible and tactile, giving the surface a sense of movement and immediacy.

    The palette is earthy and restrained: warm flesh tones contrast against a cool, chalky white background layered with subtle greys and hints of pale blue. The isolated blue vertical accent at the left provides a visual counterweight and anchors the composition.

    Brushstrokes are expressive and gestural, applied with a loaded brush in sweeping, confident passes. Areas of thicker impasto sit alongside thinner, scumbled layers, creating depth and texture. The figure’s contours are suggested rather than strictly defined, lending the work a softness and modern elegance typical of mid-century European studio practice.

    The overall effect is contemplative and quietly powerful, a study in form, balance, and painterly restraint.

    This oil on board is housed in a complementary gilt frame with red undertones.  Both the painting and frame are in excellent vintage condition. 

    Size: 83 x 41.5 cm (including frame)

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  • Quiet Farmstead

    Quiet Farmstead

    £480

    Available

    Free shipping to UK, Europe and Singapore.

    A calm and serene mid-century landscape that captures a rural farmstead in its most distilled and poetic form, executed in oil onto canvas.

    Three angular barns sit low against an expansive, powder-blue sky, their pitched roofs forming a rhythmic sequence of geometric silhouettes. Bare trees rise slender and vertical, softening the strong triangular architecture and anchoring the composition in a quiet seasonal stillness.

    Rendered in a restrained, modernist style, the painting balances abstraction and representation. The barns are simplified into bold planes of colour, while hedgerows and fields are reduced to blocks of earthy brown and moss green. The pale turquoise sky provides a luminous backdrop, creating a gentle contrast against the grounded, darker foreground.

    Brushstrokes are confident. Broad, flat applications of paint define the land and sky, while looser, slightly feathered strokes articulate the trees and subtle shifts in the terrain. The paint handling is matte and softly textured, allowing the composition’s geometry and colour relationships to take precedence over detail.

    This oil on canvas is housed in an elegant linen-lined wood frame with an inner white and silver border. Both the painting and frame are in excellent vintage condition. 

     

    Size: 53 x 63.5 cm (including frame)

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  • The Figs

    The Figs

    £495

    Available

    Free shipping to UK, Europe and Singapore.

    A poised mid-century still life that presents a quietly architectural composition, executed in oil onto board.

    This composition centres on three deep green figs resting in a shallow tray. Behind them rises a stylised facade, a simplified portico with an arched window and triangular pediment rendered in flattened planes of muted blush, sage and cream.

    The style reflects a distinctly mid-century sensibility: pared back, structured, and contemplative. Forms are simplified into essential shapes of ovals, triangles, rectangles, and the architectural backdrop introduces a sense of order and symmetry, contrasting beautifully with the organic curves of the figs.

    The palette is restrained and harmonious. Moss greens and olive tones dominate the fruit, offset by chalky whites, dusty rose, pale yellow and cool grey-blues in the surrounding space. Light appears to enter from the side, casting gentle shadows that anchor the composition and add depth without disrupting its calm balance.

    Brushstrokes are confident and visible, with a slightly dry, textured application that allows the canvas weave to subtly show through. The paint is layered in broad, deliberate strokes – particularly in the background – while the figs themselves are modelled with softer blending, giving them a quiet solidity and presence.

    This oil on canvas is housed in a complementary  wide profile gilt frame.  Both the painting and frame are in excellent vintage condition. 

     

    Size: 49 x 58.5 cm (including frame)

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  • Winter Light

    Winter Light

    £475

    Available

    Free shipping to UK, Europe and Singapore.

    An expressive mid-century landscape that captures the stillness of a winter marsh, where a broad expanse of pale water or frost-covered ground stretches across the foreground, reflecting the muted sky above, executed in oil onto canvas.

    Slender, leafless trees rise along the water’s edge, their dark trunks and branches creating elegant vertical accents against the open, horizontal sweep of the landscape. In the distance, softened forms of woodland and low terrain recede into shadow, lending the scene a quiet sense of depth and solitude.

    The painting is rendered in a confident, painterly style characteristic of mid-century modernist landscapes. The artist has used loose, gestural brushwork to suggest rather than define, allowing texture and movement to convey atmosphere. The surface reveals thickly applied passages of paint in the foreground, where creamy whites, pale greys, and soft blues evoke frost, water, or snow. These cooler tones are subtly enlivened by touches of ochre, rust, and mossy green, suggesting winter grasses and reeds catching the last warmth of the season.

    The sky is painted in layered shades of muted blue and grey, applied in broad, sweeping strokes that create a soft, overcast luminosity. The trees are articulated with darker, more deliberate lines, their vertical rhythm grounding the composition and framing the open space beyond. Overall, the painting balances abstraction and representation, capturing not just the physical landscape, but its mood: serene, introspective, and quietly poetic.

    This oil on canvas is housed in a very well-suited linen lined wood frame that complements atmospheric palette beautifully. The painting itself is in very good vintage condition. There are minor scuffs to the inner frame, and a small area of loss to the bottom right corner of the outer frame, consistent with age, but this does not detract from the overall appearance.

     

    Size: 61 x 78 cm (including frame)

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  • Pear Arrangement

    Pear Arrangement

    £945

    Available

    Free shipping to UK, Europe and Singapore.

    A charming and characterful interior still life composition executed in tempera on board and dated 1978, by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

    Small yet very effective in its composition, this still life presents a carefully arranged grouping of pears, a ceramic vessel, and a jug rendered with clarity, charm, and a distinctly modern sensibility. The composition centres on two luminous green pears nestled in a scalloped turquoise bowl, accompanied by a fourth pear in the foreground and a halved pear resting nearby. To the right, a sculptural brown jug anchors the scene with a grounded solidity, while a single stylised leaf rises elegantly from a pear against a radiant golden backdrop, dotted with rhythmic points of light.

    The artist has employed a flattened perspective, where spatial depth is secondary to shape, balance, and decorative harmony. Forms are simplified into bold silhouettes and geometric masses, giving each object a sculptural presence. The background is thoughtfully divided into zones of warm gold, soft neutral tones, and rich terracotta red, creating a structured yet lively interplay between colour fields.

    The palette is vibrant yet controlled, featuring fresh green pears contrasted against a warm, earthy table surface and a glowing mustard-gold backdrop. The cool turquoise of the bowl provides a refreshing counterpoint, while the deep brown jug introduces tonal weight and balance. The dotted golden background adds a playful, almost textile-like quality, enhancing the painting’s decorative appeal.

    Executed in tempera, the brushwork is smooth and precise, with a matte, velvety surface typical of the medium. Edges are clean and deliberate, emphasising contour and form rather than painterly gesture. Subtle tonal variations within the pears and jug provide volume without disrupting the overall graphic clarity. The result is a work that feels both intimate and confidently composed – celebrating everyday objects through the lens of mid-century design, where simplicity, colour, and form coexist in harmonious balance.

    This tempera on board is presented in a beautifully complementary gilt frame with a deep profile, and with a striking green velvet inner border that creates a strong visual contrast. The painting is in excellent vintage condition, and the frame has some marks present to its top edge as shown.

    Size: 33 x 38 cm (including frame)

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  • The Fireplace

    The Fireplace

    £400

    Available

    Free shipping to UK, Europe and Singapore.

    A charming mid-century interior painting that captures the serene presence of a masonry fireplace, executed in oil onto canvas and dated 1968.

    The fireplace stands centrally, its sculptural form softened by rounded contours and pale plaster surfaces, suggesting both warmth and architectural dignity. To the left, an open doorway reveals a glimpse of an adjoining room. A narrow woven runner stretches across the floor, guiding the eye horizontally and grounding the composition in the rhythm of everyday life. Simple fireplace tools rest quietly beside the hearth, reinforcing the intimate domestic atmosphere.

    Executed in a restrained modernist style, the artist balances representation with subtle abstraction. Forms are simplified yet retain their essence, allowing structure and light to take precedence over intricate detail. The composition feels calm and deliberate, with an emphasis on spatial harmony and gentle geometry.

    The colour palette is soft and muted, composed of chalky whites, warm creams, pale sage greens, and cool greys, accented by dusty blues and understated earthy browns within the firebox. These tones create a tranquil, contemplative mood, evoking diffused daylight and the quiet comfort of interior spaces during colder seasons.

    Brushstrokes are visible and tactile, applied with a confident yet delicate hand. The paint surface reveals subtle layering, with thin washes and lightly textured passages that allow the weave of the canvas to emerge. Edges are softly blended rather than sharply defined, lending the work a dreamlike softness. The artist’s handling of light and form conveys both immediacy and restraints.

    This oil on canvas is housed in a complementary slim wood frame. The painting is in excellent vintage condition, and the frame has very minor scuffs.

     

    Size: 53 x 43.5 cm (including frame)

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  • The Waiting Place

    The Waiting Place

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    A compelling mid-century abstract figurative painting that presents a gathering of elongated figures arranged in quiet proximity, executed in oil onto board.

    The forms appear engaged in a shared moment: perhaps at a waiting place or a gathering, but their identities remain deliberately obscured.

    Rendered in a distinctly modernist style, the composition balances abstraction with figuration. The figures are reduced to essential silhouettes and planar shapes, their coats and hats suggested through angular geometry and softened contours. There is a subtle architectural structure anchoring the composition, with vertical elements lending a sense of stillness and gravitas.

    The palette is restrained and sophisticated, dominated by muted greys, smoky charcoals, warm browns, and off-whites, punctuated by accents of crimson, burnt sienna, and soft rose. These warmer notes glow subtly from the centre, creating a quiet internal luminosity that draws the viewer inward. The tonal contrasts between light and dark figures create rhythm and spatial depth while maintaining an atmospheric cohesion.

    The brushwork is expressive yet controlled, combining thin washes with dry, textured passages. Edges dissolve and re-emerge, allowing forms to hover between presence and absence. Vertical strokes emphasise the standing figures, while softer blended areas create a sense of movement and ambiguity. This interplay between structure and dissolution is characteristic of mid-century abstraction, lending the painting both emotional resonance and formal sophistication.

    This oil on board is housed in a complementary grey painted wood frame with an inner white border. The painting is in excellent vintage condition, and the frame has a white mark to the bottom right corner of the outer frame but this does not detract from the overall composition.

     

    Size: 49 x 56.5 cm (including frame)

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  • Chromatic Constellation

    Chromatic Constellation

    £560

    Available

    Free shipping to UK, Europe and Singapore.

    A vibrant and energetic abstract composition where colour, movement, and gesture converge in a dynamic visual dialogue, executed in oil onto canvas.

    The surface is alive with bold, biomorphic forms and spontaneous splashes that seem to hover and collide within an expansive field of pale cerulean blue. Large organic shapes in saturated green, deep ultramarine, mustard yellow, and inky black anchor the composition, while vivid red splatters and fine white linear streaks cut across the canvas like bursts of energy or fleeting trajectories.

    At the heart of the painting, a luminous circular yellow form radiates warmth and presence, acting as both focal point and counterbalance to the surrounding asymmetrical shapes. The artist masterfully juxtaposes areas of dense opacity with translucent washes, creating depth and rhythm. Smaller droplets of silver-grey and scattered pigment add a sense of cosmic randomness, enhancing the impression of movement and spontaneity.

    The brushwork ranges from smooth, deliberate blocks of colour to expressive drips, splashes, and flicked paint which are hallmarks of Abstract Expressionist technique. Thick, gestural strokes coexist with fluid pours and delicate splatters, revealing the artist’s physical engagement with the canvas. The layering of pigment creates subtle textures and visual tension, inviting the viewer to explore the painting’s surface and uncover new relationships between form and colour.

    Overall, the painting evokes a sense of joyful immediacy and intuitive creation. It is an orchestration of colour and gesture that feels both spontaneous and deeply intentional.

    This oil on canvas is housed in a complementary champagne frame. Both the painting and frame are in excellent vintage condition.

    Size: 61 x 52 cm (including frame)

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  • Still Coast

    Still Coast

    £455

    Available

    Free shipping to UK, Europe and Singapore.

    A calm and meditative mid-century modernist coastal landscape that captures the hushed stillness of an estuary unfolding beneath a pale, overcast sky, executed in oil onto canvas.

    A winding shoreline curves gently through the composition, guiding the eye toward distant headlands softened by atmospheric haze. On the right, a cluster of slender, darkened trees rises from the embankment, their vertical forms providing a striking counterpoint to the broad, horizontal calm of the water and shoreline. The scene feels suspended in a moment of winter quiet: timeless, contemplative, and deeply serene.

    Executed in a restrained modernist style, the artist has reduced the landscape to essential forms and tonal relationships. The composition balances abstraction with recognisable geography, allowing negative space and subtle tonal shifts to carry emotional weight. The muted palette – comprising soft greys, chalky whites, warm taupes, and earthy browns – enhances the sense of stillness, evoking coastal light diffused through cloud and mist.

    The brushwork is confident, with broad, sweeping strokes used to suggest water, sand, and sky. Areas of dry brush and lightly textured paint create gentle variation across the surface, while darker, more defined strokes anchor the composition and introduce structure. This interplay between softness and structure reflects the modernist pursuit of mood and form over literal detail.

    This oil on canvas is housed in a complementary frame finished in a muted champagne-silver tone. Both the painting and frame are in excellent vintage condition.

     

    Size: 46 x 72 cm (including frame)

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  • Coastal Fields

    Coastal Fields

    £595

    Available

    Free shipping to UK, Europe and Singapore.

    A soothing mid-century modernist landscape that distils the essence of a coastal countryside into a harmonious arrangement of simplified forms and tonal planes, executed in oil onto canvas and dated 1965.

    Rolling fields stretch gently toward a distant shoreline, where muted hills dissolve into a tranquil horizon beneath a softly weathered sky. A cluster of whitewashed structures sits quietly within the terrain, offering a subtle human presence amid the expansive natural setting.

    Executed in a restrained modernist style, the composition reflects the mid-century inclination toward abstraction while remaining grounded in the landscape tradition. The artist has reduced the scenery into layered, geometric passages, allowing the rhythm of land and sea to unfold through balanced shapes rather than literal detail. This approach creates a sense of calm structure and contemplative stillness, inviting the viewer to experience the landscape as both place and memory.

    The colour palette is beautifully subdued and earthy, featuring sandy ochres, pale sage greens, chalky creams, and deep olive tones. These are complemented by a band of muted teal and blue along the horizon, suggesting distant water or sky.

    The brushwork is textural yet controlled, with areas of dry brush and impasto that allow the weave of the canvas to emerge through the paint surface. Edges are softly broken and irregular, lending the composition an organic, tactile quality. This interplay between material texture and simplified form enhances the painting’s atmospheric presence, embodying the quiet elegance and thoughtful restraint characteristic of mid-century modernist landscape painting.

    This oil on canvas is housed in a refined and well-suited frame with gilt mouldings and an inner linen window. Both the painting and frame are in excellent vintage condition.

     

    Size: 30 x 57 cm (including frame)

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