• Reclining Figure in Red

    Reclining Figure in Red

    £995

    Available

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    A compelling mid-century modernist abstract figurative composition, painted in oil onto canvas by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

    The painting captures the essence of the human form through a language of bold reduction and tactile surface. A reclining figure emerges from the composition, its contours simplified into rounded, interlocking shapes that suggest the curve of a shoulder, the bend of a hip, and the quiet weight of a resting body. The figure feels both present and elusive – more sensed than precisely defined – inviting the viewer to complete the form through perception.

    The style is distinctly modernist, leaning into abstraction while retaining a strong figurative anchor. There is a confident balance between structure and spontaneity: broad planes of colour establish the composition, while energetic, almost impulsive marks disrupt and animate the surface. The artist’s hand is evident throughout, giving the work a raw, expressive immediacy.

    The palette is warm and striking, dominated by rich vermilion reds, burnt orange, and deep maroon tones that form a saturated backdrop. Against this, the figure is rendered in creamy, off-white hues, punctuated by flashes of cobalt blue and teal. These cooler accents create visual tension and rhythm, guiding the eye across the composition and adding depth to the otherwise flattened space.

    Brushwork is thick and textural, with areas of heavy impasto that catch the light and emphasise the physicality of the paint. Scraped passages and layered strokes contribute to a richly worked surface, where traces of earlier marks remain visible beneath. This layering gives the painting a sense of history and movement, as though the figure has been gradually revealed through successive gestures.

    Overall, the piece is a powerful study in form, colour, and material – intimate yet bold, gestural yet composed.

    This oil on canvas is presented in a complementary gilt frame that has a gently stepped profile. The painting is in excellent vintage condition, and the frame has light scuffs. 

    Size: 73.5 x 53.5 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • A Moment to Read

    A Moment to Read

    £475

    Available

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    A contemplative mid-century interior scene that captures a solitary figure absorbed in reading, positioned beside a softly lit window, executed in oil onto canvas.

    The setting feels intimate and introspective – books are stacked and scattered across a desk and nearby surfaces. The figure’s posture, slightly bowed over the book, conveys a sense of stillness and focus.

    Rendered in a distinctly expressive, modernist style, the composition leans toward abstraction without losing its figurative anchor. The artist simplifies the figure’s facial features, allowing gesture and stance to carry emotional weight. There is a subtle tension between structure and looseness – forms are blocked in with confidence, yet edges dissolve and shift, lending the scene a fleeting quality.

    The palette is rich yet restrained, dominated by earthy browns, deep charcoals, and mossy greens, punctuated by passages of pale blue and a warm, luminous yellow from the window light. This interplay of cool and warm tones creates depth and atmosphere, drawing the eye toward the glowing interior light source.

    Brushstrokes are tactile and deliberate: thick, painterly applications of oil give the surface a textured, almost sculptural quality. The handling is direct and unrefined in places, with visible strokes that trace the artist’s hand, reinforcing the immediacy and emotional sincerity of the work.

    This oil on canvas is present in a beautiful champagne coloured wood frame with an inner cream border. The painting is in excellent vintage condition, and the frame has some scuffs. 

    Size: 74 x 59.5 cm (including frame)

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  • Dream Reflex

    Dream Reflex

    £1,150

    Available

    Free shipping to UK, Europe and Singapore.

    A brilliantly executed and compelling evocative 1987 figurative interior painting that captures a contemplative moment shared between three figures set within a softly abstracted studio environment, by Finnish postwar artist Marjatta Sarasalo (1930 – 2006).

    Sarasalo’s paintings have a very distinctive style, which incorporate line drawings of figures on very textured backgrounds as seen in this piece. Here’s the bodies have been rendered in a delicate, linear style – each figure outlined with expressive black contour lines against a textured, ochre-toned ground.

    Their poses are relaxed yet poised: one sits cross-legged in profile, another stands beside her, while the third looms gently in the background, creating a rhythm of human presence that feels both classical and modern.

    Executed with a refined palette of warm sand, muted green, pale rose, and chalky white, the composition is harmonised by vertical bands of colour that frame and anchor the figures, suggesting architectural planes or light filtering through curtains. The layered surface – built up with dry, rough brushstrokes and subtle scumbling—imbues the work with a tactile, fresco-like quality.

    The painting’s quiet grandeur and subdued palette speak to a modernist sensitivity, where figuration, abstraction, and texture merge in serene dialogue.

    This oil on canvas is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has a small nick to its left edge but is in good condition overall.

    Size: 41 x 33 cm (including frame)

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  • Figure in Constructed Room

    Figure in Constructed Room

    £1,085

    Available

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    A very striking mid-century modern composition that presents a pared-back interior scene distilled into bold geometry and quiet symbolism, executed in oil onto canvas and dated 1957 by the estalished Swedish artist Bertil Berntsson (1921-2002), whose works have been exhibited at the Modern Art Museum in Stockholm, Ystad Art Museum, Malmö Museum, and the Helsingborg City Museum, to name a few.

    At the centre stands a simplified elongated female figure that has been rendered with minimal contour yet carrying a strong, sculptural presence. Beside her, a cylindrical vessel or drum-like form anchors the composition, its solidity contrasting with the openness of the surrounding space.

    The setting is constructed through intersecting planes and architectural lines, suggesting walls, windows, or partitions without fully resolving into a literal interior. This ambiguity lends the work a contemplative quality – where figure and object coexist in a suspended, silent dialogue.

    Stylistically, the painting reflects mid-century modernist influences, drawing on elements of abstraction and cubist structure. Thick, deliberate black outlines define the forms, creating a graphic framework that flattens perspective while guiding the eye across the composition. The restrained palette features soft creams, muted greys, and a gentle teal-blue panel, balanced by deeper blacks and earthy browns. These colours are applied in broad, even fields, with subtle tonal shifts that add depth without disrupting the overall calm.

    The brushwork is confident, largely smooth and controlled, with occasional visible strokes and dry-brush textures that lend a tactile quality to the surface. The result is a harmonious interplay between line, form, and colour.

    This oil on canvas is presented in a simple wood frame that complements the earthy palette of the work. Both the painting and frame are in excellent vintage condition. 

    Size: 41.5 x 56.5 cm (including frame)

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  • Harbour Stillness

    Harbour Stillness

    £550

    Available

    Free shipping to UK, Europe and Singapore.

    A serene mid-century painting that captures a quiet harbour scene where two small sailboats rest gently on calm, reflective waters, painted in oil onto board in 1942 by the established Swedish artist Richard Björklund (1897–1974), whose works have been exhibited in public collections including the National Museum in Stockholm, Moderna Museet in Stockholm, Malmo Museum, Ystads Art Museum, and others.

    The composition is pared back and contemplative: boats sit low in the foreground, their slender masts rising vertically and echoed in the soft, rippling reflections below. Beyond them, a simplified shoreline unfolds in horizontal bands, punctuated by a small white structure and subtle architectural hints, evoking a sunlit coastal setting at rest.

    The style is distinctly mid-century modern, leaning toward abstraction with a strong emphasis on form reduction and spatial harmony. Perspective is flattened, and depth is suggested through layered planes rather than strict realism. The artist has embraced a minimalist approach, allowing negative space and quiet geometry to guide the eye.

    The colour palette is beautifully restrained and harmonious:soft blues, muted aquas, sandy browns, and warm creams dominate the scene. These tones gently contrast and blend, creating a tranquil, almost dreamlike atmosphere. The water mirrors these hues with delicate variations, enhancing the sense of stillness.

    Brushstrokes are loose yet intentional, with visible, confident applications of paint. The surface shows subtle texture, particularly in the water and sky, where strokes move fluidly and horizontally. Edges are softened and forms are simplified, giving the work an airy, lyrical quality.

    This oil on board is presented in an elegant wood frame with a warm, brushed gold and silver finish, and a gently stepped profile with subtle ridging. Both the painting and frame are in excellent vintage condition. 

    Size: 42.5 x 50.5 cm (including frame)

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  • Presence in Blue

    Presence in Blue

    £650

    Available

    Free shipping to UK, Europe and Singapore.

    A mid-century figurative interior that presents a poised, contemplative woman in blue, seated within a softly structured domestic space, executed in oil onto canvas.

    The figure sits slightly angled yet grounded, her form simplified and solid, conveying both stillness and quiet introspection. To her side, a table holds a warm-toned ceramic vessel, anchoring the composition and balancing the human presence with an object of everyday life. The checkered floor beneath introduces a subtle rhythm, guiding the eye through the composition while reinforcing the interior setting.

    The style is distinctly mid-century modern, leaning toward a restrained, semi-abstract figuration. The artist reduces the figure and surroundings into flattened planes and geometric blocks, prioritising mood and structure over detail.

    The colour palette is beautifully muted yet expressive -cool, dusty blues dominate the figure’s dress, contrasted with terracottas, and soft yellows in the background and still life elements. These tonal contrasts create a quiet dialogue between warmth and coolness, light and shadow.

    Brushstrokes are confident and painterly, applied in broad, visible sweeps that give the work texture and life. Edges are softened rather than sharply defined, allowing forms to blend subtly into one another. The handling of paint feels intuitive and unforced, with areas of thicker application adding depth, particularly in the darker passages and along the patterned floor.

    This oil on canvas is present in a beautiful wood frame with warm, natural wood grain and an inner linen lining. Both the painting and the frame are in excellent vintage condition. 

    Size: 75 x 55 cm (including frame)

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  • The Long Way Home

    The Long Way Home

    £430

    Available

    Free shipping to UK, Europe and Singapore.

    An enchanting 20th century naïve style street scene composition, executed in oil onto board and dated 1969.

    A lone figure in a striking red coat walks up a softly sloping street with surrounding buildings, drawing the eye into the composition and anchoring the otherwise tranquil setting. A small car rests beneath a delicate rainbow-like arc, while sparse details such as a traffic light and bare tree add subtle narrative touches without overwhelming the scene.

    Stylistically, the work embraces a naïve style approach, where perspective is intentionally flattened and proportions are playfully distorted. The composition prioritises mood and harmony over strict realism, resulting in a piece that feels both nostalgic and quietly poetic.

    The colour palette is soft yet expressive, dominated by warm peach, buttery yellow, and muted pastels, contrasted by the vivid red of the central figure and car. Gentle blues and greens wash through the street and sky, lending a calm, airy atmosphere. The rainbow detail introduces a whimsical note, enhancing the painting’s sense of quiet optimism.

    Brushstrokes are loose and visible, applied with a light, confident hand. There is a softness to the layering, with slightly dry, textured strokes that allow underlying tones to peek through. This lends the surface a tactile quality and reinforces the painting’s handmade, intimate character.

    This oil on board is present in a simple yet elegant wood frame. The painting is in excellent vintage condition, and the frame has light scuffing to the top right corner

    Size: 44.5 x 36 cm (including frame)

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  • Weight of Yellow

    Weight of Yellow

    £855

    Sold

    Free shipping to UK, Europe and Singapore.

    A compelling mid-century abstract composition that centres around a loosely defined vessel form, its presence suggested through layered gestures rather than strict delineation, executed in oil onto canvas and dated 1963.

    The composition feels both grounded and fluid: anchored by a bold yellow mass in the lower centre, which evokes the solidity of a bowl or container, while surrounding shapes drift and dissolve into one another with a sense of quiet movement. Above, softened circular forms: one pale, one touched with a vivid yellow hint at light sources or distant suns, lending the work a subtle, atmospheric rhythm.

    The style is distinctly painterly and intuitive, characteristic of mid-century abstraction where form emerges through process. The artist embraces a balance between control and spontaneity, allowing the composition to unfold organically across the canvas. There is a sculptural quality to the arrangement, with layered planes and overlapping gestures creating depth without relying on perspective.

    The colour palette is beautifully restrained yet expressive. Earthy browns, warm beige, and muted greys form the backbone of the piece, complemented by passages of soft, powdery blue and lifted by striking accents of saturated yellow. These brighter notes punctuate the composition, drawing the eye and energising the otherwise calm tonal field.

    Brushwork is confident and varied: broad, sweeping strokes sit alongside more deliberate, textured applications of paint. Areas of visible bristle marks reveal the artist’s hand, while thicker impasto sections add weight and tactility. Edges are often blurred or scraped back, suggesting revision and movement, and reinforcing the sense that the painting is as much about process as it is about form.

    This oil on canvas is present in a complementary slim wood frame. Both the painting and frame are in excellent vintage condition.

    Size: 74.5 x 51 cm (including frame)

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  • The Long Turn Home

    The Long Turn Home

    £495

    Available

    Free shipping to UK, Europe and Singapore.

    An atmospheric and expressive mid-century landscape painting that captures a solitary figure walking along a gently winding path bordered by a stand of tall dark trees, executed in oil onto canvas.

    In the distance, low rolling hills dissolve into a hazy horizon beneath a softly shifting sky, lending the scene a contemplative, almost introspective mood. The lone figure, rendered with minimal detail, becomes a quiet focal point – suggesting themes of solitude, journey, and reflection.

    Stylistically, the painting leans toward an expressive, semi-abstract interpretation of the landscape. Forms are simplified and loosely defined, with an emphasis on atmosphere rather than precise realism. The trees to the right are articulated with bold, vertical strokes, their dark silhouettes contrasting against the softer, diffused background.

    The colour palette is cool and restrained, dominated by layered greens, deep forest tones, and muted blue-greys. Subtle touches of pale sky blue and soft white break through the cloud cover, while earthy undertones ground the composition. Occasional dabs of lighter pigment across the foreground add texture and visual rhythm.

    Brushwork is confident and gestural throughout: broad, sweeping strokes shape the land and sky, while more assertive, almost calligraphic lines define the trees and path. The paint is applied with varying thickness, creating a tactile surface that enhances the painting’s immediacy and emotional depth.

    This oil on canvas is presented in a silver painted wood frame with an inner cream border. The painted surface shows areas of craquelure, most notably within the darker black passages, where the paint layer appears slightly fragile. Otherwise, it is in good vintage condition. 

    Size: 58 x 69 cm (including frame)

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  • Twilight Path

    Twilight Path

    £465

    Available

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    An atmospheric mid-century landscape that captures a hushed forest scene at nightfall, where fading light settles softly over a quiet woodland, executed in oil onto canvas.

    In the foreground, a gently defined and inviting path emerges, guiding the eye inward and creating a subtle sense of movement through the stillness.

    Rendered in a modernist, semi-abstract style, the artist distils the forest into softened bands and gestural marks. Trees are suggested rather than defined, dissolving into the surrounding atmosphere. The composition feels both grounded and elusive, with the path offering structure amid the increasingly shadowed landscape.

    The colour palette leans into cool, moody tones: muted greens, deepened aquas, smoky greys, and chalky whites – layered to evoke the last traces of light filtering through the trees. Darker, almost inky accents anchor the composition, hinting at tree trunks and the quiet density of the forest as it recedes into shadow.

    Brushwork is expressive yet measured. Broad, horizontal strokes shape the landscape and the path, while thicker, textured applications of paint add weight and tactility in the foreground. More translucent layers in the background soften the scene, allowing forms to blur gently into one another, enhancing the twilight atmosphere.

    This oil on canvas is presented in a refined, light-toned wood frame featuring a gently stepped profile and a contrasting black inset which creates a striking visual border. Both the painting and frame are in excellent vintage condition. 

    Size: 65.5 x 76.5 cm (including frame)

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  • Geometric Collage in Blues

    Geometric Collage in Blues

    £450

    Available

    Free shipping to UK, Europe and Singapore.

    A very unique original artwork by contemporary British artist Dave Boyd, which has been constructed from discarded books (repurposed cloth covers, papers, cardboard, binding boards), and mounted on a wooden panel in a solid wood float frame.

    At the heart of the artwork is a carefully balanced four-part composition, divided into squares, each containing a small vertical pairing of rectangular blocks. These central forms: composed of soft off-white, deep indigo, slate grey, and muted charcoal – echo one another subtly across the surface, creating a quiet rhythm and sense of repetition. The woven textures of the salvaged book cloth are beautifully visible within each element, offering gentle variation and tactility against the broader fields of colour.

    The background is composed of softly shifting panels of various blues, each section bearing the marks of time through delicate abrasions, faint horizontal striations, and areas of tonal wear. Vertical and horizontal seams subtly divide the surface, reinforcing the constructed, assemblage nature of the work while adding depth and structure.

    The composition feels contemplative and architectural: where repetition, balance, and materiality come together in a restrained yet deeply textural expression. There is a quiet dialogue between the squares, each echoing the other while retaining its own subtle tonal identity.

    The artwork is presented in a warm-toned solid wood float frame with a rich grain that complements the cooler hues of the piece. It has been constructed with professional grade adhesive and is shipped with robust fixings, ready to hang. Both artwork and frame are in excellent condition.

    Dave’s artistic practice focuses on the juxtaposition between the manmade and the natural and the human experience of geometric forms, surfaces and materials. Paintings and collages often embody a built or constructed aesthetic and are strongly influenced by architecture and the built environment, with the aim of suggesting visual encounters with structures and landscapes. Utilising and repurposing materials,  with a focus on minimal composition, surface and colour, Dave’s work seek to utilise the subtle marks inherent in objects that have been used and handled over many years.

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    Size: 43 x 43 cm (including frame)

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  • Circle of Light

    Circle of Light

    £435

    Available

    Free shipping to UK, Europe and Singapore.

    An endearing and uplifting mid-century figurative landscape that captures a moment of shared presence, as a group of simplified figures stand hand-in-hand and appear to be dancing in a circular formation, executed in oil onto board.

    At the centre, a vivid burst of yellow – suggestive of sheaves of wheat or a glowing harvest bundle – anchors the composition, radiating warmth. Above, small birds in flight animate the sky, adding a sense of movement and freedom.

    Rendered in a distinctly modernist, almost naïve style, the figures are intentionally reduced to essential forms. The colour palette is bold and expressive: saturated yellows and greens dominate the foreground, conveying warmth and vitality, while deep blues and teals in the sky and garments provide a cooling counterbalance. Subtle pink tones for the faces introduce a human softness, gently breaking the graphic simplicity.

    Brushwork is loose and confident, with visible, sweeping strokes that give the painting a tactile, almost rhythmic quality. The layering of paint – particularly in the sky and fields – adds depth and movement, while the central yellow form is applied more thickly, enhancing its visual prominence.

    This oil on board is presented in a complementary warm, natural wood frame. Both the painting and frame are in excellent vintage condition. 

    Size: 63 x 63 cm (including frame)

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  • Bottles in Blue Geometry

    Bottles in Blue Geometry

    £725

    Available

    Free shipping to UK, Europe and Singapore.

    A refined and thoughtfully composed mid-century still life composition in a cubist style that presents two elongated bottles set against a layered arrangement of abstracted forms, executed in oil onto board.

    The objects are simplified and slightly flattened, outlined with confident dark contours that give them a sculptural presence. Around them, angular planes and overlapping shapes create a quiet architectural backdrop, lending structure and balance to the composition while subtly shifting the sense of depth.

    Executed in a modernist style with cubist leanings, the work embraces reduction and clarity over realism. The interplay between object and space feels deliberate and contemplative, with negative space used just as thoughtfully as the painted forms themselves. There is a calm stillness to the arrangement, where everyday objects are elevated into a study of form, tone, and balance.

    The colour palette is harmoniously restrained, dominated by cool blues, soft aquas, and muted teal tones, punctuated by gentle off-whites and deeper navy accents. These hues create a tranquil, almost meditative atmosphere, while subtle tonal variations add dimension without disrupting the overall serenity.

    This oil on board is presented in a elegant frame with a warm, muted gold tone finish. Both the painting and frame are in excellent vintage condition.

    Size: 69 x 58 cm (including frame)

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  • The Joyful Passage

    The Joyful Passage

    £805

    Available

    Free shipping to UK, Europe and Singapore.

    A vibrant and animated mid century street scene composition, painted in oil in 1965 by the established Swedish artist Uno Vallman (1913-2004) whose works are included in the Swedish National Museum and The Swedish Modern Museum, to name a few. His works are also included in the collections of Lyndon Johnson, Jimmy Carter, and the Tessin Institute in Paris.

    The scene unfolds beneath a sweeping sky, where a cluster of buildings with striking red rooftops anchors the composition. In the foreground, a lively crowd moves in rhythmic procession: figures walking, conversing, and carrying bags – evoking the energy of a bustling moment. Tall, slender trees punctuate the scene, their sparse, expressive branches adding vertical tension against the horizontal flow of people and architecture.

    Executed in an expressive, naïve style with strong Fauvist influences, the painting embraces bold colour, simplified form, and an intuitive, energetic handling of paint. Figures are loosely defined with elongated limbs and minimal facial detail, giving precedence to movement and atmosphere over realism. The perspective is flattened, with elements stacked and layered in a playful, intuitive manner.

    The colour palette is bold and uplifting, dominated by sky blues, leafy greens, warm ochres, and vivid reds that draw the eye across the rooftops and through the crowd. These colours are applied with a sense of immediacy, often juxtaposed in unexpected yet harmonious combinations that enhance the painting’s joyful, almost celebratory tone.

    Brushstrokes are energetic and unrefined, with visible, gestural marks that bring a sense of motion and life to the composition. Outlines in darker tones loosely define forms, while dabs and sweeps of paint suggest figures and foliage with an expressive touch. The overall effect is one of warmth and vitality: a charming snapshot of everyday life rendered with personality and flair.

    This oil on canvas is presented in a warm-toned wood frame with a richly grained finish and an inner gilt border. Both the painting and frame are in excellent vintage condition. 

    Size: 52 x 60 cm (including frame)

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  • Quiet Mooring

    Quiet Mooring

    £755

    Available

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    A calm mid-century coastal painting that captures a tranquil moment along the sunlit shores of Spain’s Costa Brava, executed in oil onto board and dated 1958.

    At its centre rests a modest wooden boat, gently anchored in still, shallow waters, its form simplified yet full of quiet presence. The surrounding landscape is reduced to broad planes—suggesting sand, sea, and distant shoreline – imbuing the scene with a sense of calm, timeless pause.

    Executed in a restrained modernist style, the composition leans into minimalism and balance. Perspective is subtly flattened, with forms outlined softly rather than defined through strict realism, allowing the viewer to focus on mood over detail. There is a quiet intimacy to the piece, as though capturing a fleeting, solitary moment by the coast.

    The colour palette is warm and harmonious: muted tan, sandy beiges, and soft terracotta tones dominate the boat, while gentle and pale blues evoke the Mediterranean waters and sky. These tones are slightly desaturated, lending the work a sun-faded, nostalgic quality.

    Brushstrokes are loose and expressive yet controlled, with visible texture adding depth without overwhelming the simplicity of the composition. The paint is applied in soft, layered passages, allowing subtle tonal variations to emerge and giving the surface a quietly tactile quality.

    This oil on board is presented in a wood frame that is finished in a warm, muted gold tone with soft patina, it carries a slightly aged character that enhances the painting’s nostalgic feel. Both the painting and frame are in excellent vintage condition. 

    Size: 51.5 x 59.5 cm (including frame)

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  • The Open Door

    The Open Door

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    A serene mid-century interior composition that captures a quiet domestic moment, centred around a finely detailed console table set against a softly lit wall, executed in oil onto canvas.

    The arrangement is carefully balanced: a small bouquet of vivid red flowers, flanked by slender candlesticks, sits beneath a grouping of framed artworks and decorative plates, lending the scene a sense of order and intimacy.

    To the right, an open door becomes the focal point of the composition, revealing a glimpse of a lush garden bathed in natural light. This transition from interior stillness to exterior vitality creates a subtle narrative tension – inviting the viewer outward while anchoring them firmly within the calm of the room.

    Stylistically, the work leans toward a refined, almost Scandinavian minimalism, with clean lines, precise perspective, and a quiet emphasis on geometry and space. The composition is deliberate and measured, evoking a sense of harmony and restraint.

    The colour palette is soft and muted, dominated by warm neutrals – dusty mauves, pale creams, and gentle browns – contrasted by the fresh greens and floral pinks of the garden beyond. The small accents of red within the bouquet provide a striking yet controlled focal point, adding warmth without disrupting the painting’s tranquil balance.

    Brushwork is delicate and controlled, with smooth, even application across walls and surfaces, lending the piece a polished finish. Subtle tonal gradations and fine detailing – particularly in the furniture and architectural elements – demonstrate a careful hand, while the garden beyond is rendered with slightly looser, more expressive touches, enhancing the sense of depth and light.

    This oil on canvas is housed a complementary gilt frame with a stepped, moulded profile. The painting is in excellent vintage condition. The frame shows some slight losses, consistent with age, which does not detract from the overall presentation and charm of the piece.

    Size: 60 x 49.5 cm (including frame)

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  • The Red Table

    The Red Table

    £445

    Available

    Free shipping to UK, Europe and Singapore.

    An intimate mid-century interior painting that captures a quiet domestic moment, executed in oil onto canvas and dated 1950.

    The interior is centred on a small, round table draped in a vivid red cloth, paired with a slender blue chair. The setting is intimate and pared back, with a turquoise door to the left introducing depth and structure, while a small, minimally rendered painting hangs on the wall behind. A simple vase of flowers and a small vessel rest atop the table, suggesting a moment of pause, as if the space has just been left or is waiting to be occupied.

    Rendered in a mid-century modernist style, the composition favours simplified forms and flattened perspective. The artist has distilled the interior into essential geometric shapes and colour blocks, creating a balance between representation and abstraction. There is a strong decorative sensibility at play, with careful attention to spatial relationships and visual rhythm rather than strict realism.

    The palette is warm yet strikingly balanced. The deep red of the tablecloth anchors the composition, contrasted beautifully by the cool turquoise of the door and the soft blue of the chair. Earthy brown tones in the floor add warmth, while the walls are painted in muted creams and gentle lilacs, lending a soft, atmospheric backdrop.

    The brushwork is loose yet deliberate, with visible, painterly strokes that give the surface a rich, tactile quality. Broader strokes define the walls and floor, while slightly more controlled applications shape the furniture and objects. Edges are softened rather than sharply delineated, enhancing the painting’s calm, contemplative mood.

    This oil on canvas is housed in a charming wooden frame with multiple profiles, finished in warm, layered tones that beautifully complement the palette of the painting. The painting is in good condition overall – there is some craquelure present that is consistent with age, however the paint layer is in stable and does not detract from the overall appearance of the work.

    Size: 57.5 x 47.5 cm (including frame)

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  • Where Houses Gather

    Where Houses Gather

    £825

    Available

    Free shipping to UK, Europe and Singapore.

    A charming mid-century composition that depicts a cluster of closely nestled houses as their angular rooftops form a rhythmic patchwork against a soft open sky, executed in oil onto board by Swedish artist Wilhelm Wik (1897-1987), whose works have been exhibited at the National Museum in Stockholm, Moderna Museet in Stockholm, and the Tessin Institute in Paris, to name a few.

    The scene appears gently elevated, allowing the viewer to look across the rooftops toward a calm, pale horizon. A small domed structure rises subtly among the buildings, adding a sense of place and quiet architectural character.

    Rendered in a modernist style, the painting embraces simplified forms and flattened perspective. The houses are reduced to bold geometric shapes, outlined with confident, dark lines that lend structure and clarity to the composition. There is a deliberate absence of fine detail, allowing the interplay of shape and colour to take centre stage.

    The colour palette is warm yet restrained: soft creams and sandy tones form the buildings, while pops of terracotta and burnt orange on the rooftops introduce gentle contrast. These are balanced by deep, expressive greens in the foreground foliage, painted in loose, gestural strokes that bring movement and texture to the lower edge of the scene. The sky is rendered in a calm, neutral wash, enhancing the overall sense of stillness and light.

    Brushwork varies across the surface: the architecture is treated with flatter, more controlled applications of paint, while the greenery is handled with thicker, more fluid strokes, creating a pleasing tension between order and spontaneity.

    This oil on board is presented in a characterful wooden frame which features a rustic wood finish with visible grain and a stepped gilt inner border. The painting is in excellent vintage condition. There is some paint loss to the gilded section of the frame, consistent with age, however this does not detract from its overall appearance or charm.

    Size: 63 x 71 cm (including frame)

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  • Agnes

    Agnes

    £625

    Available

    Free shipping to UK, Europe and Singapore.

    A thoughtful mid-century figurative portrait that captures a female figure in a moment of inward reflection,  executed in oil onto canvas.

    Positioned slightly off-centre, she gazes softly away from the viewer, her expression calm yet contemplative. There is a sense of emotional distance – she feels present, but absorbed in her own interior world. The simplicity of her attire and the absence of narrative detail draw attention to her face and psychological presence, making the portrait feel intimate and introspective rather than formal.

    Executed in a loose, painterly mid-century style, the work leans toward modernist portraiture with subtle expressionist undertones. The artist prioritises mood and character over strict realism, allowing forms to soften and dissolve at the edges. There’s a gentle flattening of space, with the background treated as an atmospheric field rather than a defined setting, enhancing the subject’s quiet isolation.

    A muted, harmonious palette dominates the composition – soft sage greens, warm beiges, and gentle creams create a subdued backdrop. The skin tones are delicately layered with hints of pink and grey, lending the face a lived-in softness. A subtle red accent along the neckline introduces a quiet point of contrast, drawing the eye without disrupting the overall calm.

    The brushwork is loose and expressive, with visible, layered strokes that give the surface a tactile quality. The face is built up with short, blended strokes, creating a soft modelling of light and form, while the background is more gestural, with broader, sweeping applications of paint. This contrast between controlled and freer brushwork adds depth and reinforces the emotional tone – grounded yet quietly unsettled.

    This oil on canvas is housed a complementary silver frame. The painting has some small areas of surface paint loss as shown in the photos. The frame has some minor losses and scuffs but is very stable overall. 

    Size: 57.5 x 49 cm (including frame)

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  • Tidal Forms: A Study in Motion

    Tidal Forms: A Study in Motion

    £580

    Available

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    A small yet captivating mid-century abstract triptych that evokes the quiet power and rhythm of water in motion, executed in oil onto canvas.

    Across the three panels, fluid, sculptural forms emerge and dissolve – suggesting cresting waves, shifting currents, or even fleeting natural phenomena captured mid-transformation. Each composition feels both connected and self-contained, inviting the viewer to move from one moment of motion to the next.

    Rendered in a restrained, atmospheric palette of soft greys, silvery whites, and muted blue undertones, the works exude a sense of calm and introspection. Subtle tonal gradations in the background create depth and horizon-like expanses, while the central forms introduce tension and movement.

    The artist’s use of thick, impasto brushwork is particularly compelling – paint is applied with a tactile, almost sculptural quality, creating ridges and folds that catch the light. These gestural strokes give the impression of energy frozen in time, with each mark feeling deliberate yet instinctive. The contrast between the smooth, blended grounds and the dynamic, textural forms enhances the sense of movement across the series.

    Together, the three paintings form a cohesive visual narrative – an exploration of flow, balance, and the ephemeral beauty of natural forces – making this a captivating and contemplative set that rewards close viewing.

    These 3 oils are each housed in a  complementary silver painted wood frame. The paintings are in excellent vintage condition, and the frames have some light scuffing present. 

    Size: 21 x 22 cm each (including frame)

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  • Gentle Elephant

    Gentle Elephant

    £420

    Available

    Free shipping to UK, Europe and Singapore.

    A charming contemporary naïve style painting, executed in oil onto panel by British artist Matt Rix.

    The composition presents a solitary elephant in profile, standing quietly within a softly rolling landscape. Set against a pale, muted sky, the figure rests upon gentle green hills, evoking a calm and grounded presence.

    Rendered in a contemporary naïve style, the work embraces flat perspective and bold simplification. The elephant is defined by clean outlines and slightly softened proportions, with depth suggested through simple bands of colour, enhancing its graphic clarity and appeal.

    The palette is subtle and harmonious. Cool grey tones of the elephant’s body are set against soft green hues of the hills, creating a gentle contrast. A small accent of soft pink at the mouth adds a quiet point of warmth.

    Brushwork is smooth and controlled, with flat, even application that emphasises form over texture. The overall finish is clean and deliberate, capturing the quiet charm of the naïve aesthetic with a serene, contemplative presence.

    This oil on board is housed in a black painted ridged wooden frame. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 41 x 47.5 cm (including frame)

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  • Golden Leopard

    Golden Leopard

    £420

    Available

    Free shipping to UK, Europe and Singapore.

    A charming contemporary naïve style painting, executed in oil onto panel by British artist Matt Rix.

    The composition presents a leopard in profile, moving gently across a simplified landscape. Set against a muted grey sky with faint, stylised clouds, the figure strides along a deep green ground, evoking a calm and contemplative mood.

    Rendered in a contemporary naïve style, the work embraces flat perspective and bold simplification. The leopard is defined by clean outlines and slightly exaggerated proportions, while depth is suggested through simple bands of colour, enhancing its graphic clarity and appeal.

    The palette is warm and harmonious. Golden yellows and soft creams of the leopard’s coat are punctuated by rhythmic black spots, set against the cool grey background and deep green foreground for gentle contrast.

    Brushwork is smooth and controlled, with flat, even application that emphasises shape and pattern. The overall finish is clean and deliberate, embodying the charm of the naïve aesthetic with a confident contemporary edge.

    This oil on board is presented in a dark wooden frame with an inner gilt window. Both the painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 38 x 48 cm (including frame)

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  • Majestic Lion

    Majestic Lion

    £420

    Available

    Free shipping to UK, Europe and Singapore.

    A charming contemporary naïve style painting, executed in oil onto panel by British artist Matt Rix.

    The composition presents a lion in profile, standing calmly across a simplified landscape. Set against a soft grey sky with faint, stylised clouds, the figure rests upon a deep green ground, evoking a sense of stillness and quiet authority.

    Rendered in a contemporary naïve style, the work embraces flat perspective and bold simplification. The lion is defined by clean outlines and gently exaggerated proportions, with depth suggested through simple bands of colour, enhancing its graphic clarity and appeal.

    The palette is warm and restrained. Soft sandy tones of the lion’s body are complemented by a rich, dark mane, set against the cool grey background and deep green foreground for balanced contrast.

    Brushwork is smooth and controlled, with flat, even application that emphasises form over texture. The overall finish is clean and deliberate, capturing the charm of the naïve aesthetic with a calm, confident presence.

    This oil on board is housed in an ornate brown painted wooden frame with an inner gilt window. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 45 x 55 cm (including frame)

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  • Between Presences

    Between Presences

    £425

    Available

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    An evocative 20th century figurative painting that captures three loosely rendered figures in what appears to be a quiet interior passageway, executed in oil onto canvas and dated 1979.

    The central figure, seen from behind in a dark, almost silhouetted form, anchors the composition, while two lighter, more ethereal figures flank either side – one turned slightly inward, the other facing outward with a casual stance. The scene feels suspended in a moment of subtle interaction, where the narrative is implied rather than defined.

    Executed in a restrained, painterly style, the work leans toward abstraction while maintaining a strong figurative presence. The artist has used soft, diffused edges and minimal detailing, allowing the figures to emerge gently from the pale ground. There is a sense of spatial ambiguity, with faint architectural lines suggesting depth without fully committing to perspective – enhancing the introspective, almost dreamlike quality of the piece.

    The colour palette is understated and harmonious, dominated by cool greys, soft blues, and muted whites, with occasional warmer undertones in the faces and background. The central figure’s darker tones create a striking contrast, drawing the eye and grounding the composition.

    Brushstrokes are loose and expressive, with visible layering that give the surface a tactile quality. Areas of thinly applied paint sit alongside more gestural passages, contributing to the work’s atmospheric softness and quiet emotional resonance.

    This oil on canvas is housed a complementary slim wood frame. Both the painting and frame are in excellent vintage condition. 

    Size: 57.5 x 48 cm (including frame)

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  • Elephant

    Elephant

    £465

    Available

    Free shipping to UK, Europe and Singapore.

    A striking 20th-century elephant in bronze, distilled down to its most essential shape and volume.

    The bronze has a rich, dark patina with subtle variations of warm browns, deeper oxidised tones, and faint highlights where light catches the curved surfaces. The finish is softly polished but retains slight irregularities, giving it a tactile, hand-worked presence.

    Despite its compact size, the sculpture feels monumental. Its low centre of gravity and broad stance anchor it firmly. The contrast between solid mass and open voids creates a dynamic balance: heavy yet airy, grounded yet fluid.

    The sculpture is in good vintage condition, with some light marks commensurate with its age. Please note that it is rather heavy.

    Height: 32 cm
    Width: 31 cm
    Depth: 8 cm

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  • Morning Light with Tulips

    Morning Light with Tulips

    £445

    Available

    Free shipping to UK, Europe and Singapore.

    A gentle and delicate mid-century interior still life composition that unfolds around an open window, where soft daylight filters through sheer curtains and gently illuminates a vase of freshly cut tulips, executed in oil onto canvas.

    The scene captures a quiet, intimate domestic moment while the blurred greenery beyond the window hints at a tranquil garden just outside. The composition balances stillness and life, with the flowers acting as the focal point against the airy, light-filled backdrop.

    Executed in a mid-century modern painterly style, the work leans toward a soft impressionistic approach. Forms are gently simplified rather than sharply defined, allowing atmosphere and mood to take precedence over precision. There is a delicate interplay between interior and exterior space, achieved through loose rendering and subtle layering.

    The palette is light, fresh, and calming – dominated by soft whites, pale greens, and muted blush pinks. Hints of cool blue-grey in the window frames and shadows add depth, while the tulips introduce gentle warmth without overpowering the composition. The overall tonality is airy and luminous, evoking early morning light.

    Brushwork is soft and fluid, with light, feathery strokes that create a sense of translucency, particularly in the curtains and glass. The flowers are rendered with slightly more definition, using loose yet confident strokes to suggest form without rigidity. The background remains intentionally diffuse, with blended strokes that enhance the painting’s dreamy, atmospheric quality.

    This oil on canvas is housed in a complementary slim silver frame.  There are tiny areas of craquelure present on the petals, consistent with age. However, the paint layer is stable and this does not detract from the overall delicacy and charm of the composition and the painting is otherwise in good vintage condition. 

    Size: 49 x 58 cm (including frame)

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  • White Roses

    White Roses

    £510

    Available

    Free shipping to UK, Europe and Singapore.

    A vibrant mid-century modernist still life oil painting by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

    The composition captures a loose arrangement of white roses placed across a richly coloured tabletop and echoed in a tall cobalt-blue jug. The layered planes of colour – suggesting a tablecloth, interior wall, and surface – form a structured yet playful setting. The roses feel freshly placed, lending the scene an air of immediacy and intimacy.

    The painting is executed in a bold modernist style, characterised by flattened perspective and simplified, almost abstracted forms. Rather than striving for realism, the artist emphasises composition and colour relationships. A vivid palette dominates: saturated reds and oranges energise the foreground, contrasted with deep greens, cool blues, and teal tones. The white roses, tinged with warm yellows, act as luminous focal points, softening the intensity of the surrounding colours.

    Brushwork is confident and expressive. The roses are rendered with dynamic and painterly strokes, giving their petals a tactile quality. In contrast, the surrounding surfaces are built up with broader, flatter applications of paint, creating a balance between texture and structure. Edges remain intentionally loose, reinforcing the painting’s spontaneous, lively character.

    This oil on canvas is housed complementary slim wood frame. The painting is in excellent vintage condition, and the frame has some scuffs present. 

    Size: 49 x 63 cm (including frame)

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  • A Moment Between Thoughts

    A Moment Between Thoughts

    £695

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    Free shipping to UK, Europe and Singapore.

    A brilliantly executed mid-century abstract figurative painting that presents a seated female form, distilled into a series of softly interlocking shapes, painted in oil onto canvas and dated 1955.

    The figure is poised yet introspective, her posture relaxed with one arm resting gently and the other drawn inward, suggesting a moment of stillness rather than performance. There is an intimacy to the composition: the subject feels both present and slightly withdrawn, as though caught between thought and repose.

    Executed in a modernist, semi-abstract style, the artist reduces anatomical detail in favour of structure and tonal harmony. The figure is constructed through broad, simplified planes rather than defined lines, allowing the body to emerge through subtle shifts in colour and form. This approach reflects a quiet confidence: less concerned with realism, and more with capturing essence and mood.

    The palette is beautifully muted and earthy, composed of soft greys, warm taupes, olive greens, and dusty blush tones. These colours blend seamlessly into one another, creating a gentle rhythm across the canvas. Occasional deeper accents – charcoal and moss – anchor the composition, giving it depth without disrupting its calm atmosphere.

    Brushwork is expressive yet controlled. The paint is applied in confident, painterly strokes, with visible edges that create a patchwork of colour fields. There is a softness to the transitions, but also a deliberate rawness where forms meet, giving the work a tactile, almost sculptural quality. The overall effect is one of sophistication: a contemplative study of form, light, and presence.

    This oil on canvas is housed in a complementary warm wood frame with visible natural grain. Both the painting and frame are in excellent vintage condition.

    Size: 50 x 39 cm (including frame)

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  • Quiet Fields

    Quiet Fields

    £535

    Available

    Free shipping to UK, Europe and Singapore.

    A calm mid-century composition that presents a serene, pared-back landscape where open fields stretch toward a low horizon line punctuated by a small cluster of distant farm buildings, executed in oil onto board and dated 1959.

    A solitary structure – possibly a barn or haystack – anchors the composition, subtly drawing the eye while preserving the painting’s overall sense of stillness and space. The foreground is rendered in darker, earthy tones, gradually giving way to lighter, muted fields that lead into an expansive, softly washed sky.

    Stylistically, the work leans toward minimalism and tonal abstraction, characteristic of mid-century landscape painting. The artist has simplified forms and reduces detail, allowing atmosphere and composition to take precedence over realism. There is a quiet balance between geometry and softness – the fields are divided into gentle planes, yet edges remain blurred and understated.

    The colour palette is restrained and harmonious, dominated by cool, pale blues in the sky and warm, sandy beiges and greys across the land. Subtle transitions between tones create depth without sharp contrast, evoking a calm, almost contemplative mood.

    Brushstrokes are loose and have been applied with a light, confident touch. The paint is thinly layered in areas, allowing underlying tones to breathe through, while slightly thicker applications in the foreground add weight and texture. The overall handling feels intuitive and unforced, enhancing the painting’s quiet, meditative quality.

    This oil on board is housed a beautiful wood frame with a layered profile and an inner white border. The painting is in excellent vintage condition, and the frame has some minor marks. 

    Size: 61.5 x 71.5 cm (including frame)

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  • Autumn Reflections

    Autumn Reflections

    £575

    Available

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    An expressive mid-century landscape that captures a tranquil lakeside scene at the height of autumn, executed in oil onto canvas.

    Slender birch trees rise in the foreground, their pale trunks acting as a vertical counterpoint to the soft, undulating forms of cottages and foliage beyond. Across the still water, a cluster of rustic buildings with pitched roofs nestle into a hillside, partially obscured by sweeping, golden canopies of trees. The lake mirrors the scene with gentle distortion, drawing the eye into a quiet, reflective atmosphere.

    Executed in a loose, expressive style, the painting embraces painterly abstraction while retaining a strong sense of place. The artist has used confident, gestural brushstrokes – often thick and directional – to suggest form rather than define it precisely. Areas of impasto add texture, particularly in the foliage and along the water’s edge, giving the surface a tactile, almost sculptural quality.

    The colour palette is warm and harmonious, dominated by yellows, muted greens, and earthy browns, contrasted with cooler greys and soft blues in the water and sky. Subtle accents of red and deeper green punctuate the composition, adding depth and rhythm. The interplay of colour and reflection enhances the sense of calm, while the energetic handling of paint keeps the scene lively and immediate.

    Overall, the work beautifully balances structure and spontaneity – an intimate, atmospheric snapshot of nature interpreted through a distinctly mid-century modern lens.

    This oil on canvas is housed a characterful wood frame with an inner linen border. Both the painting and frame are in excellent vintage condition. 

    Size: 52 x 60 cm (including frame)

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