• The Distant Green

    The Distant Green

    £570

    Available

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    A beautifully restrained mid-century abstract landscape, depicting a broad, open countryside reduced to its most essential forms, executed in oil onto canvas and dated 1960.

    A distant and low ribbon of fields stretches horizontally across the composition, punctuated by slender trees and softly defined clusters of foliage. Above and below, expansive areas of pale colour create a wonderful sense of space and stillness, giving the distant landscape an almost meditative presence.

    The artist takes a distinctly modernist approach to the landscape, favouring simplification and abstraction over descriptive detail. The countryside is constructed through elongated bands and flattened shapes, with trees and hedgerows appearing as loose vertical and horizontal marks. The unusually low, narrow horizon emphasises the breadth of the surrounding space and lends the painting a strikingly minimalist quality.

    The palette is wonderfully understated, dominated by warm ivory, soft cream and muted yellow, contrasted against a concentrated band of sage, olive, forest green and blue-green. Subtle shifts between these greens suggest fields, distant trees and changing vegetation without defining them too precisely. The warmth of the surrounding pale ground gives the cooler greens a particularly fresh luminosity.

    Brushwork is loose and expressive. Broad horizontal sweeps establish the fields and horizon, while short, upright strokes indicate trees and distant structures. Areas of dry, broken pigment allow the lighter ground to show through, introducing texture and movement to the otherwise serene composition. The sparseness of the marks feels deliberate: with remarkably little detail, the artist captures the atmosphere and rhythm of a vast rural landscape.

    This oil on canvas is presented in  a complementary slim gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs.

    Size: 33.5 x 67.5 cm (including frame)

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  • The Hills Beyond

    The Hills Beyond

    £445

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    An expressive and wonderfully textured modernist landscape depicting a dense woodland and rolling hills, executed in oil onto canvas and dated 1971.

    A small red-roofed structure sits quietly at the centre of the composition, almost enveloped by the surrounding trees. Beyond, the landscape rises into broad undulating hills, with a distant blue peak emerging beneath an expansive, pale sky.

    The work has a distinctly modernist, expressionistic character, favouring simplified forms, heightened colour and energetic mark-making over naturalistic detail. The landscape is constructed in loose horizontal bands – foreground, woodland, hills and sky – while the upright forms of the trees create a lively vertical rhythm through the centre of the painting.

    The palette is particularly vibrant, dominated by olive, forest and lime greens, punctuated by flashes of golden yellow, ochre, apricot and burnt orange across the trees. Deep blue-green and near-black passages give weight to the woodland, while the distant mountain is picked out in striking cobalt and ultramarine blue. Soft blue, cream and pale yellow sweep across the sky, balancing the richer earth tones below. The small building, rendered in warm red and brown, provides a subtle focal point amid the vegetation.

    Paint has been applied with bold, vigorous and highly visible brushstrokes, with areas of thick impasto giving the surface a wonderfully tactile quality. Short, upright strokes articulate the trees, while broader, sweeping marks describe the contours of the hills and sky. In the foreground, long horizontal strokes of ochre and cream draw the eye into the scene. Throughout, glimpses of the underlying canvas remain visible between strokes, adding to the painting’s spontaneous, expressive character.

    This oil on canvas is presented in a complementary natural wood frame. The painting is in excellent vintage condition, and the frame has some scuffs.

    Size: 43.5 x 64 cm (including frame)

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  • Waiting by the Window

    Waiting by the Window

    £850

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    An intriguing and enigmatic semi-abstract figurative oil, painted onto canvas and dated 1948 by the established Swedish artist Rune Janson (1918-2004), who’s artworks have been displayed at the National Museum in Stockholm, Moderna Museet in Stockholm, Gothenburg Art Museum and other museums in Sweden and the National Gallery in Oslo and the Centre Georges Pompidou Paris.

    A solitary woman is depicted seated in profile beside what appears to be a window. Her form is pared back into simple blocks of colour and loosely drawn lines, with the artist giving us very little detail, yet somehow enough to suggest an entire moment. She might be sitting, waiting, thinking, or simply watching the world beyond the glass.

    The composition has a distinctly modernist quality, with the figure reduced to softly geometric shapes and expressive passages of colour rather than carefully rendered detail. Her elongated pink face and dark charcoal dress are punctuated by a powder-blue collar and deep navy cuff.

    Powder blue and pale green create a soft, almost dreamlike setting, while touches of mustard, pink and deep teal bring warmth and structure to the composition. The restrained palette lends the work a wonderfully gentle, contemplative atmosphere.

    Brushstrokes remain loose and visible throughout, with areas of thinly applied paint allowing the texture of the canvas to show through. Broad, gestural marks sit alongside more deliberate outlines, giving the painting an appealing sense of spontaneity and freedom.

    This oil on canvas is wonderfully presented in a simple but effective wood frame. Both painting and frame are in excellent vintage condition.

    Size: 44.5 x 40.5 cm (including frame)

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  • Waves

    Waves

    £435

    Available

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    A rhythmic and richly textured mid-century abstract composition, executed in oil onto canvas.

    Embracing the principles of movement and rhythm, this abstract composition showcases a dynamic mix of yellow, green, and blue horizontal wavy planes of colour. They flow across the canvas, resembling undulating waves, suggesting movement and fluidity, and creating a soothing visual experience.

    The textured surface, achieved through the masterful implementation of the impasto technique, adds depth and tactility to the piece, inviting viewers to explore its intricacies.

    This oil on canvas is housed in a complementary slim frame. Both painting and frame are in excellent vintage condition.

    Size: 48.5 x 67.5 cm (including frame)

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  • Blue Echoes

    Blue Echoes

    £545

    Available

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    A striking mid-century abstract composition that explores the tension between mass, movement and negative space, painted in oil onto board by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

    Rather than depicting a recognisable subject, the painting invites interpretation through its bold architectural forms and layered textures. A sweeping black arc anchors the composition, while sculptural passages of white, vivid cobalt blue and warm browns appear to float across a tranquil slate-grey ground, suggesting the remnants of a constructed landscape or an imagined industrial horizon.

    Executed in a distinctly mid-century modernist style, the work balances geometric abstraction with expressive, tactile mark-making. The composition feels carefully considered yet spontaneous, combining the structural confidence of post-war abstraction with the physicality of gestural painting. Areas of exposed underpainting and irregular edges lend the work an authentic sense of process, revealing the artist’s intuitive approach to building the surface.

    The restrained palette of soft greys, charcoal black and creamy white is punctuated by electric cobalt blue and earthy browns, creating a compelling dialogue between cool and warm tones. These carefully placed accents energise the composition without overwhelming its quiet sophistication.

    The paint surface is richly textured, with thick impasto passages applied confidently using a palette knife or broad brush. Heavy ridges of paint, scraped-back layers and expressive drips create remarkable depth, while looping linear gestures on the right-hand side introduce a lively counterpoint to the otherwise solid forms. The resulting surface is highly tactile, celebrating the materiality of paint as much as colour and composition.

    This oil on board is presented in a silver frame. The painting itself is in very good vintage condition. There are scuffs to the frame and marks visible to the pale sections of the frame. There is a small area of wear to the top section of the frame.

    Size: 34.5 x 73 cm (including frame)

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  • Where the Palms Sway

    Where the Palms Sway

    £555

    Available

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    A charming mid-century modern townscape that captures the warmth and simplicity of a Mediterranean village through a wonderfully stylised composition, executed in oil onto canvas.

    Whitewashed buildings with terracotta roofs cluster together while a lone palm tree and broad-leafed plants frame the quiet street, evoking the relaxed atmosphere of a coastal settlement bathed in southern light.

    Executed in a distinctly modernist style, the artist reduces architecture and landscape into bold geometric forms and flattened planes of colour. Perspective is intentionally simplified, allowing the rhythmic arrangement of rooftops, walls and pathways to create a harmonious sense of balance rather than strict realism. The composition possesses a naïve elegance, where everyday architecture is transformed into an expressive study of shape, light and colour.

    The palette is both vibrant and restrained, pairing rich burnt orange roofs with soft creams, pale sage greens, muted blues and warm greys. A dramatic slate-blue sky provides striking contrast, enhancing the luminosity of the village while deep charcoal shadows add depth and definition. Bright green foliage introduces lively accents that guide the eye through the composition.

    Confident, deliberate brushstrokes reinforce the painting’s modern character. Areas of flat, opaque colour are punctuated by visible directional strokes that lend texture and movement without overwhelming the clean geometry of the scene.

    This oil on canvas is presented in a complementary wood frame with a warm honey finish and that features a stepped, multi-profile design. Both the painting and frame are in excellent vintage condition.

    Size: 35 x 43 cm (including frame)

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  • Landscape Remembered

    Landscape Remembered

    £510

    Available

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    A striking mid-century modernist abstract composition, painted in oil onto board by the established Swedish painter Hans Osswald (1919-1983), whose works have been exhibited at the National Museum in Stockholm, Malmö Museum as well as The Brooklyn Museum.

    The composition distils the essence of a landscape into a harmonious arrangement of geometric forms and expressive gestures. Suggestive silhouettes of harbourside buildings and rolling headlands stretch across a broad horizon, while sweeping black marks evoke the movement of seabirds or drifting clouds overhead. Rather than depicting a specific place, the artist captures the memory and atmosphere of a landscape through abstraction.

    Rendered in a beautifully restrained palette of warm greys, taupe and charcoal, the composition is enlivened by carefully placed accents of cobalt blue, burnt sienna, ochre, soft sage and pale lemon. These vibrant passages punctuate the muted tones, lending the work a quiet sense of rhythm and vitality without disturbing its overall serenity.

    Confident, deliberate brushwork characterises the painting throughout. Crisp, flat planes of colour are balanced by spontaneous gestural strokes, textured impasto passages and exposed painterly marks that reveal the artist’s process. The interplay between controlled geometry and expressive abstraction creates a composition that feels both structured and lyrical.

    This oil on board is presented in an elegant linen-lined wood frame with an inner silver window. The painting is in excellent vintage condition, and the frame has some scuffs mainly at the inner section. 

    Size: 49.5 x 65 cm (including frame)

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  • A Moment of Quiet

    A Moment of Quiet

    £575

    Available

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    A beautifully restrained mid-century interior still life depicting a simple table illuminated by soft natural light, with a solitary white vessel and dish arranged against a backdrop of windows and architectural forms, executed in oil onto canvas and dated 1959.

    Rather than focusing on narrative, the artist celebrates the quiet poetry of everyday objects, transforming an ordinary domestic scene into a contemplative study of light, balance and atmosphere.

    Painted in a modernist style, the composition is carefully constructed through bold geometric shapes and strong verticals, creating an elegant sense of structure while maintaining an understated intimacy. The pared-back arrangement and generous negative space evoke a calm, almost meditative mood, allowing the subtle relationships between form, light and shadow to take centre stage.

    The palette is sophisticated and subdued, combining cool shades of slate grey, charcoal, ivory, muted turquoise and deep blue with delicate touches of warm cream. These restrained colours harmonise beautifully, while enhancing its tranquil, light-filled atmosphere.

    Confident, expressive brushwork brings the surface to life. Broad, textured strokes define the architectural planes, while layers of thickly applied paint create subtle variations across the walls, table and window shutters. The loose handling softens the geometry just enough to preserve a sense of warmth and spontaneity, resulting in a work that feels both thoughtfully composed and effortlessly painterly.

    This oil on canvas is presented in an elegant silver-toned wood frame with an inner linen border. The painting itself is in excellent vintage condition. The frame displays minor age-related wear, including a tiny area of wood loss to the top left corner, consistent with its age. 

    Size: 49.5 x 57.5 cm (including frame)

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  • En Route My Love

    En Route My Love

    £640

    Available

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    A very captivating and richly toned original painting by British artist Frances Daws.
    Inspired by the quiet familiarity of travelling the same country roads time and time again, Frances distils the landscape into memory rather than reality. Instead of capturing every field and hedgerow, she paints the essence of a place as it lingers in the mind.
    A deliberately muted palette of deep greens, earthy reds and soft pinks creates a gentle rhythm across the canvas, while subtle glimpses of the underpainting unify the composition and hint at the layers beneath our own recollections. The result is a landscape that feels both recognisable and elusive. Less a specific view, and more the feeling of passing through the countryside, where memories blur into one another with every journey.
    The painting is beautifully presented in a wide profile rustic wood frame. Both painting and frame are in excellent condition.

    Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

    To view more paintings in this series, click here.

    Size: 50 x 60 cm (including frame)

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  • Fleeting Glances

    Fleeting Glances

    £640

    Available

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    A brilliantly executed and richly coloured original painting by British artist Frances Daws.
    In this expressive landscape, Frances Daws explores not the countryside as it appears, but as it is remembered after countless journeys along the same familiar roads. Shapes dissolve into broad, confident brushstrokes, while a restrained palette of deep greens, warm ochres and soft pinks allows shifts in tone to take centre stage.
    The landscape feels as though it is constantly moving. Glimpsed from a car window, recalled later in fragments, and reassembled through memory rather than observation. Areas of exposed underpainting peek through the composition, lending a sense of depth and cohesion while reminding us that, much like our own recollections, every landscape is built layer by layer. The result is a painting that feels both tranquil and wonderfully familiar, inviting the viewer to fill in the details with memories of journeys of their own
    The painting is beautifully presented in a wide profile rustic wood frame. Both painting and frame are in excellent condition.

    Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

    To view more paintings in this series, click here.

    Size: 50 x 60 cm (including frame)

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  • From Lacock to Bath

    From Lacock to Bath

    £555

    Available

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    An expressive and vividly coloured painting by British artist Frances Daws.

    “From Lacock to Bath” captures the fleeting impressions gathered along one of the West Country’s most familiar routes. Rather than documenting a particular view, Frances paints the landscape as it settles in the memory after repeated journeys, rolling hills reduced to confident, flowing shapes and a carefully restrained palette of deep greens, rich earth tones and soft pinks. The subtle contrasts in tone create depth without relying on fine detail, while glimpses of the underpainting unify the composition and hint at the layers beneath the surface.

    The result is a landscape that feels both unmistakably rural and beautifully universal, inviting us to recognise not a place, but the familiarity of a journey we’ve taken many times before.

    This painting on canvas board is beautifully presented in a in white St Ives style frame. Both painting and frame are in excellent condition.

    Frances Daws is a British Artist working in the Southwest of England. Primarily a painter she also works within printmaking. Having lived by the English coastline and now residing within the countryside her work is often formed by ‘colour journeys’ a form of mapping the landscape through the emotive language of colour.

     

    To view more paintings in this series, click here.

    Size: 31 x 37 cm (including frame)

    Free domestic (UK) shipping. As this artwork is very large, it is unlikely that we will be able to ship it internationally. If you are very interested and are located outside of the UK, please contact us and we will see what we can do.

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  • Stylised Fruit

    Stylised Fruit

    £640

    Available

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    An elegant 20th century modernist style still life composition, executed in oil onto canvas and dated 1986.

    Two stylised green fruit rest upon a pale tabletop, their simplified geometric shapes illuminated by strong directional light that casts long, angular shadows across the composition. Rather than pursuing realism, the artist celebrates the quiet beauty of ordinary objects through carefully considered planes of colour and an understated sense of harmony.

    Executed in a distinctly mid-century modern style, the painting embraces minimalism and geometric abstraction. The fruit are reduced to faceted forms, while the surrounding space is constructed from broad intersecting planes that create depth through subtle shifts in tone. The restrained composition evoke a sense of calm, allowing light and shadow to become as important as the objects themselves.

    The palette is soft and sophisticated, dominated by cool aqua and turquoise blues that contrast beautifully with muted sage, olive, and pale green tones. Gentle greys provide balance, while small accents of dark charcoal and earthy brown in the stems and leaves introduce subtle definition.

    The brushwork is smooth and controlled, with flat, opaque applications of paint that reinforce the crisp quality of the composition. Clean edges and carefully defined colour fields create an architectural precision.

    This oil on canvas is presented in a beautiful wood frame with a silver grey wood-grain finish. The painting is in excellent vintage condition, and there are some scuffs to the inner area of the frame. 

    Size: 57 x 65 cm (including frame)

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  • Where Light Rests

    Where Light Rests

    £455

    Available

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    A minimalist and elegant mid-century abstracted composition that distils the essence of a tranquil seascape into a beautifully restrained arrangement of form, light and atmosphere, executed in oil onto canvas.

    Two simplified sailboats rest quietly upon still water, their dark hulls and slender masts emerging from an expansive field of soft ivory. A delicate burst of luminous colour behind the vessels hints at the first light of day or the gentle glow of a setting sun, creating a subtle focal point without disrupting the painting’s meditative calm.

    Executed in a modernist style, the work embraces minimalism and negative space, allowing the surrounding emptiness to become as expressive as the subjects themselves. The composition balances precision with softness, reducing familiar maritime forms to their essential geometry while preserving a strong sense of serenity and contemplation.

    The palette is intentionally restrained, dominated by warm whites, cream and pale stone tones, accented with charcoal black and touches of muted turquoise and soft gold that gently radiate through the centre of the composition. These understated colours lend the painting a quiet luminosity and timeless sophistication.

    Brushwork is delicate and atmospheric throughout, with fine surface texture within the paint that creates depth. Thin, carefully controlled lines define the masts, while the hulls are rendered with confident, sculptural strokes. The surrounding paint has been softly layered and feathered, creating translucent washes and subtle tonal transitions that evoke mist, reflected light and calm water.

    This oil on canvas is presented in a distressed style wood frame with a light gold gold finish that beautifully complements the work’s soft, neutral palette.  Both the painting and frame are in excellent vintage condition.

    Size: 59.5 x 48 cm (including frame)

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  • Garden Gate in Spring

    Garden Gate in Spring

    £435

    Available

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    A vibrant and uplifting mid-century landscape painting depicting a lush garden entrance, where a white picket gate opens onto a winding pathway beneath flourishing trees in bloom, executed in oil onto canvas and dated 1961.

    The composition captures an everyday suburban scene with remarkable freshness, celebrating the quiet beauty of a well-tended garden at the height of spring. Rather than focusing on intricate detail, the artist conveys the atmosphere through simplified forms and an intuitive sense of colour.

    Executed in an expressive, painterly style, the work balances representation with loose abstraction. The scene is built from confident, gestural brushstrokes that allow shapes to dissolve into one another, creating a lively impression of filtered sunlight, moving foliage, and blossoming branches. Broad sweeps of paint are contrasted with more deliberate marks that define the fence, tree trunks, and winding path, lending the composition both structure and spontaneity.

    The palette is fresh and uplifting, dominated by an array of luminous greens ranging from soft sage to vibrant lime, complemented by crisp whites, cool blue-greys, warm yellows, and delicate blush pinks along the pathway. The interplay of light and colour evokes the warmth of a bright spring day, while the visible brushwork gives the painting an energetic, immediate quality that is full of movement and life.

    This oil on canvas is presented in a well crafted wood frame with an inner gilt border. Both the painting and frame are in excellent vintage condition.

    Size: 58 x 68 cm (including frame)

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  • Cottage Garden Gathering

    Cottage Garden Gathering

    £555

    Available

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    A charming mid-century modern landscape captures the quiet rhythm of everyday life in a peaceful countryside setting, executed in oil onto board.

    A modest white cottage with a steep charcoal roof sits at the heart of the composition, framed by leafy trees and a warm terracotta garden wall. Small figures animate the scene – two gathered around a table beneath the window while another walks across the lawn carrying a basket – bringing a gentle sense of domestic activity without distracting from the tranquil atmosphere.

    Painted in a distinctly modernist style, the composition is simplified into broad, confident forms with an emphasis on balance and mood over fine detail. The artist employs an understated palette of soft sage and celadon greens, creamy whites, blush pinks, deep slate greys, and earthy browns. Carefully placed accents of coral red and blue within the figures introduce subtle moments of colour that enliven the otherwise restrained composition.

    The brushwork is loose, expressive, and painterly, with broad, visible strokes that allow the texture of the surface to remain evident throughout. Buildings and foliage are rendered with gestures rather than precise definition, while the sky is built from sweeping, layered strokes that create a luminous, atmospheric backdrop.

    This oil on board is presented in a simple painted wooden frame finished in an off-white tone, complementing the soft, muted palette of the artwork. The painting is in excellent vintage condition, and the frame has some scuffs. 

    Size: 65.5 x 68.5 cm (including frame)

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  • Daphne

    Daphne

    £550

    Available

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    A charming contemporary naïve style painting, executed in oil onto panel by British artist Matt Rix.

    Set within a tranquil landscape, the painting depicts a sheep named Daphne by the artist, standing peacefully in an open meadow. In the distance, a small white cottage nestles atop a rolling hill, with a ribbon of smoke rising from its chimney beneath a brilliant blue sky dotted with stylised clouds.

    Painted in a contemporary naïve style, the composition embraces simplicity, clarity and a sense of childlike wonder. The artist distils the landscape into softly undulating hills, clean silhouettes and carefully balanced forms, creating a scene that feels both timeless and quietly whimsical.

    The colour palette is fresh and harmonious, combining lush greens with a vivid blue sky and warm cream tones that give the sheep a soft, luminous presence. Gentle beige accents define the animal’s face, legs and ears, while the white cottage introduces a subtle focal point that balances the composition. The restrained palette creates an atmosphere of warmth, optimism and pastoral serenity.

    Brushwork is smooth and controlled, with thin, even applications of paint producing broad, uninterrupted fields of colour. Subtle tonal modulation across the sheep’s fleece suggests softness, while delicate linear brushstrokes within the foreground grass add gentle movement and texture.

    This oil on board is housed in a black painted wooden frame with a gilded inner trim. Both painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 37 x 47.5 cm (including frame)

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  • Mary

    Mary

    £550

    Available

    Free shipping to UK, Europe and Singapore.

    A charming contemporary naïve style painting, executed in oil onto panel by British artist Matt Rix.

    Set within a tranquil landscape, the painting depicts a sheep named Mary by the artist, standing peacefully in an open meadow, its gaze turned gently towards the viewer. In the distance, a small white cottage nestles atop a rolling hill, with a ribbon of smoke rising from its chimney beneath a brilliant blue sky dotted with stylised clouds.

    Painted in a contemporary naïve style, the composition embraces simplicity, clarity and a sense of childlike wonder. The artist distils the landscape into softly undulating hills, clean silhouettes and carefully balanced forms, creating a scene that feels both timeless and quietly whimsical.

    The colour palette is fresh and harmonious, combining lush greens with a vivid blue sky and warm cream tones that give the sheep a soft, luminous presence. Gentle beige accents define the animal’s face, legs and ears, while the white cottage introduces a subtle focal point that balances the composition. The restrained palette creates an atmosphere of warmth, optimism and pastoral serenity.

    Brushwork is smooth and controlled, with thin, even applications of paint producing broad, uninterrupted fields of colour. Subtle tonal modulation across the sheep’s fleece suggests softness, while delicate linear brushstrokes within the foreground grass add gentle movement and texture.

    This oil on board is housed in a black painted wooden frame with a gilded inner trim. Both the painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 37 x 47.5 cm (including frame)

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  • Norma

    Norma

    £550

    Available

    Free shipping to UK, Europe and Singapore.

    A charming contemporary naïve style painting, executed in oil onto panel by British artist Matt Rix.

    A black ewe (named ‘Norma’ by the artist) stands calmly against a simplified countryside, framed by rolling green pasture, glowing yellow hills and a soft grey sky scattered with stylised clouds. With its gentle expression and sturdy silhouette, the animal becomes the quiet focal point of the composition, conveying a sense of contentment and innocence. The intentionally pared-back landscape enhances the painting’s contemplative mood, allowing the humble subject to command the viewer’s attention.

    Executed in a contemporary naïve style, the work embraces simplicity and bold forms. The artist avoids unnecessary detail in favour of clean outlines and balanced composition, creating an image that feels both playful and quietly sophisticated.

    The palette is restrained yet striking, contrasting the rich charcoal-black body of the sheep with warm ochre-yellow hills, muted sage-green grass and a softly graduated grey sky. Delicate touches of brown define the sheep’s face and legs, while the subtle golden tones in the landscape introduce warmth and optimism without overwhelming the composition.

    Brushwork is smooth and deliberate, with carefully applied layers producing broad, even areas of colour and very little visible texture. Gentle tonal variation within the sheep’s coat and sky adds depth while maintaining the painting’s clean aesthetic.

    This oil on board is housed in a black painted wooden frame with a gilt inner trim. Both the painting and frame are in excellent condition.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 37 x 47.5 cm (including frame)

    We take great care in ensuring our listings are accurate and true to life. To read reviews by customers who have recently purchased artworks from us, click here.

  • Walter

    Walter

    £550

    Available

    Free shipping to UK, Europe and Singapore.

    A charming contemporary naïve style painting, executed in oil onto panel by British artist Matt Rix.

    A black ram, aptly named ‘Walter’ by the artist, stands calmly against a simplified countryside, framed by rolling green pasture, glowing yellow hills and a soft grey sky scattered with stylised clouds. With its gentle expression and sturdy silhouette, the animal becomes the quiet focal point of the composition, conveying a sense of contentment and innocence. The intentionally pared-back landscape enhances the painting’s contemplative mood, allowing the humble subject to command the viewer’s attention.

    Executed in a contemporary naïve style, the work embraces simplicity and bold forms. The artist avoids unnecessary detail in favour of clean outlines and balanced composition, creating an image that feels both playful and quietly sophisticated.

    The palette is restrained yet striking, contrasting the rich charcoal-black body of the sheep with warm ochre-yellow hills, muted sage-green grass and a softly graduated grey sky. Delicate touches of brown define the sheep’s face and legs, while the subtle golden tones in the landscape introduce warmth and optimism without overwhelming the composition.

    Brushwork is smooth and deliberate, with carefully applied layers producing broad, even areas of colour and very little visible texture. Gentle tonal variation within the sheep’s coat and sky adds depth while maintaining the painting’s clean aesthetic.

    This oil on board is housed in a black painted wooden frame with a gilt inner trim. Both the painting and frame are in excellent condition. Please note that there is some glare present in the photos due to the light against the dark surface of the ram.

    British artist Matt Rix spent his childhood in South Africa and now lives with his family on a small holding in rural North Wales. His paintings are uncomplicated, modernist representations influenced by primitive and naïve folk art from times past. Many of the subjects Rix paints are inspired by the animals he sees from day to day. Rix uses recycled materials including discarded paints, boards, frames and backing paper. Much of his work is therefore produced using waste materials resulting in sustainable paintings that evoke a time-worn, nostalgic essence.

    To view the other paintings in this collection, click here.

    Size: 37 x 47.5 cm (including frame)

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  • Where the Street Bends

    Where the Street Bends

    £530

    Available

    Free shipping to UK, Europe and Singapore.

    A mid-century modernist painting that captures the charm of a winding street, executed in oil onto canvas and dated 1968.

    The composition leads the viewer around a gentle curve, framed by a procession of closely gathered buildings whose simplified forms and overlapping rooftops create a rhythmic architectural landscape. Rather than focusing on activity or figures, the painting celebrates the character of the built environment itself, transforming an everyday streetscape into a carefully balanced study of shape, colour and light.

    Executed in a restrained modernist style, the artist reduces the architecture to clean geometric planes and broad areas of flat colour. Perspective is gently compressed, allowing the facades and rooftops to stack together in harmonious layers that emphasise composition over strict realism. The resulting scene possesses a calm, contemplative quality, where atmosphere is conveyed through thoughtful simplification rather than intricate detail.

    The colour palette is warm yet refined, combining terracotta reds, burnt orange, yellow and muted sage greens with cool blue-grey rooftops, soft taupes and a pale, luminous sky. A crisp white building in the foreground anchors the composition, providing striking contrast against the richer hues beyond. These carefully balanced colours lend the painting both warmth and serenity while guiding the eye naturally through the winding street.

    The brushwork is confident and deliberate. Broad, even applications of paint establish the strong architectural forms, while subtle directional strokes and lightly textured surfaces add depth and movement without distracting from the painting’s graphic simplicity. The visible brushstrokes soften the otherwise geometric composition, giving the work a tactile quality and preserving the expressive character of the artist’s hand.

    This oil on canvas is presented in a complementary frame that features a wide cream-linen finish and an inner gilt moulding.  Both the painting and frame are in excellent vintage condition.

    Size: 71.5 x 62.5 cm (including frame)

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  • Cafe Corner

    Cafe Corner

    £500

    Available

    Free shipping to UK, Europe and Singapore.

    A charming mid-century figurative scene capturing two quiet moments at a cafe, painted in oil onto canvas.

    In the foreground, a seated figure in a deep navy jacket and soft blue beret rests a hand on the edge of a round cafe table, their form simplified into warm, tonal blocks of colour. Behind them, another figure is absorbed in reading, rendered with the same softened anonymity. A bright window view opens out to terracotta rooftops and a leafy green tree, bathing the interior in a gentle, diffused glow.

    Painted in a restrained, modernist style, the composition favours suggestion over detail. Colours are muted yet fresh – powder blues, sage greens, clay reds, and chalky neutrals form a harmonious palette. The brushwork is tactile and deliberate, with thick, confident strokes that create a pleasing sense of texture and movement. Figures and objects are shaped through broad patches of pigment rather than fine modelling, giving the work a serene, contemplative atmosphere.

    This oil on board is housed in a complementary linen lined frame that pairs wonderfully with the painting. Both the painting and frame are in excellent vintage condition.

    Size: 60.5 x 39 cm (including frame)

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  • Crimson Conversation

    Crimson Conversation

    £565

    Available

    Free shipping to UK, Europe and Singapore.

    A bold and expressive mid-century modernist figurative composition, painted in oil and gouache onto board by the established Swedish female artist Brita Hansson (1918-1979).

    The painting depicts two seated female figures in vivid red garments, engaged in quiet dialogue or mutual contemplation. Their forms are abstracted, rendered without facial features, allowing posture and colour to convey mood and intimacy.

    The painting bursts with saturated reds, deep purples, and yellows, offset by bold swathes of white and textured brushwork that creates a dynamic, almost rhythmic background. The foreground is punctuated by gestural strokes of lilac, grey-blue, and orange, suggesting fruit or textiles on a table.

    Executed confidently and swiftly, the brushstrokes are layered and gestural, giving the piece a tactile quality as well as lively feel.

    This oil and gouache on board is housed in a complementary gilt frame. The painting is in excellent vintage condition, and the frame has some scuffs.

    Size: 51 x 64 cm (including frame)

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  • Garden Gathering

    Garden Gathering

    £445

    Available

    Free shipping to UK, Europe and Singapore.

    A charming mid-century landscape painting captures a tranquil outdoor scene featuring two female figures seated at a round table in a sunlit garden, executed in oil onto board.

    Set against the backdrop of a soft beige house with a deep, shadowed doorway, the figures appear engaged in quiet conversation or shared activity, lending the composition a gentle narrative intimacy. The garden around them is lush and alive, with tall grasses in yellow-green hues and trees whose canopies are rendered in cool greens, blues and touches of deep teal, creating a vibrant interplay of colour and light.

    Executed in a distinctly modernist style, the artist has employed simplified forms and expressive, confident brushstrokes. The palette leans toward harmonious earth tones, punctuated by cool blues and greens that evoke dappled shade and warm Mediterranean air. The brushwork is loose yet intentional, especially in the foliage, where strokes overlap to create texture and depth. The figures, though minimally detailed, are sensitively modelled through shape and colour, allowing their presence to feel both grounded and atmospheric.

    Overall, this work offers a beautiful snapshot of leisurely outdoor life: serene, intimate, and rich with the warmth and colour characteristic of mid-century European painting.

    This oil on board is presented in a complementary gilt frame with an inner cream and white border. Both the painting and frame are in excellent vintage condition.

    Size: 58 x 67 cm (including frame)

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  • Shared Moments

    Shared Moments

    £425

    Available

    Free shipping to UK, Europe and Singapore.

    A beautifully atmospheric mid-century modernist oil painting depicting two figures in a quiet interior scene, executed in oil onto canvas.

    One is seated at a table, leaning gently forward, while the other stands nearby, their forms simplified and softened, inviting the viewer into an intimate moment. Light floods in from a large window in the background, casting a pale blue glow that contrasts against the deeper, earthy tones of the room.

    Rendered with expressive brushwork and impasto, the artist has used broad, confident strokes to build form and texture, giving the surface a tactile, almost sculptural quality. The muted greys, dusky mauves, and slate blues are gently warmed by accents of ochre and terracotta in the standing figure’s clothing, adding a subtle focal point to the composition.

    The scene carries a sense of stillness and familiarity – a fleeting domestic moment captured through abstraction, where emotion is conveyed not through facial detail but through posture, colour harmony, and the soft diffusion of light.

    This oil on canvas is presented in a complementary mid-century style frame with a softly textured, linen lined surface. Both the painting and frame are in excellent vintage condition.

     

    Size: 58.5 x 67 cm (including frame)

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  • Stroll Above the Bay

    Stroll Above the Bay

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    A lively mid-century expressionist landscape painting, executed in oil by the established Swedish artist Uno Vallman (1913-2004) whose works are included in the Swedish National Museum and The Swedish Modern Museum, to name a few. His works are also included in the collections of Lyndon Johnson, Jimmy Carter, and the Tessin Institute in Paris.

    This joyful painting captures three figures pausing on a grassy headland as they overlook a tranquil stretch of water framed by sculptural coastal pines. The sweeping composition draws the eye between the distinctive wind-shaped trees towards the shimmering bay beyond, while rolling green hills and rugged shoreline create a lively sense of place. Rather than pursuing realism, the artist distils the landscape into expressive forms, celebrating the harmony between nature and the quiet presence of people within it.

    Executed in a highly expressive, naïve modernist style, the composition is defined by bold outlines, flattened perspective and simplified organic shapes. The twisted crimson tree trunks become rhythmic anchors within the scene, while the figures are rendered with minimal detail, contributing to the painting’s spontaneous charm and decorative quality.

    The palette is vibrant yet harmonious, dominated by fresh spring greens, turquoise-blue water and a pale sky infused with soft blush-pink undertones. Rich crimson reds animate the tree trunks and are echoed subtly in the clothing of the figures and the flowering vegetation, creating visual rhythm across the composition. Crisp black contours unify the forms, while touches of white lend brightness and movement to the sea and landscape.

    The brushwork is energetic and confident, with visible, textured strokes applied in broad passages that allow the weave of the canvas to remain evident in places. Loose, gestural marks and expressive layering create a lively surface full of character, while the deliberate outlining of forms gives the composition clarity and a distinctly graphic quality. The resulting balance of texture, colour and simplified form lends the painting an enduring sense of warmth and optimism.

    This oil on canvas is presented in a complementary gilt frame. Both the painting and frame are in excellent vintage condition.

    Size: 51.5 x 60.5 cm (including frame)

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  • The Blue Teapot

    The Blue Teapot

    £595

    Available

    Free shipping to UK, Europe and Singapore.

    A charming mid-century modern still life that distils everyday domestic objects into a harmonious study of form, light and colour, executed in oil onto canvas.

    A wooden table supports a carefully balanced arrangement consisting of a striking dark blue teapot, a pale blue carton, and a tall white open box. Rather than striving for realism, the artist reduces the objects to confident geometric shapes, allowing the interplay of volume, shadow and negative space to become the true subject of the composition.

    Executed in a distinctly modernist style, the painting demonstrates an appreciation for simplified structure and thoughtful spatial relationships. The elongated table legs and gently abstracted forms lend the work a subtle sense of rhythm, while broad planes of light and shadow create depth without unnecessary detail. The composition feels both deliberate and effortless, embodying the restrained elegance characteristic of European mid-century painting.

    The colour palette is soft and beautifully balanced, combining  earthy browns and creamy ivory with cool passages of powder blue, slate grey and muted lavender. The dramatic teapot provides a bold focal point, its rich silhouette contrasting beautifully against the luminous background.

    Brushwork is confident. Broad, flat applications of paint define the major forms, while visible directional brushstrokes impart texture and vitality across the tabletop, vessels and surrounding walls. The artist embraces the natural movement of the brush, allowing slight variations in tone and edge to soften the geometric composition. The resulting surface possesses both freshness and restraint.

    This oil on canvas is presented in a complementary gilt framer with an inner linen border. Both the painting and frame are in excellent vintage condition.

    Size: 48.5 x 56.5 cm (including frame)

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  • The Green Ball

    The Green Ball

    £850

    Available

    Free shipping to UK, Europe and Singapore.

    A striking original mid century modernist composition, painted onto board and dated 1966 by the established Swedish artist Gunnar HÃ¥llander (1915-1980), whose artworks have been represented in public collections including the National Museum and Moderna Museet in Stockholm, the Sundsvall Museum and the Institut Tessinin in Paris.

    A group of mostly unidentifiable objects sit on a black and white surface, with one green ball punctuating the centre of the composition. This still life leans towards abstraction, with the artist focusing on the forms of the objects and how the elements interact with one another. There is an invisible tension between the objects, as they push and pull against one another. However, there is a very balanced rhythm through the picture, encouraging us viewers to weave our view in and out, up and down and around the composition to explore the form of each object. The artist uses a restrained palette – the picture is almost monochrome, except for the green in the middle, which draws our eyes to the centre of the picture. There is a wonderful depth to the composition, as well as a very satisfying matte finish to the overall surface.

    This oil on board is wonderfully presented in a distressed wood frame with an inner linen border. The painting is in excellent vintage condition, and the frame has very light wear but this suits its overall distressed style.

    Size: 66 x 75 cm (including frame)

    The sculpture seen in the photos is also available to purchase and details can be viewed here.

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  • Winter Rooftops

    Winter Rooftops

    £465

    Available

    Free shipping to UK, Europe and Singapore.

    A calm and beautifully restrained mid-century cityscape composition that transforms an everyday cluster of rooftops into an elegant study of form, balance, and light, executed in oil onto canvas.

    Rather than focusing on architectural detail, the artist reduces the surrounding buildings to simple interlocking planes, allowing the composition to become a harmonious arrangement of rectangles, pitched roofs, and chimneys. The elevated viewpoint creates an intimate glimpse across neighbouring buildings, evoking the quiet atmosphere of an early morning before the city stirs.

    Executed in a distinctly modernist style, the painting reflects the Scandinavian appreciation for simplicity and order. The carefully flattened perspective, clean geometry, and subtle tonal transitions lend the work a contemplative quality, where familiar urban architecture becomes almost abstract in its rhythmic repetition.

    The palette is deliberately muted and sophisticated, combining warm creams, soft browns, pale taupes, muted terracotta reds, cool slate greys, and charcoal blacks beneath a crisp, powder-blue sky. These restrained colours create a pleasing contrast between warm sunlit façades and cool shadowed rooftops, giving the painting a quiet sense of depth without sacrificing its graphic simplicity.

    The brushwork is smooth and controlled throughout, with thin, even applications of paint that reinforce the crisp architectural forms. Gentle directional brushstrokes remain visible across the flat colour fields, lending the surface warmth and subtle texture while preserving the painting’s clean, minimalist aesthetic.

    This oil on canvas is presented in a complementary wood frame with a stepped profile. Both the painting and frame are in excellent vintage condition.

    Size: 45.5 x 38.5 cm (including frame)

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  • Wildflower Meadow

    Wildflower Meadow

    £415

    Available

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    A serene 20th century landscape that captures a quiet meadow dotted with wildflowers at the edge of a lightly wooded grove, executed in oil onto canvas and dated 1981.

    A scattering of slender trees rises from a carpet of soft grasses and delicate blooms. The scene evokes the stillness of a spring morning, where nature is observed with sensitivity and restraint.

    Executed in a gently impressionistic style, the painting prioritises atmosphere and mood over strict detail. The artist uses softened forms and subtle transitions of tone to create depth, allowing the landscape to dissolve gracefully into the distance. The composition feels airy and contemplative, inviting the viewer into a peaceful natural setting.

    The colour palette is fresh and understated, built around harmonious shades of sage green, celadon, pale blue, and silvery grey. Touches of lavender, violet, and bright yellow wildflowers animate the foreground, providing delicate accents against the cool greens of the meadow and trees. The pale sky lends an overall luminosity to the work, enhancing its tranquil character.

    Brushwork is light and fluid. Thin, vertical strokes describe grasses and tree trunks, while loosely applied layers of paint suggest foliage and distant woodland. The flowers are rendered with small, lively touches of colour that enliven the surface without disturbing the painting’s calm rhythm.

    This oil on canvas is presented in a complementary dark wood frame with an inner linen lining and slim gilt slip. The painting is in excellent vintage condition, and the frame has very light scuffing. 

    Size: 41 x 54 cm (including frame)

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  • Rhythm of Facades

    Rhythm of Facades

    £595

    Available

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    A compelling mid-century painting that presents a tightly composed arrangement of house facades that has been reduced to a sequence of interlocking geometric forms, executed in oil onto board and dated 1952.

    Angular rooftops, window blocks, and simplified architectural planes sit side by side, creating a dense, almost puzzle-like composition. A darker vertical element – suggestive of a tower or chimney – rises subtly in the background, adding contrast and anchoring the structure without disrupting its abstraction.

    Executed in a modernist style with clear cubist influences, the work prioritises shape and structure over traditional perspective. Depth is flattened, and space is conveyed through overlapping planes rather than illusionistic distance. The facades are treated as rhythmic units, each one contributing to a cohesive, grid-like harmony.

    The palette is restrained yet expressive. Soft whites, warm neutrals, and charcoal tones form the foundation, punctuated by bold accents of cobalt blue and deep red. These colour blocks introduce movement and visual tension, guiding the eye across the composition while maintaining overall balance.

    Brushwork is confident and tactile, with visible strokes lending subtle texture to the otherwise flat fields of colour. Slight variations in paint density and edge definition soften the geometry just enough to keep the piece feeling painterly rather than rigid.

    Overall, the painting offers a refined abstraction of architectural form: capturing the essence of house facades through a balanced interplay of colour, structure, and mid-century modern sensibility.

    This oil on board is presented in a light-toned wooden frame with a softly textured finish, and with subtle ridges that add depth without overwhelming the composition. The painting is in excellent vintage condition, and the frame has some light cracks present, consistent with age. 

    Size: 48 x 68 cm (including frame)

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