• Blue Tiger

    Blue Tiger

    £540

    Available

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    A bold and dynamic contemporary geometric abstract painting, executed in acrylic onto canvas and dated 2023.

    Visually striking in its composition, the painting boldly explores the interplay of geometric shapes and the allure of rich and saturated colours.

    The canvas comes alive as it presents an interplay of different shapes and sizes. Each shape has been meticulously rendered and thoughtfully coloured so that they harmonise well together to create a delicate balance between order and chaos.

    This acrylic on canvas comes unframed, and is in excellent condition.

    Size: 50 x 40 cm (including frame)

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  • Blue Vase & Pears

    Blue Vase & Pears

    £995

    Available

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    A charming and characterful still life composition executed in tempera on board and dated 1977, by the established Swedish artist Eric Cederberg (1897-1984), whose artworks have been represented in several public and museum collections across Sweden.

    Small yet very effective in its composition, this still life presents a carefully arranged tabletop composition of everyday objects. A dark earthenware jug, a pale turquoise vase filled with delicate lily of the valley, and three ripe pears are set against a rich crimson tablecloth and a deep, shadowed background. The artist transforms these humble domestic objects into a balanced and quietly contemplative composition, celebrating the beauty found in simplicity.

    Painted in a distinctly mid-century modern style, the work embraces flattened perspective and bold, simplified forms rather than strict realism. Each object is reduced to its essential silhouette, creating a harmonious interplay of shape, colour, and negative space.

    The palette is warm and restrained, combining deep burgundy reds, earthy browns, olive and sage greens, and soft pear yellows with the striking contrast of the cool turquoise vase. The crisp white blossoms of the lily of the valley provide a fresh focal point, while the dark background enhances the luminous quality of the objects and intensifies the richness of the colours.

    Brushstrokes are smooth and deliberate, with paint applied in opaque, even layers that create broad areas of flat colour. Subtle tonal variations gently model the forms without sacrificing the painting’s graphic simplicity, while clean outlines and confident edges reinforce its decorative, modernist character.

    This tempera on board is presented in a complementary wood frame with an inner linen lining. Both the painting and frame are is in excellent vintage condition. Please note that is some glare present in the photographs.

    Size: 37.5 x 42.5 cm (including frame)

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  • Boats at Rest

    Boats at Rest

    £485

    Available

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    A striking mid-century modernist painting that captures the quiet charm of a coastal scene, executed in oil onto board.

    Two boldly coloured boats – one in deep navy blue, the other in brick red – rest upon warm ochre sands, their strong silhouettes set against whitewashed houses with terracotta roofs. Behind them, rolling green hills meet a vivid band of cobalt sky, while the turquoise edge of the sea curves into view at the foreground.

    Executed with a modernist sensibility, the scene is reduced to simplified geometric forms and flat planes of rich colour, outlined in confident black strokes. The palette balances earthy warmth with refreshing coastal blues and greens, evoking both the heat of the sun and the coolness of the sea breeze. The smooth, uniform brushwork enhances the crisp, graphic quality of the composition, lending it a timeless feel.

    This oil on board is presented in a wooden frame with a linen inner border that beautifully complements the painting’s bold lines and coastal palette. Both the artwork and frame display some water marks and age-related spots, consistent with their vintage character. The frame also bears some scuffs and some scratches, most notably along the top right edge.

    Size: 47.5 x 72.5 cm (including frame)

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  • Forms in Motion

    Forms in Motion

    £825

    Available

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    A striking mid-century modernist abstract oil composition dated 1965, and painted by the established Swedish artist Ture Fabiansson (1910-1994), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, The Museum of Art in Gothenburg, Jönköping Museum, Borås Art Museum, and many others.

    This painting explores the interplay of organic form, colour and movement. Large, loosely defined shapes gather and overlap across the canvas, creating a lively visual rhythm that feels simultaneously spontaneous and carefully balanced. The forms remain deliberately ambiguous, inviting associations with leaves, petals or fragments of the natural world without resolving into a recognisable subject.

    The palette is particularly distinctive, bringing together powdery blue, fresh lime green, warm brown, burnt orange and earthy brick red, punctuated by bold areas of charcoal black. Sections of creamy white provide moments of openness between the denser passages of colour, while the contrasting warm and cool tones give the composition its wonderful energy.

    Stylistically, the painting has a distinctly mid-century modernist sensibility, with an emphasis on simplified organic forms and expressive colour rather than representation. There is an almost collage-like quality to the arrangement, as individual shapes appear layered, interlocked and suspended across the surface.

    The brushwork is loose, visible and wonderfully tactile. Short, overlapping strokes remain evident within the larger blocks of colour, creating subtle variations in tone and texture. Rather than striving for perfectly polished edges, the artist allows the hand-painted quality of the work to remain visible, lending the composition an appealing immediacy and warmth.

    This oil on canvas is presented in a complementary slim gilt frame. Both the painting and frame are in excellent vintage condition.

    Size: 50.5 x 78.5 cm (including frame)

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  • Geometric Neighbourhood

    Geometric Neighbourhood

    £565

    Available

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    A playful and brilliantly executed mid-century composition of a neighbourhood, painted in oil onto canvas and dated 1959.

    Containing elements of geometric abstraction, the scene is defined by tall houses that have been skilfully reduced to geometric blocks in contrasting colours, with a splash of fun patterned dots.

    Rich earthy tones dominate the palette – deep turquoise and emerald greens are punctuated by lighter greens, with hints of black, brown, and white and yellow demonstrating depth to the painting. The artist’s use of these colours creates a fun and vibrant atmosphere.

    Despite the simplified forms, the neighbourhood’s lively energy is palpable, inviting viewers to explore the interplay between the shapes, colours, and expressive brushwork.

    This oil on canvas is housed in a well-suited linen lined frame with an inner gilt window.  The painting is in excellent vintage condition, and the frame has a very minor scuffs. 

    Size: 40 x 72.5 cm (including frame)

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  • House Above the Fields

    House Above the Fields

    £655

    Available

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    A soothing mid-century abstract landscape that reduces a landscape environment to a harmonious arrangement of shape, colour and atmosphere, exeucted in oil onto canvas.

    At the centre, the suggestion of a solitary house emerges from the landscape, its pitched roof and shadowed facade loosely defined against an expansive, pale sky. Surrounding fields and distant terrain are distilled into broad, overlapping planes, giving the composition the quality of a landscape recalled from memory rather than directly observed.

    The work has a distinctly modernist sensibility, balancing abstraction with just enough recognisable detail to anchor the scene. Architectural and natural forms are simplified into irregular geometric blocks, while softened edges allow one area to dissolve gently into the next. The unusually generous area of open sky brings a wonderful sense of stillness and space to the composition.

    The palette is beautifully restrained, built around powder blue, misty grey, olive and moss green, charcoal and earthy brown. Against these muted tones, passages of dusty blush pink, turquoise and vivid cornflower blue provide unexpected flashes of colour, while a small accent of orange-red at the far right adds a particularly lively counterpoint.

    Brushwork shifts between thin, softly blended passages and more substantial, textured applications of paint. The house is especially expressive, constructed through scumbled layers of brown, cream, grey and browns that allow underlying colours to remain visible. Elsewhere, broad horizontal strokes establish the landscape, while areas of dry, dragged pigment and visible bristle marks lend the surface a tactile, painterly quality. The result is a quietly atmospheric work in which landscape, architecture and abstraction sit beautifully in balance.

    This oil on canvas is presented in a complementary white painted wood floater frame. The painting is in excellent vintage condition, and the frame has minor marks. 

    Size: 53 x 53 cm (including frame)

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  • Lilies in a Vase

    Lilies in a Vase

    £455

    Available

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    A charming mid-century still life depicting a loosely arranged bouquet of lilies and iris-like blooms gathered in a simple peach-toned vase, executed in oil onto board.

    Set against a cool, softly worked blue-grey ground, the flowers rise elegantly from the vessel, their elongated green leaves creating a graceful sense of movement through the composition. A band of muted lilac beneath the vase provides a subtle grounding contrast and lends the work an unexpectedly modern touch.

    Painted in a distinctly mid-century modernist style, the artist favours simplification and expression over botanical precision. The flowers are reduced to broad, angular shapes, while the vase and surrounding space are rendered with minimal modelling. The restrained composition and flattened perspective give the painting a quiet, almost contemplative quality.

    The palette is particularly appealing, combining powdery blue-grey, soft white, cornflower and violet blue, sage and emerald green, dusty lilac, and warm peach and ochre. The cool background allows the white flowers to appear luminous, while the peach vase introduces warmth at the centre of the composition. Small touches of blue and lavender within the white petals beautifully tie the flowers into the surrounding palette.

    Brushwork remains visible throughout, with loose, confident strokes giving the flowers and foliage their character. The petals are built from broad, layered applications of pale paint, creating gentle texture and highlights, while longer, more directional strokes describe the leaves and stems. The background is handled more softly, retaining subtle vertical and horizontal brush marks that give the otherwise quiet field a pleasing painterly depth.

    This oil on board is presented in  a complementary gilt wooden frame, with stepped moulding and a narrow cream inner slip. Both the painting and frame are in excellent vintage condition.

    Size: 50 x 40 cm (including frame)

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  • Masquerade

    Masquerade

    £1,100

    Available

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    A lively and captivating mid-century geometric abstract composition, executed in oil onto board by the established Swedish artist Edvard Andersson (1891-1967), who’s artworks have been represented in several prominent institutions across Malmö, Stockholm, Copenhagen, and also at Helsingborgs Museum.

    The painting is filled with an array of geometric shapes painted in rich bold tones of brown, black, yellow, blue, and turquoise. These shapes collide and overlap, creating a rhythmic interplay across the surface.

    Amidst the abstract nature of the painting, a subtle mask-like form, a building block, as well as silhouettes of figures emerge, adding a touch of mystery to the composition.

    This oil on board is housed in a complementary slim wood frame. Both the painting and frame are in excellent vintage condition.

    Size: 59 x 53.5 cm (including frame)

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  • Morning Light

    Morning Light

    £595

    Available

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    A beautifully restrained mid-century interior painting that captures a simple wooden table positioned before a softly illuminated window, where a modest bouquet of freshly gathered flowers introduces the composition’s only vivid burst of colour, executed in oil onto board and dated 1958.

    Rather than focusing on intricate detail, the artist distils the scene into an elegant study of light, atmosphere and quiet domesticity, allowing the interplay between interior and exterior to become the true subject.

    Executed in a refined modernist style, the composition demonstrates a thoughtful balance between representation and abstraction. Clean architectural forms, flattened planes and subtle tonal relationships create a calm, contemplative rhythm, while the generous areas of negative space lend the work an understated sophistication. The window serves as both a compositional anchor and a source of gentle luminosity, drawing the eye through the room and towards the softened suggestion of greenery beyond.

    The palette is wonderfully muted, comprising warm greys, soft taupes, sage greens and gentle blue-greys, complemented by rich walnut browns within the table and window frame. Against these subdued tones, the bouquet introduces touches of crimson, ochre, deep violet and fresh green, providing a restrained yet captivating focal point.

    Confident, deliberate brushstrokes define the painting throughout. Broad, vertical strokes animate the walls with subtle movement, while thicker, more sculptural applications of paint give weight to the table and flowers. The window and surrounding architecture are rendered with economical precision, allowing the texture of the oil paint to remain visible and enhancing the painting’s quiet, tactile presence. The result is an intimate and timeless interior that celebrates the beauty found in everyday moments.

    This oil on board is presented in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs. 

    Size: 44 x 36 cm (including frame)

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  • Sun Over the Hills

    Sun Over the Hills

    £425

    Available

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    A vibrant mid-century modern landscape depicting a village nestled between two towering mountains beneath a luminous midday sun, executed in oil onto board and dated 1949.

    The composition simplifies the natural world into bold, interlocking forms, balancing geometric architecture with broad, sculptural hills to create a scene that feels both recognisable and dreamlike.

    Painted in an expressive modernist style, the work embraces flat planes of colour and stylised shapes rather than naturalistic detail. The village is rendered as a lively mosaic of simplified buildings, while the surrounding mountains are distilled into sweeping, abstracted masses that frame the composition with dramatic presence.

    The palette is rich and energetic, combining turquoise skies, glowing chartreuse, earthy olive greens, burnt oranges and deep crimson accents. Strong contrasts between cool and warm tones create a striking sense of sunlight and atmosphere, while dark passages anchor the composition and add visual depth.

    Confident, painterly brushstrokes alternate with textured marks that enliven the mountain slopes and architectural forms. Areas of smooth blended colour sit alongside more gestural passages, allowing the surface to retain a sense of movement and spontaneity. The result is a bold, joyful composition that captures the warmth and vitality of the landscape through colour, rhythm and expressive design.

    This oil on board is presented in a wood frame with a warm gilt outer edge, silver-toned inner moulding and deep green liner, complementing the painting’s vibrant palette. The painting is in excellent vintage condition overall, and the frame has minor scuffs.  

    Size: 43 x 34 cm (including frame)

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  • Sunlit Cart

    Sunlit Cart

    £510

    Available

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    A lively mid-century modernist style landscape oil painting, by Swedish artist Eric Elfvén (1921–2008), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, Jönköping Museum, Borås Art Museum, and the Victoria and Albert Museum in London.

    At the heart of the composition lies a wooden cart with large wheels casting cool blue shadows across a warm orange path. Behind it, simplified forms of houses – painted in muted orange, coral red, and powder blue – sit neatly among rounded green trees and trimmed hedgerows.

    The artist has used a flattened perspective and geometric abstraction, reducing the scene to bold shapes and colour fields. The palette is both playful and restrained;  the shadows and structures are stylised, offering just enough detail to ground the viewer in a familiar rural setting, while leaving space for interpretation.

    This oil on board is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has light scuffing.

    Size: 37.5 x 44.5 cm (including frame)

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  • Sunlit Forms

    Sunlit Forms

    £585

    Available

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    A richly textured and uplifting abstract painting, executed in oil onto canvas and dated 1970.

    The painting unfolds as a rhythmic interplay of geometric and organic forms, arranged in a loosely interlocking composition that suggests shifting landscapes or architectural fragments without ever settling into literal depiction. The artist has layered broad, rounded shapes against more angular blocks, creating a dynamic sense of balance and movement that keeps the eye travelling across the canvas.

    Executed in a distinctly modernist style, the work embraces bold simplification, flat planes, and an intuitive arrangement of colour. The palette is warm and radiant: mustard yellow, ochre, amber, and soft olive green mingle with muted grey and off-white, giving the painting both energy and groundedness. These colours sit side by side in harmonious tension, guided by a thoughtful arrangement of stripes and subtle tonal shifts.

    The brushwork is expressive and tactile, with visible texture and confident strokes that bring a sculptural quality to the paint surface. Areas of impasto catch the light softly, revealing the artist’s hand and the physicality of the medium.

    This oil on canvas is presented in a complementary gold painted wood frame. There is some craquelure as shown in the close up photos, and the canvas is slight uneven. Overall, the painting is in stable condition, and these characteristics do not impact the visual appeal of the work.

    Size: 48.5 x 40.5 cm (including frame)

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  • Sunlit Tree

    Sunlit Tree

    £490

    Available

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    A striking and surreal mid century modernist landscape that blends abstraction and symbolism, painted in oil onto canvas.

     

    The focal point is a tree with a twisted, expressive form that resembles a almost resembles a human hand reaching upwards. Delicate, swirling lines extend from the trunk, evoking movement and energy. The tree stands alone on rolling hills, adding to the sense of isolation and resilience.

    The dark blue-green tree contrasts sharply against the bright backdrop, making it a dramatic focal point. The sunlight is depicted as geometric rays, creating a stylized effect reminiscent of cubism or modernist abstraction. The gradation of warm colors suggests a sunset or sunrise, symbolizing hope, transformation, or renewal. The contrast between warm and cool tones enhances the dreamlike atmosphere.

    This painting conveys a sense of resilience, transformation, and interconnectedness between humanity and nature. The hand-like tree reaching toward the radiant sun could symbolize growth, struggle, or enlightenment, while the contrasting colors create a dramatic and emotional effect. The blend of surrealism and abstraction makes this piece visually striking and deeply symbolic.

    This oil on canvas is housed in a very well made wood frame with an inner linen border. The painting is in excellent vintage condition. The frame has some very minor scuffing.

    Size: 38 x 53 cm (including frame)

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  • Teapot and Fruits

    Teapot and Fruits

    £550

    Available

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    A charming mid-century still life painting that celebrates the beauty of everyday objects through colour and form, painted in oil onto board.

    An elegant white teapot punctuates the center of the composition, accompanied by a basket of bananas, two mangoes, and some green pears resting on a wooden surface. The objects are placed against an abstract backdrop comprising varying shades of green.

    The artist has used an uplifting and vibrant colour palette. The brushstrokes are deliberately smooth and the lines are clean, creating flat planes of colour that emphasise shape and balance over intricate detail.

    This oil on board is housed in a complementary wood frame with an inner linen border. The painting is in excellent vintage condition. The frame has some scuffs and losses to its right edge but this is only visible when viewed from an angle. It is in good condition otherwise.

    Size: 39 x 49 cm (including frame)

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  • The Distant Green

    The Distant Green

    £570

    Available

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    A beautifully restrained mid-century abstract landscape, depicting a broad, open countryside reduced to its most essential forms, executed in oil onto canvas and dated 1960.

    A distant and low ribbon of fields stretches horizontally across the composition, punctuated by slender trees and softly defined clusters of foliage. Above and below, expansive areas of pale colour create a wonderful sense of space and stillness, giving the distant landscape an almost meditative presence.

    The artist takes a distinctly modernist approach to the landscape, favouring simplification and abstraction over descriptive detail. The countryside is constructed through elongated bands and flattened shapes, with trees and hedgerows appearing as loose vertical and horizontal marks. The unusually low, narrow horizon emphasises the breadth of the surrounding space and lends the painting a strikingly minimalist quality.

    The palette is wonderfully understated, dominated by warm ivory, soft cream and muted yellow, contrasted against a concentrated band of sage, olive, forest green and blue-green. Subtle shifts between these greens suggest fields, distant trees and changing vegetation without defining them too precisely. The warmth of the surrounding pale ground gives the cooler greens a particularly fresh luminosity.

    Brushwork is loose and expressive. Broad horizontal sweeps establish the fields and horizon, while short, upright strokes indicate trees and distant structures. Areas of dry, broken pigment allow the lighter ground to show through, introducing texture and movement to the otherwise serene composition. The sparseness of the marks feels deliberate: with remarkably little detail, the artist captures the atmosphere and rhythm of a vast rural landscape.

    This oil on canvas is presented in  a complementary slim gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs.

    Size: 33.5 x 67.5 cm (including frame)

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  • The Hills Beyond

    The Hills Beyond

    £445

    Available

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    An expressive and wonderfully textured modernist landscape depicting a dense woodland and rolling hills, executed in oil onto canvas and dated 1971.

    A small red-roofed structure sits quietly at the centre of the composition, almost enveloped by the surrounding trees. Beyond, the landscape rises into broad undulating hills, with a distant blue peak emerging beneath an expansive, pale sky.

    The work has a distinctly modernist, expressionistic character, favouring simplified forms, heightened colour and energetic mark-making over naturalistic detail. The landscape is constructed in loose horizontal bands – foreground, woodland, hills and sky – while the upright forms of the trees create a lively vertical rhythm through the centre of the painting.

    The palette is particularly vibrant, dominated by olive, forest and lime greens, punctuated by flashes of golden yellow, ochre, apricot and burnt orange across the trees. Deep blue-green and near-black passages give weight to the woodland, while the distant mountain is picked out in striking cobalt and ultramarine blue. Soft blue, cream and pale yellow sweep across the sky, balancing the richer earth tones below. The small building, rendered in warm red and brown, provides a subtle focal point amid the vegetation.

    Paint has been applied with bold, vigorous and highly visible brushstrokes, with areas of thick impasto giving the surface a wonderfully tactile quality. Short, upright strokes articulate the trees, while broader, sweeping marks describe the contours of the hills and sky. In the foreground, long horizontal strokes of ochre and cream draw the eye into the scene. Throughout, glimpses of the underlying canvas remain visible between strokes, adding to the painting’s spontaneous, expressive character.

    This oil on canvas is presented in a complementary natural wood frame. The painting is in excellent vintage condition, and the frame has some scuffs.

    Size: 43.5 x 64 cm (including frame)

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  • Waiting by the Window

    Waiting by the Window

    £850

    Available

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    An intriguing and enigmatic semi-abstract oil, painted onto canvas and dated 1948.

    A solitary woman sits in profile beside what appears to be a window, her form pared back into simple blocks of colour and loosely drawn lines. The artist gives us very little detail, yet somehow there is enough to suggest a whole moment.  Someone sitting, waiting, thinking or simply watching the world beyond the glass. Powder blue and pale green create a soft, almost dreamlike setting, while touches of mustard, pink and deep teal bring warmth and structure to the composition.

    The painting is wonderfully presented in a simple but effective wood frame. Both painting and frame are in excellent vintage condition.

    Size: 44.5 x 40.5 cm (including frame)

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  • Waves

    Waves

    £435

    Available

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    A rhythmic and richly textured mid-century abstract composition, executed in oil onto canvas.

    Embracing the principles of movement and rhythm, this abstract composition showcases a dynamic mix of yellow, green, and blue horizontal wavy planes of colour. They flow across the canvas, resembling undulating waves, suggesting movement and fluidity, and creating a soothing visual experience.

    The textured surface, achieved through the masterful implementation of the impasto technique, adds depth and tactility to the piece, inviting viewers to explore its intricacies.

    This oil on canvas is housed in a complementary slim frame. Both painting and frame are in excellent vintage condition.

    Size: 48.5 x 67.5 cm (including frame)

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  • Blue Echoes

    Blue Echoes

    £545

    Available

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    A striking mid-century abstract composition that explores the tension between mass, movement and negative space, painted in oil onto board by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

    Rather than depicting a recognisable subject, the painting invites interpretation through its bold architectural forms and layered textures. A sweeping black arc anchors the composition, while sculptural passages of white, vivid cobalt blue and warm browns appear to float across a tranquil slate-grey ground, suggesting the remnants of a constructed landscape or an imagined industrial horizon.

    Executed in a distinctly mid-century modernist style, the work balances geometric abstraction with expressive, tactile mark-making. The composition feels carefully considered yet spontaneous, combining the structural confidence of post-war abstraction with the physicality of gestural painting. Areas of exposed underpainting and irregular edges lend the work an authentic sense of process, revealing the artist’s intuitive approach to building the surface.

    The restrained palette of soft greys, charcoal black and creamy white is punctuated by electric cobalt blue and earthy browns, creating a compelling dialogue between cool and warm tones. These carefully placed accents energise the composition without overwhelming its quiet sophistication.

    The paint surface is richly textured, with thick impasto passages applied confidently using a palette knife or broad brush. Heavy ridges of paint, scraped-back layers and expressive drips create remarkable depth, while looping linear gestures on the right-hand side introduce a lively counterpoint to the otherwise solid forms. The resulting surface is highly tactile, celebrating the materiality of paint as much as colour and composition.

    This oil on board is presented in a silver frame. The painting itself is in very good vintage condition. There are scuffs to the frame and marks visible to the pale sections of the frame. There is a small area of wear to the top section of the frame.

    Size: 34.5 x 73 cm (including frame)

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  • Where the Palms Sway

    Where the Palms Sway

    £555

    Available

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    A charming mid-century modern townscape that captures the warmth and simplicity of a Mediterranean village through a wonderfully stylised composition, executed in oil onto canvas.

    Whitewashed buildings with terracotta roofs cluster together while a lone palm tree and broad-leafed plants frame the quiet street, evoking the relaxed atmosphere of a coastal settlement bathed in southern light.

    Executed in a distinctly modernist style, the artist reduces architecture and landscape into bold geometric forms and flattened planes of colour. Perspective is intentionally simplified, allowing the rhythmic arrangement of rooftops, walls and pathways to create a harmonious sense of balance rather than strict realism. The composition possesses a naïve elegance, where everyday architecture is transformed into an expressive study of shape, light and colour.

    The palette is both vibrant and restrained, pairing rich burnt orange roofs with soft creams, pale sage greens, muted blues and warm greys. A dramatic slate-blue sky provides striking contrast, enhancing the luminosity of the village while deep charcoal shadows add depth and definition. Bright green foliage introduces lively accents that guide the eye through the composition.

    Confident, deliberate brushstrokes reinforce the painting’s modern character. Areas of flat, opaque colour are punctuated by visible directional strokes that lend texture and movement without overwhelming the clean geometry of the scene.

    This oil on canvas is presented in a complementary wood frame with a warm honey finish and that features a stepped, multi-profile design. Both the painting and frame are in excellent vintage condition.

    Size: 35 x 43 cm (including frame)

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  • Gathered Apples

    Gathered Apples

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    A charming mid-century modernist abstract still life oil composition dated 1954, and painted by the established Swedish artist Ture Fabiansson (1910-1994), whose works have been exhibited in public collections including the Moderna Museet in Stockholm, The Museum of Art in Gothenburg, Jönköping Museum, Borås Art Museum, and many others.

    The painting depicts an abundant arrangement of rounded fruits or apples scattered loosely across a warm earthen ground. Rather than presenting the objects in a conventional tabletop arrangement, the artist allows them to overlap and drift across the composition, creating a wonderfully rhythmic pattern of organic forms. Their simplified shapes give the work an almost abstract quality while retaining the warmth and familiarity of a traditional still life.

    Painted in a distinctly mid-century modernist manner, the work favours simplification, shape and colour over precise naturalistic detail. The fruits are reduced to broad, softly defined forms, with their overlapping contours creating a playful sense of movement throughout the composition.

    The palette is beautifully muted and harmonious, dominated by soft sage, olive and celadon greens alongside warm apricot, ochre and buttery yellow. These gentle tones are set against a dusty terracotta and rose-brown ground, lending the painting an earthy, autumnal warmth. Occasional touches of grey, cream and deeper moss green provide subtle contrast and definition.

    The paint has been applied with loose brushwork, with visible strokes following the rounded contours of the fruit. Areas of colour are softly layered rather than heavily modelled, allowing the texture of the canvas to remain visible beneath the paint. Small flashes of lighter pigment along the edges act as highlights, while broader, slightly dry strokes give the surface a wonderfully tactile, time-worn character.

    This oil on canvas is presented in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

    Size: 57 x 42 cm (including frame)

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  • Landscape Remembered

    Landscape Remembered

    £510

    Available

    Free shipping to UK, Europe and Singapore.

    A striking mid-century modernist abstract composition, painted in oil onto board by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

    The composition distils the essence of a landscape into a harmonious arrangement of geometric forms and expressive gestures. Suggestive silhouettes of harbourside buildings and rolling headlands stretch across a broad horizon, while sweeping black marks evoke the movement of seabirds or drifting clouds overhead. Rather than depicting a specific place, the artist captures the memory and atmosphere of a landscape through abstraction.

    Rendered in a beautifully restrained palette of warm greys, taupe and charcoal, the composition is enlivened by carefully placed accents of cobalt blue, burnt sienna, ochre, soft sage and pale lemon. These vibrant passages punctuate the muted tones, lending the work a quiet sense of rhythm and vitality without disturbing its overall serenity.

    Confident, deliberate brushwork characterises the painting throughout. Crisp, flat planes of colour are balanced by spontaneous gestural strokes, textured impasto passages and exposed painterly marks that reveal the artist’s process. The interplay between controlled geometry and expressive abstraction creates a composition that feels both structured and lyrical.

    This oil on board is presented in an elegant linen-lined wood frame with an inner silver window. The painting is in excellent vintage condition, and the frame has some scuffs mainly at the inner section. 

    Size: 49.5 x 65 cm (including frame)

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  • Summer Path

    Summer Path

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    An expressive and lively mid-century modern landscape that depicts a winding country path leading through open fields toward a cluster of farm buildings beneath a cloud-filled sky, executed in oil onto canvas.

    Rather than focusing on fine detail, the artist reduces the scene to simplified forms and planes of colour, capturing the atmosphere and rhythm of the landscape setting.

    Executed in a modernist, semi-abstract style, the composition balances broad geometric shapes with a strong sense of space and light. The palette is soft and harmonious, featuring fresh greens, muted ochres, dusty pinks, pale blues, and gentle grey-lavender tones that evoke the changing light of a summer afternoon.

    The brushwork is loose, painterly, and confident, with sweeping strokes and flattened areas of colour defining the landscape. Visible energetic brush marks and layered passages lend the work a spontaneous quality, while the simplified treatment of trees, fields, and buildings reflects the expressive aesthetic characteristic of European mid-century modern painting.

    This oil on canvas is presented in a complementary wood frame. The painting is in good vintage condition overall – there are small areas of craquelure are present but these remain stable and do not detract from the overall presentation of the work. 

    Size: 34.5 x 42 cm (including frame)

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  • A Moment of Quiet

    A Moment of Quiet

    £575

    Available

    Free shipping to UK, Europe and Singapore.

    A beautifully restrained mid-century interior still life depicting a simple table illuminated by soft natural light, with a solitary white vessel and dish arranged against a backdrop of windows and architectural forms, executed in oil onto canvas and dated 1959.

    Rather than focusing on narrative, the artist celebrates the quiet poetry of everyday objects, transforming an ordinary domestic scene into a contemplative study of light, balance and atmosphere.

    Painted in a modernist style, the composition is carefully constructed through bold geometric shapes and strong verticals, creating an elegant sense of structure while maintaining an understated intimacy. The pared-back arrangement and generous negative space evoke a calm, almost meditative mood, allowing the subtle relationships between form, light and shadow to take centre stage.

    The palette is sophisticated and subdued, combining cool shades of slate grey, charcoal, ivory, muted turquoise and deep blue with delicate touches of warm cream. These restrained colours harmonise beautifully, while enhancing its tranquil, light-filled atmosphere.

    Confident, expressive brushwork brings the surface to life. Broad, textured strokes define the architectural planes, while layers of thickly applied paint create subtle variations across the walls, table and window shutters. The loose handling softens the geometry just enough to preserve a sense of warmth and spontaneity, resulting in a work that feels both thoughtfully composed and effortlessly painterly.

    This oil on canvas is presented in an elegant silver-toned wood frame with an inner linen border. The painting itself is in excellent vintage condition. The frame displays minor age-related wear, including a tiny area of wood loss to the top left corner, consistent with its age. 

    Size: 49.5 x 57.5 cm (including frame)

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  • At your Service

    At your Service

    £300

    Available

    Free shipping to UK, Europe and Singapore.

    A wonderfully textured figurative composition, executed in oil onto board and dated 1976.

    A figure is captured in the act of serving a drink. The figure blends seamlessly into an abstract backdrop where shades of white, light blue, greens and brown overlay one another. He or she appears as a natural extension of this delicate environment, and by leaving areas of the canvas exposed, the artist’s creative use of negative space accentuates the figure’s form.

    The subtle colours, applied with loose and unrestrained brushstrokes, create a textural and visually stimulating surface. Its expressive nature also evokes a sense of movement and depth, drawing the viewer into the scene.

    This oil on board is housed in a well-suited gilt frame with multiple ridges. Both the painting and frame are in excellent vintage condition.

    Size: 58 x 43 cm (including frame)

    The pot seen in the photos is also available to purchase and details can be viewed here.

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  • En Route My Love

    En Route My Love

    £640

    Available

    Free shipping to UK, Europe and Singapore.

    A very captivating and richly toned original painting by British artist Frances Daws.
    Inspired by the quiet familiarity of travelling the same country roads time and time again, Frances distils the landscape into memory rather than reality. Instead of capturing every field and hedgerow, she paints the essence of a place as it lingers in the mind.
    A deliberately muted palette of deep greens, earthy reds and soft pinks creates a gentle rhythm across the canvas, while subtle glimpses of the underpainting unify the composition and hint at the layers beneath our own recollections. The result is a landscape that feels both recognisable and elusive. Less a specific view, and more the feeling of passing through the countryside, where memories blur into one another with every journey.
    The painting is beautifully presented in a wide profile rustic wood frame. Both painting and frame are in excellent condition.

    Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

    To view more paintings in this series, click here.

    Size: 50 x 60 cm (including frame)

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  • Fleeting Glances

    Fleeting Glances

    £640

    Available

    Free shipping to UK, Europe and Singapore.

    A brilliantly executed and richly coloured original painting by British artist Frances Daws.
    In this expressive landscape, Frances Daws explores not the countryside as it appears, but as it is remembered after countless journeys along the same familiar roads. Shapes dissolve into broad, confident brushstrokes, while a restrained palette of deep greens, warm ochres and soft pinks allows shifts in tone to take centre stage.
    The landscape feels as though it is constantly moving. Glimpsed from a car window, recalled later in fragments, and reassembled through memory rather than observation. Areas of exposed underpainting peek through the composition, lending a sense of depth and cohesion while reminding us that, much like our own recollections, every landscape is built layer by layer. The result is a painting that feels both tranquil and wonderfully familiar, inviting the viewer to fill in the details with memories of journeys of their own
    The painting is beautifully presented in a wide profile rustic wood frame. Both painting and frame are in excellent condition.

    Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

    To view more paintings in this series, click here.

    Size: 50 x 60 cm (including frame)

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  • From Lacock to Bath

    From Lacock to Bath

    £555

    Available

    Free shipping to UK, Europe and Singapore.

    An expressive and vividly coloured painting by British artist Frances Daws.

    “From Lacock to Bath” captures the fleeting impressions gathered along one of the West Country’s most familiar routes. Rather than documenting a particular view, Frances paints the landscape as it settles in the memory after repeated journeys, rolling hills reduced to confident, flowing shapes and a carefully restrained palette of deep greens, rich earth tones and soft pinks. The subtle contrasts in tone create depth without relying on fine detail, while glimpses of the underpainting unify the composition and hint at the layers beneath the surface.

    The result is a landscape that feels both unmistakably rural and beautifully universal, inviting us to recognise not a place, but the familiarity of a journey we’ve taken many times before.

    This painting on canvas board is beautifully presented in a in white St Ives style frame. Both painting and frame are in excellent condition.

    Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

     

    To view more paintings in this series, click here.

    Size: 31 x 37 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Verdant Passage

    Verdant Passage

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    An energetic and gestural abstract landscape, executed in oil onto canvas and dated 2015 by post-war Swedish artist Bo Swenson (1932–2022), whose artworks have been displayed in major public collections including the Swedish National Museum and Moderna Museet in Stockholm.

    The artwork evokes the sensation of moving through a lush woodland rather than depicting it literally. Broad vertical forms suggest tree trunks, while sweeping fields of green hint at dense foliage, filtered light and the layered depth of a forest interior. The composition balances recognisable natural references with expressive abstraction, inviting viewers to complete the landscape through memory and imagination.

    Executed in a distinctly gestural, modernist style, the painting favours spontaneity and movement over precise representation. Confident, oversized brushstrokes overlap freely, creating a lively interplay between solid forms and open passages of exposed canvas. Vertical black marks establish a rhythmic structure, while loosely applied green shapes soften the composition. The result is both dynamic and contemplative, capturing the atmosphere of nature through gesture rather than detail.

    The palette is refreshingly vibrant, dominated by varying shades of rich greens. These are balanced with creamy ivory, warm buttery yellows and deep charcoal accents, producing striking contrasts that simultaneously convey freshness, light and shadow. The restrained colour selection allows subtle tonal shifts to create depth while maintaining an overall sense of harmony.

    Brushwork is bold, immediate and highly expressive. Thick, loaded strokes sit alongside dry-brushed passages, adding texture to the surface. Sweeping arcs, broad painterly blocks and quick linear gestures overlap in an intuitive rhythm, while occasional exposed areas of ground provide breathing space within the composition. The visible hand of the artist imbues the painting with a sense of energy and confidence, making it highly engaging.

    This oil on canvas is presented in a complementary slim silver frame. The painting is in excellent vintage condition, and the frame has some scuffs. 

    Size: 47.5 x 42 cm (including frame)

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  • The Waiting Bicycle

    The Waiting Bicycle

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    A contemplative mid-century painting captures a tranquil domestic interior, where the viewer looks through a tall sash window towards a lone bicycle resting outside, executed in oil onto canvas.

    Rather than making the bicycle the central focus, the artist celebrates the interplay between interior and exterior spaces. Long bands of sunlight stretch dramatically across the window frame and sill, transforming an everyday scene into a study of light, shadow, and quiet observation. The composition evokes a sense of calm, inviting the viewer to pause and appreciate the beauty found in an ordinary moment.

    Executed in a refined mid-century realist style with subtle modernist influences, the painting balances careful observation with simplified forms and a restrained sense of geometry. The strong verticals and horizontals of the window create an architectural structure that contrasts beautifully with the organic silhouette of the bicycle beyond.

    A harmonious palette of honey yellows, olive greens, soft creams, and muted browns gives the composition a gentle, sunlit warmth. The golden exterior light is offset by the cooler grey-brown shadows within the room, while touches of muted blue on the bicycle provide a subtle focal point. The restrained colour scheme enhances the painting’s peaceful, timeless character.

    The brushwork is measured and controlled, with smooth, even applications of paint that reinforce the stillness of the scene. Soft blending creates convincing transitions between light and shadow, while delicate variations in texture subtly animate the grassy foreground and weathered surfaces outside. Fine, confident detailing defines the bicycle and window frames without becoming overly precise, allowing the composition to retain its painterly elegance.

    This oil on canvas is presented in a complementary dark wood frame with an inner stepped silver profile. Both the painting and frame are excellent vintage condition. 

    Size: 63 x 46 cm (including frame)

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